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Clover County Announces Debut Album ‘Finer Things,’ Shares First Single “Virginia Slim”

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Georgia-based singer/songwriter Clover County announces that her debut LP Finer Things will release on September 26 via her own label Undercover Lover Records in partnership with Thirty Tigers. Produced by Carrie K (Noah Kahan, Maggie Antone, Koe Wetzel), the album is a coming-of-age soundtrack that explores romantic, familial and platonic love with a winking charm and an observing eye.

To accompany the announcement, Clover released the project’s bittersweet first single “Virginia Slim.” Unfolding like the green rolling hills of Georgia’s Blood Mountain where she was inspired to write the song, “Virginia Slim” uses a fuzzy guitar, a painfully beautiful fiddle and the flick of a Zippo lighter to tell the quintessential ‘right person, wrong time’ story.

Next month, Clover will hit the road with rising country star Sam Barber for a run which includes dates in Toronto, Raleigh and more. She will also play FloydFest later this month and Austin City Limits in October.

“‘Virginia Slim’ is about falling for the idea of someone more than the actual person,” Clover shares. “After months on the road and too many blurred connections, I was burnt out. This song became a way to be honest with myself: about craving comfort, about romanticizing what’s in front of me and about choosing to protect a friendship instead of rushing into something I wasn’t ready for. Brad Cook helped me write the last few lines, including the most important of the whole song – ‘It’s been a long time since I’ve known love that wasn’t war.’ My two favorite instruments on this song are the Zippo lighter and the fiddle.”

Living comfortably in the space between folk, Americana and alternative, Clover affectionately refers to the genre she occupies as “bootgaze.” Equally inspired by the classic country of Dolly Parton and the ’90s rock of Sheryl Crow as she is by her contemporaries like Waxahatchee and Hovvdy, she blends the twang of timeless country songwriting with tongue-in-cheek observations on modern love. While her humor, levity and youth come across in the LP, she also took her experience of girlhood seriously, aiming to make this record to honor the little girl she used to be.

She knew off the bat that she found a dream partner in producer Carrie K, who helped her “protect the femininity of these songs” and became a friend while she stayed in Nashville and recorded at Carrie’s home studio. Elsewhere, the two brought on engineer Maddie Harmon (Megan Maroney, Kesha), co-writer Will Taylor of Hovvdy and players like Noah Levine and Hank Compton to contribute across the record.

On the album, Clover shares: “Finer Things is the shoebox I keep under my bed full of old love letters and trinkets I can’t quite let go of. It’s polaroids, bottle caps and plane tickets. It’s a memorial for all the ways I’ve loved and been loved. These songs began when I was 18 – scrawled in notebooks, half-sung into voice memos, carried with me through the years. I started recording them at 23, and at 24, they’ll start to find their place in the world. Unintentionally, they trace a timeline: from naive to knowing. Finer Things is about all the ways I’ve shown up in love and how it’s shown up for me, the fleeting and the forever. Romantic, familial, platonic. The sweetness, the sting and the spaces in between.”

As a student at University of Georgia, Clover cut her teeth playing house shows and college bars around Athens, GA. After the release of her debut single in 2023, she continued to hone her sound on the road with alt darlings and country stars like Lord Huron, Medium Build, Shakey Graves, Waylon Wyatt and Morgan Wade. Then, last year she released her debut EP Porch Lights which included the nostalgic single “Ultraviolet,” which peaked at #22 on MediaBase Triple A charts and is still a mainstay on SiriusXM. Now, on her debut LP, she sings about those years where she often found herself blissfully naive with a newfound wisdom of someone who’s grown up but knows she’s not done growing.

Jeremy Calloway Announces Soul-Stirring New Single “She Ain’t Crazy,” Out July 25

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Jeremy Calloway, known for his raw, heartfelt storytelling, has announced his new release, “She Ain’t Crazy,” a beautiful breakup song co-written by Calloway and his wife, Lena Calloway. A story about leaving love to save yourself. Everyone has a story, and this story might be yours, too. He learned to sing at the age of nine by listening to traditional Southern gospel, but his love of the American Songbook, country crooning, and time-honored standards has paved the way for Jeremy as an entertainer who captivates audiences with every song he sings.

