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Apple TV+ Nature Series ‘The Secret Lives of Animals’ Scores Six Daytime Emmy Nominations

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Apple TV+ lands six nominations for the 52nd Daytime Emmy Awards for the beloved nature docuseries “The Secret Lives of Animals,” including Outstanding Science and Nature Program; Outstanding Directing Team for a Single Camera Daytime Non-Fiction Program; Outstanding Music Direction and Composition; Outstanding Cinematography; Outstanding Single Camera Editing; and Outstanding Sound Mixing and Sound Editing. Nominations for the 52nd Daytime Emmy Awards were announced today by the Television Academy, and the winners will be unveiled at a ceremony on October 17, 2025.

Hailing from the acclaimed BBC Studios Natural History Unit, “The Secret Lives of Animals,” narrated by SAG Award winner Hugh Bonneville (“Paddington,” “Downton Abbey”), highlights 77 unique species in 24 countries over three years, revealing stunning, never-before-seen animal behaviors and highlighting the remarkable intelligence of the natural world. “The Secret Lives of Animals” utilizes cutting-edge technology to showcase new and remarkable animal behaviors. For the first time, “The Secret Lives of Animals” captures the sounds and vibrations of a unique jumping spider courtship dance, a killifish in Trinidad breathing through its tail when out of the water, and a wood mouse marking its territory with signposts. Witness a rarely seen relationship between a frog and a tarantula, a land lizard that can breathe underwater, and a monkey that uses a bizarre nose-poking ritual as a test of friendship. Each episode focuses on specific behaviors that are pivotal in the life cycles of various animals — from birth and leaving home to raising a family, and from finding food to growing old — highlighting their striking intelligence and adaptability.

Apple TV+ earned six nominations total including:

“The Secret Lives of Animals”

  • Outstanding Science and Nature Program
  • Outstanding Directing Team for a Single Camera Daytime Non-Fiction Program
  • Outstanding Music Direction and Composition
  • Outstanding Cinematography
  • Outstanding Single Camera Editing
  • Outstanding Sound Mixing and Sound Editing

The 10-episode series is produced for Apple TV+ by BBC Studios Natural History Unit, with Matt Brandon (“Planet Earth III”) serving as showrunner and Roger Webb (“Mammals,” “Big Cats 24/7”) serving as executive producer. The series marks the third collaboration between the BBC Studios Natural History Unit and Apple TV+, following the hit Emmy Award-nominated series “Prehistoric Planet” and “The Year Earth Changed.”

“The Secret Lives of Animals” is currently streaming on Apple TV+.

Apple TV+ Teases Season Four of ‘The Morning Show,’ Premiering September 17 with Jennifer Aniston and Reese Witherspoon

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Today, Apple TV+ debuted a teaser for season four of the award-winning global hit drama, “The Morning Show,” starring and executive produced by Jennifer Aniston and Reese Witherspoon, alongside showrunner and executive producer Charlotte Stoudt, and director and executive producer Mimi Leder. The 10-episode fourth season will premiere globally on Apple TV+ on Wednesday, September 17, 2025 with the first episode, followed by one episode weekly until November 19, 2025.

Season four of “The Morning Show” opens in spring 2024, almost two years after the events of season three. With the UBA-NBN merger complete, the newsroom must grapple with newfound responsibility, hidden motives and the elusive nature of truth in a polarized America. In a world rife with deepfakes, conspiracy theories and corporate cover-ups — who can you trust? And how can you know what’s actually real? Along with Witherspoon and Aniston, the star-studded season four ensemble cast includes Billy Crudup, Karen Pittman, Nicole Beharie, Nestor Carbonell, Mark Duplass, Greta Lee, Marion Cotillard, Jeremy Irons, Aaron Pierre, William Jackson Harper, Boyd Holbrook and returning fan-favourite Jon Hamm.

The drama is showrun and executive produced by Stoudt, and directed and executive produced by Leder. The series is produced by the studio Media Res, and executive produced by Michael Ellenberg and Lindsey Springer through Media Res, along with Stoudt and Leder. Aniston and Kristin Hahn executive produce through Echo Films, while Witherspoon executive produces alongside Lauren Neustadter for Hello Sunshine. Zander Lehmann and Micah Schraft also executive produces.

