Home Blog Page 514

Buddy Guy Announces New Album ‘Ain’t Done With the Blues’ On His 89th Birthday With New Single “Blues Chase the Blues Away”

0

Amid the anticipation of his new upcoming album  ‘AIN’T DONE WITH THE BLUESout on his 89th birthday, July 30, the multi-GRAMMY Award winning blues icon Buddy Guy continues his life-long love affair with the blues with new single “Blues Chase The Blues Away,’ out today HERE via Silvertone/RCA Records.

The Rock & Roll Hall of Fame inductee follows up his kick-off single to the project, ‘How Blues Is That?’ featuring legendary Eagles’ guitarist, Joe Walsh with new single “Blues Chase The Blues Away’ co-written by Grammy Award winning producer/songwriter Tom Hambridge and Gary Nicholson. The single starts with Rob McNelley’s gut bucket rhythm guitar, before the blues icon belts out “The blues chase the blues away!” A deep groove powered by Tom Hambridge on drums and Glenn Worf on bass with Buddy’s stinging guitar fills and solos that flashes back to Buddy Guy’s deep Louisiana roots and lyrically pays tribute to Little Walter, Jimmy Reed and B.B. King!

“Blues Chase The Blues Away” and “How Blues Is That?” are just two singles off the 18-track project that will boast even more emotionally-charged music with even more bone-chilling hard earned lyrics and lessons that continue to garner critical recognition and praise.

Pre save ‘AIN’T DONE WITH THE BLUES’: HERE

“This album is about where I’ve been, it’s about where I’m going, and the people I learned everything from,” shares Buddy on the LP. “…Muddy, Wolf, Walter, Sonny Boy, BB, I could go on and on. Before they passed, they used to say, “Man, if you outlive me, just keep the Blues alive,” and I’m trying to keep that promise.” He continues, “Now, I can’t kick my leg up high as I used to, or jump off the stage like I did in my 20’s and 30’s, but I’m going to give you everything I got as long as I got it.”

Fresh off of his surprise appearance in Ryan Coogler’s box office smash hit film SINNERS, Buddy Guy’s new album ‘AIN’T DONE WITH THE BLUES’ follows his seventh #1 album THE BLUES DON’T LIE. Last year, the Americana Music Association Lifetime Achievement Award winner announced his Damn Right Farewell Tour, where Buddy bid adieu to extensive touring. But that didn’t mean the urge to perform ever left the legend’s bones, nor that more music wasn’t on the way.

“They don’t play blues on your radio anymore like they used to on the big AM/FM stations,” Buddy offers regarding his appearance in SINNERS and decision to release another album. “So things like the movie, or performing out on the road, or making a new record, it’s important because some young people might see it or hear it and say, “Oh, I got to know more about that.”’

‘AIN’T DONE WITH THE BLUES’ is Buddy Guy’s follow up to his 2022 Billboard #1 Blues Album Chart lead THE BLUES DON’T LIE, which followed his 2018 Billboard #1 Blues Album Chart lead THE BLUES IS ALIVE AND WELL. Always a welcomed return to music, Buddy Guy won “Best Traditional Blues Album” at the 2019 Grammy Awards, and was nominated again at the 2023 Grammy Awards. This followed his 2015 album BORN TO PLAY GUITAR, which again debuted at #1 on Billboard’s Top Blues Album charts and won “Best Blues Album” at the 2016 Grammy Awards.

The recipient of the 2015 Grammy Lifetime Achievement Award, Buddy Guy’s incredible career spans over 50 years with just as many albums released. Career highlights include 8 Grammy Awards, 38 Blues Music Awards (the most any artist has received), a Kennedy Center Honor, The NARM Chairman’s Award for Sustained Creative Achievement, Billboard Music Awards’ Century Award for distinguished artistic development, Presidential National Medal of Arts, and induction into the Rock and Roll Hall of Fame to name a few.  At 89 years young, Buddy Guy proves that it gets greater later as he continues to record, tour, and remind the world what icons are made of. 

You can catch Buddy Guy live on the road now during his 2025 Damn Right Encore Tour. Get tickets and more info at buddyguy.net

COMING UP ON THE 2025 DAMN RIGHT ENCORE TOUR: 

