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Joel Cusumano Unleashes Power Pop Precision On ‘WAXWORLD’ With “Mary Katharine”

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Bay Area underground fixture Joel Cusumano steps into the spotlight with his debut solo LP ‘WAXWORLD,’ out now via Dandy Boy Records, alongside a new video for standout track “Mary Katharine.” Long known for his work in bands like Sob Stories, R.E. Seraphin, and Body Double, Cusumano channels years of scene-shaping experience into a record that snaps with immediacy, melody, and sharp guitar pop instincts. The album moves fluidly through bubblegum hooks, post-punk tension, slacker rock looseness, and straight-shot power pop, all tied together by concise songwriting and a strong melodic spine.

Written during a period of personal upheaval and reorientation, ‘WAXWORLD’ pairs heavy subject matter with bright, inviting sound. Songs like “Another Time, Another Place,” “Death-Wax Girl,” and “Caesar” balance wit and unease, folding classical and gnostic imagery into everyday disconnection and cultural overload. Cusumano’s vocals hover between detachment and sincerity, grounding the record’s shifting perspectives. Inspired by wax anatomical models and their tension between realism and illusion, ‘WAXWORLD’ captures that same push and pull, delivering a record that is catchy on contact and increasingly revealing with each return.

Matt Cruz Launches A New Chapter With “The One” And A Surge Of Guitar-Driven Energy

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Multi-talented musician Matt Cruz introduces his upcoming EP with the release of “The One,” a lively, guitar-forward track that taps into the melodic spirit of early-90s alternative rock while asserting its own identity. Built on high-energy guitar, bass, and drums, the song moves with momentum and clarity, anchored by a driving groove and a memorable lyric that leans into steadiness and forward motion. Bright riffs, a tight rhythm section, and a concise guitar solo give the track lift and color, showcasing Cruz’s growing command as both a songwriter and instrumentalist. “The One” arrives with confidence, capturing movement, growth, and a clear sense of musical direction as he opens the door to what comes next.

Saliva Team Up With Austin John Winkler On “Too Broke To Fix” For A Raw Rock Reckoning

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Rock veterans Saliva reunite with Austin John Winkler on their new single “Too Broke To Fix,” released via Judge & Jury Records following a recent run of live dates together. Built around a driving guitar riff and dual vocal attack, the track tackles themes of mental strain, identity, and inner conflict with directness and grit. Bobby Amaru and Winkler trade intensity and vulnerability, creating a performance that thrives on tension and emotional weight without pulling punches.

The collaboration lands as another defining moment in Saliva’s modern era, balancing their blue-collar hard rock foundation with renewed urgency. Winkler’s unmistakable voice adds sharp contrast and familiarity, while Amaru anchors the song with conviction shaped by years at the helm of the band. With a catalog that spans double-platinum highs, charting singles, and continued evolution, “Too Broke To Fix” stands as a focused statement that keeps Saliva’s fire burning forward while honoring the legacy and brotherhood that continue to surround the band.

Leftover Salmon Carry The Groove Coast To Coast On Winter And Spring Tour 2026

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Colorado jamgrass legends Leftover Salmon have announced their Winter and Spring Tour 2026, bringing their Polyethnic Cajun Slamgrass sound across an ambitious stretch of dates that runs from Alaska to Hawaii. The tour opens January 9 and 10 at Alyeska Resort in Girdwood before winding through the Southwest, Southeast, and Midwest, mixing theaters, ballrooms, and beloved dance floors along the way. Stops include Charleston Music Hall, Haw River Ballroom, Garcia’s in Chicago, and a Texas run through Dallas, Austin, and Gruene Hall.

The road circles back to Colorado for WinterWonderGrass Steamboat Springs from February 27 through March 1, before closing with a three-night Hawaiian finale in Kilauea this April. Led by Vince Herman and Drew Emmitt, Leftover Salmon continue a decades-long run built on joy, spontaneity, and deep musical chemistry, blending bluegrass, Cajun, rock, country, and improvisation into shows that thrive on shared energy. This tour keeps that spirit moving city to city, stage to stage, with the same warmth and open-hearted groove that has made the band a constant presence in American roots music.

Leftover Salmon Winter And Spring Tour 2026 Dates:
January
9–10 – Alyeska Resort – Girdwood, AK
15 – La Rosa – Tucson, AZ
16 – Virginia G. Piper Theater at Scottsdale Center for the Performing Arts – Scottsdale, AZ
17 – Orpheum Theater – Flagstaff, AZ
18 – National Hispanic Cultural Center – Albuquerque, NM
19 – Charleston Music Hall – Charleston, SC
20 – Haw River Ballroom – Saxapahaw, NC

February
21 – Peace Center Peace Concert Hall – Greenville, SC
22 – Walker Theatre – Chattanooga, TN
27–Mar 1 – WinterWonderGrass – Steamboat Springs, CO

March
5 – Stoughton Opera House – Stoughton, WI
6–8 – Garcia’s – Chicago, IL

April
2 – Granada Theater – Dallas, TX
3 – Radio/East – Austin, TX
4 – Gruene Hall – New Braunfels, TX
17–19 – Porter Pavilion at Anaina Hou Community Park – Kilauea, HI

Hudson Westbrook Locks Into The Groove On “Pretty Privilege” As Texas Momentum Builds

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Texas country breakout Hudson Westbrook returns with “Pretty Privilege,” his first new release since his Top 10 debut album ‘Texas Forever’, delivered via Warner Music Nashville. Co-written with Beau Bailey and Lukas Scott, the track slides into a flirtatious, addictive groove that leans confidently into Westbrook’s melodic instincts and easy charm, adding another sharp chapter to his fast-moving catalogue.

