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Understanding the Real Cost of Ear Wax Removal in the UK

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By Mitch Rice

If you’ve ever experienced blocked ears, muffled hearing, or that frustrating feeling of fullness in your ears, you might already know that ear wax buildup is a common culprit. While it’s perfectly natural, and in fact plays a protective role, excessive wax can lead to discomfort and even hearing difficulties. So, what can be done about it? Many people across the UK are now seeking professional ear wax removal, but a question that often arises is: how much does it really cost?

Why Ear Wax Removal is Sometimes Necessary

Most of the time, our ears are self-cleaning. The wax (or cerumen) gradually moves to the outer ear and falls out without us even noticing. But for some people, this process doesn’t work quite as well. This might be due to narrow or bendy ear canals, use of hearing aids or earphones, or simply genetics. When wax becomes impacted, it can cause symptoms like temporary hearing loss, dizziness, ringing in the ears (tinnitus), itching, or pain.

In such cases, using cotton buds or home remedies can sometimes do more harm than good. That’s where professional ear wax removal comes in. It’s safe, effective, and often offers instant relief.

How is Ear Wax Professionally Removed?

There are a few different methods available in clinics across the UK:

  • Microsuction: This is the most commonly recommended method. A small device with gentle suction removes the wax without the need for water.
  • Irrigation: Warm water is flushed into the ear canal to dislodge the wax. It’s a modern version of ear syringing.
  • Manual removal: Sometimes done with specialised instruments under a microscope, especially for difficult or dry wax.

Each method is chosen based on the patient’s condition and preference. Microsuction is generally considered the safest and most comfortable option.

So, What About the Ear Wax Removal Price?

Now to the question on most people’s minds: the cost. The ear wax removal price in the UK can vary depending on several factors:

  • Location: Prices tend to be slightly higher in larger cities like London, Manchester, or Birmingham compared to smaller towns.
  • Type of clinic: Private hearing clinics or ENT specialists may charge more than high street providers or pharmacies offering the service.
  • One ear or both? Some clinics charge per ear, while others offer a fixed fee regardless of whether one or both ears are treated.
  • Initial assessment: Some clinics include this in the price, others charge it separately.

Typically, you can expect to pay anywhere between £40 and £100 for ear wax removal. Many reputable clinics offer transparent pricing on their websites. For a deeper breakdown of what you might pay and what’s included, you can explore this helpful resource on ear wax removal price.

Is It Covered by the NHS?

In the past, ear wax removal was commonly available through the NHS. However, in recent years, many GP surgeries have stopped offering this service due to funding changes. It is now considered a low-priority procedure in many areas, meaning patients are either referred to hospitals (which often comes with long waiting lists) or advised to seek private care.

That said, some Clinical Commissioning Groups (CCGs) still fund it for patients with additional complications or for those with hearing aids. It’s worth checking with your local surgery first.

Choosing the Right Provider

If you’re going private, it’s important to choose a provider with trained audiologists or medical professionals. Look for clinics that:

  • Use sterile equipment and safe techniques like microsuction
  • Offer clear pricing with no hidden fees
  • Provide pre- and post-treatment advice
  • Have good reviews or are recommended by local GPs

Some pharmacies such as Specsavers or Boots now offer ear wax removal, but independent audiology clinics often provide more tailored care.

What to Expect at Your Appointment

Appointments typically last 20 to 30 minutes. You’ll have a brief assessment to examine the wax buildup and decide the best removal method. If the wax is very hard or dry, you might be asked to use olive oil drops for a few days beforehand.

During microsuction, you’ll hear a gentle suction sound, not unlike a small vacuum, but it shouldn’t be painful. Many people report an almost instant improvement in their hearing after the procedure.

Can You Prevent Future Build-Up?