6/20 Mashantucket CT – Foxwoods Resort Casino

6/21 Vienna VA – Wolf Trap

6/24 Champaign IL – Virginia Theatre

6/26 St. Louis MO – The Factory

6/27 Rockford IL – Coronado Theatre 

6/28 Joliet IL – Rialto Square Theatre

7/10 Selbyville DE – Freeman Arts Pavilion 

7/11 Jim Thorpe PA – Penn’s Peak 

7/13 Hampton Beach NH – Hampton Beach Casino Ballroom 

7/14 Red Bank NJ – Count Basie Center for The Arts 

7/16 Wheeling WV – Capitol Theatre 

7/18 Lafayette IN – Loeb Stadium 

7/19 Rochester Hills MI – Meadowbrook Amphitheatre 

8/6 Tucson AZ – Fox Tucson Theatre 

8/8 Chandler AZ – Gila River Resorts Wild Horse Pass 

8/10 Cerritos CA – Cerritos Center for The Performing Arts 

8/12 Saratoga CA – The Mountain Winery 

8/13 Santa Rosa CA – Luther Burbank Center for The Arts 

8/16 Seattle WA – Paramount Theatre

Happy 40th Anniversary, Live Aid – 40 Facts About the Day Music Saved The World

0

On July 13, 1985, music changed the world. Literally. Live Aid was more than just a concert—it was a global jukebox that reached 1.9 billion people in over 150 countries. Organizers Bob Geldof and Midge Ure called up their famous friends, threw together a two-continent party, and raised millions for Ethiopian famine relief. From London’s Wembley Stadium to Philadelphia’s JFK Stadium, it was a 16-hour music marathon filled with legendary moments, wild behind-the-scenes antics, and more rockstar drama than your cousin’s wedding playlist.

To celebrate its 40th birthday, here are 40 wild, wonderful, and heartwarming facts about Live Aid—because one of the biggest concerts in history deserves one heck of a throwback.

From Freddie Mercury’s strut to Bono’s crowd-dive, Phil Collins’ Concorde flight to a satellite duet that never quite happened, here are 40 wild, weird, and wonderful facts about Live Aid—because the world’s biggest concert deserves the world’s biggest birthday party.

1. Queen didn’t just perform. They conquered.
Their 21-minute set is widely considered the greatest live performance in rock history. Freddie Mercury’s mic stand became a sword, Wembley turned into a choir, and “We Are the Champions” felt less like a song and more like a coronation.

2. U2 became global superstars thanks to one song.
Their performance of “Bad” ran long—so long that they had to cut “Pride (In the Name of Love)” from their set. But when Bono leaped into the crowd to dance with a fan, he became a household name.

3. Phil Collins played both shows.
Collins drummed for Sting in London, then boarded a Concorde, landed in Philly, and played again that same day—this time for Eric Clapton and a reunited Led Zeppelin. Jet lag not included.

4. Bob Geldof got mad, and it worked.
When he found out that only £1.2 million had been raised mid-concert, he reportedly yelled “Give us your money!” live on TV. Donations immediately spiked to £300 per second.

5. David Bowie gave up a song for something bigger.
After seeing a powerful CBC news segment set to “Drive” by The Cars, Bowie insisted it be played during his set—even if it meant cutting “Five Years.” The footage moved millions and helped increase donations.

6. Freddie Mercury and Brian May’s acoustic duet brought the house down.
They performed “Is This the World We Created…?” to a silent, swaying stadium. No flash, just heart.

7. Paul McCartney’s mic cut out—and it didn’t matter.
McCartney started “Let It Be” with a dead microphone, but the Wembley crowd sang loud enough to carry the tune until the problem was fixed.

8. Elton John had the longest set of the day.
His 32-minute set included a duet with George Michael and a performance of “Don’t Let the Sun Go Down on Me” that still gives chills.

9. Princess Diana and Prince Charles were in the crowd.
They watched from the royal box at Wembley. Diana reportedly loved Duran Duran and George Michael.

10. The show was almost called something else.
Names like “Feed the World Live” were considered before they settled on “Live Aid.” Good choice.

11. There were concerts happening all over the world.
While London and Philly got the headlines, shows also happened in Australia, the Soviet Union, Japan, Yugoslavia, Canada, and more.

12. The opening act? Status Quo.
They kicked things off in London with “Rockin’ All Over the World,” which couldn’t have been more fitting.

13. The Who’s set had technical hiccups.
Their performance of “My Generation” was cut short by a blown fuse. True to form, they smashed through it anyway.

14. The satellite feed almost didn’t work.
Broadcasting live from two continents was a technical miracle in 1985. One wrong move, and the show would’ve gone dark worldwide.

15. “We Are the World” closed the show in Philly.
And yes, just about everyone you can think of was on that stage. Except Prince—he sent a video instead.

16. Phil Collins played drums for Led Zeppelin.
Even he admits it didn’t go well. “If I could have walked off, I would have,” he later said.

17. Madonna addressed the elephant in the room.
After nude photos of her appeared in Playboy and Penthouse, she told the crowd, “I ain’t taking s*** off today.” Applause followed.

18. Bono saved a fan’s life.
During “Bad,” he noticed a girl being crushed in the crowd, jumped down, and pulled her to safety. She later credited him with saving her life.

19. The telethon-style donations ran on 300 phone lines.
Volunteers took credit card donations by hand. No apps. No QR codes. Just call in and give what you could.

20. David Bowie called Live Aid “the most dramatic thing I’ve ever seen.”
And that’s from a guy who wore Ziggy Stardust makeup.

21. Freddie Mercury had a beer before going onstage.
Because rock and roll.

22. Bob Dylan broke a string—and Ron Wood saved the day.
When Dylan’s guitar gave out, Wood handed him his own and played air guitar while grinning through the rest of the song. Punk energy meets rock royalty.

23. The Beach Boys reunited with Brian Wilson.
It was their first major performance together in years.

24. The broadcast reached nearly 40% of the global population.
That’s 1.9 billion people in 150 countries. Imagine explaining that to your dial-up modem.

