Home Blog Page 53

Labrinth Grapples With Faith On “God Spoke” From His New Album ‘Cosmic Opera Act 1’

0

British artist Labrinth has returned with a powerful new single titled “God Spoke” to preview his upcoming fourth studio album ‘COSMIC OPERA ACT 1’. Arriving January 30 via Columbia Records, this body of work fuses a sweeping cinematic scale with deeply personal storytelling. The new track features a stripped-back production that allows his unmistakable vocal intensity to take center stage. It is a moment of spiritual reckoning that explores the intersection of faith and doubt. This release follows previous singles such as “IMPLOSION” and “Orchestra” which have already established the expansive tone of the project. The song provides a concrete look into the search for meaning that defines this new creative chapter.

Following the arrival of the album, Labrinth is scheduled to bring the new material to the stage at Coachella this April in Indio. His influence continues to expand into the world of television as he returns to compose the score for the third season of the HBO series Euphoria. The upcoming album consists of twelve tracks including “Something Like An Opera” and “Still In Love With The Pain”. This collection represents a bold step forward for an artist who remains intentional about the emotional depth of his craft. The music transitions from intimate vocal performances to orchestral arrangements with a natural and high-energy rhythm. It is a triumphant and honest return to form for one of the industry’s most compelling voices.

Montreal Quartet Bellbird Join Constellation Records For Their Explosive New Album ‘The Call’

0

There is a bird in the Amazon called the white bellbird. It is roughly the size of a pigeon, but it holds a very specific biological record: it is the loudest bird in the world. We are talking about a physical wall of sound that hits 125 decibels, which is effectively the same volume as a pile driver or a jet taking off nearby. Now, Montreal avant-garde quartet Bellbird have taken that specific frequency and woven it into their second album ‘The Call’. This is their first outing on Constellation Records, a label known for its adventurous and uncompromising roster. The title track acts as a conceptual anchor for the entire record. It uses the actual analysis of that avian cry to build a sonic environment that is as loud and expressive as the bird itself.

The quartet consists of four musicians who have abandoned the traditional hierarchy of jazz. Usually, you have a lead soloist and a rhythm section that follows along. Bellbird operates as an egalitarian collective where the saxophones often provide the texture and the drums drive the melody. This approach was refined during various residencies where all eight compositions emerged through shared reflection and improvisation. Their previous debut ‘Root in Tandem’ laid the groundwork, but this new collection moves much deeper into the relationship between humans and the natural world. It is a record that demands you pay attention to the architectural structures of the sound. The tracks represent a unified statement from a group that functions as a single organism.

Recording took place at Hotel2Tango in Montreal with engineer Sylvaine Arnaud. The goal was to capture the raw intensity of a live performance without losing the subtle details of the instrumentation. You can hear the physical nature of the music through the use of bowed bass and metallic timbres. Pieces like “Soft Animal” and “Phthalo Green” balance a heavy muscular energy with moments of extreme vulnerability. There is also a significant social layer to this music as the band addresses the climate crisis and global solidarity. The track “Blowing on Embers” stands as a dedicated response to the current state of the world. It is an honest and high-energy document of a band finding poetry in the chaos of the modern era.

Anime Sensation Frieren: Beyond Journey’s End Season 2 Premieres Today On Crunchyroll Featuring Music By Evan Call

0

The acclaimed anime series Frieren: Beyond Journey’s End Season 2 officially premieres today, January 16, 2026, on Crunchyroll. Fans across North America, Europe, and India can access the new episodes starting at 7:00 a.m. PT to follow the continuation of this timeless journey. While Keiichiro Saito directed the debut season at studio MADHOUSE, Tomoya Kitagawa takes the helm for this new installment. The series maintains its high production standards with character designs by Reiko Nagasawa and a moving score composed by Evan Call. This season builds directly upon the foundation laid by the original manga by Kanehito Yamada and Tsukasa Abe which began its run in Weekly Shonen Sunday.

The story persists in exploring the aftermath of a hero’s quest through a fantasy lens that emphasizes the passage of time. This new chapter arrives with 15 volumes of source material already released in Japan and an English version available via VIZ Media. The return of series composer Tomohiro Suzuki ensures a narrative consistency that honors the slow-burn emotional stakes of the first season. Watching the evolution of these characters in real time provides a concrete sense of growth and reflection. It is a triumphant return for a show that has redefined the modern fantasy genre with its quiet intensity and functional world-building. This premiere is a major highlight of the winter anime calendar.

