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5 Surprising Facts About Tame Impala’s ‘Currents’

Released on July 17, 2015, Currents became a hypnotic turning point for Tame Impala. Kevin Parker took his love of psychedelia, his fascination with human emotion, and his growing affection for synthesizers and shaped a record that invited fans onto a moving walkway of sound. The songs bend genre, swirl through transformation, and feel like personal letters wrapped in chorus effects. You’ve heard “Let It Happen,” “Eventually,” and “The Less I Know the Better”—but here are five facts you might not know about this shimmering masterpiece.

1. One song had over 1,000 vocal takes
Kevin Parker recorded more than 1,000 partial vocal takes for just one song on Currents. That level of layering creates an immersive and emotional vocal texture throughout the album. Every nuance is considered—each falsetto, echo, and breath locked into the final mix like pieces of a sonic puzzle. It’s part of what gives the record its unmistakable intimacy.

2. “The Less I Know the Better” used a guitar to play synths
For the first two minutes of “The Less I Know the Better,” every sound was made using a guitar with a MIDI pickup running through a Roland GR-55 guitar synthesizer. Kevin used the guitar as a controller, unlocking orchestral stabs, wavy textures, and disco-funk bass without ever touching a keyboard. The result is lush, melodic, and endlessly replayable.

3. The album’s visuals came from fluid dynamics
The artwork for Currents was inspired by a real diagram of vortex shedding—a concept in physics that describes how fluid flows around obstacles. Kevin remembered it from science class and saw a perfect metaphor for the album’s themes of transformation. Artist Robert Beatty turned that vision into one of the most striking and recognizable covers of the decade.

4. Inspiration flowed from an abandoned power station
Kevin spent hours walking laps around the South Fremantle Power Station in Western Australia while writing Currents. The vast, eerie space and its crumbling beauty helped shape lyrics and moods across the album. He described the location as both terrifying and inspiring, a place that filled his mind with rhythm, reflection, and sound.

5. “Yes I’m Changing” arrived like a dream
Kevin once said he doesn’t even remember writing “Yes I’m Changing.” The song came to him so fluidly, it felt like it had written itself. That ethereal quality matches its emotional core—a gentle letting-go wrapped in synth waves and slow-motion drums. The song became one of the album’s quiet centerpieces, offering reflection without needing answers.

Currents thrives on movement, both physical and emotional. It’s an album of turning tides and inner rewiring, crafted with care and clarity by one of music’s most meticulous creators. Ten years from now, people will still be finding new sounds hidden inside it—and dancing along.

Americana Duo Marfa Signs with Ascend Music and Drops New Track “Little Miss Two Time”

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Ascend Music announces the signing of Americana rock duo, Marfa. Comprised of Bryce Menchaca and Kellen Wall, Marfa has garnered attention for their head-turning harmonies and raw, rootsy sound. The duo serves as the first signing to the newly announced Big Machine Label Group imprint, established in partnership with music industry executive Joel Klaiman.

“Marfa is the first of many groundbreaking artists set to come from Ascend Music,” says Founder, Chairman & CEO of Big Machine Label Group Scott Borchetta. “This was a ‘one-listen, one-meeting, and we have to do this’ moment. These guys are going to blow people away with their musicality and vibe.”

“From the moment I first heard Marfa — the songs, the writing, the depth of their musicianship, and the harmony of Bryce and Kellen’s voices — I knew they were something special,” adds Founder & CEO of Ascend4M Joel Klaiman. “Their sound is both timeless and unmistakably of the moment. I’m thrilled to have them as the first signing to our new venture. They set the tone for the kind of talent, artistry, and authenticity we are building the label around.”

“We’re absolutely thrilled to be a part of something so special and to embark on a dream come true,” share Marfa’s Bryce Menchaca and Kellen Wall. “Signing our first record deal with an all-star team of Ascend Music and Big Machine Label Group is something we’re really proud of.”

In conjunction with the signing, Marfa has released a brand-new track, “Little Miss Two Time,” today. Penned by Menchaca and Wall alongside Morgan Nagler, the song offers a wry, candid take on the aftermath of being left high and dry by a sneaky, two-timing lover.