25. George Michael performed twice.
Once with Elton John and again during the “Do They Know It’s Christmas?” finale.

26. Sting played two sets.
One solo and one as part of Dire Straits. He was basically everywhere that day.

27. The sound systems weren’t concert-quality by today’s standards.
But what the tech lacked, the passion made up for.

28. Mick Jagger and Tina Turner nearly burned the place down.
Their chemistry during “It’s Only Rock ’n Roll” was electric—especially when Mick ripped off part of Tina’s dress mid-song. The crowd went wild. So did the tabloids.

29. Bob Geldof bluffed his way to a lineup.
He told Bowie that Elton and Queen were confirmed. Then told Queen that Bowie and Elton were in. None of it was true—until it was.

30. It cost millions to put on—and made tens of millions more.
By the end, over $125 million had been raised. In today’s money, that’s over $370 million.

31. George Thorogood played with not one, but two blues legends.
Bo Diddley and Albert Collins joined him onstage in Philly, giving the blues a well-deserved spotlight amid the synth-pop and arena rock.

32. The stage schedule was scribbled on scraps of paper.
No fancy spreadsheets here. Organizers used handwritten notes and walkie-talkies to coordinate the biggest music event of the decade.

33. Billy Connolly got the crowd laughing before Elton John.
The Scottish comedian introduced Elton with some off-the-cuff jokes—because if there’s one thing harder than following Queen, it’s doing it in silence.

34. Paul McCartney re-recorded part of his set for the DVD.
Because of that mic failure, he laid down a clean vocal for “Let It Be” the day after.

35. The Cars’ song “Drive” helped drive donations.
Set to haunting footage of famine victims, the song played during Bowie’s set became one of the concert’s most powerful and emotional moments.

36. Muhammad Ali made an appearance.
He wasn’t scheduled to, but joined the stage in Philadelphia to thunderous applause.

37. The stage at JFK was enormous.
And had to be cooled with ice to prevent equipment (and musicians) from overheating.

38. The event was almost canceled due to logistics.
Two continents. One feed. Dozens of artists. No modern email. Somehow, it happened.

39. “Live Aid” was meant to be a one-time thing.
But it inspired Farm Aid, Live 8, and a whole new era of music-meets-activism.

40. It worked.
Not perfectly. Not without controversy. But it changed how music, media, and activism work together. And it raised millions for people who needed it most.

Forty years later, it’s still the greatest gig the world’s ever thrown.

Ben Nichols Announces Solo Album ‘In the Heart of the Mountain’ With Title Track And Tour Dates

0

Today, Ben Nichols, frontman and songwriter for the long-running Memphis rock band Lucero, released the new single “In the Heart of the Mountain,” the title track of his sophomore solo album In the Heart of the Mountain out on July 25 via Lucero’s label Liberty & Lament. The album is one of his most personal pieces of work to date and marks his first solo release in 16 years since 2009’s acclaimed The Last Pale Light in the West.

“I’ve never before set out to write a song about mental health,” explains Nichols. “Although one could say all songwriting is about mental health in one way or another. The title track to the album, ‘In the Heart of the Mountain’ is a wife-appreciation song. My wife and I have been together for over ten years now and I realize how much she keeps me sane. We can often be our own worst enemies and having someone who keeps us from getting too wrapped up in the devils and demons of our own making is a truly wonderful thing.”

“In the Heart of the Mountain” follows previous singles “The Darkness Sings” and “Fading Back Into the Night”, both of which were released with accompanying music videos shot by photographer Chad Cochran and edited by Nichols. The tracks earned praise from Brooklyn Vegan, Blue Ridge Outdoors Magazine, Glide Magazine, DittyTV, and more.

Although not a concept album like his debut solo record, The Last Pale Light in the West, the song titles of In the Heart of the Mountain read as a poem in sequence.

In the heart of the mountain

The darkness sings

A bleak overture

From a western or a war movie

While the stars disappear

Fading back into the night

I’m in over my head

She’s starlight in the river

The prayer

The swamper’s lament

The devil takes his leave

“A few years ago, a stranger mailed me a copy of What About This, Collected Poems of Frank Stanford. He sent it because he knew I was from Arkansas and Stanford had lived and died in Arkansas and he thought my lyrics shared something in common with those poems. Even at the age of 50, I’ve never read much poetry, but there was something about Stanford’s writing I fell in love with. There was something alive and dangerous in his words. Nothing safe about the way he wrote. Soaked in Southern tones but not backwards, more unconventional and pushing at the edges of Southern decorum. It was mythology and everyday life, it was an exotic landscape and it was home. It was not quite like anything I’d read before.

Frank Stanford’s poems made me want to write in a style I’d never written in before. I’m not sure if I actually achieved that, but I ended up creating my own everyday-life-mythology of where I was from. I also ended up writing some of my favorite lyrics in years. I had a handful of guitar parts that I was holding back from the band. They were acoustic-based and had a quieter feel to them and I wasn’t ready to turn them into Lucero songs. In my head I was hearing different instrumentation and a different approach than what the band usually does. And I had these new lyrics I was working on. Before I knew it, I’d written an album’s worth of songs and fashioned the song titles into a poem unworthy of Frank Stanford but still inspired by him.”