The new music is scheduled for release on July 25, 2025. Colloway shares, “‘She Ain’t Crazy’ is more than just a heartbreak song-it’s a window into the soul of someone who’s loved hard, stayed too long, and finally found the strength to walk away. Not because love wasn’t there, but because you learned it was okay to love yourself.”

“One thing that makes ‘She Ain’t Crazy’ stand out is how the story unfolds like a classic country ballad, but the emotion-it’s universal. This song was written, produced, and performed without walls. It crosses genres, because truth does. Whether you’re into country, soul, pop, or jazz, you feel this one. It’s raw, it’s honest, and that’s what makes it resonate,” added John Mathis Jr., Avid Group Publishing.

Karissa Ella Spreads Her Wings with New EP ‘Growing Wings,’ Featuring “Hall of Fame” and “Honky Tonk Heartbeat”

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The wait is over, rising country music singer/songwriter Karissa Ella has officially released her highly-anticipated new EP, Growing Wings – available everywhere now. This seven-track collection marks Karissa’s most personal and confident work to date, capturing a season of growth, self-discovery, and fearless storytelling. Listen here.

Packed with soulful ballads, emotional heartbreak anthems, and a boot-stompin’ honky-tonk should-be hit, Growing Wings has something for every kind of country fan. From small-town nostalgia to powerful anthems of resilience, Karissa’s authenticity shines through each track with a sound that bridges traditional country roots and contemporary production.

“Growing Wings is a reflection of the chapters that shape all of us. These songs are for those chasing new dreams and learning when to hold on and when to let go. It’s about falling hard, rising stronger, and learning that outgrowing things doesn’t mean losing them-it means becoming who you were always meant to be. I poured every heartbreak, memory, and moment of growth into this project. I hope it reminds people that even when it hurts, you’re still growing wings.” said Karissa Ella.

After a year of nonstop writing, recording, and connecting with fans, Growing Wings is Karissa’s most fully realized project yet. The EP includes her burgeoning single “Hall of Fame,” a tribute to the everyday heroes of her Ohio hometown, as well as the high-energy, line-dance-ready “Honky Tonk Heartbeat,” and the reflective title track that captures the heart of the project.

Tracks like “Heartbreaker,” “Last Call Cowboy,” and “Mamas Do” have already generated buzz across social platforms and streaming playlists, further solidifying Karissa’s reputation as a breakout voice in modern country.

With standout performances at major festivals like Country Fest, where she opened for Zach Top and Dierks Bentley, and an appearance at Country Concert on a bill supporting Brad Paisley, Scotty McCreery, and Gavin Adcock, Karissa Ella’s momentum is undeniable. She continues to win over fans and critics alike with her heartfelt lyrics, magnetic charm, and powerhouse voice.

B.U.G Antman Drops Surreal New Single “Belt” Following Acclaimed ‘Y’all Ugly’ EP

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Atlanta rap artist B.U.G Antman follows his acclaimed Y’all Ugly EP with “Belt,” a surreal and stylish single out now via Warner Records. The new song adds another layer to the young artist’s conceptually-driven body of work.

Sonically, “Belt” is a speaker-rattling scorcher as sharp drums crash through thick atmosphere while Antman spits melodic bars that place him amid a slipstream of success.

Over the past couple of months, Antman has been embracing the Y’all Ugly theme – “ugly” stands for “u gotta love yourself” – by donning face-distorting prosthetics in public, including in a recent in-depth interview with Lost Souls and backstage at The Lyrical Lemonade Summer Smash festival. It’s all part of his holistic world-building, a vision that includes eye-popping music videos, trippy sketches, and a string of direct-to-fan releases on SoundCloud and YouTube.

Released in March, Y’all Ugly is Antman’s most immersive project yet, a psychedelic and groove-steeped voyage through the aspirations, anxieties, and indulgences of a budding rap surrealist. The set was led by the lushly hypnotic “Make Sense,” which came with a visual rollercoaster of a video (HERE) and transfixed tastemakers upon arrival. Billboard put the song on their “R&B/Hip-Hop Fresh Picks of the Week.” VIBE plugged it on “New Hip-Hop to Ride Out To.” BET highlighted the single in their new music roundup. And Dirty Glove Bastard professed, “The psychedelic track showcases his magnetic charisma and innovative artistry.”