While some people are naturally more prone to wax build-up, a few tips can help:

  • Avoid using cotton buds as they often push wax further in
  • Use ear drops regularly if you know you’re prone to blockages
  • Have routine check-ups if you wear hearing aids or in-ear devices

Final Thoughts

Getting your ears professionally cleaned might not be at the top of your to-do list, but for those experiencing discomfort or hearing loss, it can make a world of difference. Understanding the ear wax removal price and what affects it helps you make an informed decision about your ear health.

Whether you’re looking for treatment in a busy city or a local hearing clinic, the most important thing is that the procedure is done safely and by someone qualified. Your ears are delicate and they deserve proper care, not just a quick poke with a cotton bud.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Clipse Drops “Chains & Whips” Video and Announces 2025 European Tour Dates

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Clipse has shared a new video for “Chains & Whips,” the second official video from their critically acclaimed fourth studio album Let God Sort Em Out.

The hip-hop group also unveils a run of European tour dates in November in support of the project, touching down in the United Kingdom, Paris, and the Netherlands.

Clipse has previously announced the U.S. leg of the Let God Sort Em Out Tour, set to launch on August 3rd in Boston. The tour will feature stops in New York, Philadelphia, Los Angeles, Houston, Detroit, Chicago, and many more, including Pusha T and Malice’s hometown of Virginia Beach, Virginia.

Executive produced by Pharrell Williams, Let God Sort Em Out features guest appearances from Kendrick Lamar, Tyler the Creator, Nas, John Legend, The-Dream, Ab-Liva, Stove God Cooks, and more.

Clipse 2025 European Tour Dates:

Nov 5 – Tilburg, The Netherlands @ 013 Poppodium
Nov 8 – Paris, France @ L’Olympia
Nov 9 – London, UK @ O2 Forum Kentish Town
Nov 10 – Manchester, UK @ O2 Ritz

Sikarus Drops Explosive New Alt-Rock Single “Aprikot” Ahead of Tour with Hardy

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Following an explosive debut, Sikarus returns with a new single, “Aprikot,” out via Crow Records/Big Loud Rock. Sikarus also released the official video for the high-power song, directed by Harrison Shook. The song fuses raw, yearning lyricism with driving percussion to evoke the ache and urgency of a love worth fighting for.

“’Aprikot’ sounds to me like that very first bite out of love, when your brain is on dopamine overload and everything feels so good you think it couldn’t possibly ever end,” shares Sikarus. “Luckily in this case, when it does, you can just play the song over again.”

As one of the first acts signed to the newly launched Crow Records, founded by country rock superstar Hardy, Sikarus is quickly carving out a place in the alt-rock scene. Written by Sikarus and Ashley Brooker, “Aprikot” is just the beginning.

Fans can expect more new releases as Sikarus joins Hardy on select dates of the Jim Bob World Tour next month, playing arenas and amphitheaters across the U.S.—including New York’s legendary Madison Square Garden—in August and September.

Sikarus is the solo project of Jordan Brooker, a longtime Nashville songwriter with cuts for Luke Combs and several others, making his artist debut. Raised on country, Brooker found his major inspirations when his older brothers turned him on to rock in his early adolescence, starting with classics like Led Zeppelin and Nirvana and falling deep into turn-of-the-millennium alt- and pop-rock and ’90s rock titans in high school. Hardy and Brooker, friends and collaborators during their early years in Nashville, reconnected in recent months with Hardy, making Sikarus his first Crow Records artist almost immediately upon hearing demos.

FIFA Club World Cup Debuts First-Ever Halftime Show with Global Superstars and Education Mission

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The inaugural FIFA Club World Cup Final Halftime Show, presented by Panini, made history yesterday (Sun, July 13th), bringing together a truly international lineup of superstars who captivated audiences worldwide while advancing the opportunity for millions of children to receive quality education. The first-of-its-kind halftime show, produced by Global Citizen and curated by Chris Martin of Coldplay, showcased the power of music to unite cultures and drive meaningful change, and was viewed live globally.

