Home Blog Page 527

Maygen & The Birdwatcher Announce Sophomore Album ‘The Americana Dream’ With Single “Elizabeth” And 2025 Tour Dates

0

Today, the Minnesota-based group Maygen & The Birdwatcher announce that their sophomore LP The Americana Dream will be released on October 10 via Yellow House Music Collective / Missing Piece Records. It reimagines the traditional definition of the American Dream, shifting away from the aspirational nature of the concept itself and moving towards a full embrace of the literal definition of Americana – the vast geographical, historical and cultural expanse that reflects Maygen & The Birdwatcher’s roots as well as this country as a whole. Alongside the album’s announcement, the band is releasing cathartic new single “Elizabeth,” which pairs Maygen Lacey’s soft voice with a high energy banjo and a bouncy fiddle to sing about someone who is unequivocally magnetic but is perhaps concealing something more ominous. 

The group will continue touring through the summer and into the fall with a variety of headline and festival dates. They will also travel South later this year for a series of performances at Americana radio stations such as Nashville’s WMOT and Louisville’s WFPK who have invited them to play on-air sessions. See below for a full list of dates. 

“‘Elizabeth’ is the North Star of our next musical chapter,” shares Lacey. “She’s the one that is helping us break down some genre barriers while also bringing along our favorite parts of where we’ve already musically been. Elizabeth is the one that you let take too much from you. The one you let dishevel all your hard lines in the sand. And maybe you’re ok with that, because she has that certain charm and confidence about her that keeps you wanting to stay within reach. Only through time can you make sense that her confidence and insistence on the limelight was her mask for self-consciousness.” 

The band has already shared the first taste of the LP last month with “Feel Good,” which finds Lacey and co-songwriter Noah Neumann reflecting on the comfort of home and the need to go back to your roots after times of strife and hardship. The track was featured at Glide Magazine who exclaimed, “the versatile musicians deliver top-notch musicianship that evokes comparisons to the likes of Tedeschi Trucks Band, Lake Street Dive, and Alison Krauss & Union Station. Led by the twangy and soulful vocals of Maygen Lacey, the band will surely be a festival favorite for years to come.”

The record’s expansive sound, firmly rooted in the band’s bluegrass and folk roots, is the result of a new recording process where Lacey and Neumann worked with co-producer John Fields (Brandi Carlile, Soul Asylum, Miley Cyrus). In contrast to their first LP on which they recorded all instruments together live, on The Americana Dream, MBW recorded vocals and acoustic separately before adding the stringed instruments, which were all recorded together live and created a sound that’s impossible to replicate. Thematically, the record tells the stories of all the people you may encounter on a trip through the vast expanse of the country, while gesturing towards a future that is fairly uncertain. 

On the new album, Lacey reflects: “The new music started with traveling. We found ourselves driving through beautiful landscapes and interesting towns, meeting all kinds of people who had all kinds of life experiences. It slowly evolved into being more of us reflecting on what it means to be American in this past decade.” 

Bursting onto the scene with their sparkling bluegrass in 2021, Maygen & The Birdwatcher has a lot to show over the course of just a couple of years. They’ve shared stages with fellow genre luminaries like Sierra Ferrell, Old Crow Medicine Show and Grace Potter and had songs featured in Spotify’s Indie Bluegrass and New Grass playlists, Minnesota Monthly, and 89.3FM The Current. They’ve also won Album of the Year, Americana Artist of the Year, and Entertainer of the Year from the Midwest Country Music Organization. Now, they’re gearing up for a busy year ahead with new music and tour and festival dates. 