In the Heart of the Mountain features Nichols on acoustic guitar and vocals, as well as occasional electric guitar solo and percussion. He is accompanied by Morgan Eve Swain (The Huntress and the Holder of Hands, The Devil Makes Three, Brown Bird) on violin and backing vocals, Cory Branan on electric and acoustic guitars, and Todd Beene (Chuck Ragan, Glossary) on pedal steel and electric guitars. It was recorded at Southern Grooves studio in Memphis, Tennessee with Matt Ross-Spang as the recording and mixing engineer.

“I’d say In the Heart of the Mountain is the closest I’ve come to making an album completely on my own terms,” Nichols reflects. “I had help from a great engineer and great friends who also happened to be amazing studio musicians, but it was self produced. I wrote it without input from anyone else. There were no band members to negotiate parts and approaches with. It wasn’t based on a novel or a theme. The only inspiration was that desire to create something that lived in my memories of those rivers, fields, and mountains, in that mythological Arkansas my family called home, where I grew up. I haven’t been able to get back there nearly as often as I would like.”

Nichols’ will set out on a run of solo tour dates this July and August including shows in his hometown of Little Rock, Arkansas as well as St. Louis, Columbus, Cleveland and more. See the full list of tour dates below.

In the Heart of the Mountain Tracklist:

1. In the Heart of the Mountain 

2. The Darkness Sings 

3. A Bleak Overture 

4. From a Western or a War Movie

5. While the Stars Disappear 

6. Fading Back Into the Night 

7. I’m in Over My Head 

8. She’s Starlight in the River

9. The Prayer 

10. The Swamper’s Lament 

11. The Devil Takes His Leave

Ben Nichols Solo Tour Dates:

July 24 – Little Rock, AR – Whitewater Tavern [SOLD OUT]

July 25 – Little Rock, AR – Whitewater Tavern [SOLD OUT]

July 26 – Tulsa, OK – Mercury Lounge

July 27 – St. Louis, MO – Golden Record

July 29 – Indianapolis, IN – Hi-Fi Indy

July 30 – Lexington, KY – The Burl

July 31 – Columbus, OH – Rumba Café

August 2 – Cleveland, OH – Grog Shop

August 3 – Huntington, WV – The Loud

August 5 – Morgantown, WV – 123 Pleasant Street

August 6 – Knoxville, TN – Open Chord Music

August 7 – Greenville, SC – Radio Room

August 8 – Chattanooga, TN – Cherry Street Tavern

August 23 – Denver, CO – The Oriental Theater

Maygen & The Birdwatcher Announce Sophomore Album ‘The Americana Dream’ With Single “Elizabeth” And 2025 Tour Dates

0

Today, the Minnesota-based group Maygen & The Birdwatcher announce that their sophomore LP The Americana Dream will be released on October 10 via Yellow House Music Collective / Missing Piece Records. It reimagines the traditional definition of the American Dream, shifting away from the aspirational nature of the concept itself and moving towards a full embrace of the literal definition of Americana – the vast geographical, historical and cultural expanse that reflects Maygen & The Birdwatcher’s roots as well as this country as a whole. Alongside the album’s announcement, the band is releasing cathartic new single “Elizabeth,” which pairs Maygen Lacey’s soft voice with a high energy banjo and a bouncy fiddle to sing about someone who is unequivocally magnetic but is perhaps concealing something more ominous. 

The group will continue touring through the summer and into the fall with a variety of headline and festival dates. They will also travel South later this year for a series of performances at Americana radio stations such as Nashville’s WMOT and Louisville’s WFPK who have invited them to play on-air sessions. See below for a full list of dates. 

“‘Elizabeth’ is the North Star of our next musical chapter,” shares Lacey. “She’s the one that is helping us break down some genre barriers while also bringing along our favorite parts of where we’ve already musically been. Elizabeth is the one that you let take too much from you. The one you let dishevel all your hard lines in the sand. And maybe you’re ok with that, because she has that certain charm and confidence about her that keeps you wanting to stay within reach. Only through time can you make sense that her confidence and insistence on the limelight was her mask for self-consciousness.” 

The band has already shared the first taste of the LP last month with “Feel Good,” which finds Lacey and co-songwriter Noah Neumann reflecting on the comfort of home and the need to go back to your roots after times of strife and hardship. The track was featured at Glide Magazine who exclaimed, “the versatile musicians deliver top-notch musicianship that evokes comparisons to the likes of Tedeschi Trucks Band, Lake Street Dive, and Alison Krauss & Union Station. Led by the twangy and soulful vocals of Maygen Lacey, the band will surely be a festival favorite for years to come.”

The record’s expansive sound, firmly rooted in the band’s bluegrass and folk roots, is the result of a new recording process where Lacey and Neumann worked with co-producer John Fields (Brandi Carlile, Soul Asylum, Miley Cyrus). In contrast to their first LP on which they recorded all instruments together live, on The Americana Dream, MBW recorded vocals and acoustic separately before adding the stringed instruments, which were all recorded together live and created a sound that’s impossible to replicate. Thematically, the record tells the stories of all the people you may encounter on a trip through the vast expanse of the country, while gesturing towards a future that is fairly uncertain. 