The spectacular show featured artists representing five continents, demonstrating music’s unique ability to transcend borders and unify the world. Colombian superstar J Balvin brought Latin energy to the global stage, while Nigerian Afrobeats sensation Tems showcased the vibrant sounds of West Africa. Grammy-winning American artist Doja Cat delivered an electrifying performance that had the MetLife Stadium crowd on their feet, and Coldplay joined the show for a surprise performance of the band’s hit “A Sky Full Of Stars,” featuring a guest appearance from Australian singer Emmanuel Kelly.

Against the backdrop of the Manhattan skyline, the first halftime show at a FIFA event was staged high above the pitch among MetLife Stadium’s upper-level seats. A dedicated platform and innovative set design built into the stadium’s stands provided the impressive crowd with a spectacular show, while also ensuring the pitch remained preserved for the historic match.

Broadcast live and for free on DAZN.com, the halftime event was created as part of a four-year partnership between FIFA and Global Citizen to help improve access to football and quality education for children through the FIFA Global Citizen Education Fund. FIFA and Global Citizen aim to raise $100 million for quality education access worldwide. So far, $10 million has been raised to support literacy, reading, and writing programs. This funding is expected to reach over 150 communities and impact the lives of 10,000 children.

This historic performance marks the beginning of an innovative FIFA-Global Citizen partnership that will extend to produce the first-ever FIFA World Cup Final Halftime Show in the New York-New Jersey stadium on July 19, 2026.

Blackpink Opens Deadline Tour with Historic Back-to-Back Sellouts at SoFi Stadium

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Blackpink made history again, launching their North American tour with an electrifying opening in the United States, one of the world’s top music markets.

On July 12th, the K-pop superstars held the Blackpink World Tour Deadline in Los Angeles at SoFi Stadium. With a second show on July 13th, they became the first girl group ever to sell out the venue for two consecutive nights, setting a new record with more than 100,000 fans.

Returning to North America for the first time in nearly three years, Blackpink was met with a feverish reception. As the powerful live band kicked in, fans roared with excitement as the group delivered an explosive, hit-packed set.

The solo stages were clear standouts. Jisoo captivated the crowd with her dreamy, emotive performance; Lisa mesmerized them with a magnetic, charismatic performance. Jennie brought a bold attitude and a signature hip-hop style, while Rosé heated up the stadium with her delicate vocals and lively energy.

YG’s signature high-quality production values and Blackpink’s unmatched stage presence filled the massive venue. Every moment delivered a sense of spectacle, with the members moving seamlessly across the stage to keep the audience fully engaged.

Having successfully wrapped up the LA show, the starting point of their seven-show, four-city North American leg, Blackpink now heads to Chicago, Toronto, and New York. From there, the tour will continue to stadium-scale venues around the world, with dates in Milan, Barcelona, London, Kaohsiung, Bangkok, Jakarta, Bulacan, Singapore, Tokyo, and Hong Kong.

Meanwhile, on July 11th, the group released their new digital single “Jump.” The song soared to No. 1 on iTunes Top Songs charts in 60 regions, topping worldwide charts. On YouTube, it immediately hit No. 1 on Worldwide Trending and Popular Rising charts, and claimed the top spot on the Global Daily Popular Music Video chart.

Backstreet Boys Kick Off Historic ‘Into The Millennium’ Residency at Sphere Las Vegas

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This past weekend, global pop icons Backstreet Boys debuted at Sphere in Las Vegas, kicking off their Into the Millennium summer residency with sold-out back-to-back shows on Friday, Saturday, and Sunday. Produced by Live Nation, the 21-date run marks a major milestone as the Backstreet Boys become the first pop act ever to perform at the groundbreaking venue.

Bringing their legendary 1999 Millennium album to life like never before, the show features a career-spanning setlist that includes iconic hits such as “Larger Than Life” and “I Want It That Way,” along with fan favorites from their 30-year catalog. Enhanced by Sphere’s state-of-the-art visuals and immersive audio technology, the performance redefines what a pop concert looks and feels like.