2025 Tour Dates

July 10 – Sandwich, IL – Roberts Family Farm
July 11 – La Crosse, WI – Popcorn Tavern
July 13 – Corcoran, MN – Gladiola Fields
July 18 – St. Paul, MN – Minnesota Yacht Club Festival
July 22 – Bismarck, ND – Laughing Sun Brewing
July 23 – Billings, MT – Craft Local
July 24 – Helena, MT – Lewis and Clark Brewing
July 25 – Bozeman, MT – The Jump
July 26 – Kemmerer, WY – Oyster Ridge Music Festival
July 27 – Spearfish, SD – Spearfish Public House
July 31/August 1 – Appleton, WI – Mile of Music Fest
August 5 – Thief River Falls, MN – Thief River Falls Music in the Park
August 7 – Harris, MN – Common Ground Concerts at North Folk Winery
August 8 – Shell Lake, WI – The Potter’s Shed
August 9 – Baraboo, WI – Tumbled Rock Brewing
August 14 – Eagan, MN – Viking Lakes
August 15 – Center City, MN – Nordic Harbor
August 18 – Louisville, KY – WFPK In-Studio Session 
August 19 – Nashville, TN – WMOT In-Studio Session 
August 20 – Knoxville, TN – WDVX Blue Plate Special 
August 22 – Charlottesville, VA – WNRN In-Studio Session 
August 31 – Shakopee, MN – Music on the Porch
September 5 – Saint Cloud, MN – Granite City Folk Society Kickoff Fest
September 6 – Zimmerman, MN – Sandhill Crane Music Festival
September 11 – Hillsboro, WI – BoogieDown at Driftless Music Gardens
September 13 – Minneapolis, MN – 56 Brewing @ Brewgrass Fest
September 19 – Batavia, IL – Sidecar Supper Club
September 20 – Plymouth, IN – Wild Rose Moon
September 25 – Winona, MN – Boats & Bluegrass Fest 2025
October 3 – Saint Joseph, MN – Milk & Honey Ciders
October 11 – Durand, WI – Brews on the Chippewa Festival
November 8 – Holmen, WI – Bluff View Concerts
November 15 – Lanesboro, MN – St Mane Theater
November 22 – Minneapolis, MN – AMERIGRASS @ Hook and Ladder Theater

San Jose Jazz Summer Fest 2025 Adds Lalah Hathaway, PJ Morton, Bilal And More To Star-Studded 35th Anniversary Lineup

0

One of the SF Bay Area’s most cherished summer traditions turns 35 this year and San Jose Jazz Summer Fest 2025 amplifies its artist lineup like never before ranging from GRAMMY Award-winners to the hottest acts on the live music festival scene with headliners Common, Mavis Staples, Femi Kuti & The Positive Force, José James, Ghost-Note, Butcher Brown, The Headhunters, plus newly confirmed headliners Lalah Hathaway, PJ Morton, Preservation Hall Jazz Band, Bilal, and the inaugural “Artist-In-Residence” for its “Future of Jazz” initiative, Theo Croker. 100+ artists from around the world — from global stars to local emerging acts — inspire and uplift festivalgoers for 3 days across nine indoor and outdoor venues. The crown jewel of Northern California’s summer music season, San Jose Jazz Summer Fest 2025 “transforms Plaza de Cesar Chavez Park in downtown San Jose into a musical haven” (San Francisco Chronicle) from Friday, August 8 – Sunday, August 10, 2025.

While honoring jazz’s legacy roots with acclaimed performers such as Preservation Hall Jazz Band and The Headhunters, San Jose Jazz Summer Fest also stands as a platform for modern artists who speak to today’s sounds — blending R&B, hip-hop, electronic, Afro-Caribbean, soul, funk — allowing jazz to shine through a multitude of genres representing the now and what’s next. Preservation Hall Jazz Band — the living embodiment of New Orleans’ jazz heritage — infuses the Fest with timeless energy that bridges generations with their second line celebrations while four additional newly confirmed Fest performers such as Lalah Hathaway, PJ Morton and Bilal unmistakably bring a creative freedom to their music that ignites live stages into unforgettable performances that any music lover can enjoy.

Newly Added Headliners @ San Jose Jazz Summer Fest 2025

Featuring his only West Coast performance this summer, award-winning soul and R&B star PJ Morton is set to light up the San Jose Jazz Summer Fest stage with one of the most not-to-be-missed live shows of the year. A five-time GRAMMY® winner and 20-time nominee, Morton has emerged as a leading voice in contemporary R&B. A native of New Orleans, Morton combines his gospel-rooted upbringing and more than a decade of touring as the keyboardist with pop-rock band Maroon 5 to be a true showman commanding the stage like no other. 2024 was a landmark year for PJ Morton as he became the first Black composer to write an original song for a Disney attraction — creating an all-new theme for Tiana’s Bayou Adventure at Disney World. That summer he released Cape Town to Cairo, an album conceived and recorded during a 30-day creative journey across South Africa, Nigeria, Ghana and Egypt. This August 2025, audiences will witness why Morton is widely regarded as one of the greatest R&B performers of our time.