Other highlights from the EP included “145 mph,” a woozy celebration of fast living that also tapped into the cost and coping that comes with the territory, and the funky, percussive “Over Knees,” which Antman brought to the #OnTheRadar studio along with a couple of older actors who pretended to be his proud parents, supporting him as he performed the song. He recently spoke with SOUNDFYND about his boundless creativity and unexpected forms of expression.

Over the past few years, Antman has crawled his way to the top of the new Atlanta scene, developing his singular approach across a series of projects including Goats on a Cliff (2020), Trap Infested (2023), and I See Colors (2023). He hit the gas heading into 2024 with his Bug EP, produced by Bakkwoods (SoFaygo, Lil Tecca, Ken Carson), but his rise has never been about cosigns. Throughout it all, Antman has served the “Colony” (as his fans call themselves) a steady stream of music and visuals underscoring his outsized charisma and otherworldly talent.

Frankie Grande Releases Deluxe Edition of ‘Hotel Rock Bottom’ Featuring Ariana Grande, Big Freedia, Felix Jaehn & More

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 Frankie Grande expands and electrifies his acclaimed full-length debut album, Hotel Rock Bottom, with a very special Deluxe version out now via Casablanca Records.

“This deluxe version of Hotel Rock Bottom means the world to me.” Frankie shares. “Having my little sister on the album is beyond a dream. It’s more than just a collaboration; it’s a moment of truth, love and artistic connection. Ari was there for me when I hit my lowest point, helping me find my way back to myself, so having her voice on this project, along with my mother, brings everything full circle. Her heart, her soul, her humanity, and her unwavering sisterhood pour through every incredible note of this remix, and I’m beyond honored to share it with the world.

“And to also be joined by my sober sister Salina EsTitties, the iconic Big Freedia, my talented brother-in-law DETOX, and the iconic Felix Jaehn? It’s a celebration of resilience, chosen family, and the joy we find when we lift each other up. I truly can’t wait for you all to hear it.”

He reups, recharges, and reignites his first proper opus with four brand new tracks. Including, multi-GRAMMY Award-winning superstar, and sister Ariana Grande duets with Frankie on a brand new version of the title track “Hotel Rock Bottom.” Keeping it a family affair, their mother Joan Grande even makes a very special appearance at the end of the song. Among other highlights, he recruits Big Freedia for a Remix of “Messy” and Salina EsTitties on the Remix of “My Guy.” He also rounds out the Deluxe with “Boys (Felix Jaehn Remix)” and “Rhythm of Love (DETOX Remix).”

Photo Gallery: Weird Al Yankovic And Puddles Pity Party At Toronto’s Budweiser Stage July 9, 2025

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All photos by Mini’s Memories. You can contact her through Instagram or X.

Adriatique & Notre Dame Drop Club-Ready Remix of Timbaland and Nelly Furtado’s “Give It to Me”

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Representing a bold, creative union spanning styles and generations, acclaimed Swiss dance duo Adriatique joins forces with rapidly rising producer Notre Dame for a brand-new Remix of the chart-dominating Timbaland and Nelly Furtado smash, “Give It To Me,” via UMe/Interscope and Deja Vu Records.

Having taken the dance scene by storm from over a year, thanks to early support from Solomun, Massano, Kevin de Vries, Anyma, Carlita, Mau P, CamelPhat, Adam Ten, and Mita Gami, the highly anticipated and heavily supported dance rework of Timbaland and Nelly Furtado’s iconic 2007 hit ‘Give It To Me’ finally sees its official release. Blending a punchy, bass-driven melodic techno sound with the unmistakable vocals and melodies of the original classic, “Give It to Me – 2025” delivers a powerful dose of nostalgia wrapped in modern club energy. As addictive as it is evocative, the track has already earned anthem status, receiving early support on some of the world’s most iconic stages-including Tomorrowland, Awakenings, Off Week Barcelona, the vibrant party scene of Tulum, and most recently, Adriatique’s sold-out Cinquantenaire Open Air show in Brussels.

About the Remix, Adriatique shares, “We’ve always loved the raw energy of ‘Give It to Me.’ This new version is our tribute to the original- reworked with Notre Dame into a darker, more club-focused track. It’s been a highlight in our sets over the past year.”