Opening night coincided with the release of Millennium 2.0, a deluxe reissue of their chart-topping, five-time Grammy-nominated album. Out now via Sony Legacy, the 25-track edition includes all 12 original remastered songs, rare B-sides, demos, live recordings, and their new single “Hey,” available now.

The residency continues next weekend with shows on July 18, 19, and 20, and will run every weekend through Sunday, August 24, 2025.

Sphere’s next-generation technologies include the world’s highest resolution LED display that wraps up, over, and around the audience, creating a fully immersive visual environment. The venue also features the world’s most advanced concert-grade audio system, Sphere Immersive Sound, which delivers audio with unmatched clarity and precision to every guest.

GHOST Launches Out-of-This-World Skeletour with VIP Fan Museum

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summer, Swedish rock metal group GHOST is bringing something out of this world on tour with SUPER as VIP partner. Touring the group’s first Billboard No. 1 album, “Skeleta,” the Skeletour will be an indulgent celebration of the new tracks and the greatest hits that earned them a cult following. 

Fans and followers can experience GHOST like never before, getting up close and personal with a dedicated fan space and GHOST Museum, curated especially for the Skeletour. SUPER delved deep into the lore to resuscitate never-before-seen and one-of-a-kind relics from the GHOST archives. SUPER also launched the “Member of the Clergy” Pass – a concert passport allowing GHOST’s biggest superfans to run away to as many GHOST rituals as they want.

Ticket packages include over-the-top VIP offerings like a trip through the “Ghost Museum,” a behind-the-scenes production tour, front-row or premium seating, and numbered early entry to the floor.

Fans can explore five custom coffins dedicated to significant figures in GHOST lore, including four Papas and an exclusive new coffin honoring Sister Imperator, marking its first-ever appearance.

Highlights include original costumes worn by the Ghouls during the popular Prequelle era, alongside iconic items belonging to Cardinal Copia, such as his stage costume, a plushie, and related artwork. Papa III’s memorabilia is also prominently featured.

Fans have the exclusive chance to step inside the actual confessional booth from GHOST’s “Satanized” music video, now open for unique photo opportunities. Another fan favorite is the detailed backstage vanity setup used by Papa V in the “Rite Here Rite Now” movie, complete with authentic props from the production.

Key menu offerings: 

  • “The Apostles” Front Row Experience
  • “The Anointed” VIP Experience
  • “The Ascended” VIP Package
  • “Member of the Clergy” Pass

Find the full GHOST VIP Program here

5 Surprising Facts About Run-D.M.C.’s Debut Album

Released on March 27, 1984, Run-D.M.C. marked the beginning of a legendary career and redefined what hip hop sounded like, looked like, and stood for. Gone were the disco breaks and glittery suits. In came stark beats, shouted rhymes, black Lee jeans, and Adidas with no laces. Run, D.M.C., and Jam Master Jay kicked down the door. to the genre and forever changed it. You already know the impact. Here are five facts you might not.

1. “Rock Box” made MTV history—and got a guitar solo by accident
When Run-D.M.C. showed up at the studio to record, they had to wait for a heavy metal band to finish their session. That band? Riot. Inspired by the massive guitar sounds, producer Larry Smith brought in guitarist Eddie Martinez to lay riffs over “Rock Box.” At first, the group didn’t love the rock version. But the label put it out, and it became the first rap video to air on MTV. One song, one crossover, one blueprint for the future.

2. “It’s Like That” started as a $100 rhyme sheet
Run had written a batch of lyrics, sold them to producer Larry Smith for $100, and figured they’d be recorded by someone else. Instead, Run and D.M.C. asked Smith and Russell Simmons to let them try it themselves. They recorded “It’s Like That” over a stark, minimalist beat, trading lines with conviction and clarity. That song became their debut single—and a declaration of a new era in hip hop.