On the new album, Lacey reflects: “The new music started with traveling. We found ourselves driving through beautiful landscapes and interesting towns, meeting all kinds of people who had all kinds of life experiences. It slowly evolved into being more of us reflecting on what it means to be American in this past decade.” 

Bursting onto the scene with their sparkling bluegrass in 2021, Maygen & The Birdwatcher has a lot to show over the course of just a couple of years. They’ve shared stages with fellow genre luminaries like Sierra Ferrell, Old Crow Medicine Show and Grace Potter and had songs featured in Spotify’s Indie Bluegrass and New Grass playlists, Minnesota Monthly, and 89.3FM The Current. They’ve also won Album of the Year, Americana Artist of the Year, and Entertainer of the Year from the Midwest Country Music Organization. Now, they’re gearing up for a busy year ahead with new music and tour and festival dates. 

2025 Tour Dates

July 10 – Sandwich, IL – Roberts Family Farm
July 11 – La Crosse, WI – Popcorn Tavern
July 13 – Corcoran, MN – Gladiola Fields
July 18 – St. Paul, MN – Minnesota Yacht Club Festival
July 22 – Bismarck, ND – Laughing Sun Brewing
July 23 – Billings, MT – Craft Local
July 24 – Helena, MT – Lewis and Clark Brewing
July 25 – Bozeman, MT – The Jump
July 26 – Kemmerer, WY – Oyster Ridge Music Festival
July 27 – Spearfish, SD – Spearfish Public House
July 31/August 1 – Appleton, WI – Mile of Music Fest
August 5 – Thief River Falls, MN – Thief River Falls Music in the Park
August 7 – Harris, MN – Common Ground Concerts at North Folk Winery
August 8 – Shell Lake, WI – The Potter’s Shed
August 9 – Baraboo, WI – Tumbled Rock Brewing
August 14 – Eagan, MN – Viking Lakes
August 15 – Center City, MN – Nordic Harbor
August 18 – Louisville, KY – WFPK In-Studio Session 
August 19 – Nashville, TN – WMOT In-Studio Session 
August 20 – Knoxville, TN – WDVX Blue Plate Special 
August 22 – Charlottesville, VA – WNRN In-Studio Session 
August 31 – Shakopee, MN – Music on the Porch
September 5 – Saint Cloud, MN – Granite City Folk Society Kickoff Fest
September 6 – Zimmerman, MN – Sandhill Crane Music Festival
September 11 – Hillsboro, WI – BoogieDown at Driftless Music Gardens
September 13 – Minneapolis, MN – 56 Brewing @ Brewgrass Fest
September 19 – Batavia, IL – Sidecar Supper Club
September 20 – Plymouth, IN – Wild Rose Moon
September 25 – Winona, MN – Boats & Bluegrass Fest 2025
October 3 – Saint Joseph, MN – Milk & Honey Ciders
October 11 – Durand, WI – Brews on the Chippewa Festival
November 8 – Holmen, WI – Bluff View Concerts
November 15 – Lanesboro, MN – St Mane Theater
November 22 – Minneapolis, MN – AMERIGRASS @ Hook and Ladder Theater

San Jose Jazz Summer Fest 2025 Adds Lalah Hathaway, PJ Morton, Bilal And More To Star-Studded 35th Anniversary Lineup

0

One of the SF Bay Area’s most cherished summer traditions turns 35 this year and San Jose Jazz Summer Fest 2025 amplifies its artist lineup like never before ranging from GRAMMY Award-winners to the hottest acts on the live music festival scene with headliners Common, Mavis Staples, Femi Kuti & The Positive Force, José James, Ghost-Note, Butcher Brown, The Headhunters, plus newly confirmed headliners Lalah Hathaway, PJ Morton, Preservation Hall Jazz Band, Bilal, and the inaugural “Artist-In-Residence” for its “Future of Jazz” initiative, Theo Croker. 100+ artists from around the world — from global stars to local emerging acts — inspire and uplift festivalgoers for 3 days across nine indoor and outdoor venues. The crown jewel of Northern California’s summer music season, San Jose Jazz Summer Fest 2025 “transforms Plaza de Cesar Chavez Park in downtown San Jose into a musical haven” (San Francisco Chronicle) from Friday, August 8 – Sunday, August 10, 2025.

While honoring jazz’s legacy roots with acclaimed performers such as Preservation Hall Jazz Band and The Headhunters, San Jose Jazz Summer Fest also stands as a platform for modern artists who speak to today’s sounds — blending R&B, hip-hop, electronic, Afro-Caribbean, soul, funk — allowing jazz to shine through a multitude of genres representing the now and what’s next. Preservation Hall Jazz Band — the living embodiment of New Orleans’ jazz heritage — infuses the Fest with timeless energy that bridges generations with their second line celebrations while four additional newly confirmed Fest performers such as Lalah Hathaway, PJ Morton and Bilal unmistakably bring a creative freedom to their music that ignites live stages into unforgettable performances that any music lover can enjoy.