Currently streaming globally on Apple TV+, the third season of “The Morning Show” received 16 Emmy Award nominations and earned a win for Crudup in the Outstanding Supporting Actor in a Drama Series category for his performance as Cory Ellison. Crudup additionally won a Critics Choice Award for his portrayal of Ellison in the show’s third season. Season three was also honoured by the American Film Institute (AFI) on its prestigious list of the 10 best television programs of 2023.

In season two, “The Morning Show” received Emmy Award nominations for Outstanding Lead Actress in a Drama Series (Witherspoon), Outstanding Supporting Actor in a Drama Series (Crudup, who also won the award for season one), and Outstanding Guest Actress in a Drama Series (Marcia Gay Harden). In the series’ first season, Crudup earned an Emmy Award win in the Outstanding Supporting Actor in a Drama Series category, in addition to a Critics Choice Award. Aniston’s powerful performance as Alex Levy earned a SAG Award for Outstanding Performance by a Female Actor in a Drama Series. Leder earned two Emmy Award nominations for Outstanding Directing for a Drama Series for helming the season one finale and the season three finale, which she also executive produced.

Apple TV+ Drops Trailer for Final Season of ‘Acapulco,’ Out Now

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Today, Apple TV+ debuted the trailer for the final chapter of its beloved, hit comedy, “Acapulco.” The 10-episode fourth and final season will make its global debut with two episodes out now, followed by one new episode every Wednesday through September 17.

In season four, present-day Máximo (Eugenio Derbez) works tirelessly to restore Las Colinas to its former glory before the grand reopening. In 1986, when a competitor claims the number one spot in the annual ranking of Acapulco’s “Best Hotels,” young Máximo (Enrique Arrizon) will do whatever it takes to get back on top and secure Las Colinas’ future.

The ensemble cast of “Acapulco” also includes Fernando Carsa, Rafael Cebrián, Vanessa Bauche, Camila Perez, Carlos Corona, Chord Overstreet, Regina Reynoso, Jessica Collins and Regina Orozco. In addition to returning favourites Damián Alcázar, Jaime Camil, Cristo Fernández and Carolina Moreno, Keyla Monterroso Mejia and Omar Chaparro join the new season as recurring guest stars, and Jack McBrayer makes a special appearance.

Hailing from Lionsgate Television, “Acapulco” is inspired by 3Pas Studios and Pantelion Films’ box office hit “How to Be A Latin Lover,” and is produced for Apple by Lionsgate Television, 3Pas Studios, Zihuatanejo Productions and The Tannenbaum Company. In addition to starring in the series, Derbez serves as executive producer alongside Ben Odell. The series is created by Austin Winsberg, Eduardo Cisneros and Jason Shuman. Winsberg also executive produces with Sam Laybourne, who serves as showrunner. Additional executive producers include Kim and Eric Tannenbaum, as well as Jason Wang on behalf of The Tannenbaum Company. Jaime Eliezer Karas also executive produces and directs, and Sonia Gambaro co-executive produces for 3Pas Studios.

sombr Drops New Single “12 to 12” Starring Addison Rae, Expands Sold-Out Global Tour

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Internationally acclaimed, breakout-artist, producer and songwriter sombr continues to ascend with an incredible sold-out 2025/26 run with headline tours across Europe, U.K, Australia, New Zealand and North America, including his first ever arena headline show which sold out instantly upon announcement.

Now, the 20-year-old New York City born-and-raised alternative-pop-phenom releases his latest single “12 to 12,” accompanied with an official music video starring Addison Rae and directed by Gus Black, out today.

“12 to 12” continues to solidify sombr as the artist to breakthrough in 2025. Writing and co-producing all his own music, his critically acclaimed signature sound has resonated and transcended across generations and become the soundtrack of the summer for millions around the world.

His smash hit single “back to friends” was crowned as the #1 most listened to song in the world on Spotify’s Global Weekly Chart amassing an impressive 650 million total streams to date and counting. It held the #1 spot on the Alternative Radio chart for a staggering five weeks, and notably reached the top spot after 10 weeks, marking his first #1 and the quickest Alternative Airplay accession for a musician making their debut on the tally in nearly a decade. Meanwhile, “undressed” continues to climb the charts, approaching 500 million streams as it reaches the Top 10 at Top 40 Radio.