A five-time GRAMMY Award-winner and daughter of the legendary Donny Hathaway, Lalah Hathaway is a vocal phenomenon with a tone, range, and control that are legendary, often placing her in the same breath as R&B royalty like Beyoncé, with whom she shares the record for most wins in the “Best Traditional R&B Performance” GRAMMY category. Whether festivalgoers are into jazz, R&B, soul, or experimental grooves, they’ll be assured that Lalah doesn’t just sing songs — she transforms them. She’s fresh off the release of her critically acclaimed eighth studio album, VANTABLACK, which Vibe hails as “arguably her best work to-date.” Her recent appearance on The Jennifer Hudson Show proves her magic goes far beyond the mic. As she walked the hallway, the staff and crew burst into applause, a powerful moment of admiration that racked up more than 5 million views on Instagram (watch here). That viral moment speaks volumes: Lalah Hathaway is well on her way to becoming a megastar.

Bilal is a true vocal shapeshifter as he transcends boundaries across jazz, soul, R&B, hip-hop, and electronic music. Live on stage, Bilal doesn’t just perform: he channels the music. His live sets are emotionally charged, improvisational, and utterly unique with no two performances ever being the same. Bilal is renowned for reinventing songs in real time, drawing on his deep roots in jazz to create a fully immersive live experience. Since his 2000 debut with the neo-soul classic “Soul Sista,” Bilal has been a cornerstone of progressive Black music. His album Bilal: Live at Glasshaus features intimate takes of his classic songs alongside Questlove, Common, Robert Glasper, and Burniss Travis. His first album of new material in eight years, Adjust Brightness is a daring fusion of influences, inspired by artists such as Aphex Twin and Stereolab, and proves to be his most adventurous work.

Bilal will join Common on the Jay Paul Company Main Stage to perform songs from Like Water for Chocolate, celebrating the 25th anniversary of the iconic album that also featured 35th Summer Fest Main Stage artist Femi Kuti, Slum Village, DJ Premier, Roy Hargrove, Mos Def, and Jill Scott. Like Water for Chocolate, released in 2000, incorporated jazz influences and samples into the fabric of the album, earning placements on a wide range of Albums of the Year lists and catapulting Common to critical and commercial success. Common and Bilal bring this classic album back to life live on stage at Summer Fest!

The 25 Greatest Guitar Solos of All Time

There are riffs, and then there are moments. The kind of guitar solos that stop time, melt faces, and make you believe—just for a second—you could be onstage at Wembley with a Flying V and no backup plan. Solos that serve the song but also explode out of it. That say everything words can’t. These are the kinds of solos that define careers, start arguments, and turn quiet car rides into full-on performances (air guitar mandatory).

So whether you’re Team Clapton or Team Morello, here’s a list of 25 iconic solos that continue to echo across generations, genres, and guitar pedals.

Jimi Hendrix – “All Along the Watchtower”
The solo is pure chaos and control—a sonic hurricane of wah, bends, and genius. Hendrix didn’t just play the guitar here—he reinvented how it could speak.

Eddie Van Halen – “Eruption”
One word: revolutionary. Tapping, dive bombs, and a tone that still makes guitarists whisper “how?” 1:42 of pure fire that rewrote every rule.

David Gilmour – “Comfortably Numb”
Emotion over speed. Gilmour’s tone floats like a dream, bleeding feeling into every note. Proof that restraint can hit just as hard as flash.

Slash – “November Rain”
Two solos, actually—one soaring, one screaming. Slash takes over the track like a storm rolling in across the orchestra.

Randy Rhoads – “Mr. Crowley”
Neoclassical drama meets metal precision. Rhoads didn’t just shred—he made it beautiful, dangerous, and unforgettable.

Prince – “Purple Rain”
The final three minutes of this song are the solo. Raw, improvised, and spiritual, Prince turns heartbreak into electricity.

Brian May – “Bohemian Rhapsody”
Thirty seconds of perfect melody. Not too much, not too little. Just enough Queen-style grandeur to sing in your sleep.

Eric Clapton – “While My Guitar Gently Weeps”
Yes, it’s a Beatles song. But that solo is all Clapton—aching, bluesy, and perfectly broken-hearted.

