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It’s Cheer Up the Lonely Day—Here Are 10 Songs That Celebrate Friendship and Human Connection

Today is Cheer Up the Lonely Day, a gentle reminder that a kind word, a small gesture, or even just showing up can shift someone’s entire world. Celebrated every July 11, this unofficial holiday encourages us to reach out—to text an old friend, call a grandparent, or simply sit with someone who might be feeling alone. Music, of course, has always been a bridge to connection. So in honour of the day, here are 10 songs about friendship that remind us we’re never really alone—even when it feels like it.

Bill Withers – “Lean on Me”
An eternal classic that promises exactly what its title says. When you’re not strong, this song stands in the gap and reminds you someone’s always willing to help you carry on.

Carole King – “You’ve Got a Friend”
The ultimate shoulder-to-cry-on ballad. With one gentle piano riff and King’s warm vocals, this track wraps around you like a handmade quilt.

Ben E. King – “Stand By Me”
A song so timeless it sounds like it’s always existed. It’s about loyalty, trust, and the quiet strength of having someone by your side—no matter what shakes the ground.

Randy Newman – “You’ve Got a Friend in Me”
Made iconic by Toy Story, but the sentiment works in every decade. Friendly, funny, and full of heart—this one’s for the lifelong buddies who’ve seen you at your best and your weirdest.

Dionne Warwick & Friends – “That’s What Friends Are For”
A star-studded anthem of gratitude and togetherness, where every line is a hug and every harmony says, “You’re not alone in this.”

Queen – “You’re My Best Friend”
A feel-good groove with a side of glam, this one celebrates the kind of friendship that turns into family. Perfect for that one friend who always gets you—no questions asked.

The Beatles – “With a Little Help from My Friends”
Ringo takes the mic for this ode to friendship that’s equal parts tender and cheeky. It’s a reminder that our friends make even the hardest days manageable.

Bruno Mars – “Count on Me”
Bright, breezy, and heartfelt, Bruno’s message is simple: when the storm comes, I’ll be there. A perfect song for passing along to someone who needs a little light.

The Rembrandts – “I’ll Be There for You”
Yes, it’s the Friends theme, but for good reason. Sometimes all someone needs to hear is “I’ll be there,” and suddenly it’s not such a bad day anymore.

Bette Midler – “Wind Beneath My Wings”
A soaring tribute to the quiet heroes in our lives. For the friend who cheers you on from behind the scenes, this one says it all—gracefully and with gratitude.

So today, pick up the phone, send a link to one of these songs, or surprise someone with a little unexpected kindness. Because every day is a little better with a friend—and on Cheer Up the Lonely Day, that truth hits especially sweet.

Hayley Williams’ Isolated Vocals For Paramore’s “Pressure”

Released 19 years ago, Paramore’s debut single Pressure didn’t crack the Hot 100, but it lit the fuse for a pop-punk legacy. Slow-burning and relentless, it eventually went gold—proof that some anthems just need time to find their crowd.












Woody Guthrie Center Launches ‘Common Chords’ Concert Series Spotlighting Folk, Justice And Connection

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Tulsa’s Woody Guthrie Center is launching Common Chords, a new concert series that brings live music to the center’s intimate 59-seat theater with a focus on community, connection and cultural movement.

Rooted in the traditions of folk music and storytelling, Common Chords will feature handpicked singer-songwriters whose work resonates with Woody Guthrie’s legacy of justice, equality and compassion. Each season of the series will explore themes of identity, protest and reinvention, offering audiences a chance to engage with the evolving sounds of folk music in a space known for activism and creativity.

“Common Chords was designed to honor the lasting impact of folk music,” said Cady Shaw, director of the Woody Guthrie Center. “We’re creating a space where artists and audiences can come together to reflect, connect and take part in something that truly resonates.”

The Common Chords series will begin in the fall of 2025, with performances scheduled throughout the season. Musicians interested in performing are encouraged to apply on the center’s website. Applications are open now and will close on Aug. 3, 2025, at 11:59 p.m. CT.