After selling out his North American and European headline tour pre-sale instantly, sombr will perform at venues around the world this fall, including at New York’s Gramercy Theatre, back-to-back nights at New York’s Brooklyn Steel and Los Angeles’ El Rey Theatre and a show at Los Angeles’ Fonda Theatre. sombr will then venture Australia and New Zealand in December for more sold-out headline dates.

elijah woods Announces Debut Album ‘Can We Talk?’ Out October 14, Drops Lead Single “Ghost On The Radio”

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 Breakout pop artist and producer elijah woods announces his debut album, Can We Talk?, releasing October 14th, and shares the album’s lead single, “Ghost On The Radio.”

Can We Talk? marks a major milestone for elijah. Over the past five years, he has built a career as a fully independent artist, amassing over 1 billion global streams, earning a devoted fanbase of more than 5 million followers, and touring the world entirely on his own terms. The forthcoming album captures the intimacy, vulnerability, and emotional depth that define his music, while leaning fully into the clever, infectious pop sensibilities that have fueled his rise.

The rollout kicks off with “Ghost On The Radio,” a catchy, upbeat pop track layered with lyrical depth. Beneath its glossy production and earworm hooks lies a bittersweet story of unresolved emotion and memory’s persistence.

“‘Ghost On The Radio’ is about memorializing a past relationship that still haunts you,” elijah shares. “No matter where you go, their voice finds a way to follow, like a song you didn’t ask to hear but can’t turn off.”

The single’s release also coincides with the launch of his second headline tour across Asia, hitting 12 cities across 9 countries-including a sold-out show in Hong Kong and performances at Japan’s iconic Summer Sonic Festival in both Osaka and Tokyo.

Beyoncé’s Cowboy Carter Tour Becomes Highest-Grossing Country Tour in History, Breaking 30+ Stadium Records

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COWBOY CARTER TOUR is now the highest grossing country tour of all time as reported by Billboard. With this nine-city run, Beyoncé has extended two records — as the highest-grossing Black artist of all time and the highest-grossing R&B artist of all time — and becomes the first woman and the first American act to have two separate tours gross over $400 million. Additionally, she shattered more than 30 venue records across North America, the United Kingdom and Europe run, including at iconic stadiums such as SoFi Stadium in Los Angeles, MetLife Stadium in New Jersey, Tottenham Hotspur Stadium in London, Stade de France in Paris and more. 

Beyoncé delivered an era-defining live experience that blended storytelling, fashion, and cultural commentary—cementing COWBOY CARTER TOUR as one of the most ambitious and impactful tours of her career.  Blending genre-defying musicality and high-concept visuals, COWBOY CARTER TOUR was a genre-reimagining spectacle rooted in Beyoncé’s globally acclaimed and Grammy-winning COWBOY CARTER album, including Album of the Year. Each night unfolded American music traditions—fusing country, rock, folk, soul, and more—through her unique lens.

Critics all agreed, with GQ calling COWBOY CARTER TOUR “(Once Again) A Reassertion of Beyoncé as Our Greatest Living Performer” at the start of the tour. The Telegraph praised her London performance with a five star review at Tottenham Hotspur Stadium, stating “Nobody in pop can touch her…Armed with monster hits and a veritable war zone of pyrotechnics, Queen Bee reigns supreme in London.”

To recap the massive outing, which set new benchmarks for creativity, scale, and impact, key stats can be found below. 

COWBOY CARTER TOUR BY THE NUMBERS

The high production performance of COWBOY CARTER TOUR featured:

