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David J Confronts Power And Injustice On “ICE Too Cold To Thaw”

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“The song simply roared out of me in a visceral response to the outrageous abuse of power that is happening in the USA right now.” says legendary post-punk artist/songwriter/icon David J about his new song “ICE Too Cold To Thaw” which is released today, October 23, 2025 via Mexico-based label No Devotion Records. The new song which is attributed to DAVID J & the RESISTANCE is a direct affront to the horrors and traumas experienced by non-citizens (and those perceived to be immigrants) by the United States Immigration and Customs Enforcement (commonly abbreviated to “ICE”), the law enforcement agency under the U.S. Department of Homeland Security which has been targeting undocumented immigrants across the country.


Assembling a veritable and impressive collection of artists and musicians, including visual artists Shepard Fairey and Tomo77 who created the front and back artwork, Ulises Bella (Ozomatli), Jason Roberts (Spoon), Rob Kaechele (DJ K), Slim Zwerling (Slim Zwerling & the Yums), Justin Carl Perkins (Mystery Room Mastering), among others, David J has united them for his groundbreaking single “ICE Too Cold To Thaw.”

The limited edition and autographed 7” single will be released on ice blue vinyl with two tracks: “ICE Too Cold To Thaw” b/w “ICE Too Cold To Thaw (Sad Jazz version)” at nodevotionrecords.bandcamp.com. It will also be available in a bundle that includes the 7” single plus an authorized numbered print, autographed by both David J and Shepard Fairey at store.obeygiant.com.

A percentage of the proceeds will go to USC Gould School of Law – Immigration Clinic to assist families adversely affected by ICE.

“Like a psychedelic town crier screaming, ‘hear ye hear ye,’ David reminds us of the folly of repeating history,” says Ozomatli’s Ulises Bella who plays baritone and alto sax on the single. “To me, the song is a call to arms to all artists and musicians to combat the casual fascism that Trump has unleashed with ICE terrorizing communities. We must stand together!”

Lyrically provocative and poignant (A mother and her babies / Cruelly torn apart / And carted off to God knows where / It’s enough to still your heart), the song is a call to arms to end the brutality. “I’ve been an eye witness to this outrage happening in LA,” says David J. “I’ve seen the brutality and resulting devastation first hand. It’s highly disturbing and heartbreaking. Something has to be done!”

American contemporary artist, activist and founder of OBEY Clothing, Shepard Fairey joined David’s crusade by creating the powerful cover art of a fascistic cop pointing an accusatory finger, an image that burns in the minds of those arrested, detained and, in many cases, deported.  “The United States was founded by immigrants fleeing oppression or simply searching for a better life,” Shepard explains. “The vast numbers of immigrants have made the ‘melting pot’ of the U.S. beautifully diverse culturally. Immigrants from around the globe, not racial or cultural homogeny, make America great. No human, documented or otherwise, deserves to be terrorized by the masked thugs of ICE. I’m pro-human rights and pro-justice so I’m proud to be part of this project!”

The accompanying video which was premiered by Rolling Stone which called it “a haunting protest song,” depicts an unattended ice cream cart, once manned by Ambrocio “Enrique” Lozano, a beloved neighborhood ice cream vendor for Culver City, CA who was brutally tackled to the ground and detained by ICE agents on June 23, 2025. The incident was covered in news broadcasts that were televised internationally. Now a symbol of the oppression and resistance to those fighting the current ongoing violence inflicted by ICE agents, the video depicts the little ice cream cart as it travels unattended through different politically charged international locales, interspersed with brutal news footage.

Video director Tony D explains, “As a young Mexican artist living in a border city, the scenes coming out of Los Angeles and all of the U.S. have shocked me. However, art can unite and serve as a weapon against injustice. I’m glad I got to work on David’s song, because in moments like these, artists shouldn’t remain silent. It is our duty to call out the injustices that occur in the world, and it is also our duty to find hope. The song represents these two very important values: resistance and hope.”

Released on No Devotion Records which is based in Mexicali, Mexico, the threat of ICE is direct and personal, as it is Mexicans who are most often targeted. “Every single person harassed, humiliated, tortured, separated and incarcerated is my brother and sister. This goes beyond bloodline,” says CEO / Founder Mario Cabada. “This is a cultural and social catastrophe that involves all of us, regardless of your race, sex, religion or political profile. The humanization and togetherness that music brings us all may help to heal the wound.”