Newly Added Headliners @ San Jose Jazz Summer Fest 2025

Featuring his only West Coast performance this summer, award-winning soul and R&B star PJ Morton is set to light up the San Jose Jazz Summer Fest stage with one of the most not-to-be-missed live shows of the year. A five-time GRAMMY® winner and 20-time nominee, Morton has emerged as a leading voice in contemporary R&B. A native of New Orleans, Morton combines his gospel-rooted upbringing and more than a decade of touring as the keyboardist with pop-rock band Maroon 5 to be a true showman commanding the stage like no other. 2024 was a landmark year for PJ Morton as he became the first Black composer to write an original song for a Disney attraction — creating an all-new theme for Tiana’s Bayou Adventure at Disney World. That summer he released Cape Town to Cairo, an album conceived and recorded during a 30-day creative journey across South Africa, Nigeria, Ghana and Egypt. This August 2025, audiences will witness why Morton is widely regarded as one of the greatest R&B performers of our time.

A five-time GRAMMY Award-winner and daughter of the legendary Donny Hathaway, Lalah Hathaway is a vocal phenomenon with a tone, range, and control that are legendary, often placing her in the same breath as R&B royalty like Beyoncé, with whom she shares the record for most wins in the “Best Traditional R&B Performance” GRAMMY category. Whether festivalgoers are into jazz, R&B, soul, or experimental grooves, they’ll be assured that Lalah doesn’t just sing songs — she transforms them. She’s fresh off the release of her critically acclaimed eighth studio album, VANTABLACK, which Vibe hails as “arguably her best work to-date.” Her recent appearance on The Jennifer Hudson Show proves her magic goes far beyond the mic. As she walked the hallway, the staff and crew burst into applause, a powerful moment of admiration that racked up more than 5 million views on Instagram (watch here). That viral moment speaks volumes: Lalah Hathaway is well on her way to becoming a megastar.

Bilal is a true vocal shapeshifter as he transcends boundaries across jazz, soul, R&B, hip-hop, and electronic music. Live on stage, Bilal doesn’t just perform: he channels the music. His live sets are emotionally charged, improvisational, and utterly unique with no two performances ever being the same. Bilal is renowned for reinventing songs in real time, drawing on his deep roots in jazz to create a fully immersive live experience. Since his 2000 debut with the neo-soul classic “Soul Sista,” Bilal has been a cornerstone of progressive Black music. His album Bilal: Live at Glasshaus features intimate takes of his classic songs alongside Questlove, Common, Robert Glasper, and Burniss Travis. His first album of new material in eight years, Adjust Brightness is a daring fusion of influences, inspired by artists such as Aphex Twin and Stereolab, and proves to be his most adventurous work.

Bilal will join Common on the Jay Paul Company Main Stage to perform songs from Like Water for Chocolate, celebrating the 25th anniversary of the iconic album that also featured 35th Summer Fest Main Stage artist Femi Kuti, Slum Village, DJ Premier, Roy Hargrove, Mos Def, and Jill Scott. Like Water for Chocolate, released in 2000, incorporated jazz influences and samples into the fabric of the album, earning placements on a wide range of Albums of the Year lists and catapulting Common to critical and commercial success. Common and Bilal bring this classic album back to life live on stage at Summer Fest!

The 25 Greatest Guitar Solos of All Time

There are riffs, and then there are moments. The kind of guitar solos that stop time, melt faces, and make you believe—just for a second—you could be onstage at Wembley with a Flying V and no backup plan. Solos that serve the song but also explode out of it. That say everything words can’t. These are the kinds of solos that define careers, start arguments, and turn quiet car rides into full-on performances (air guitar mandatory).

So whether you’re Team Clapton or Team Morello, here’s a list of 25 iconic solos that continue to echo across generations, genres, and guitar pedals.

Jimi Hendrix – “All Along the Watchtower”
The solo is pure chaos and control—a sonic hurricane of wah, bends, and genius. Hendrix didn’t just play the guitar here—he reinvented how it could speak.

Eddie Van Halen – “Eruption”
One word: revolutionary. Tapping, dive bombs, and a tone that still makes guitarists whisper “how?” 1:42 of pure fire that rewrote every rule.

David Gilmour – “Comfortably Numb”
Emotion over speed. Gilmour’s tone floats like a dream, bleeding feeling into every note. Proof that restraint can hit just as hard as flash.

Slash – “November Rain”
Two solos, actually—one soaring, one screaming. Slash takes over the track like a storm rolling in across the orchestra.

Randy Rhoads – “Mr. Crowley”
Neoclassical drama meets metal precision. Rhoads didn’t just shred—he made it beautiful, dangerous, and unforgettable.

Prince – “Purple Rain”
The final three minutes of this song are the solo. Raw, improvised, and spiritual, Prince turns heartbreak into electricity.

Brian May – “Bohemian Rhapsody”
Thirty seconds of perfect melody. Not too much, not too little. Just enough Queen-style grandeur to sing in your sleep.

Eric Clapton – “While My Guitar Gently Weeps”
Yes, it’s a Beatles song. But that solo is all Clapton—aching, bluesy, and perfectly broken-hearted.