While Notre Dame commented, “Timbaland and Nelly Furtado’s productions were a formative influence on me, and revisiting ‘Give It To Me’ felt like stepping into a piece of music history. By a twist of fate, I ended up partnering with Adriatique to work on this remix. We wanted to preserve the raw attitude of the original while reimagining it through our own language, built for late-night tension.”

Ultimately, this version magnifies the scope of “Give It To Me,” adding a different dimension, elevating it to another level, and turning it into a high-energy dancefloor anthem. On the Remix, a head-nodding synth loop and thick bassline accelerate the tempo, accenting the instantly recognizable back-and-forth between Furtado and Timbaland.

Maintaining the spirit of the original with refreshed, recharged, and reignited energy, it has all the makings of a summer banger.

“Give It To Me” initially adorned Timbaland’s 2007 album Shock Value. It garnered a Platinum certification from the RIAA and catapulted to both #1 on the Billboard Hot 100 and #1 on the Canadian Hot 100. Not to mention, it vaulted into the Top 5 in Ireland, the UK, Australia, Germany, and New Zealand.

Amber Mark Shares Sultry New Single “Sweet Serotonin,” Teases Sophomore Album

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Critically adored singer, songwriter, and producer Amber Mark shares “Sweet Serotonin,” the first taste of her upcoming second album, out later this year. The soulful new single follows Mark’s dancefloor-oriented Loosies EP and is a subtly powerful reminder of her gift for capturing a classic vibe with timeless vocals and endless poise.

Mark also just played back-to-back days at Sabrina Carpenter’s BST Hyde Park weekender in London on July 5 and 6. The mini festival was something of a warmup – this fall, Mark joins the second North American leg of Carpenter’s ongoing Short n’ Sweet Tour, which has recently grown to include five nights at Madison Square Garden and six at Los Angeles’ Crypto.com Arena, plus stops at iconic venues in Pittsburgh, Nashville, and Toronto.

With a sticky, laidback groove, “Sweet Serotonin” eases us into Mark’s new era, but the opening words don’t beat around the bush: “I’ll say this really clear now: Yeah, I want you, baby.” Mark’s voice slides over the crunchy drum loop and slinks through the warm bass and cool keys, giving mere teases of her full vocal might: “You talking sweet, you talking sly now / You giving me that sugar high now / Alright you captured my attention / I’ll let you be my new addiction.”

Mark co-wrote and co-produced “Sweet Serotonin” with some familiar faces: Julian Bunetta (Teddy Swims, Gracie Abrams), Two Fresh (Mac Miller, Teddy Swims), Jose Rios (The Free Nationals, Anderson .Paak), Jason Kellner (Khalid, Kiana Lede). Some of those same collaborators pitched in on Loosies, a free-wheeling set of dance, pop, soul, disco, and R&B meant to hold fans over while they eagerly await Mark’s in-progress new album.

Mark co-wrote and co-produced “Sweet Serotonin” with some familiar faces: Julian Bunetta (Teddy Swims, Gracie Abrams), Two Fresh (Mac Miller, Teddy Swims), Jose Rios (The Free Nationals, Anderson .Paak), Jason Kellner (Khalid, Kiana Ledé). Some of those same collaborators pitched in on Loosies, a free-wheeling set of dance, pop, soul, disco, and R&B meant to hold fans over while they eagerly await Mark’s in-progress new album — revisit Loosies HERE.

Featuring the playful and seductive Wait So Yeah,” blissful disco track Won’t Cry, and sultry Jersey club flip Sink In,” Loosies racked up fan and critic love. The New York Times included “Wait So Yeah” in their The Playlist feature and Spotify playlist. Wonderland shouted out Mark’s “boundless creativity and undeniable artistry.” And The Fader observed, “If Loosies was meant to quell the impatience of waiting for Mark’s next record, I’m afraid it’s only done the opposite.”

Mark laid the groundwork for her bold new chapter across 2024, expanding her genre-less sonic universe bit by bit starting with standalone songs Space & Time,” which begins with the poise of a torch song before turning into a futuristic global dance cut, and Comin’ Around Again, a slinky, pop-kissed soul anthem that stirs up decades of rhythm and blues. She also dropped her version of Lovely Day,” the first cover of the Bill Withers classic sanctioned by his estate.