Concludes David J, “I’ve been witnessing the ongoing fascist horror of what is happening on the streets in the USA with these ICE oppressors, kidnapping good hardworking people especially in my adopted hometown of Los Angeles. The potential impact of this song may only be a drop in the ocean, but that ocean is made up of drops as is a tidal wave! Bring it on!”

The 7″ on clear blue vinyl + autographed and numbered print bundle of “ICE Too Cold To Thaw” by David J. & the Resistance as well as the numbered/autographed print of the poster by Shepard Fairey is available for purchase today at 10:00am PT at store.obeygiant.com.



Country Breakout Tucker Wetmore Launches “The Brunette World Tour” Across US Europe And UK

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Country’s hottest rising star and 2025 CMA New Artist of the Year nominee Tucker Wetmore announces his 22-stop headlining The Brunette World Tourlaunching this February with dates across the U.S., EU and UK. Wetmore will be joined by special guests DashaCarter Faith and Jacob Hackworth for select dates.

“I’ve been lucky to play these songs for fans all over the country in the past year and a half, but getting to headline my own tour — and take it to fans in the U.K. and Europe for the first time — is something I’ve dreamed about for a long time,” shares Wetmore. “I’m bringing some of my favorite people out on the road with me and you can bet we’re going to make it a party every night.”

Wetmore has quickly earned a reputation as one of country music’s most electric live acts. With what Billboard hails as “charismatic, confident performances,” the “oh-so-young and crazy energetic” (Boston.com) performer has cemented himself as “country music’s most promising newcomer” (NYLON).

The Brunette World Tour comes less than two years after his meteoric arrival in the format in March 2024. Wetmore released his record-breaking debut album What Not To in April via Back Blocks Music/MCA/Mercury Recordswhich made history as the biggest country album debut from a new artist in 2025. The album debuted at the No. 15 spot on Billboard’s all-genre 200 Albums chart and helped propel Wetmore to over 1.4 BILLION total global streams in just over a year. After securing his first No.1 at Country radio with “Wind Up Missin’ You,” his follow-up single “3,2,1” continues to climb as it notches No. 9 this week.

Over the past year, Wetmore has become a standout presence at some of country music’s biggest stages – from C2C and Stagecoach to Crash My Playa and beyond. He also made his sold-out headlining debut at the historic Ryman Auditorium, recently sharing a special live performance of “3,2,1” from the iconic venue.

Most recently, Wetmore wrapped his direct support slot on Thomas Rhett’s Better In Boots Tour, following previously held support slots on the road with Jason Aldean, Luke Bryan and Jordan Davis.

The Brunette World Tour Dates:
Feb. 12, 2026 in Boston, Mass. at Roadrunner *+
Feb. 13, 2026 in New York, N.Y. at Terminal 5 *+
Feb. 14, 2026 in Harrisburg, Penn. at Pennsylvania Farm Show Complex
Feb. 21, 2026 in Okeechobee, Fla. at Fred Smith Rodeo Arena *
Feb. 22, 2026 in Hollywood, Fla. at Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood *
Feb. 26, 2026 in Minneapolis, Minn. at The Armory *+
Feb. 27, 2026 in St. Louis, Mo. at The Factory *+
Feb. 28, 2026 in Durant, Okla. at The Grand Theater – Choctaw Casino & Resort *
April 8, 2026 in Zurich, CH at Kaufleuten ~
April 9, 2026 in Cologne, DE at Carlswerk Victoria ~
April 10, 2026 in Brussels, BE at La Madeleine ~
April 12, 2026 in Copenhagen, DK at Vega Main Hall ~
April 13, 2026 in Stockholm, SE at Nalen ~
April 14, 2026 in Oslo, NO at Rockefeller ~
April 16, 2026 in Hamburg, DE at Fabrik ~
April 17, 2026 in Amsterdam, NL at Melkweg Max ~
April 20, 2026 in Dublin, IE at The Academy ~
April 21, 2026 in Belfast, N.I. at Ulster Hall ~
April 23, 2026 in Glasgow, UK at O2 Academy ~
April 24, 2026 in Manchester, UK at The Academy ~
April 26, 2026 in Birmingham, UK at O2 Institute ~
April 28, 2026 in London, UK at O2 Forum Kentish Town ~