Tom Morello – “Like a Stone”
Morello keeps it simple and soulful here, showing he can say just as much with feel as with effects. A slow-burn stunner.

Mark Knopfler – “Sultans of Swing”
No pick, no flash—just feel. This is the sound of confidence, style, and groove blended into fingerpicked magic.

Stevie Ray Vaughan – “Texas Flood”
It’s not a solo. It’s a conversation. SRV plays the blues like his guitar’s on fire and the only way to put it out is more notes.

Jimmy Page – “Stairway to Heaven”
Soaring, dramatic, unforgettable. The most air-guitared solo in history? Probably. For good reason.

Tony Iommi – “Paranoid”
Short, sharp, and sinister. Proof you don’t need eight minutes to melt minds—just a good riff, a great tone, and timing like a sledgehammer.

Duane Allman – “Layla” (with Derek and the Dominos)
Slide guitar that sings like a voice breaking under weight. A solo that sounds like falling in love and falling apart.

Dimebag Darrell – “Floods”
Emotional, epic, and terrifying. Dime’s outro solo is the sound of thunder rolling through a metal storm.

Johnny Marr – “How Soon Is Now?”
A solo? A texture? A feeling. Marr turned tremolo into poetry and made one chord sound like a thousand.

Kirk Hammett – “Fade to Black”
A lesson in metal mood-building—starts somber, ends shredding. A journey of light and dark in one solo.

Richie Sambora – “Wanted Dead or Alive”
Western. Epic. Iconic. Sambora channels tumbleweeds and arena smoke with one of the most recognizable tones of the ’80s.

John Frusciante – “Scar Tissue”
Understated brilliance. Frusciante’s slide solo floats like it was beamed in from another planet, calm and aching at once.

Angus Young – “Highway to Hell”
It’s not just about the notes—it’s the attitude. Angus doesn’t solo. He struts through your speakers with full swagger.

Alex Lifeson – “Limelight”
Crisp, melodic, and beautifully constructed. A Rush solo that balances technicality with feeling—because both matter.

Nancy Wilson – “Crazy on You”
Wilson shreds with elegance and speed, anchoring Heart’s energy with precision and power. An underrated masterclass.

Gary Moore – “Still Got the Blues”
Every note sounds like it’s begging for mercy. Moore gives us tone, taste, and the purest blues rock emotion.

Joe Walsh – “Hotel California”
Harmonized, hypnotic, and iconic. It’s not just a solo—it’s a duel. And it still wins every time.

B.B. King – “The Thrill Is Gone”
Lucille doesn’t scream—she sighs. Every bend is a life story. King didn’t need speed. He had soul.

That’s 25 solos. But let’s be honest—there are hundreds more. Because as long as there are guitarists with something to say, there will be solos that cut through the noise. Solos that raise goosebumps. Solos that remind you that music isn’t just heard—it’s felt.

10 Tips for Building Passive Income as a Musician (That Actually Make…Errr…Cents)

Let’s face it: even in a world of viral singles and streaming millions, most musicians aren’t living off six-figure advances. But there’s good news—passive income is real, and yes, it can pay your rent if you set it up smartly. Whether you’re touring the continent or stuck in traffic on the 401, the goal is to keep your art working for you long after you leave the studio. Here are 10 music industry-approved ways to build passive income while keeping your focus on creativity (and caffeine).

License Your Music for Sync
TV shows, indie films, YouTube vlogs, video games—everyone needs music. Sign up with a sync agency or platform like Musicbed or Songtradr and start pitching your catalog. One well-placed track can bring in royalties and exposure.

Join a PRO (Performing Rights Organization)
If your music is played publicly (on radio, in venues, in TV ads), you’re owed royalties. Sign up with a PRO like SOCAN (Canada), ASCAP or BMI (US) to make sure you’re collecting your performance income. Even those late-night jazz bar spins add up.

Distribute Globally—Not Just Locally
Use a digital distributor like DistroKid, CD Baby, or TuneCore to get your music onto streaming platforms in every market. Spotify might not be gold, but you’re building a base—and even a few pennies from Indonesia count toward the long game.

Sell Sample Packs or Loops
Got a unique sound? Producers are always looking for fresh textures. Package up drum kits, loops, or vocal FX and sell them through Splice, BeatStars, or your own site. Create once, sell forever.