Ideal performers for Common Chords are artists whose music:

    Draws from folk traditions
    Explores themes of community, identity and social change
    Brings a fresh or unexpected perspective to roots-based music

Selected artists will receive venue support, in-house lighting and audio, professional front-of-house staff, shared promotion, ticketing services and revenue-sharing options. Performers will be featured in a listening-focused environment built for acoustics and connection.

For more information or to submit to perform, visit woodyguthriecenter.org/commonchords.

Polaris Reveals 2025 Album Short List Featuring Mustafa, Saya Gray, The OBGMs And More Ahead Of Massey Hall Ceremony

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The album Short List, powered by FACTOR, is where Polaris reveals the finalist records that will be considered for a given year’s Prize.

The 2025 Polaris Music Prize Album Short List is:

  • Bibi Club – Feu de garde [Performing]
  • Lou-Adriane Cassidy – Journal d’un Loup-Garou [Performing]
  • Marie Davidson – City Of Clowns [Performing]
  • Saya Gray – SAYA [Performing]
  • Yves Jarvis – All Cylinders [Performing]
  • Mustafa – Dunya
  • Nemahsis – Verbathim [Performing]
  • The OBGMs – SORRY, IT’S OVER [Performing]
  • Population II – Maintenant Jamais [Performing]
  • Ribbon Skirt – Bite Down [Performing]

There are three previous Short List nominees on the Short List, including Marie Davidson (2019), Mustafa (2021) and The OBGMs (2021), and seven first-time finalists in Bibi Club, Lou-Adriane Cassidy, Saya Gray, Yves Jarvis, Nemahsis, Population II and Ribbon Skirt.  

The Polaris Music Prize awards $30,000 courtesy of the Slaight Family Foundation to the artist who creates the Canadian Album of the Year, judged solely on artistic merit, without consideration for genre or record sales. The Polaris Prize album winner is determined by an 11-member Polaris Grand Jury selected from the greater Polaris juror pool.

The winning album, along with the new SOCAN Polaris Song Prize and Slaight Family Polaris Heritage Prize winners, will be revealed during the Polaris Concert & Award Ceremony, powered by FACTOR, taking place at Toronto’s Massey Hall on Tuesday, September 16. Polaris has confirmed the following acts will take the stage at this year’s marquee winner reveal event (subject to change): Bibi Club, Lou-Adrienne Cassidy, Marie Davidson, Saya Gray, Yves Jarvis, Nemahsis, The OBGMs, Population II, and Ribbon Skirt. Polaris is also very excited to announce that Haviah Mighty, the 2019 Polaris winner, will be the evening’s host.

This will be the third straight year that Polaris will take over the iconic 131-year-old Massey Hall, Canada’s marquee live venue. Tickets to the Polaris Concert & Award Ceremony are on sale now via the Massey Hall website. To celebrate the Short List, Polaris is offering 15% off tickets with the code POLARIS15.

The album Short List is being unveiled during the Polaris Short List Special, a two-hour national radio event hosted by Odario Williams which explored each of the albums nominated for the grand prize with commentary from Polaris jurors and CBC Music experts.

With the reveal of the 10 nominated albums, CBC Music is kicking off Short List Summer: its signature deep dive into the nominated records and the artists who made them. Short List Summer will be anchored by CBC Music’s THE TEN, a series of one-hour weekly radio specials hosted by Odario Williams, broadcasting each Sunday on CBC Music and CBC Listen at 6 p.m. (6:30 NT) starting Sunday, July 13, running until Sunday, September 14. Each one-of-a-kind episode of THE TEN will feature a discussion about the short-listed album with music writers and Polaris jurors from across the country, along with a deep album listening session.

CBC Music will also kick into high gear with Polaris Album Short List coverage on cbcmusic.ca/polaris, diving into the 10 nominated albums on July 10. Leading up to the Polaris Music Prize Concert & Award Ceremony, CBC Music will be digging into Polaris history through archives, an oral history and more. Follow CBC Music on YouTube,  Instagram and TikTok for all your Polaris Music Prize content.