* with special guest Dasha
+ with special guest Jacob Hackworth
~ with special guest Carter Faith

Country Pop Hitmaker Niko Moon Takes Feel Good Vibes Nationwide On “American Palm” Tour

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Chart-topping singer, songwriter, and producer Niko Moon is bringing sunshine-soaked energy back to the stage with his American Palm 2026 Tour, a wide-ranging headline run built around connection, movement, and lift. Launching January 29 in Oklahoma City, the tour carries Moon’s genre-blending mix of country, pop, and soul through major cities including Dallas, Nashville, Boston, Minneapolis, and more. The live show draws from the spirit of ‘American Palm’ and its expanded release ‘American Palm Deluxe,’ which adds the calming, crowd-favorite tracks “Breathe” and “Bare Feet In The Sand.” There is a relaxed joy at the core of these songs, the kind that turns rooms into shared escapes and nights into something lighter and easier to carry home.

The tour continues the album’s coastal calm and open-hearted outlook, reinforced by the “Breathe” video that places Moon by the water, fully settled into the peaceful headspace his music aims to create. His performances carry that same feeling, turning melodies into motion and choruses into moments of release. This run lands as a celebration of where his music has traveled and how it keeps finding people who want a break from the noise, a place to exhale, and a soundtrack built for open roads and open windows.

Tour Dates:
Jan 29 – Oklahoma City, OK – The Jones Assembly
Jan 30 – Dallas, TX – House of Blues
Jan 31 – Houston, TX – House of Blues
Feb 5 – New Orleans, LA – House of Blues
Feb 6 – Little Rock, AR – The Hall
Feb 7 – Nashville, TN – The Pinnacle
Feb 12 – Norfolk, VA – The NorVa
Feb 13 – Silver Spring, MD – The Fillmore Silver Spring
Feb 14 – Allentown, PA – Archer Music Hall
Feb 19 – Atlanta, GA – The Eastern
Feb 20 – Ponte Vedra, FL – Ponte Vedra Concert Hall
Feb 21 – North Myrtle Beach, SC – Rock Out For The Cure
Mar 4 – Clewiston, FL – Clewiston Sugar Festival
Apr 9 – Huntington, NY – The Paramount
Apr 10 – Sayreville, NJ – Starland Ballroom
Apr 11 – Boston, MA – Citizens House of Blues
Apr 16 – Minneapolis, MN – The Fillmore Minneapolis
Apr 17 – Waukee, IA – Vibrant Music Hall
Apr 18 – Madison, WI – The Sylvee
May 28 – Cincinnati, OH – ICON Outdoors
May 29 – Cleveland, OH – Jacobs Pavilion
May 30 – Grand Rapids, MI – Acrisure Amphitheater

Boston Mod Pop Trio The Chelsea Curve Share Communal Spirit On “Rally ’Round”

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Boston mod pop trio The Chelsea Curve lean into connection and shared experience on “Rally ’Round,” a shimmering single that blends ’60s folk pop warmth with jangle pop glide and melodic indie lift. Out now as part of The Sound Cove’s Super Sonic Showcase Vol. 1 sampler, the song carries a gentle sense of togetherness, pairing bright harmonies with lyrics rooted in community, coexistence, and mutual care. Written by bassist and vocalist Linda Pardee, the track moves patiently and confidently, offering a sound that feels open armed and clear eyed, with melodies that linger and a chorus that invites voices to rise together.

Produced by the band and recorded at Mad Oak Studios in Allston, then mixed at Bluetone Studio in Somerville by Mike Quinn and mastered by Dave Locke at JP Masters, “Rally ’Round” reflects the scene that surrounds it as much as the song itself. Guitarist and vocalist Tim Gillis and drummer Bruce Caporal bring restraint and texture, letting the arrangement breathe and glow rather than rush. The release aligns naturally with The Chelsea Curve’s long-standing ties to the mod and indie communities on both sides of the Atlantic, from shared stages to shared values, and it lands as a confident, generous moment in their growing catalog, one that feels designed for rooms where people gather, listen closely, and stand together.