Monetize Your YouTube Channel
Even if you’re not hitting a million views, consistent uploads—performances, tutorials, behind-the-scenes vlogs—can generate ad revenue. Connect your channel with Content ID to monetize your music when others use it, too.

Launch a Patreon or Subscription Service
Give your superfans a way to support you directly. Offer exclusive demos, early access to songs, or songwriting breakdowns. Even 30 supporters paying $5/month adds up to $1,800 a year—for doing what you’re already doing.

Print-on-Demand Merch
No need to carry boxes of shirts in your trunk. Use sites like Printful or Teespring to sell t-shirts, mugs, or lyric art—all without upfront cost. They print, they ship, you get paid.

Create an online course or masterclass
Share what you know—whether it’s songwriting, vocal technique, or home recording. Sites like Skillshare, Udemy, or even Patreon allow you to monetize your musical knowledge on your own terms.

Sell digital sheet music or tabs
If you’ve got notation or transcription skills, platforms like Musicnotes, Sheet Music Plus, or even your own website can be a great home for arrangements and original pieces, especially for niche instruments or genres.

Use affiliate marketing for gear you love
If you’re already recommending your go-to mic, pedalboard, or DAW, why not earn from it? Sign up for affiliate programs with Sweetwater, Amazon, or plugin companies and get paid every time someone clicks through and buys.

Passive income isn’t passive at the start—but it snowballs. A few smart decisions now can give you freedom, flexibility, and a music career that supports itself while you keep dreaming big. As always, stay creative and business-minded—because the future of music belongs to artists who know their worth in every stream, sync, and sound byte.

It’s Cheer Up the Lonely Day—Here Are 10 Songs That Celebrate Friendship and Human Connection

Today is Cheer Up the Lonely Day, a gentle reminder that a kind word, a small gesture, or even just showing up can shift someone’s entire world. Celebrated every July 11, this unofficial holiday encourages us to reach out—to text an old friend, call a grandparent, or simply sit with someone who might be feeling alone. Music, of course, has always been a bridge to connection. So in honour of the day, here are 10 songs about friendship that remind us we’re never really alone—even when it feels like it.

Bill Withers – “Lean on Me”
An eternal classic that promises exactly what its title says. When you’re not strong, this song stands in the gap and reminds you someone’s always willing to help you carry on.

Carole King – “You’ve Got a Friend”
The ultimate shoulder-to-cry-on ballad. With one gentle piano riff and King’s warm vocals, this track wraps around you like a handmade quilt.

Ben E. King – “Stand By Me”
A song so timeless it sounds like it’s always existed. It’s about loyalty, trust, and the quiet strength of having someone by your side—no matter what shakes the ground.

Randy Newman – “You’ve Got a Friend in Me”
Made iconic by Toy Story, but the sentiment works in every decade. Friendly, funny, and full of heart—this one’s for the lifelong buddies who’ve seen you at your best and your weirdest.

Dionne Warwick & Friends – “That’s What Friends Are For”
A star-studded anthem of gratitude and togetherness, where every line is a hug and every harmony says, “You’re not alone in this.”

Queen – “You’re My Best Friend”
A feel-good groove with a side of glam, this one celebrates the kind of friendship that turns into family. Perfect for that one friend who always gets you—no questions asked.

The Beatles – “With a Little Help from My Friends”
Ringo takes the mic for this ode to friendship that’s equal parts tender and cheeky. It’s a reminder that our friends make even the hardest days manageable.

Bruno Mars – “Count on Me”
Bright, breezy, and heartfelt, Bruno’s message is simple: when the storm comes, I’ll be there. A perfect song for passing along to someone who needs a little light.

The Rembrandts – “I’ll Be There for You”
Yes, it’s the Friends theme, but for good reason. Sometimes all someone needs to hear is “I’ll be there,” and suddenly it’s not such a bad day anymore.

Bette Midler – “Wind Beneath My Wings”
A soaring tribute to the quiet heroes in our lives. For the friend who cheers you on from behind the scenes, this one says it all—gracefully and with gratitude.

So today, pick up the phone, send a link to one of these songs, or surprise someone with a little unexpected kindness. Because every day is a little better with a friend—and on Cheer Up the Lonely Day, that truth hits especially sweet.