THE TEN Broadcast Schedule:

Each special broadcasts at 6 p.m. local time (6:30 NT) on CBC Music and CBC Listen

  • Sunday, July 13 – The Ten: Mustafa
  • Sunday, July 20 – The Ten: Bibi Club
  • Sunday, July 27 – The Ten: Marie Davidson
  • Sunday, August 3 – The Ten: Yves Jarvis
  • Sunday, August 10 – The Ten: Population II
  • Sunday, August 17 – The Ten: Saya Gray
  • Sunday, August 24 – The Ten: Ribbon Skirt
  • Sunday, August 31 – The Ten: Lou-Adriane Cassidy
  • Sunday, September 7 – The Ten: The OBGMs
  • Sunday, September 14 – The Ten: Nemahsis

“There has never been a more important time to discover, celebrate, and support Canadian artists,” said Meg Symsyk, FACTOR President & CEO. “Our culture is central to who we are, it shapes our uniquely Canadian identity and tells our stories. The Polaris Prize Short List showcases some of the most powerful and innovative music made in Canada this year, reflecting the depth and diversity of talent from coast to coast to coast. These albums are more than just collections of songs, they are creative statements that evoke emotion, capture the spirit of our communities, and become the soundtrack to our lives. I don’t envy the Polaris Jury; choosing from such an extraordinary field of talent is no small task. Artists on the list are a testament to the strength of Canadian and Indigenous culture and the importance of protecting and promoting it.”

Polaris, which is celebrating its 20th anniversary in 2025, will be revealing a number of exciting events between now and the end of September. In addition to the Album Prize, the newly created Song Prize, and an adjusted Heritage Prize campaign that will now run throughout August instead of late-Fall, the organization is also finalizing details for the new Polaris Festival, presented by SiriusXM Canada. The festival will feature new programming like Salons, Listening Parties, Poster Exhibits, and Concerts, all culminating in the annual Concert & Award Ceremony. The aim is to spotlight as many of our 600+ past nominees as possible while reaching new audiences through expanded programming and diverse venues. More details on these events will be shared in the coming weeks.

CBC presents the 2025 Polaris Music Prize. This year’s Short List is presented by FACTOR. This project is funded in part by FACTOR, the Government of Canada, and Canada’s private radio broadcasters. It is supported by SiriusXM Canada, Ontario Creates, the Government of Ontario, the Ontario Cultural Attractions Fund, and the Slaight Family Foundation.

Jim Henson Reveals How Frank Oz Nearly Rejected Bert And Ernie Before Becoming Icons

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Before they became TV legends, Bert and Ernie were almost never a duo. In the documentary Henson’s Place, Jim Henson reveals how Frank Oz initially rejected Bert for being too dull—only to later embrace the role and help shape a friendship that defined a generation. Just another reminder: sometimes genius starts with doubt.












National Music Centre Announces Return Of ‘CIBC Summer Series’ With Stacked Lineup At The King Eddy

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The National Music Centre (NMC) is excited to announce the return of the CIBC Summer Series at the King Eddy, featuring a lineup stacked with some of the most exciting talent lighting up Canada’s music scene.

“We’re thrilled to bring the CIBC Summer Series back to the King Eddy with a dynamic roster of acts,” said Stephanie Hutchinson, NMC’s Director of Programs. “This series is about celebrating a wide spectrum of voices and genres on one of Calgary’s most storied stages.”

CIBC Summer Series schedule:

  • July 31 – Samantha Savage Smith with Damase Elis
  • August 1 – L’omelette with Stolen Moon
  • August 7 – Mariel Buckley with Tyson Ray Borsboom
  • August 8 – Arlo Maverick with Skinny Blaiz
  • August 13 – Chevy Beaulieu with Chelsie Young
  • August 14 – Deep Love Revival with Hip Hip Thursday
  • August 22 – Bijaan with Femi
  • August 23 – SHY FRiEND with Sunset Sabotage
  • August 28 – Dallas Rodin with Edwardson
  • August 29 – Pat Clifton with TBC
  • September 4 – Clea Anaïs with (un)decided
  • September 9 – Aladean Kheroufi with Former Lovers
  • September 18 – Laura Hickli with Kindé
  • September 19 – Brett Cassidy & The Corduroy Cowboys with Education Party

The series will kick off on July 31 withCalgary singer-songwriter Samantha Savage Smith, known for her glistening pop tunes that blend confessional lyrics with playful charm, alongside fellow Calgarian Damase Elis, a singer-songwriter whose adoration for indie, folk, blues, and jazz fuels a drive to tell queer stories through song.