Tom Morello – “Like a Stone”
Morello keeps it simple and soulful here, showing he can say just as much with feel as with effects. A slow-burn stunner.

Mark Knopfler – “Sultans of Swing”
No pick, no flash—just feel. This is the sound of confidence, style, and groove blended into fingerpicked magic.

Stevie Ray Vaughan – “Texas Flood”
It’s not a solo. It’s a conversation. SRV plays the blues like his guitar’s on fire and the only way to put it out is more notes.

Jimmy Page – “Stairway to Heaven”
Soaring, dramatic, unforgettable. The most air-guitared solo in history? Probably. For good reason.

Tony Iommi – “Paranoid”
Short, sharp, and sinister. Proof you don’t need eight minutes to melt minds—just a good riff, a great tone, and timing like a sledgehammer.

Duane Allman – “Layla” (with Derek and the Dominos)
Slide guitar that sings like a voice breaking under weight. A solo that sounds like falling in love and falling apart.

Dimebag Darrell – “Floods”
Emotional, epic, and terrifying. Dime’s outro solo is the sound of thunder rolling through a metal storm.

Johnny Marr – “How Soon Is Now?”
A solo? A texture? A feeling. Marr turned tremolo into poetry and made one chord sound like a thousand.

Kirk Hammett – “Fade to Black”
A lesson in metal mood-building—starts somber, ends shredding. A journey of light and dark in one solo.

Richie Sambora – “Wanted Dead or Alive”
Western. Epic. Iconic. Sambora channels tumbleweeds and arena smoke with one of the most recognizable tones of the ’80s.

John Frusciante – “Scar Tissue”
Understated brilliance. Frusciante’s slide solo floats like it was beamed in from another planet, calm and aching at once.

Angus Young – “Highway to Hell”
It’s not just about the notes—it’s the attitude. Angus doesn’t solo. He struts through your speakers with full swagger.

Alex Lifeson – “Limelight”
Crisp, melodic, and beautifully constructed. A Rush solo that balances technicality with feeling—because both matter.

Nancy Wilson – “Crazy on You”
Wilson shreds with elegance and speed, anchoring Heart’s energy with precision and power. An underrated masterclass.

Gary Moore – “Still Got the Blues”
Every note sounds like it’s begging for mercy. Moore gives us tone, taste, and the purest blues rock emotion.

Joe Walsh – “Hotel California”
Harmonized, hypnotic, and iconic. It’s not just a solo—it’s a duel. And it still wins every time.

B.B. King – “The Thrill Is Gone”
Lucille doesn’t scream—she sighs. Every bend is a life story. King didn’t need speed. He had soul.

That’s 25 solos. But let’s be honest—there are hundreds more. Because as long as there are guitarists with something to say, there will be solos that cut through the noise. Solos that raise goosebumps. Solos that remind you that music isn’t just heard—it’s felt.

10 Tips for Building Passive Income as a Musician (That Actually Make…Errr…Cents)

Let’s face it: even in a world of viral singles and streaming millions, most musicians aren’t living off six-figure advances. But there’s good news—passive income is real, and yes, it can pay your rent if you set it up smartly. Whether you’re touring the continent or stuck in traffic on the 401, the goal is to keep your art working for you long after you leave the studio. Here are 10 music industry-approved ways to build passive income while keeping your focus on creativity (and caffeine).

License Your Music for Sync
TV shows, indie films, YouTube vlogs, video games—everyone needs music. Sign up with a sync agency or platform like Musicbed or Songtradr and start pitching your catalog. One well-placed track can bring in royalties and exposure.

Join a PRO (Performing Rights Organization)
If your music is played publicly (on radio, in venues, in TV ads), you’re owed royalties. Sign up with a PRO like SOCAN (Canada), ASCAP or BMI (US) to make sure you’re collecting your performance income. Even those late-night jazz bar spins add up.

Distribute Globally—Not Just Locally
Use a digital distributor like DistroKid, CD Baby, or TuneCore to get your music onto streaming platforms in every market. Spotify might not be gold, but you’re building a base—and even a few pennies from Indonesia count toward the long game.

Sell Sample Packs or Loops
Got a unique sound? Producers are always looking for fresh textures. Package up drum kits, loops, or vocal FX and sell them through Splice, BeatStars, or your own site. Create once, sell forever.

Monetize Your YouTube Channel
Even if you’re not hitting a million views, consistent uploads—performances, tutorials, behind-the-scenes vlogs—can generate ad revenue. Connect your channel with Content ID to monetize your music when others use it, too.

Launch a Patreon or Subscription Service
Give your superfans a way to support you directly. Offer exclusive demos, early access to songs, or songwriting breakdowns. Even 30 supporters paying $5/month adds up to $1,800 a year—for doing what you’re already doing.

Print-on-Demand Merch
No need to carry boxes of shirts in your trunk. Use sites like Printful or Teespring to sell t-shirts, mugs, or lyric art—all without upfront cost. They print, they ship, you get paid.

Create an online course or masterclass
Share what you know—whether it’s songwriting, vocal technique, or home recording. Sites like Skillshare, Udemy, or even Patreon allow you to monetize your musical knowledge on your own terms.