Hayley Williams’ Isolated Vocals For Paramore’s “Pressure”

Released 19 years ago, Paramore’s debut single Pressure didn’t crack the Hot 100, but it lit the fuse for a pop-punk legacy. Slow-burning and relentless, it eventually went gold—proof that some anthems just need time to find their crowd.












Woody Guthrie Center Launches ‘Common Chords’ Concert Series Spotlighting Folk, Justice And Connection

0

Tulsa’s Woody Guthrie Center is launching Common Chords, a new concert series that brings live music to the center’s intimate 59-seat theater with a focus on community, connection and cultural movement.

Rooted in the traditions of folk music and storytelling, Common Chords will feature handpicked singer-songwriters whose work resonates with Woody Guthrie’s legacy of justice, equality and compassion. Each season of the series will explore themes of identity, protest and reinvention, offering audiences a chance to engage with the evolving sounds of folk music in a space known for activism and creativity.

“Common Chords was designed to honor the lasting impact of folk music,” said Cady Shaw, director of the Woody Guthrie Center. “We’re creating a space where artists and audiences can come together to reflect, connect and take part in something that truly resonates.”

The Common Chords series will begin in the fall of 2025, with performances scheduled throughout the season. Musicians interested in performing are encouraged to apply on the center’s website. Applications are open now and will close on Aug. 3, 2025, at 11:59 p.m. CT.

Ideal performers for Common Chords are artists whose music:

    Draws from folk traditions
    Explores themes of community, identity and social change
    Brings a fresh or unexpected perspective to roots-based music

Selected artists will receive venue support, in-house lighting and audio, professional front-of-house staff, shared promotion, ticketing services and revenue-sharing options. Performers will be featured in a listening-focused environment built for acoustics and connection.

For more information or to submit to perform, visit woodyguthriecenter.org/commonchords.

Polaris Reveals 2025 Album Short List Featuring Mustafa, Saya Gray, The OBGMs And More Ahead Of Massey Hall Ceremony

0

The album Short List, powered by FACTOR, is where Polaris reveals the finalist records that will be considered for a given year’s Prize.

The 2025 Polaris Music Prize Album Short List is:

  • Bibi Club – Feu de garde [Performing]
  • Lou-Adriane Cassidy – Journal d’un Loup-Garou [Performing]
  • Marie Davidson – City Of Clowns [Performing]
  • Saya Gray – SAYA [Performing]
  • Yves Jarvis – All Cylinders [Performing]
  • Mustafa – Dunya
  • Nemahsis – Verbathim [Performing]
  • The OBGMs – SORRY, IT’S OVER [Performing]
  • Population II – Maintenant Jamais [Performing]
  • Ribbon Skirt – Bite Down [Performing]

There are three previous Short List nominees on the Short List, including Marie Davidson (2019), Mustafa (2021) and The OBGMs (2021), and seven first-time finalists in Bibi Club, Lou-Adriane Cassidy, Saya Gray, Yves Jarvis, Nemahsis, Population II and Ribbon Skirt.  

The Polaris Music Prize awards $30,000 courtesy of the Slaight Family Foundation to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. The Polaris Prize album winner is determined by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.

The winning album, along with the new SOCAN Polaris Song Prize and Slaight Family Polaris Heritage Prize winners, will be revealed during the Polaris Concert & Award Ceremony, powered by FACTOR, taking place at Toronto’s Massey Hall on Tuesday, September 16. Polaris has confirmed the following acts will take the stage at this year’s marquee winner reveal event (subject to change): Bibi Club, Lou-Adrienne Cassidy, Marie Davidson, Saya Gray, Yves Jarvis, Nemahsis, The OBGMs, Population II, and Ribbon Skirt. Polaris is also very excited to announce that Haviah Mighty, the 2019 Polaris winner, will be the evening’s host.

This will be the third straight year that Polaris will take over the iconic 131-year-old Massey Hall, Canada’s marquee live venue. Tickets to the Polaris Concert & Award Ceremony are on sale now via the Massey Hall website. To celebrate the Short List, Polaris is offering 15% off tickets with the code POLARIS15.

The album Short List is being unveiled during the Polaris Short List Special, a two-hour national radio event hosted by Odario Williams which explored each of the albums nominated for the grand prize with commentary from Polaris jurors and CBC Music experts.