Next up on August 1 is L’omelette, the Calgary art-rockers who dart between prog, new wave, and sax-led dance pop; and Stolen Moon, a psych-rock trio that delivers high-octane energy, and irresistible riffs.

OnAugust 7,Alberta favourite Mariel Buckley brings her fearless blend of Americana to the King Eddy stage. Tyson Ray Borsboom willjoin the bill,harnessing the best parts of country, indie, folk, and alt-rock into one magnetic sound.

Performing on August 8 is Arlo Maverick, an elder statesman of Canada’s underground hip-hop scene, who melds brainy wit into his wordplay and far-reaching influences, from jazz and soul to electro. Nigerian-Canadian Afropop artist Skinny Blaiz will also perform, sharing sounds that transcend borders.

On August 13, Chevy Beaulieu, acountry singer-songwriter who makes music that reflects his small-town roots, will share the stage with Chelsie Young, the self-described “tomboy country” artist that is blazing her own path in her own rough and tumble way.

Next up on August 14 is Deep Love Revival, the five-piece disco-rock and sunshine-soul group that delivers original, empowering anthems. The band will be joined by Hip Hip Thursday, who balance the improvisational essence of jazz with the rhythmic and lyrical depth of hip-hop into six-piece arrangements.

Merging old-school ‘90s hip-hop influences with new school swagger, Bijaan will perform on August 22 with Femi, a Nigerian-Canadian artist who leans towards the melodic side of rap.

Taking the stage on August 23 is SHY FRiEND, an alt-pop project that rose out of a group of classical and jazz musicians, celebrated for their emotive soundscapes and captivating live shows; and Sunset Sabotage, a genre-blending thrill ride through the many moods of alternative music.

Boundary-pushing Toronto pop artist Dallas Rodin is up next on August 28 with opener Edwardson, a rising alt-pop singer-songwriter quickly gaining attention as one to watch.

On August 29, songwriter, producer, and musician Pat Clifton brings his infectious grooves and intimate narratives to the King Eddy. He’ll be joined by another yet-to-be-determined act.

Purveyor of lush, nostalgic pop Clea Anaïs performs on September 4 with opener (un)decided, the eight-piece neo-soul and hip-hop collective.

On September 9, Aladean Kheroufi, the Edmonton-by-way-of-Algeria musician, will share his soulful and idiosyncratic tunes, alongside Former Lovers, a band of prairie pals hailing from Prince Albert and Saskatoon, Saskatchewan, whose driving rhythms and infectious hooks are sure to leave a lasting impression.

Performing on September 18 is Laura Hickli, the progressive art-pop artist known for dreamy, tightly-arranged soundscapes and powerful live shows. Also joining the bill is Kindé, whose music brings together her gospel roots, and R&B, Afro-fusion, and hip-hop influences.

Closing out the series on September 19 is folk-country outfit Brett Cassidy & The Corduroy Cowboys, alongside openers Education Party, an electronic folk ensemble whose spirit-stirring sound strikes a deep emotional chord.

Tickets for the CIBC Summer Series are $15 at studiobell.ca/whats-on and $10 for NMC Members. Become an NMC Member at studiobell.ca/become-a-member and start saving on concerts and events.

Coors Light Launches Fake Label ‘Coors Light Records’ To Give One Fan Rockstar Access At OSHEAGA

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Today, Coors Light announces the launch of Coors Light Records, a new, completely fake, totally made-up record label created specifically to give one lucky Coors Light fan the rockstar treatment at one of Canada’s biggest music festivals, OSHEAGA Music & Arts Festival.

As a sponsor of OSHEAGA since 2007, Coors Light really wanted to partner with a headlining artist of the festival to launch their Chill on Shuffle music platform this year. The problem is, beer brands typically aren’t allowed to partner with artists or celebrities in Canada.

But you know who we can “sign”? You. Yeah. You. So the brand has taken matters into their own hands, to turn one of their fans into the hottest new “artist” to grace Parc Jean-Drapeau and get the rockstar treatment for a weekend.

“Signing” an “artist contract” with Coors Light Records unlocks an OSHEAGA experience fit for a headliner, reserved only for our first-ever “artist”.