Mark’s next album will be her first since 2022’s Three Dimensions Deep, which received near-universal praise upon release. If “Sweet Serotonin” and her upcoming massive tour dates are any indication, it looks like the multi-hyphenate talent will be outdoing herself in 2025.

Dasha Releases Emotional New Single “Oh, Anna!”—Her Most Personal Song Yet

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Opening up like never before, globally RIAA certified 40 times Platinum pop-country sensation Dasha delivers her most personal single yet – “Oh, Anna!” out now via Warner Records.

“When my career took off last year, everything changed so fast – and in the whirlwind, I felt like I lost myself. It was disorienting and, honestly, scary. I faced a lot of hate in the middle of my success, and for a while, my confidence disappeared.

“So, I wrote a song – not just for who I am now, but for the fearless little girl I used to be. The one with the big dreams, unshakable pride, and a clear sense of self. This song is a reminder of her strength, her clarity, and her joy.

“I hope when people hear it, they reconnect with their own younger selves – the purest versions of who they are. And if they’re feeling lost, I want them to know: sometimes the way forward is found by remembering where you started.

“My name is Anna Dasha – and I’m proud to say, she’s back,” says Dasha.

Written by Dasha, Hillary Lindsey, Emily Weisband, and Chris LaCorte, commences with softly strummed acoustic chords, while the breakthrough superstar addresses her younger self-using her first name “Anna.” Through echoes of slide guitar, she makes a confession on the chantable chorus, “I feel more like a scared little kid than I ever did back then. I need you to come back a little, come back a little, make me that girl again, oh Anna!” The story unfolds like a diary entry in motion, accented by an eloquently phrased, loose guitar lead.

She initially teased “Oh, Anna!” during her show stopping appearance at CMA Fest 2025 in Nashville. Country Now hailed it as “a high-energy performance,” and Holler, called it “moving, vulnerable,” going on to note, “The evocative track finds Dasha once again showcasing the rich emotionality she continually laces into her music, with the California native addressing someone she appears to have lost touch with of late.”

TYLA Heats Up Summer with New Single and Video “IS IT,” Directed by Aerin Moreno

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After teasing fans with her new single via social media, TYLA is adding fuel to the fire of summer with the release of her highly anticipated new single and music video, “IS IT,” available now.

The new record welcomes TYLA’s audience back to the epicenter of the dance floor as she gears up for a #WEWANNAPARTY summer. “IS IT” is produced by Sammy Soso and its music video is directed by Aerin Moreno.

TYLA’s penchant for innovation driven by her native genre, Amapiano, is on full display on “IS IT,” a sultry dance cut laced with vivacious temptation. “Is it wrong that I want to get right with you?” she sings, maintaining intense eye contact with viewers. TYLA’s airtight dance routines became the stuff of legend after fans around the world tried to emulate the magic of hits like “Water” and “Push 2 Start,” and “IS IT” is primed to add another feather to that cap.

Moreno, the visionary behind TYLA’s banner “Push 2 Start” video, reprises her role on “IS IT,” directing a multi-dimensional party experience. TYLA goes from mesmerizing the viewer with her own choreography, to an intimate routine with her male counterpart, to being submerged in a rambunctious club setting – all without leaving the room. “I’m excited to see this new version of me and hear what it sounds like and just have fun with it – just bring back fun in music,” she told NYLON.

TYLA’s return to the spotlight has already been filled with highlights. A buzzworthy top half of the year included scene-stealing moments at the Met Gala, Coachella, Governors Ball and Nickelodeon’s Kids Choice Awards, which she hosted, as well as a handful of high-profile brand collaborations, including Pandora and Erewhon. The latest of those collaborations, with Coca-Cola, features “Bliss” as the soundtrack to the world-famous soft drink brand’s “Road Trip” commercial spot, which began airing in June.

As summer heated up, so did TYLA. She performed for a record-breaking crowd of 55,000 at Poland’s world-renowned Open’er Festival and announced her headlining appearance at Barbados’s Tipsy Music Festival this month – a testament to her global stardom. Hollywood isn’t immune to the TYLA effect either; the hitmaker contributed an all-new record, “Everything Goes Blue,” to the official soundtrack to Smurfs in June. The animated film, voiced by stars like Rihanna and James Corden hits theaters this month.