“This track was inspired by Kellen receiving some unfortunate news following one of our shows, when an ex-girlfriend promptly ended things with him,” shares Menchaca, with Wall adding, “I later found out there was someone else the whole time, so we (along with our co-writer Morgan) made the best out of a bad situation, and ‘Little Miss Two Time’ was born.”

With breezy vocals, a steady drum beat and a vibey bass line, “Little Miss Two Time” makes heartbreak sound like a carefree road trip – the kind where you roll the windows down, let go, and leave the drama in the rearview. The track follows buzzed-about recent releases “Daisy,” “Sugar,” “Run For My Money,” and “66,” the latter which was recorded at Los Angeles’ EastWest Studios inside the same four walls that gave life to The Beach Boys’ Pet Sounds and The Mamas & the Papas’ California Dreamin’.

Raised on a Texas country soundtrack, forged in Colorado from a shared love of rock icons past and present, and ignited by the spirit of California’s Laurel Canyon music scene, Marfa has arrived with an undeniably authentic sound as familiar as your favorite pair of Wranglers and as fresh as the morning Rocky Mountain air.

Co-written by the pair and Morgan Nagler, the track is a toe-tapping tale of betrayal that serves as the first look at new music on the horizon produced by three-time Grammy Award-nominee Jonathan Wilson (Dawes, Father John Misty, Billy Strings).

Blending influences like CSNY, the Eagles, and Glen Campbell, Marfa is bringing their own rootsy, Americana rock-inspired sound to stages across the East Coast as they join The Head And The Heart on select dates of their Aperture Tour.

Tigirlily Gold Release Dreamy New Country Single “Thinkin’ Bout That”

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ACM Award-winning duo Tigirlily Gold is “Thinkin’ Bout That” on their new release, available everywhere now via Sony Music Nashville.

“‘Thinkin’ Bout That’ is a song that stemmed from a conversation I had with my fiancé early on in our relationship,” shared the duo’s Krista Slaubaugh, who recently celebrated her engagement to Walker Montgomery. “He pointed out a house and asked me what I thought about it. I said, ‘I don’t know, I’ve never had to think about that.’ He turned to me and said, ‘Well, you should start thinkin’ bout that.’ With that simple phrase, he gave a sense of reality to every single future dream of mine.”

Tigirlily Gold’s Krista and Kendra Slaubaugh co-wrote the dreamy track with Jess Grommet and Willie Morrison. Pete Good served as producer.

“The song encapsulates that new, exciting part of a relationship where everything you’ve wanted in life is no longer at arm’s length, it happens to be sitting right next to you in the driver’s seat,” the ladies add.

The pair recently performed at Nissan Stadium during CMA Fest, taking the VIP stage with their recent release “Forever From Here” and Top 40 single “Shoot Tequila.”

Hudson Westbrook Drops New Single “Damn Good Taste In Whiskey” Ahead of ‘Texas Forever’

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River House Artists/Warner Music Nashville’s skyrocketing Texas star, Hudson Westbrook, releases his latest single, “Damn Good Taste In Whiskey.” The song is the latest sneak peek of what’s to come on Westbrook’s anticipated debut album, Texas Forever, out July 25th.

Written by Westbrook and Randy Montana, “Damn Good Taste In Whiskey” sits tenth in the album lineup, blending heartbreak and humor. The mid-tempo, barstool anthem playfully laments: “I guess I like things that burn my chest / Leave a heart full of hurt with a shot of regret / If love’s a game I sure ain’t winning, gotta bad taste in women / But a damn good taste in whiskey.”

“Damn Good Taste In Whiskey” adds to a stacked set of predecessors from the album, including “Funny Seeing You Here,” “Texas Forever,” “Mine Tomorrow,” “Weatherman,” “Sober,” “Dressed Down,” and current Top 25 single at country radio, “House Again.”

Sacha and Restless Road Team Up for Heartfelt Country Duet “Shooting Star”

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Breakout country artist Sacha unveils her highly anticipated new single “Shooting Star,” a stellar collaboration with emerging trio Restless Road. Released via Sony Music, the song is available now on all digital platforms and arrives as the lead focus track for the deluxe edition of Sacha’s debut album Woman In The Mirror.