The best part? Since getting “signed” is just as fake as the record label itself, there’s no talent required. So whether you’re the queen of karaoke or still searching for the right note, anyone has an equal chance of getting signed with Coors Light Records. That could quite possibly make Coors Light Records the chillest record label ever. We’ll check with our lawyers.

Fans who get signed get some serious rockstar status perks, including:

  • Exclusive access at OSHEAGA including daily side stage access, a backstage tour and seriously chill perks with a Defender Platinum ticket
  • An exclusive meet-and-greet with Shaboozey
  • OSHEAGA afterparty access
  • Celebrity-level treatment like first class travel and accommodations
  • A photoshoot on-site with professional hair and makeup
  • A visit to OSHEAGA Artist World, the backstage hangout for headliners and performers
  • A personal rider kit with tons of Coors Light swag
  • Oh, and did we mention you can bring a friend? We suggest you start referring to them as your manager now.

“This year, we’re excited to introduce our new, multi-year music platform Chill on Shuffle, which is all about shuffling up the way we experience live music,” says Leslie Malcolm, Vice President of Marketing of Molson Coors Beverage Company. “And what better way to shuffle things up than by unlocking a festival experience that’s typically reserved for artists by turning a regular Coors Light fan into an “artist” themselves?”

We’re really not kidding about these perks. Here’s what Nick Farkas, Senior Vice President, Bookings, OSHEAGA has to say. “OSHEAGA and Coors Light have been proud partners since 2007. This year, thanks to Coors Light Records, one lucky winner will be able to experience OSHEAGA similar to how a real artist would.”

Ready for your fifteen minutes of fame? Just head to coorslightrecords.ca between July 10th to the 23rd to enter for a chance to become the first-ever “artist” signed to Coors Light Records and experience OSHEAGA like the (off-key) rockstar that you are.

Yungblud Announces Theatrical Release of New Documentary ‘YUNGBLUD. ARE YOU READY, BOY?’

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YUNGBLUD. ARE YOU READY, BOY?, the new documentary film featuring the globally recognized British artist Yungblud, will receive its worldwide theatrical release with screenings on August 20 & 24, courtesy of Trafalgar Releasing. Visit Yungblud.film to find out more, sign up for updates and get tickets when they go on sale on July 17.

The feature-length documentary, directed by three-time Grammy Award-nominated, Emmy and BAFTA-winning filmmaker Paul Dugdale (Adele: One Night OnlyElton John Live: Farewell From Dodger StadiumThe Prodigy ‘Worlds on Fire’Glastonbury Festival: Live at Worthy Farm) was shot at the legendary Hansa Studios Building in Berlin, the birthplace of David Bowie’s Heroes, U2’s Achtung Baby! and countless other iconic albums.

A personal journey of change, confidence and rock-and-roll chaos, set against a city that has always celebrated counterculture and creativity, YUNGBLUD. ARE YOU READY, BOY? is a revealing and uncompromising documentary about a generational artist finding his own voice.

Presented in B&W and colour, including stunning sequences shot in 16mm, the two-hour-long documentary shows Yungblud at a pivotal moment in his career. The film follows the artist as he relocates to the historic Berlin studio with his band to record live performances of tracks from his brand-new album, Idols, for the very first time. His most personal record to date, Idols was released in June 2025 to critical acclaim, becoming Yungblud’s third consecutive no. 1 album in the UK. With cameras rolling throughout the entire process and no live audience present, the project removes any artifice, presenting a truthful and unapologetic behind-the-scenes look at the creative process and the performances in its purest form, highlighting the intimate relationships and dynamic between Dom, the band and the music.

Speaking about the process of making the film, Yungblud said “I wanted to make a film that truly documents where we are right now, at this moment, around the release of my most ambitious album to date. Berlin has always radiated complete, unfiltered truth. Every time I’ve visited Hansa Studios, it’s just f*cking iconic.”

He added, “You can feel the history in Hansa; it’s in the silence between takes, the ceiling looming over you. You’re standing in the shadows of all these legends and asking yourself ‘who the f*ck am I? And what am I gonna leave behind?’