UK Rock Band Silveroller Unleash Live Energy On “Trouble Follows Me (Live In ’25’)”

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UK rock band Silveroller capture sweat, swagger, and spark on “Trouble Follows Me (Live In ’25’),” a raw snapshot of their onstage identity released to mark their October UK shows. Recorded straight from the road, the track leans into groove and grit, letting amps breathe and vocals stretch as the band locks into a knowing, tongue-in-cheek reflection on chaos and momentum. The live take carries weight and movement, the kind that comes from nights played loud and close to the crowd, and it lands as a confident signal of where the band is headed. With new material already taking shape and live dates alongside Bobbie Dazzle before closing out with Reef in Liverpool, this release keeps Silveroller front and center, offering something immediate, unfiltered, and charged while the next chapter continues to form.

20 Of The Greatest TV Theme Songs

Think about the last time you sat down to binge a series. Did you hit “Skip Intro”? If you did, we need to talk. Because the TV theme song isn’t just a countdown to the plot—it’s the sonic DNA of the show. It’s the “hook” that sets the mood, establishes the stakes, and tells your brain exactly what kind of emotional ride you’re about to take.

From the orchestral swells of high-fantasy epics to the gritty trip-hop of New Jersey mobsters, these tunes are the ultimate earworms. They bridge the gap between our living rooms and the fictional worlds we inhabit. Here are 20 of the greatest, sorted for your convenience.

All in the Family (CBS)

Archie and Edith Bunker sitting at a piano singing “Those Were the Days” is as authentic as it gets. It’s a nostalgic look back at a pre-war world, delivered with a warmth that balanced the show’s sharp social commentary and cultural wars.

Cheers (NBC)

It’s a somber, piano-led reflection on the “difficulties of modern life” that builds into the most welcoming chorus in TV history. It didn’t just introduce a show; it made a fictional bar in Boston feel like your actual home away from home.

Friends (NBC)

The Rembrandts’ “I’ll Be There For You” is the ultimate 90s artifact. Modeled after R.E.M.’s caffeinated pop style, it’s a song about friendship that survived ten seasons and a million “claps” in living rooms worldwide.

Game of Thrones (HBO)

Ramin Djawadi’s cello-heavy theme is a swirl of magic and mystery. It matches the “clockwork” visual of the opening credits perfectly, sounding so epic that HBO simply reused it for the prequel series, House of the Dragon.

Hawaii Five-O (CBS)

Morton Stevens brought the power of a full orchestra to the energy of surf rock. That opening drum roll and the piercing brass are designed to get your heart rate up before a single wave even crashes on the screen.

Mission: Impossible (CBS)

Lalo Schifrin’s theme is a mini-action movie in 5/4 time. Pounding bongos, sizzling stings, and trilling flutes—it set the blueprint for every spy and heist thriller that followed it for the next five decades.

Mister Rogers’ Neighborhood (PBS)

Fred Rogers didn’t have a flashy voice, and that’s why it worked. His warbling, warm delivery of “Won’t You Be My Neighbor?” was a direct message to children that it’s okay to be yourself, even if you aren’t perfect.

Sanfort and Son (NBC)

Quincy Jones reportedly wrote this in 20 minutes, and it’s a masterpiece of funk. The “scrappy, gritty” harmonica was meant to mimic the raspy voice of Redd Foxx himself, sounding exactly like a busy junk shop in Watts.

Star Trek (NBC)

Alexander Courage created a minute of “woosh and hum” that feels like the future. Between the wordless soprano vocals and the otherworldly flute, it’s a sonic invitation to a high-stakes adventure on the final frontier.

Succession (HBO)

Nicholas Britell did something brilliant here: he took a classical, aristocratic piano melody and slammed it against a distorted, murky hip-hop beat. It’s the sound of old-money entitlement collapsing into 21st-century gangster decadence.

The Brady Bunch & Gilligan’s Island (ABC/CBS)

The “Cheat Sheet” themes. Sherwood Schwartz believed that “confused people don’t laugh,” so he wrote lyrics that explain the entire premise of the show in under sixty seconds. It’s efficient, catchy, and an absolute lost art form.

The Fresh Prince of Bel-Air (NBC)

The rare theme song that is also a top-tier hip-hop track in its own right. Will Smith and DJ Jazzy Jeff’s storytelling rap is so ingrained in the collective consciousness that people who weren’t even born in the 90s know every single word.