Written by Sacha, Restless Road, Cole Miracle (Eddie and The Getaway, Wyatt Flores), and Sam Martinez (Carrie Underwood, Tyler Braden), and produced by Jimmy Robbins (Blake Shelton, Maren Morris, Keith Urban) and Eric Arjes (Tim McGraw, Kane Brown, blackbear), “Shooting Star” is a soul-stirring reflection on a love that slipped away—anchored in the hope that a single wish might bring it back. With soaring harmonies and gut-punch lyrics, the song showcases both artists at their most vulnerable and vocally dynamic.

“It’s about the ache of almost-love—the kind that fades before you’re ready to let go,” Sacha says of the track. “Restless Road brought so much emotion and richness to the duet, and I couldn’t be more proud of how it turned out.”

“We’ve been fans of Sacha’s for a long time,” adds Restless Road. “The opportunity to create something together has been super exciting!”

As announced earlier this week, Sacha and Restless Road will perform “Shooting Star” live for the first time at the 2025 Canadian Country Music Association Awards in Kelowna, BC, on Saturday, September 13th.

“Shooting Star” leads the 14-track deluxe edition of Woman In The Mirror. The expanded project builds on the success of Sacha’s original 11-track album, released in May, that delivered a pair of international hits, with the empowering “Hey Mom I Made It” reaching the Top 10 at country radio in her native Canada, and Top 20 in the U.K., and the shattering “Til I Don’t” reached Top 20 in Canada, while cracking the U.K.’s Top 15.

The deluxe edition features additional piano and stripped-back versions of “Hey Mom I Made It,” and reinforces Sacha’s signature blend of bold honesty, gospel-tinged melodies, and pop-country edge.

George Strait to Host Intimate Texas Flood Benefit Concert “Strait To The Heart” in Boerne

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In the wake of the catastrophic flooding that has impacted so many lives across Texas’ Hill Country, it is impossible to watch the news without feeling the heartbreak of this disaster. Entire communities have been devastated, and families are mourning the loss of their children and loved ones.

In response, Texan George Strait alongside businessman and Vaqueros del Mar partner of 15-years, Tom Cusick, are organizing a special benefit dinner and concert in Boerne, Texas, Strait To The Heart, at Estancia at Thunder Valley indoor arena.

“The destruction and loss in our community from the recent flood is hard to wrap your head around,” shares Strait. “Our hearts and prayers are with you all. The goal with this event is to raise meaningful, immediate support that can be put directly into the hands of flood victims without delay, while also honoring the first responders who work tirelessly to save lives.

Special thanks to our friends and fellow troubadours—William Beckman, Ray Benson, Wade Bowen, Dean Dillon, Riley Green, Randy Houser, Jamey Johnson, Kyle Park, Hudson Westbrook and members of my Ace in the Hole Band—for joining me on stage to lend their talent and their hearts to this mission.”

Cusick adds, “The road ahead will be a long one. However, the immediate need is so great that we didn’t want to wait. Together, we can show our neighbors that when hardship strikes, Texas and our Country stand strong, and we stand together.”

Due to the intimate setting, the event is limited to one thousand guests. Tickets and tables are available for purchase pricing starting at $1000. Complimentary tickets will be provided to local area first responders. Donations will be made to the 501c3 Vaqueros del Mar Texas Flood Relief Fund and distributed directly to affected families as well as established Hill Country funds.

If you’re interested in purchasing a table or tickets to Vaqueros del Mar’s “Strait To The Heart” Intimate Donor Dinner & Concert on Sunday, July 27, or simply would like to make a contribution to Vaqueros del Mar Texas Flood Relief Fund, please email Vaquerosdm@gmail.com.

Houston Rap Phenom Monaleo Drops Fiery New Track “We On Dat” for 713 Day

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Rapidly rising lyrical heavyweight Monaleo heats things up with new summer anthem “We On Dat,” her newest release via Columbia Records. In true Monaleo fashion, the new track is filled with effortlessly clever wordplay and a flow so versatile that still manages to be reminiscent of vintage Houston.

Monaleo first teased the release last month to her ever-loyal fanbase before officially announcing the single earlier this week, and swiftly delivering the full drop, complete with a striking visual.

The accompanying music video comes today in celebration of 713 day, Houston’s unofficial holiday honoring the city’s original area code and everything that makes it iconic. Celebrated every July 13th, it’s a day to celebrate the culture, creativity and community of H-Town.