3. “Hard Times” came from Kurtis Blow, with a Run-D.M.C. twist
Before they were rap pioneers, Run was Kurtis Blow’s DJ. So when it came time to record their debut, they revisited one of Blow’s tracks: “Hard Times.” Their version stripped it down—less funk, more stomp. The connection ran deep: Larry Smith had worked on both versions, and Russell Simmons (Run’s older brother) managed Blow. The result was a grittier, no-frills anthem that laid the foundation for Run-D.M.C.’s voice.

4. The album cost $25,000—split four ways
Profile Records gave the group a $25,000 advance to make the album. $15,000 went into studio time. The remaining $10,000 was split between Joseph “Run” Simmons, Darryl “DMC” McDaniels, Larry Smith, and Russell Simmons. Whether Jam Master Jay was paid remains a mystery. But what’s clear is this: they turned a modest budget into the most influential rap debut of the decade.

5. Their style wasn’t a gimmick—it was the revolution
The leather jackets, Adidas without laces, and Kangol hats weren’t stage costumes. That was Hollis, Queens. That was real life. Run-D.M.C. showed up on magazine covers and TV screens looking like they stepped off the subway, not a runway. With “Rock Box,” they weren’t just changing music—they were changing how artists looked, dressed, and owned their space.

Run-D.M.C. made hip hop louder, leaner, and tougher. This album set the trends, invented them. Every beat, every line, every stomp of the sneaker said: this is the new school, and we’re already running it.

5 Surprising Facts About Rush’s ‘Moving Pictures’

Released on February 12, 1981, Moving Pictures was the lightning strike that sent Rush into rock immortality. With a sharper, leaner sound, tighter arrangements, and just the right dose of synth, this album marked a new era for the Canadian power trio. Fans heard “Tom Sawyer” and knew instantly—they were in the presence of something big. But behind the five million copies sold, the Grammy nods, and the airwave dominance, there’s a treasure trove of stories. Here are five little-known facts about Moving Pictures that remind us why it moves people to this day.

1. “YYZ” literally spells Toronto
Rush named the track “YYZ” after the airport code for Toronto Pearson International, their home base. The opening rhythm of the song actually spells out “YYZ” in Morse code, hammered out by Neil Peart and echoed by Geddy Lee on bass. It started as a warm-up jam between the two and evolved into one of the band’s most beloved instrumentals. What began as a nod to a homecoming turned into a masterclass in rhythm, musicianship, and musical storytelling.

2. “Tom Sawyer” almost didn’t make it out of the studio
Rush had more technical hiccups mixing “Tom Sawyer” than any other track on the record. Their computer-controlled mixing system went down, so each band member took over a section of the console and mixed it manually—like flying a spaceship with three pilots. The synth riff came from Geddy’s soundcheck noodling, nearly forgotten until the band pieced it back together. Today, it stands as one of their most iconic songs, and a staple of live shows around the world.

3. The cover art is actually three covers in one
Artist Hugh Syme delivered a triple visual pun on the Moving Pictures sleeve. Movers are carrying paintings. People are emotionally “moved” by the art. And on the back cover, a film crew is making a literal moving picture. It was shot outside the Ontario Legislature in Toronto, featuring friends, artists, and even Syme’s neighbors as the cast. For fans lucky enough to see the behind-the-scenes film at a Rush concert years later, the whole concept clicked into motion.

4. “Red Barchetta” was inspired by a car magazine short story
Neil Peart built “Red Barchetta” from a 1973 Road & Track short story titled “A Nice Morning Drive.” In it, speed is outlawed and drivers sneak onto the roads in old-school machines. Peart swapped the car from an MGB to a sleek Ferrari 166 MM Barchetta and set the lyrics to music that captures the thrill of escape. The track channels freedom, rebellion, and the joy of breaking away—all wrapped in cinematic guitar work and lyrical precision.