  • A nearly 3-hour set spanning 42 songs from across her catalog
  • 3 flying props, including a mechanical golden horse, a red horseshoe, and a convertible lowrider
  • 1 custom star stage design with robots, pyrotechnics, and immersive lighting that transformed each venue into a futuristic rodeo
  • Appearances from JAY-Z, Miley Cyrus, Ms. Tina Knowles, Shaboozey, The Mayyas, and Destiny’s Child
  • A globally sourced fashion wardrobe featuring over 25 designers that merged Western grit with avant-garde glamour
    • Designers included Anrealage, Balmain, Burberry, Calvin Klein, Coperni, Diesel, Dolce & Gabbana, Ferragamo (paired with jewelry by young British designer Shola Branson), Ferrari, Gucci, Loewe, Moschino, Mugler, Off-White by Ibrahim Kamara, Poster Girl, Ralph Lauren, Roberto Cavalli, Sacai, Schiaparelli, Stella McCartney, TELFAR, Versace, Vivienne Westwood, and more.  
    • Wardrobe leads for the tour include Shiona Turini, Karen Langley, Ty Hunter, and Timothy White.  
    • Make-up artist was Rokael Lizama, and hairstyling was handled by Neal Farinah for Cécred, the hair brand founded by Beyoncé. 
  • The shows were made possible by a 350+ member touring crew, including her two daughters – Blue Ivy and Rumi Carter – musicians, dancers, production teams, videographers, photographers and more. 

Each show contributed to a global impact of:

  • 1.5 million+ fans in attendance
  • 64 Kings and Queens of Beyoncé’s Beyhive were crowned “Rodeo Royalty” for their authentic and creative tour wardrobe during COWBOY CARTER TOUR.
  • 32 sold-out stadium shows across North America, the UK, and Europe
  • Over $400 million USD gross
  • 30+ stadium records broken
  • BeyGOOD’s commitment for the COWBOY CARTER TOUR exceeds $3 million in direct community investment.
    • BeyGOOD Foundation continues its work of helping communities with programs in entrepreneurship, scholarships, disaster response, including helping those affected by the recent wildfires in the Los Angeles, California area during the tour. 

Global Entertainment & Media Market to Reach $3.5 Trillion by 2029, Driven by AI-Powered Advertising Boom

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The global entertainment & media (E&M) industry edged towards US$3 trillion in revenue in 2024 and is forecast to hit $3.5 trillion in 2029 as advertising spend surges across platforms, according to PwC’s Global Entertainment & Media Outlook 2025-29, released today.

The E&M industry is projected to grow at a compound annual growth rate (CAGR) of 3.7% until 2029 – a rate above the projected global economic growth average, but below pre-pandemic highs. Economic uncertainty and anaemic consumer spending growth, amid heightened domestic and international competition in the industry, is expected to weigh on E&M growth rates through the forecast period until 2029.

Bart Spiegel, Global Entertainment and Media Leader, PwC US, said:

“As the E&M industry continues to be impacted by broader economic uncertainty and constrained consumer spending, advertising is emerging as the leading powerhouse of the global entertainment and media industry’s revenues – a transformation expected to continue as AI transforms delivery models, democratises content production, serves highly curated content experiences, and reduces barriers to entry. The E&M industry has always been at the forefront of technological innovation, but companies will need to remain nimble and proactive to embrace the future and satisfy consumers in an ecosystem that rewards creativity and tailored content.”

Advertising to serve as industry engine for revenue growth as AI transforms advertising models

As growth for paid or subscription products slows amid heightened industry competition and constrained consumer spending – particularly in mature markets – advertising is forecast to represent a significant driver of revenue growth for the E&M industry at-large.

Of the three major E&M categories analysed (connectivity, advertising, consumer), advertising is expected to grow fastest – three times as fast (6.1% CAGR) as the consumer category (2%).

The fastest growing E&M revenue metrics over the next five years are all advertising driven – including retail advertising (15%), social and mobile on-stream video advertising (15%), and connected TV in-stream internet advertising (14%). Digital formats, which account for 72% of overall ad revenue in 2024, will rise to 80% in 2029, with new technologies including AI and hyper-personalisation expected to drive this even further. High growth areas include retail search advertising in e-shopping (rising from 32.7% in 2020 to 45.5% in 2029) and advertising in video games (rising from 32.8% in 2024 to 38.5% in 2029).

AI is impacting the E&M industry in many ways. One of the areas in which it is likely to influence revenue growth is in connected TV (any television that connects to the internet to stream video content). In 2020, connected TV advertising revenue equated to just 5.9% of total traditional broadcast TV advertising. In 2024, this figure had jumped to 22%. But with the rise of digital engagement and the prospect of AI-assisted hyper-personalisation, which may lead to greater end-user uptake, connected TV ad revenues will rise to $51 billion in 2029 – equal to 45% of traditional broadcast TV advertising.  