BRUECKEN Demand Answers With The Pulsing Post-Rock Textures Of “Questions We Raise” From ‘Years That Answer’

0

German outfit BRUECKEN have unleashed their latest single “Questions We Raise” alongside a new music video to preview the upcoming album ‘Years That Answer’. Arriving February 27, 2026 via Moment of Collapse Records, this third full-length album marks a significant expansion of the band’s post-metal and post-hardcore foundations. The track incorporates subtle synthetic elements that provide striking color against a backdrop of urgent and heavy instrumentation. Inspired by the prose of Zora Neale Hurston, the lyrical themes confront global crises and the search for hope during periods of war and authoritarianism. The result is a sonic experience that feels incredibly vital and honest. This music provides a concrete emotional outlet for the tensions of the modern world.

Pop Rock Force LØLØ Returns With “007” And Announces Sophomore Album ‘God Forbid A Girl Spits Out Her Feelings’

0

Toronto native LØLØ has officially announced her second full-length album ‘god forbid a girl spits out her feelings’ which arrives April 17 via Fearless Records. The reveal comes alongside her fierce new single “007” written with Brian Dales and Taylor Acorn. This 13-track LP expands on her signature alt-rock sound by blending pop precision with heavy grit and cinematic edges. Collaborations with Andrew Goldstein and DCF highlight the high-speed energy found throughout the record. It is a bold document of messy human emotions and internal downward spirals that commands attention from the very first note.

The new single “007” provides a concrete preview of the album’s confessional candor and punchy guitar work. LØLØ describes this body of work as a diary ripped straight from the pages of her journal to chronicle every intrusive thought. The track list includes pre-released favorites like “the devil wears converse” and “american zombie” alongside new titles such as “lobotomy & u” and “delusional darling.” This record moves away from her previous robotic themes to embrace the raw vulnerability of being human. Her guitar-driven arrangements and commanding vocals establish a sharp new chapter for the ascendant star.

TRACK LISTING:

  1. god forbid a girl spits out her feelings!
  2. me with no shirt on
  3. dumbest girl in the world
  4. hung up on u
  5. delusional darling
  6. the punisher
  7. 007
  8. the devil wears converse
  9. stuff like that
  10. whiskey & coke
  11. american zombie
  12. boy who doesn’t want to
  13. lobotomy & u

Fox Stevenson Embarks On “U.S. Headline Tour” To Support His Hit Album ‘Sunk Cost Fallacy’

0

Electronic artist Fox Stevenson has announced a massive headlining tour across the United States beginning January 21, 2026. This run follows the monumental success of his sophomore album ‘Sunk Cost Fallacy’ which arrived in June 2025. The record debuted at the top of the Bandcamp charts and has already achieved over 10 million streams globally. These upcoming performances lean into a dual-performance experience that combines the energy of a rock show with the atmosphere of a club. This format highlights the diverse talents of an artist who refuses to stay within a single genre.

11 Songs That Are Basically Poetry

We’ve all had that moment where a song ends and you’re left sitting in the silence, processing a line that hit like a heavyweight punch.The best artists play with meter, bake metaphors into every verse, and use language that demands we pay attention.

If you’re like me and love a song that requires a little “decoding,” here are 11 tracks where the lyrics could easily live in a leather-bound anthology.

Bob Dylan – It’s Alright, Ma (I’m Only Bleeding)

This is a masterclass in surrealism. Bob Dylan stacks rhyme upon rhyme with a frantic, rhythmic precision that feels more like a beat poem than a standard folk song, capturing a deep sense of disillusionment through dense, politically charged imagery.

Leonard Cohen – Hallelujah

Before it became a radio staple, this was a sacred and profane manifesto. Leonard Cohen’s use of biblical allegory to explain the complexities of a broken human relationship is the definition of “high art” meeting the pop world.

Joni Mitchell – Both Sides Now

Joni Mitchell has a way of making simple observations feel like profound universal truths. By using “clouds,” “love,” and “life” as shifting perspectives, she crafts a poignant reflection on life’s illusions that is as delicate as any Romantic-era poem.

Loreena McKennitt – The Highwayman

Loreena McKennitt takes a classic narrative poem and breathes atmospheric life into it. The vivid, historical imagery of the “ghostly galleon” and the “ribbon of moonlight” creates a romantic tragedy that feels both cinematic and ancient.

Phoebe Bridgers – Savior Complex

Phoebe Bridgers is a modern master of the “indirect.” Her lyrics are steeped in raw vulnerability, using the metaphor of “bad dreams” to explore the heavy, symbiotic nature of trying to save someone who might not want to be saved.

Hozier – Would That I

This writing feels like it was unearthed from a mossy forest. Hozier uses fire and timber as a complex analogy for how new love consumes the ghosts of the past, delivered with a rhythmic phrasing that perfectly mimics the flickering of a flame.