5. The crowd chatter on “Witch Hunt” came from a freezing driveway
The eerie mob heard at the start of “Witch Hunt” wasn’t a sound effect—it was Rush and the studio crew standing in the snow outside Le Studio, shouting while drinking Scotch. Alex Lifeson admitted one of the voice clips includes a perfectly timed shout of “Fucking football,” if you listen closely enough. The scene was layered again and again until it transformed into a rising tide of paranoia—perfectly setting the mood for one of the band’s darkest tracks.

Moving Pictures carved out a new chapter in progressive rock. From Morse code riffs to multi-layered visuals, it’s an album that rewards close listening, and then some. Every spin reveals something new. Rush didn’t follow the rules—they rewrote the map, made it rhyme, and added a drum solo in 7/8 time for good measure.

5 Surprising Facts About Lynyrd Skynyrd’s ‘(Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd)’

Released on August 13, 1973, Lynyrd Skynyrd’s debut album introduced a band that sounded like a freight train full of soul, swagger, and stories. (Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd) arrived with purpose. It gave the world “Simple Man,” “Tuesday’s Gone,” “Gimme Three Steps,” and a little tune called “Free Bird.” The guitars rang out like church bells in a swamp, and Ronnie Van Zant sang like he meant every word. Here are five lesser-known stories behind the album that helped build the house of Southern rock.

1. “Free Bird” started with a question from a girlfriend
Allen Collins’s girlfriend, Kathy, once asked him, “If I leave here tomorrow, would you still remember me?” That line stayed with him. Ronnie Van Zant took it and, within minutes, built a melody and lyrics around Collins’s swirling guitar pattern. The legendary solos were originally added to give Van Zant a break during marathon club sets. Piano roadie Billy Powell casually played an intro one day, and the band added it on the spot—then made him a full member.

2. They perfected their songs in a place called Hell House
Before they hit the studio, the band rehearsed in a small building deep in the Florida woods, known as “Hell House.” There was no air conditioning—just long hours, sweltering heat, and pure focus. It was here that songs like “Simple Man” and “Gimme Three Steps” were hammered into shape, note by note. Producer Al Kooper called the band the most prepared group he’d ever worked with.

3. “Simple Man” was recorded without the producer present
Al Kooper didn’t believe “Simple Man” should be on the album. The band had other plans. Ronnie Van Zant politely walked Kooper to his car and asked him to stay there while the rest of the band recorded it. The take they laid down became one of the most beloved songs in the Skynyrd catalog. The honesty, simplicity, and soul in that track speaks louder than any debate ever could.

4. “Free Bird” became the most shouted song request in history
During One More from the Road, Ronnie Van Zant famously asked the Atlanta crowd, “What song is it you want to hear?” The answer, shouted from all corners of the Fox Theatre, was “Free Bird”—and what followed was a 14-minute version that sealed the song’s legend. That moment sparked a tradition: fans at concerts everywhere began yelling “Free Bird!” as a tongue-in-cheek request, even at shows with no connection to Skynyrd. From Nirvana’s MTV Unplugged taping to a Bob Dylan encore in Berkeley, “Free Bird!” became a universal in-joke and a cultural callout—proof that one song can echo far beyond the band that created it.

5. The album cover shoot ended with a sidewalk surprise
The now-iconic photo of the band standing on Main Street in Jonesboro, Georgia, came at the end of a long day of shooting. Seconds after the camera clicked, Gary Rossington stepped off the curb and threw up—proving that rock and roll commitment doesn’t always come pretty. Still, the photo captured the raw, road-hardened spirit of a group ready to carve their name into American music forever.

(Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd)lit a fuse that still burns. From “Free B ird” sing-alongs to guitar harmonies that sound like Southern thunder, this album holds a place in the pantheon because of the sweat, soul, and songs behind it. Forty-plus years later, it’s still flying high.