With the reveal of the 10 nominated albums, CBC Music is kicking off Short List Summer: its signature deep dive into the nominated records and the artists who made them. Short List Summer will be anchored by CBC Music’s THE TEN, a series of one-hour weekly radio specials hosted by Odario Williams, broadcasting each Sunday on CBC Music and CBC Listen at 6 p.m. (6:30 NT) starting Sunday, July 13, running until Sunday, September 14. Each one-of-a-kind episode of THE TEN will feature a discussion about the short-listed album with music writers and Polaris jurors from across the country, along with a deep album listening session.

CBC Music will also kick into high gear with Polaris Album Short List coverage on cbcmusic.ca/polaris, diving into the 10 nominated albums on July 10. Leading up to the Polaris Music Prize Concert & Award Ceremony, CBC Music will be digging into Polaris history through archives, an oral history and more. Follow CBC Music on YouTube,  Instagram and TikTok for all your Polaris Music Prize content.

THE TEN Broadcast Schedule:

Each special broadcasts at 6 p.m. local time (6:30 NT) on CBC Music and CBC Listen

  • Sunday, July 13 – The Ten: Mustafa
  • Sunday, July 20 – The Ten: Bibi Club
  • Sunday, July 27 – The Ten: Marie Davidson
  • Sunday, August 3 – The Ten: Yves Jarvis
  • Sunday, August 10 – The Ten: Population II
  • Sunday, August 17 – The Ten: Saya Gray
  • Sunday, August 24 – The Ten: Ribbon Skirt
  • Sunday, August 31 – The Ten: Lou-Adriane Cassidy
  • Sunday, September 7 – The Ten: The OBGMs
  • Sunday, September 14 – The Ten: Nemahsis

“There has never been a more important time to discover, celebrate, and support Canadian artists,” said Meg Symsyk, FACTOR President & CEO. “Our culture is central to who we are, it shapes our uniquely Canadian identity and tells our stories. The Polaris Prize Short List showcases some of the most powerful and innovative music made in Canada this year, reflecting the depth and diversity of talent from coast to coast to coast. These albums are more than just collections of songs, they are creative statements that evoke emotion, capture the spirit of our communities, and become the soundtrack to our lives. I don’t envy the Polaris Jury; choosing from such an extraordinary field of talent is no small task. Artists on the list are a testament to the strength of Canadian and Indigenous culture and the importance of protecting and promoting it.”

Polaris, which is celebrating its 20th anniversary in 2025, will be revealing a number of exciting events between now and the end of September. In addition to the Album Prize, the newly created Song Prize, and an adjusted Heritage Prize campaign that will now run throughout August instead of late-Fall, the organization is also finalizing details for the new Polaris Festival, presented by SiriusXM Canada. The festival will feature new programming like Salons, Listening Parties, Poster Exhibits, and Concerts, all culminating in the annual Concert & Award Ceremony. The aim is to spotlight as many of our 600+ past nominees as possible while reaching new audiences through expanded programming and diverse venues. More details on these events will be shared in the coming weeks.

CBC presents the 2025 Polaris Music Prize. This year’s Short List is presented by FACTOR. This project is funded in part by FACTOR, the Government of Canada, and Canada’s private radio broadcasters. It is supported by SiriusXM Canada, Ontario Creates, the Government of Ontario, the Ontario Cultural Attractions Fund, and the Slaight Family Foundation.

Jim Henson Reveals How Frank Oz Nearly Rejected Bert And Ernie Before Becoming Icons

0

Before they became TV legends, Bert and Ernie were almost never a duo. In the documentary Henson’s Place, Jim Henson reveals how Frank Oz initially rejected Bert for being too dull—only to later embrace the role and help shape a friendship that defined a generation. Just another reminder: sometimes genius starts with doubt.












National Music Centre Announces Return Of ‘CIBC Summer Series’ With Stacked Lineup At The King Eddy

0

The National Music Centre (NMC) is excited to announce the return of the CIBC Summer Series at the King Eddy, featuring a lineup stacked with some of the most exciting talent lighting up Canada’s music scene.

“We’re thrilled to bring the CIBC Summer Series back to the King Eddy with a dynamic roster of acts,” said Stephanie Hutchinson, NMC’s Director of Programs. “This series is about celebrating a wide spectrum of voices and genres on one of Calgary’s most storied stages.”