The official music video directed by George Buford and Oliver Cannon was shot in the metro city of Houston, with accompanying scenes in the bayou that nod to the young rappers spiritual and ancestral roots. Clad in her signature pink with a matching truck, Monaleo delivers a bold reminder: on top of being polarizing in her own right, she can go toe to toe with anyone.

Monaleo, the unapologetic force from Houston, Texas, has emerged as one of the most compelling new voices in hip-hop. At just 24 years old, she has already captivated listeners and critics alike with her fearless lyricism and undeniable charisma. Her breakout hit, “Beating Down Yo Block,” earned RIAA gold certification, amassing over 36 million YouTube views, and cemented her as a rising star.

Her debut album, Where the Flowers Don’t Die (2023), delivered a deeply introspective and resonant experience, addressing themes of depression, anxiety, and family struggle with unflinching honesty. In 2024, she built on that momentum with Throwing Bows and “Don Who Leo,” a viral sensation that took TikTok by storm with over four million creations and peaked at #16 on the Billboard Charts. As of 2025, Monaleo has garnered over 125 million YouTube views and over 300 million all-time streams, further solidifying her place in the cultural conversation.

Rising Pop Star Natalie Jane Drops Empowering Anthem “girls will b girls”

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Today, breakout pop sensation Natalie Jane returns with her emotive new single, “girls will b girls,” out now via Capitol Music Group/10K Projects. Arriving on the heels of her recent summer hit “fallin.”

With “girls will b girls,” Natalie Jane leads by example, highlighting her significant artistic growth through refined songwriting and a polished blend of contemporary pop production and lyrical finesse.

The song delves into the complexities of modern femininity, offering a thoughtful reflection on personal resilience and the power of community among women. Jane’s vocals move effortlessly between moments of vulnerability and undeniable strength, perfectly capturing the emotional and narrative scope of the track.

“girls will b girls is about the unspoken struggles of being a girl- it’s about the way girls show up for each other through difficult times. I’m so excited to share this song because it’s not about love or heartbreak like most of my music. It’s about friendship, sisterhood, and the strength that comes from having women in your corner. This one is truly for the girls.” – Natalie Jane

With “girls will b girls,” Natalie Jane not only delivers another undeniable pop moment but further establishes herself as a defining storyteller for her generation. The single marks a bold step forward as she sets the stage for more music to come soon.

Fresh off her international Sick To My Stomach Tour and surpassing 2 billion global streams, Natalie’s connection with fans continues to deepen. Her rapid rise includes being named one of TikTok’s most-viewed artists, earning a 2024 iHeartRadio Music Awards nomination, and recognition from GRAMMY.com list of “25 Rising Artists To Watch In 2024”, People Magazine, EUPHORIA., Popdust and other major outlets as a defining new voice in pop. As she continues to ascend, Natalie Jane assures to lead with authenticity and genuineness in every step of the way.

Lady A Announces This Winter’s Night Tour and Holiday Album Vol 2 for 2025

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Bringing irresistible holiday cheer in the heat of the summer, multi-Platinum and GRAMMY Award-winning group Lady A announces their 2025 THIS WINTER’S NIGHT TOUR, spreading 12 days of Christmas music, joy and magic this December.

The holiday tour will launch on Dec. 5 in Atlanta, GA at The Woodruff Arts Center’s Atlanta Symphony Hall and wrap with three consecutive shows at Nashville’s historic Ryman Auditorium. Presale tickets for most dates are available beginning this Wednesday (7/16) at 10 AM local time with the code HOLLYJOLLY, and general tickets go on sale this Friday (7/18) at 10 AM local time.

Known for consistently delivering harmony-soaked performances “unlike any other” (The New York Post), the trio’s inaugural Christmas tour will kick off after the release of ON THIS WINTER’S NIGHT VOL. 2 on Sept. 26. Both the upcoming album and tour will be packed with holiday classics as well as new festive originals as a companion and refresh of their 2020 album ON THIS WINTER’S NIGHT, which featured a “variety of musical styles from the simple acoustic-guitar-and-strings arrangement to the horns and sleigh bells” (USA Today).

“We have been in such a season of family and that’s the first thing we think of when we think of Christmas and the Holiday Season,” said Lady A’s Hillary Scott. “We hope this record and our first ever Christmas tour will be an opportunity for families and fans to usher in the Holiday Spirit with fun, joy and gratitude.”