Sell digital sheet music or tabs
If you’ve got notation or transcription skills, platforms like Musicnotes, Sheet Music Plus, or even your own website can be a great home for arrangements and original pieces, especially for niche instruments or genres.

Use affiliate marketing for gear you love
If you’re already recommending your go-to mic, pedalboard, or DAW, why not earn from it? Sign up for affiliate programs with Sweetwater, Amazon, or plugin companies and get paid every time someone clicks through and buys.

Passive income isn’t passive at the start—but it snowballs. A few smart decisions now can give you freedom, flexibility, and a music career that supports itself while you keep dreaming big. As always, stay creative and business-minded—because the future of music belongs to artists who know their worth in every stream, sync, and sound byte.

It’s Cheer Up the Lonely Day—Here Are 10 Songs That Celebrate Friendship and Human Connection

Today is Cheer Up the Lonely Day, a gentle reminder that a kind word, a small gesture, or even just showing up can shift someone’s entire world. Celebrated every July 11, this unofficial holiday encourages us to reach out—to text an old friend, call a grandparent, or simply sit with someone who might be feeling alone. Music, of course, has always been a bridge to connection. So in honour of the day, here are 10 songs about friendship that remind us we’re never really alone—even when it feels like it.

Bill Withers – “Lean on Me”
An eternal classic that promises exactly what its title says. When you’re not strong, this song stands in the gap and reminds you someone’s always willing to help you carry on.

Carole King – “You’ve Got a Friend”
The ultimate shoulder-to-cry-on ballad. With one gentle piano riff and King’s warm vocals, this track wraps around you like a handmade quilt.

Ben E. King – “Stand By Me”
A song so timeless it sounds like it’s always existed. It’s about loyalty, trust, and the quiet strength of having someone by your side—no matter what shakes the ground.

Randy Newman – “You’ve Got a Friend in Me”
Made iconic by Toy Story, but the sentiment works in every decade. Friendly, funny, and full of heart—this one’s for the lifelong buddies who’ve seen you at your best and your weirdest.

Dionne Warwick & Friends – “That’s What Friends Are For”
A star-studded anthem of gratitude and togetherness, where every line is a hug and every harmony says, “You’re not alone in this.”

Queen – “You’re My Best Friend”
A feel-good groove with a side of glam, this one celebrates the kind of friendship that turns into family. Perfect for that one friend who always gets you—no questions asked.

The Beatles – “With a Little Help from My Friends”
Ringo takes the mic for this ode to friendship that’s equal parts tender and cheeky. It’s a reminder that our friends make even the hardest days manageable.

Bruno Mars – “Count on Me”
Bright, breezy, and heartfelt, Bruno’s message is simple: when the storm comes, I’ll be there. A perfect song for passing along to someone who needs a little light.

The Rembrandts – “I’ll Be There for You”
Yes, it’s the Friends theme, but for good reason. Sometimes all someone needs to hear is “I’ll be there,” and suddenly it’s not such a bad day anymore.

Bette Midler – “Wind Beneath My Wings”
A soaring tribute to the quiet heroes in our lives. For the friend who cheers you on from behind the scenes, this one says it all—gracefully and with gratitude.

So today, pick up the phone, send a link to one of these songs, or surprise someone with a little unexpected kindness. Because every day is a little better with a friend—and on Cheer Up the Lonely Day, that truth hits especially sweet.

Hayley Williams’ Isolated Vocals For Paramore’s “Pressure”

Released 19 years ago, Paramore’s debut single Pressure didn’t crack the Hot 100, but it lit the fuse for a pop-punk legacy. Slow-burning and relentless, it eventually went gold—proof that some anthems just need time to find their crowd.












Woody Guthrie Center Launches ‘Common Chords’ Concert Series Spotlighting Folk, Justice And Connection

0

Tulsa’s Woody Guthrie Center is launching Common Chords, a new concert series that brings live music to the center’s intimate 59-seat theater with a focus on community, connection and cultural movement.

Rooted in the traditions of folk music and storytelling, Common Chords will feature handpicked singer-songwriters whose work resonates with Woody Guthrie’s legacy of justice, equality and compassion. Each season of the series will explore themes of identity, protest and reinvention, offering audiences a chance to engage with the evolving sounds of folk music in a space known for activism and creativity.

“Common Chords was designed to honor the lasting impact of folk music,” said Cady Shaw, director of the Woody Guthrie Center. “We’re creating a space where artists and audiences can come together to reflect, connect and take part in something that truly resonates.”

The Common Chords series will begin in the fall of 2025, with performances scheduled throughout the season. Musicians interested in performing are encouraged to apply on the center’s website. Applications are open now and will close on Aug. 3, 2025, at 11:59 p.m. CT.

Ideal performers for Common Chords are artists whose music:

    Draws from folk traditions
    Explores themes of community, identity and social change
    Brings a fresh or unexpected perspective to roots-based music

Selected artists will receive venue support, in-house lighting and audio, professional front-of-house staff, shared promotion, ticketing services and revenue-sharing options. Performers will be featured in a listening-focused environment built for acoustics and connection.

For more information or to submit to perform, visit woodyguthriecenter.org/commonchords.