For now, connectivity remains the largest category, with spending reaching $1.3 trillion in 2029, growing at CAGR of 2.8% and driven mainly by mobile internet service revenue. However, advertising’s pronounced growth rates are set to see the gulf between connectivity and advertising spend rapidly narrow by 2029.

Non-digital revenue – including live music, events and cinema box office – lead consumer spending

Consumers may spend more of their free time online, but they continue to spend more of their entertainment budget offline. In 2024, non-digital formats accounted for 61% of consumer revenue – a level of spend expected to broadly continue through the forecast period.

While global cinema box office spending is expected to rise from $33 billion in 2024 to $41.5 billion in 2029, consumers’ preferences are continuing to shift toward locally produced films. Globally, the top five US studios’ market share has dropped from over 60% before the pandemic to 51% in 2024.

Video gaming remains an industry bright spot

The global video gaming industry continues to be an engine of E&M growth, with the global video games market exceeding the movie and music industry combined. Total revenues were $224 billion in 2024, with the industry expected to grow to nearly $300 billion in 2029 at a CAGR of 5.7%.

Developing markets continue to lead E&M industry growth rates 

Excluding connectivity revenues (e.g., mobile service subscriptions), the US comfortably leads as the world’s largest E&M market by revenue. It is forecast to grow at a CAGR of 3.8% until 2029 – lagging below the global average of 4.2%. Looking elsewhere, E&M revenues in China – the second largest market – will rise at a CAGR of 6.1%, powered primarily by its internet advertising segment, with a CAGR or 8.9%. The fastest growing markets globally continue to be in developing markets, including India and Indonesia, all with CAGRs above 7.5%. In India, much of the growth will stem from internet advertising – which is growing at a CAGR of 15.9% – driven by expanding internet penetration, rising 5G connectivity, and the popularity of social media and short-form video content. 

Wilson Chow, Global Technology, Media and Telecommunications (TMT) Leader, PwC China, said:

“Consumers have never had as numerous or diverse choices of entertainment services on offer, but this competition, paired with economic uncertainty and rising costs, is seeing consumer spend growth stagnate. If entertainment and media businesses are to capture new audiences and generate growth, they must be thinking about the connected ecosystems in which they operate, leveraging the power of advertising and AI, the combination of which is allowing for far more cost-effective and personalised content creation and engagement models.”

Kygo’s Hollywood Bowl Concert Film ‘Back at the Bowl’ Hits Theaters Worldwide in SCREENX and 4DX

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DJ-music producer Kygo and CJ 4DPLEX, the world’s leading producer of premium film formats and cinema technologies, today debuted the official trailer and concert film poster for the highly anticipated, KYGO: BACK AT THE BOWL. Following Kygo’s sold-out concert from the Kygo World Tour at the iconic Hollywood Bowl, the film is set for a worldwide theatrical release on Friday, September 26 and is specifically produced for CJ 4DPLEX’s all-encompassing SCREENX format and programmed for the ultimate concert experience in 4DX.

Directed by Grammy-nominated and Emmy Award-winning filmmaker Sam Wrench (“Taylor Swift: The Eras Tour,” “Billie Eilish Live at the O2”), the concert film delivers remixed and remastered soundscapes, complemented by breathtaking visuals that capture the energy of the full-house performance. The cinematic experience features extended imagery and exclusive behind-the-scenes footage, all filmed in 8K with 18 cameras to fully take advantage of the 270-degree SCREENX format.

KYGO: BACK AT THE BOWL will debut at cinemas worldwide in all formats including PLF, 4DX, SCREENX and 2D screens. SCREENX enhances the traditional movie-going experience by seamlessly extending the screens onto the auditorium’s surrounding walls on the left and right sides. This premium 270-degree panoramic display amplifies visuals and fully immerses audiences in a one-of-a-kind cinematic experience making viewers feel like they are right there in the crowd. 4DX incorporates more than 21 different environmental effects, such as motion, vibration, water, wind, lightning, and scents, perfectly synchronized with the music and on-screen action for the ultimate concert experience.

“I’m so excited for fans to experience the magic of last fall’s Hollywood Bowl show in this immersive SCREENX and 4DX experience,” said Kygo. 