The Jeffersons (CBS)

“Movin’ On Up” is quite simply the greatest gospel-tinged celebratory anthem in the history of the medium. It’s soulful, triumphant, and perfectly captures the era when the sitcom was the undisputed king of the culture.

The Muppet Show (ITV/CBS)

It’s a brassy, bouncy tribute to the DIY spirit of variety shows. From the “show must go on” energy to the inclusion of Statler and Waldorf’s heckling, it captures the beautiful chaos of Jim Henson’s world.

The Rockford Files (NBC)

Mike Post at his best. That lonesome harmonica and the cocky synth line perfectly captured James Garner’s private eye: a guy who lived in a trailer, got his car dented, but always had a sly grin.

The Simpsons (Fox)

Danny Elfman wanted something “frantic and frenetic,” a throwback to the chaotic 60s scores. What he got was a 30-year masterpiece that is flexible enough to be stretched for a long gag or compressed when the writers have too much story.

The Sopranos (HBO)

Alabama 3’s “Woke Up This Morning” is a bit of an odd trip-hop relic on its own. But paired with Tony Soprano’s gritty commute through the Lincoln Tunnel, it becomes the ultimate anthem for suburban mobster malaise.

The Twilight Zone (CBS)

Bernard Herrmann started it, but Marius Constant’s four-note “siren” is what stayed. It’s a musical warning label that tells the viewer they’ve left the rational world and entered a place where the rules of physics don’t apply.

The X-Files (Fox)

This one was a happy accident. Composer Mark Snow literally struck his elbow on his keyboard, found a delay effect he liked, and created a whistle that defined a decade of paranoia and alien mysteries.

Too Many Cooks (Adult Swim)

What starts as a 1980s family sitcom parody spirals into an eleven-minute fever dream. It’s an earworm so aggressive it becomes a slasher movie, a sci-fi epic, and a cooking show all at once. Pure madness.

Latin Pop Superstar Karol G Celebrates Identity And Confidence On “Ivonny Bonita”

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Latin pop and reggaeton star Karol G brings warmth, confidence, and cultural pride to the official video for “Ivonny Bonita.” Born Carolina Giraldo Navarro in Medellin, Karol G has grown from a teenage talent show contestant into one of the most influential global artists in Spanish-language music, known for blending reggaeton, pop, and Latin urban sounds with themes of independence and self worth.

GloRilla Brings Poise And Power To “Special” Music Video

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Memphis rapper GloRilla sharpens her presence on “Special,” pairing confidence and clarity in an official video that highlights her evolution as both an artist and a public figure. Rising from viral freestyles to charting singles, GloRilla has built a reputation on direct delivery, regional pride, and a voice that cuts clean through any beat.

Jim Carrey Honors Soundgarden With Personal Induction At Rock And Roll Hall Of Fame

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Actor and comedian Jim Carrey inducted Soundgarden into the Rock And Roll Hall Of Fame during the 2025 induction ceremony, delivering a speech rooted in admiration, memory, and gratitude. Carrey reflected on the band’s appearance as the musical guest on his episode of Saturday Night Live, spoke openly about their impact on his life, and paid heartfelt respect to the late Chris Cornell. The moment carried warmth and sincerity, highlighting Soundgarden’s lasting influence and the deep personal connections their music continues to inspire across generations and creative worlds.


Radiohead Perform ‘In Rainbows’ Live On From The Basement

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Radiohead deliver a focused and immersive live performance of ‘In Rainbows’ for From The Basement, captured with clarity, restraint, and physical presence. Premiered in 2020, the session strips the album down to its moving parts, letting rhythm, texture, and interplay lead the way as the band moves through a set that includes “Arpeggi/Weird Fishes,” “15 Step,” “Bodysnatchers,” “Nude,” “The Gloaming,” “Myxomatosis,” “House of Cards,” “Bangers N Mash,” “Optimistic,” “Reckoner,” “Videotape,” and “Where I End And You Begin.” The performance feels grounded and deliberate, with each song unfolding naturally in the room, grooves tightening and loosening in real time. It is the kind of set that rewards attention, highlighting how deeply these songs live in the band’s hands and how powerfully they still move when given space to breathe.