The official music video keeps the spotlight on the fans, directed by Emma Kate Golden and filmed at Westbrook’s sold-out headline show at Cooks Garage in Lubbock. Shot around a surprise first listen ahead of the show, the video captures real-time reactions and shared excitement, grounding the release in community and connection. With “House Again” continuing its climb at country radio and the Texas Forever Fall Tour rolling nationwide, “Pretty Privilege” lands as a focused, feel-good moment that keeps Westbrook’s forward motion firmly intact.

One Hundred Moons Sink Deeper Into Shadow And Control On “The Architect”

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Ontario shoegaze outfit One Hundred Moons continue their slow-burn ascent with the release of “The Architect,” a dark and immersive new single arriving ahead of their upcoming album ‘Black Avalanche’. Anchored by a resonant bass line and layered with ominous textures, the track unfolds patiently, building tension through atmosphere and momentum before collapsing into stark stillness. The song wrestles with self-imposed pressure, overthinking, and personal accountability, framing its narrative around the idea that control and consequence often originate from within.

Built on dynamic contrast, “The Architect” leans into unease as a creative force, using sound to mirror spiraling thought patterns and internal reckoning. It offers a focused glimpse into the terrain explored across ‘Black Avalanche’, where mood, melody, and tension remain tightly bound.

Southern History Remixed Connects Rock ’n’ Roll To Race And Power In The American South

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Southern History Remixed by Michael T. Bertrand is out now, examining how popular music shaped and reflected the social history of the United States South from the late nineteenth century through the rise of rock ’n’ roll. Moving from jazz and barn dance radio to gospel, Black radio programming, and rhythm and blues, the book positions music as a central force in the region’s cultural development rather than a sidebar to political history.

Bertrand traces a long-running struggle over southern identity, showing how music both reinforced and challenged white supremacy as the region wrestled with race, class, and change. Rock ’n’ roll emerges as a working-class, biracial form that heightened racial anxieties while cutting across entrenched cultural lines, culminating in a close examination of Elvis Presley’s popularity within a segregated society. By treating music as an active participant in history, the book reframes how cultural expression intersects with power, resistance, and social transformation.

Ain’t Stretch Their Sound On “Long Short Round” With Six Minutes Of Tension And Release

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South London quintet Ain’t continue a relentless run with their expansive new single “Long Short Round,” arriving after a sold-out London headline show, a packed UK tour with THUS LOVE, and a string of high-profile showcases across the UK festival circuit. The release follows earlier singles “Pirouette” and “Jude” and lands as the band’s most ambitious statement yet, extending their reputation from feverish word of mouth into fully realized recorded form.

Recorded with Ali Chant, “Long Short Round” unfolds across just over six minutes, weaving together post-punk bite, shoegaze haze, and the stranger edges of 90s guitar music. Fuzz-laden guitars and harmonized hooks drive the opening stretch before the song opens into a more reflective movement that nods to New York guitar lineage and early-2000s Midwest indie-rock emotional weight. Built around the idea of small rituals that comfort without curing, the track rewards patience and close listening, marking Ain’t as a band willing to let songs breathe, sprawl, and leave a lasting impression.

Mini Skirt Tear Into “Squeeze Down” Ahead Of ‘All That We Know’ With Pub Rock Bite

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Byron Bay pub punks Mini Skirt return swinging with their new single “Squeeze Down,” a jagged blast of garage punk intensity released ahead of their second full-length album ‘All That We Know,’ out now via Bad Vibrations. Written in the aftermath of the band’s first EU and UK tour, the track channels isolation, defensiveness, and a sharpened sense of identity, driven by urgent vocals, skin-splitting drums, and dirty guitar tones that lock straight into the lineage of Australian pub rock.

‘All That We Know’ follows five years after debut album ‘Casino’ and expands Mini Skirt’s raw, melodic approach into a tightly packed set of songs rooted in modern Australian life. Mixed and mastered by Mikey Young, the album balances grit and clarity, with Jacob Boylan’s lyricism cutting cleanly through the noise. Paying homage to the spirit of X and Radio Birdman while carving their own lane, Mini Skirt deliver a record that moves fast, hits hard, and rewards close attention from start to finish.

John Minton Documents Music And Memory In ‘Folk Music and Song in the WPA Ex-Slave Narratives’

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Folk Music and Song in the WPA Ex-Slave Narratives by John Minton is out now as the first complete account of the music, song, and dance documented in the WPA ex-slave narratives. Drawn from interviews conducted between 1937 and 1940 with roughly 3,500 formerly enslaved people, the book examines one of the most significant bodies of African American folklore ever assembled. Minton situates these musical traditions within the lived realities of slavery, the Civil War, Emancipation, Reconstruction, and the rise of Southern apartheid, grounding every song and practice in its social and historical setting.

Extensively quoted, fully annotated, and carefully indexed, the volume traces spirituals, hymns, work songs, ballads, minstrel songs, ring plays, dances, lullabies, and more, offering detailed references for every musical item mentioned in the narratives. With 134 illustrations and a clear overview of how the narratives were collected and preserved, the book opens this vast archive to both scholars and general readers. Recently honored with the 2025 Wayland D. Hand Book Prize and a Special Award for Scholarly Excellence and Cultural Impact from the American Folklore Society, the work stands as a definitive resource on music, memory, and African American cultural history.