The concert showcases Kygo and featured artists performing hits from across his career including “Higher Love” and “It Ain’t Me”, and includes guest appearances from multi-Grammy winner Ryan Tedder for the first-ever live performance of their song “Chasing Paradise”; Ava Max, who performs alongside Kygo for a live performance of their hit song “Whatever,” off Kygo’s new self-titled album; Zara Larsson, performing alongside Kygo for a live performance of their song “Like It Is”; as well as Calum Scott, Justin Jesso, Parson James, & more.

Don Savant, CEO & President, CJ 4DPLEX America said, “We’re proud to collaborate with Sam Wrench and Kygo’s team at Palm Tree Pictures on this incredible concert film. The energy of a live show is truly unparalleled, and the panoramic visuals of SCREENX’s 270-degree format brings that atmosphere to life. It’s a cinematic event fans won’t want to miss and can only be experienced in theaters, including PLFs, 4DX, SCREENX, and 2D Cinemas.” 

Production companies include Wrench’s Next of Kin Content, an EverWonder Studio company; CJ 4DPLEX; and Palm Tree Pictures, Kygo and longtime manager Myles Shear’s new film and TV production arm. Executive producers include Kyrre Gørvell-Dahll, Myles Shear, Mike Hoerner, and Sarah Lieberman for Palm Tree Pictures; Mike Antinoro for Next of Kin; and Jun Bang, Don Savant, Paul Hyo Kim, and Greg Drobnick and for CJ 4DPLEX.

Live Entertainment Market to Hit $270B by 2030, Fueled by Music Concert Boom and Immersive Tech

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The global live entertainment market is expected to grow from USD 202.90 billion in 2025 to USD 270.29 billion by 2030, growing at a CAGR of 5.9% according to a new report by MarketsandMarkets. The live entertainment market is driven by rising consumer demand for immersive, real-time entertainment experiences, fueled by the popularity of live concerts, sports, and interactive events. Advancements in live-streaming, virtual reality, and augmented reality technologies have expanded audience reach and engagement across platforms. The integration of digital ticketing, mobile apps, and data analytics has also enhanced user experience and event management efficiency. Additionally, increased consumer spending on leisure activities and favorable government policies supporting cultural and entertainment events are encouraging investment in the sector. These factors contribute to the robust expansion of the live entertainment market.

The pre-recorded/recorded streaming type holds the largest market share in the live entertainment market in 2024.

The dominance is driven by increased consumer preference for flexible, on-demand content accessible across platforms like YouTube, Spotify, and Netflix. Content creators and organizers benefit from scalable monetization models, including subscriptions, advertising, and pay-per-view. The segment’s low operational costs and global reach further cement its leadership. The live ticket sales segment follows as the second largest, propelled by strong consumer turnout for in-person events post-pandemic recovery.

Music concerts are projected to be the fastest-growing application segment in the live entertainment market during 2025–2030.

The growth is fueled by the rising demand for immersive, communal experiences and the resurgence of large-scale festivals and international tours. Technological innovations such as AR-enhanced shows and hybrid concert formats have also broadened audience access and engagement. The segment is further supported by increased artist-led initiatives and brand sponsorships targeting the youth demographic. As artists and organizers increasingly prioritize direct fan interaction and experiential content, the music concert segment is poised for rapid expansion through 2030.

China is expected to grow with the highest CAGR in the live entertainment market during the forecast period,

Music concerts are the fastest-growing segment in China’s live entertainment industry, powered by a strong post-pandemic rebound in attendance—concerts with over 10,000 people rose by 84.4% in 2024—and a surge in festival tourism, especially among 18–30-year-olds, who travel across cities for immersive experiences. Government support—through subsidies, streamlined approvals, and venue incentives—is boosting large-scale events in cities like Shanghai, Sichuan, and Haikou. Moreover, the integration of AR, hybrid streaming, and festival innovations has expanded reach and engagement, while concert-driven tourism generates substantial economic spillover in accommodation, dining, and retail.

Major companies operating in the global live entertainment companies include Live Nation Entertainment (US), AEG (US), CTS Eventim (Germany), HYBE Corporation (South Korea), SM Entertainment (South Korea), MSG Entertainment (US), and TEG (Australia).