CIBC Summer Series schedule:

  • July 31 – Samantha Savage Smith with Damase Elis
  • August 1 – L’omelette with Stolen Moon
  • August 7 – Mariel Buckley with Tyson Ray Borsboom
  • August 8 – Arlo Maverick with Skinny Blaiz
  • August 13 – Chevy Beaulieu with Chelsie Young
  • August 14 – Deep Love Revival with Hip Hip Thursday
  • August 22 – Bijaan with Femi
  • August 23 – SHY FRiEND with Sunset Sabotage
  • August 28 – Dallas Rodin with Edwardson
  • August 29 – Pat Clifton with TBC
  • September 4 – Clea Anaïs with (un)decided
  • September 9 – Aladean Kheroufi with Former Lovers
  • September 18 – Laura Hickli with Kindé
  • September 19 – Brett Cassidy & The Corduroy Cowboys with Education Party

The series will kick off on July 31 withCalgary singer-songwriter Samantha Savage Smith, known for her glistening pop tunes that blend confessional lyrics with playful charm, alongside fellow Calgarian Damase Elis, a singer-songwriter whose adoration for indie, folk, blues, and jazz fuels a drive to tell queer stories through song.

Next up on August 1 is L’omelette, the Calgary art-rockers who dart between prog, new wave, and sax-led dance pop; and Stolen Moon, a psych-rock trio that delivers high-octane energy, and irresistible riffs.

OnAugust 7,Alberta favourite Mariel Buckley brings her fearless blend of Americana to the King Eddy stage. Tyson Ray Borsboom willjoin the bill,harnessing the best parts of country, indie, folk, and alt-rock into one magnetic sound.

Performing on August 8 is Arlo Maverick, an elder statesman of Canada’s underground hip-hop scene, who melds brainy wit into his wordplay and far-reaching influences, from jazz and soul to electro. Nigerian-Canadian Afropop artist Skinny Blaiz will also perform, sharing sounds that transcend borders.

On August 13, Chevy Beaulieu, acountry singer-songwriter who makes music that reflects his small-town roots, will share the stage with Chelsie Young, the self-described “tomboy country” artist that is blazing her own path in her own rough and tumble way.

Next up on August 14 is Deep Love Revival, the five-piece disco-rock and sunshine-soul group that delivers original, empowering anthems. The band will be joined by Hip Hip Thursday, who balance the improvisational essence of jazz with the rhythmic and lyrical depth of hip-hop into six-piece arrangements.

Merging old-school ‘90s hip-hop influences with new school swagger, Bijaan will perform on August 22 with Femi, a Nigerian-Canadian artist who leans towards the melodic side of rap.

Taking the stage on August 23 is SHY FRiEND, an alt-pop project that rose out of a group of classical and jazz musicians, celebrated for their emotive soundscapes and captivating live shows; and Sunset Sabotage, a genre-blending thrill ride through the many moods of alternative music.

Boundary-pushing Toronto pop artist Dallas Rodin is up next on August 28 with opener Edwardson, a rising alt-pop singer-songwriter quickly gaining attention as one to watch.

On August 29, songwriter, producer, and musician Pat Clifton brings his infectious grooves and intimate narratives to the King Eddy. He’ll be joined by another yet-to-be-determined act.

Purveyor of lush, nostalgic pop Clea Anaïs performs on September 4 with opener (un)decided, the eight-piece neo-soul and hip-hop collective.

On September 9, Aladean Kheroufi, the Edmonton-by-way-of-Algeria musician, will share his soulful and idiosyncratic tunes, alongside Former Lovers, a band of prairie pals hailing from Prince Albert and Saskatoon, Saskatchewan, whose driving rhythms and infectious hooks are sure to leave a lasting impression.

Performing on September 18 is Laura Hickli, the progressive art-pop artist known for dreamy, tightly-arranged soundscapes and powerful live shows. Also joining the bill is Kindé, whose music brings together her gospel roots, and R&B, Afro-fusion, and hip-hop influences.

Closing out the series on September 19 is folk-country outfit Brett Cassidy & The Corduroy Cowboys, alongside openers Education Party, an electronic folk ensemble whose spirit-stirring sound strikes a deep emotional chord.

Tickets for the CIBC Summer Series are $15 at studiobell.ca/whats-on and $10 for NMC Members. Become an NMC Member at studiobell.ca/become-a-member and start saving on concerts and events.