THIS WINTER’S NIGHT TOUR Official Dates:
12/5/25 – Atlanta, GA @ The Woodruff Arts Center – Atlanta Symphony Hall
12/6/25 – Clearwater, FL @ Ruth Eckerd Hall
12/7/25 – Jacksonville, FL @ Florida Theatre
12/10/25 – Grand Prairie, TX @ Texas Trust CU Theatre
12/12/25 – Rockford, IL @ Coronado Performing Arts Center
12/13/25 – Waukegan, IL @ Genesse Theatre
12/14/25 – Welch, MN @ Treasure Island Resort & Casino – Island Event Center
12/18/25 – Shipshewana, IN – Blue Gate Performing Arts Center
12/19/25 – French Lick, IN @ French Lick Resort
12/21/25 – Nashville, TN @ Ryman Auditorium
12/22/25 – Nashville, TN @ Ryman Auditorium
12/23/25 – Nashville, TN @ Ryman Auditorium

Jon Nolan Announces New Album ‘Slow Cooker’ Out September 19

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Jon Nolan announced his new album Slow Cooker will be released on September 19 via Strolling Bones Records. On the album, the New Hampshire native underscores his relatable storytelling with eloquent folk-inspired songcraft accented by flourishes of country and rock brought to life during cozy and relaxed jam sessions which took place in his hometown of Newmarket. Along with the announcement, Nolan shared the lead single “On My Own.”

“An 80’s radio-infused meditation on the tension between shielding your heart from the world and the desperate fight to keep your heart open to all the beautiful mess of life,” Nolan says of the track. “A story about the deep desire for belonging, warmth and safety in young adulthood, but also a slow realization that sometimes you can only count on yourself.”

During the summer of 2022, Nolan, who fronts the alternative country band Say ZuZu, experienced a surge of inspiration so he launched a new music project “just for fun.” At first, he holed up in the attic of a friend’s barn with collaborators Geoff Taylor [bass] and Rick Habib [drums]. “We were eventually kicked out for being too loud,” Nolan laughs. Despite losing their de facto clubhouse, the guys welcomed Zack Tremblay [guitar] into the fold, cementing the lineup for Jon Nolan & Good Co.

By fall, The Stone Church Music Club in Newmarket agreed to allow Jon access to its upstairs living room. On the first Sunday of each month, he would host the Slow Cooker Sessions in this space. Friends would freely come and go, hangout, sit in a circle, and play live. However, these moments simply begged to be recorded. So Jon Nolan & Good Co. cut what would become Slow Cooker over the course of four sessions. Jon and Geoff co-produced the record, completing a handful of overdubs at the former’s home studio.

“Slow Cooker is more than just an album,” says Jon. “It’s evidence of a new season of creative meaning for me. Each song is a story from my life or my imagination that sort of became a series of little fires that the band gathered around one by one to stoke, feed, and tend to. We want people to come join us and warm themselves by these stories-on the record or at our shows.”

“Crafting this record was like remembering how to make music again and enjoy it,” he notes. “I felt this new sense of freedom. I can just write songs that bring me joy and build them out with my friends. There’s nothing like being in a room and creating music that stirs hearts.”

That’s exactly what these songs do. Take the lead single “On My Own,” which originated as a demo on Jon’s phone. The track ponders the promise of youth backed by bright slide guitar and a breezy beat. His voice rings out on a chantable chorus tailormade for driving with the windows down, “She said, ‘I guess that I’m on my own’.”

“When we were playing along to it, it made me feel something,” he recalls. “I like when songs give you enough detail to kickstart your imagination, but not so much that there isn’t room for you to add in more. To me, it’s about being young and having new experiences. Sometimes, those are good. Sometimes, you get your heart hurt. You need to learn to take stock of your strengths and forge forward.”

Beyond a storied history with Say ZuZu spanning multiple studio and live albums and countless shows, Jon’s own catalog includes two solo albums, namely When The Summers Lasted Long [2006] and Everything Has Changed [2014]. Now, he kicks off another chapter, beginning with Slow Cooker.

Nolan has a few tour dates lined up for the summer and fall including the 2nd Annual Summer Cooker, a mini-festival Nolan started in his hometown to celebrate community.