Noah Kahan – Animal

Noah Kahan excels at using the “setting” of the human body to mirror internal states. He explores the primal, instinctual parts of the psyche with raw honesty, using a “folk-indie” grit to describe the struggle between our civilized selves and our natural impulses.

Lord Huron – The Yawning Grave

This track is all about atmosphere. Writing from the perspective of the earth itself, Lord Huron uses personification to warn of the inevitable, creating a chillingly beautiful piece of gothic storytelling that feels like a warning from the soil.

Coldplay – Viva la Vida

It’s rare for a stadium anthem to be so steeped in historical metaphor. By adopting the persona of a deposed king, Chris Martin and the band use rich imagery and references to “pillars of salt” to explore the fragility of power and the weight of a fallen legacy.

The Waterboys – The Lake Isle of Innisfree

By setting a famous W.B. Yeats poem to music, the band bridges the gap between old-world longing and modern folk. The emphasis on sensory descriptions—the “bee-loud glade” and “lapping water”—captures a timeless, poetic yearning for peace.

Taylor Swift – The Best Day

While often known for her storytelling, this track is a perfect example of “simple-yet-profound” imagery. Taylor Swift captures the specific, tactile memories of childhood—pumpkin patches and paint sets—to paint an impressionistic and heartfelt portrait of family love.

Electronic Pop Artist Googly Eyes Unveils “Bruises On The Peach” With Tove Lo And Flume

0

googly eyes announces her new EP ‘paint me like one of your fav american girls’ set for release on March 13th, 2026 through Pretty Swede, Neon Gold, and Virgin, alongside today’s release of “Bruises on the Peach” and its accompanying video. Written with Tove Lo and Flume and coproduced with Flume, the hazy, emotionally charged track blends warped electronic textures, intimate pop melodies, and soft-focus vulnerability, floating between bruised romance and euphoric release while pairing glossy synths with a raw, diaristic edge. googly eyes says, “Bruises on the Peach is about vulnerability. To be known and loved deeply means sharing all your fears, insecurities, and pain points with someone. It’s a fragile ecosystem – you’re giving someone the blueprint to either wound you beyond repair or soothe your deepest hurts. That takes immense trust. It’s what makes love so precious to me and this song is my way of speaking to that.” The rising electronic pop auteur ended 2025 with her track “Jesus and John Wayne,” a collaboration performed with Joy Oladokun and August Ponthier, earning a spot on NPR’s 125 songs of 2025.

You can pre-save it here.

In September 2023, Tove Lo and Flume posted an artist development open call on Instagram, and after reviewing thousands of demos, googly eyes emerged as the dream artist for the opportunity. Nearly two years later, their collaboration bears fruit on previously released tracks “I Don’t Go Out” and “Made Of” ahead of the full forthcoming collaborative EP. googly eyes delivers glitchy, technicolor, poetic songs entirely written, recorded, and produced on her own to this point, best illustrated on her 2024 debut ‘Starlet’ EP and its breakout singles “Mid-Leap,” “Internet Star,” and “Waste of Conversation.” Pretty Swede Records, an independent label founded in 2022 by Tove Lo, signed googly eyes in collaboration with Neon Gold, known for a star-studded history of debut releases from Tove’s own ‘Truth Serum’ EP in 2014 featuring “Habits” to iconic early releases from Charli XCX, MARINA & The Diamonds, Christine and the Queens, and Ellie Goulding. About “I Don’t Go Out,” googly eyes adds, “It’s a pretty surreal moment releasing a song I made with Tove Lo and Flume – especially since it’s my first time opening my world to collaborators. I Don’t Go Out is lovestruck, tender, and for anyone who’s happiest to be in bed by 9pm with their person.”

Hail The Sun Announce North American Tour

0

California quintet Hail The Sun have confirmed a massive headlining run across North America for the spring of 2026. This tour follows the arrival of their seventh full-length album ‘cut. turn. fade. back.’ which deals with the cyclical nature of life and death. The band includes vocalist Donovan Melero alongside Shane Gann, Aric Garcia, John Stirrat, and Allen Casillas. They have enlisted Foxy Shazam as primary support for the duration of the trip which begins this April in San Diego. The technical proficiency on display throughout this new collection of songs confirms their standing as leaders in the post-hardcore scene.

The production team of Pete Adams, Johnny Kosich, and Zakk Cervini helped shape the expansive sound found on tracks like “There’s No Place In Heaven For Fakes” and “Insensitive Tempo”. These songs probe the nature of existence and demand self-reflection from the listener. The album opens with the sharp lilt of “The Drooling Class” and concludes with the chaotic intensity of “War Crimes”. Each track functions as a concrete piece of a larger narrative regarding humanitarian crises and personal growth. It is a triumphant and heavy record that refuses to flinch at difficult topics.