Skywork Unveils Mureka V7 and TTS V1, Ushering in a New Era of Emotionally Intelligent AI Music and Voice

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Skywork has unveiled its latest music model, Mureka V7, alongside an all-new audio model, Mureka TTS V1. The latter introduces groundbreaking Voice Design capabilities for timbre customization, delivering an exceptional experience to users worldwide.

Previous iterations, including the Mureka O1 and V6 models, have garnered widespread global recognition, fueling nearly 3 million new user registrations since their official launch in late March.

Mureka V7: Crafting More Captivating Melodies for You

The latest upgrade Mureka V7 transforms users’ musical inspiration into a single click. It marks not just a quantum leap in efficiency, but a fundamental evolution in sound quality.

1. Mureka V7 delivers superior music quality. With enhanced melodic development, better arrangements, and more realistic vocal / instrument rendering, it ensures radio-ready excellence in every creation.

2. Mureka V7 redefines musical innovation. Compositions generated by Mureka V7 can actively inspire creator workflows.

Of course, these auditory enhancements are rooted in measurable technical advancements:

1. An increase in average performance rating of V6’s 43.4% to V7’s 57.7% represents a significantly higher probability of generating desirable songs from lyric inputs.

2. With 44% enhanced vocal realism and expression, the output consistently sparks reactions like “This can’t be AI-generated!”

3. With nearly 100% improvement in overall audio quality, Mureka V7 overcomes homogenized AI sound profiles.

How Mureka Crafts Irresistible Melodies?

Mureka V7 introduces major enhancements to MusiCoT (Analyzable Chain-of-Musical-Thought Prompting (https://musicot.github.io/), a specialized Chain-of-Thought (CoT) prompting framework designed for music generation. This upgrade delivers significant improvements in the coherence and sonic performance of AI-generated music mainly through three key innovations:

Structure-First, Generation-Second: Cognitive Modeling of Human Compositional Processes

MusiCoT first guides the model to generate a comprehensive musical structure – including sections, emotional arcs, and instrumentation layouts – prior to audio token generation. This approach effectively resolves the “local optimization trap” inherent in traditional AR models, enabling compositions with more natural progression and dynamic development.

Interpretable Musical Chain-of-Thought with Style-Adaptive Capabilities

By integrating CLAP (Contrastive Language-Audio Pretraining), MusiCoT constructs a semantically grounded musical chain-of-thought. The improvement not only enhances structural analyzability and controllability but also accepts reference audio inputs of variable lengths as style prompts, significantly improving model flexibility in stylistic replication and variation while mitigating risks of direct copying.

Leading Comprehensive Validation: From Subjective Evaluation to Objective Metrics

Extensive experimental results demonstrate MusiCoT’s superior performance across both subjective and objective metrics. The technology significantly outperforms conventional solutions in structural integrity, melodic coherence, and overall musicality, achieving state-of-the-art benchmarks in multiple evaluations.

The latest iteration of MusiCoT achieves unprecedented alignment with human compositional cognition at the structural level. Through scale-up of the proprietary datasets of Mureka and embedding refined information granularity, the latest solution features enhanced controllability and scalability, largely bridging the text-audio modality gap. Future iterations will further advance the system’s creative potential and industrial-grade capabilities.

Mureka TTS V1: Unlimited Timbre Choices, One-Click Customization

Moreover, the newly launched Mureka TTS V1 supports the Voice Design feature, which means users can generate custom vocal timbres simply by describing desired voice characteristics in text.

Mureka TTS V1 also demonstrates significant improvements across key technical metrics in voice design function:

1. Scoring 4.6 for speech sound quality, surpassing ElevenLabs (4.36), with significantly superior auditory performance across all competitors;

2. Scoring 4.64 for word segmentation and phrasing accuracy, indicating superior comprehension of input intent and linguistic expression;

3. Significantly improved overall listening experience, delivering markedly smoother and more coherent audio output

Mureka V7 represents a paradigm shift in AI music generation – from mere technical utility to genuine artistic empathy. This isn’t just an upgrade; it’s the dawn of emotionally intelligent composition, where every melody resonates with human feeling and every rhythm pulses with narrative purposes.

Today, Mureka V7 is a personal recording studio in your pocket. Tomorrow, we hope to see your songs that are created in your bedroom or kitchen, or even in the subway, to top the charts.

Your creative journey begins from Mureka!