Donovan Melero notes that the band aims to encourage critical thinking through their songwriting. After fifteen years of performing together the group continues to reshape their identity while maintaining a fervent commitment to their art. This upcoming tour includes stops at iconic venues such as The Wiltern in Los Angeles and Irving Plaza in New York City. The setlist will highlight the new material alongside the intricate musicianship that has defined the band since their formation in Chico. This run of dates represents a major milestone for the group as they carry their message to a growing audience.

TOUR DATES:

APRIL

  • 02 – San Diego, CA – House of Blues
  • 03 – Fresno, CA – Tioga Sequoia Brewery
  • 04 – Los Angeles, CA – The Wiltern
  • 05 – Mesa, AZ – Nile Theater
  • 07 – Austin, TX – Emo’s
  • 08 – Corpus Christi, TX – House of Rock
  • 09 – Houston, TX – White Oak Music Hall
  • 10 – Pensacola, FL – Vinyl Music Hall
  • 12 – Asheville, NC – The Orange Peel
  • 13 – Jacksonville, FL – Five
  • 14 – Tampa, FL – The Orpheum
  • 16 – Richmond, VA – The Canal Club
  • 17 – Allentown, PA – Archer Music Hall
  • 18 – Norwalk, CT – District Music Hall
  • 19 – Buffalo, NY – Buffalo Iron Works
  • 20 – New York, NY – Irving Plaza
  • 22 – Cleveland, OH – Globe Iron
  • 23 – Grand Rapids, MI – Elevation
  • 24 – St. Louis, MO – Delmar Hall
  • 25 – Louisville, KY – Mercury Ballroom
  • 26 – Detroit, MI – The Crofoot
  • 28 – Milwaukee, WI – The Rave
  • 29 – Omaha, NE – The Waiting Room

MAY

  • 01 – Boulder, CO – Boulder Theater
  • 02 – Salt Lake City, UT – The Depot
  • 03 – Reno, NV – The Alpine
  • 04 – Berkeley, CA – Cornerstone
  • 06 – Sacramento, CA – Ace of Spades
  • 07 – Bakersfield, CA – The Nile Theater

Brighton Quartet Ladylike Join Heist Or Hit And Share “Rome (In Progress)” From Their Debut EP

0

Brighton quartet ladylike have officially joined the roster at Heist or Hit and released their new single “Rome (in progress)” from the debut EP ‘It’s A Pleasure Of Mine, to Know You’re Fine’. This collection of songs arrived via the cult label and showcases a sound rooted in both rural authenticity and brutalist architectural structures. The band consists of Georgia Butler, Spencer Withey, James Ely, and Archie Sagers. They recorded these tracks with producer Ali Chant to capture a specific atmospheric tension.

The new single “Rome (in progress)” utilizes minimal lyrics to reimagine common English idioms such as many hands make for light work. According to the band, the song is about building a livelihood or community and how that isn’t as smooth sailing as you may think, but it’s still the ideal place for you. This track successfully bridges the gap between traditional folk and expansive post-rock. The arrangements are sturdy and honest. It is a thrilling introduction to a group that understands the power of a quiet build.

The band formed after a meeting at End of the Road and developed their sound in a university recital room. This history contributes to the functional and raw textures found throughout the EP. Their music moves through themes of renewal and growth with a subtle euphoria. Previous performances at Green Man and The Great Escape have solidified their reputation for delivering textural builds. They remain committed to exploring the poetry within the mundane aspects of modern life.

The group continues their momentum with a busy schedule of performances across the UK and Europe. Following their recent appearance at The Lexington, they join The Orielles for a string of dates in Coventry, Norwich, and Cambridge. Spring dates include stops at the Green Door Store in Brighton and the George Tavern in London. These shows offer a direct look at the chemistry between the four members.

LIVE DATES:

JANUARY 2026

  • Wed 28th – Coventry – The Tin Music & Arts
  • Thurs 29th – Norwich – Norwich Arts Centre
  • Fri 30th – Cambridge – The Portland Arms

MARCH 2026

  • Fri 20th – Brighton – Green Door Store
  • Sat 21st – London – George Tavern
  • Thurs 26th – Leeds – Hyde Park Book Club
  • Fri 27th – Glasgow – 1990
  • Sat 28th – Manchester – Mood Swings @ YES Basement

APRIL 2026

  • Sat 11th – Bristol – Outer Town Festival
  • Fri 15th – Brighton – The Great Escape
  • Thurs 14th – Paris, France – Supersonic Block Party