Produced by B.R.A.T Productions in association with Aldgate Pictures, the film offers a never-before-seen insight into Yungblud’s creative process, including its trials and tribulations, against the backdrop of a city steeped in cultural history.

Speaking about the release, Marc Allenby, Trafalgar CEO said, “We’re so pleased to bring this visionary film to cinemas around the world for a limited time only. We are so proud to share this portrait of an incredible artist by acclaimed director Paul Dugdale, and can’t wait for audiences worldwide to experience Yungblud’s life and music on the big screen.

YUNGBLUD. ARE YOU READY, BOY? will screen in 30 countries across the globe, including across 150 UK cinemas.

Speaking about the project, director Paul Dugdale explained, “When we made this film, it was in that special twilight zone between the record being finished and people hearing it for the first time. I always think of that moment before a release as such a unique time for an artist and it’s an extraordinary period to document because we can enter into it without any external noise or pre-conception. It allowed us to make something unaffected by the outside world, and there’s a really pleasing purity about that. We got to live in a moment with Dom, free of any external opinion and start a relationship from a totally blank canvas.

He added, “The opportunity to capture Yungblud at such a turbulent but rewarding moment of change, was an absolute privilege. Dom gave himself completely to the filmmaking process and I feel so proud of what we achieved together.

In this love letter to Berlin, YUNGBLUD. ARE YOU READY, BOY? features 12 brand new performances of tracks from Yungblud’s fourth studio album, Idols.

Good Neighbours Announce Debut Album Blue Sky Mentality After Glastonbury Success And Mumford And Sons Tour

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Fresh off the back of their hugely successful Glastonbury debut and a storming North American tour with Mumford & Sons, Good Neighbours are back to announce their highly anticipated debut album Blue Sky Mentality, which lands on September 26th via Polydor Records.

The announcement comes alongside the release of new single ‘Suburbs’ which premiered as BBC Radio 1’s Hottest Record last night as is the band’s latest glimpse of what’s to come from the debut LP.

‘Suburbs’ is a widescreen burst of nostalgia and defiance – pairing Good Neighbours’ signature sun-drenched euphoria with a coming-of-age clarity. Anchored by soaring vocals and luminous synths, it’s a bold, bittersweet anthem about shaking off small-town shackles and believing in The Dream.

The band say of the song: “Suburbs is a message back to our younger selves. Coming from small towns outside of London, it was hard to dream big without getting shot down. This track is our anthem for breaking free from that mindset and chasing something bigger.”

This album news arrived with a sense of full-circle occasion as Scott and Olil marked the occasion with a tiny, packed-to-the-rafters live show at the Sebright Arms in London last night – the very same venue that hosted their debut gig just 18 months ago, in November 2023.

Written during a year that saw Scott and Oli navigating new cities, late nights, and long-haul flights, Blue Sky Mentality captures the delicate feeling of distance and of returning home. Retaining connection with the people you love and with the person you once were. It’s a record bursting with songs that feel as cinematic and far-reaching as they are grounded in everyday realities: indie-pop nostalgia washed in shimmering choruses, hopeful charm and introspective clarity. The 14-track collection includes the band’s breakout hit ‘Home’, alongside previous singles ‘Ripple’, and ‘Starry Eyed’, and is available to pre-order now on digital, vinyl and CD.

Speaking on the album, the band share: “Blue Sky Mentality has been our motto since day one. Our band began as a kind of light relief – a creative outlet to break from jobs that we couldn’t stand and some tough personal times. Over the last year, we ran with that feeling, writing our debut album on the road – in the back of tour buses, hotel rooms, and scattered corners of the world. That’s what Blue Sky Mentality means to us – finding light, friendship and a sense of escapism wherever you are.”

Blue Sky Mentality tracklist:
1. Keep It Up
2. Skipping Stones
3. Ripple
4. found u/me*
5. Walk Walk Walk
6. Kids Can’t Sleep
7. Home
8. Small Town
9. Starry Eyed
10. People Need People
11. Left Hand Man
12. Suburbs
13. Wonderful Life
14. The Buzz

*Vinyl edition includes ‘Somebody’ instead of ‘found u/me’

Currently enjoying a run of huge summer festivals including Glastonbury (UK), Osheaga (CA), Outside Lands (US), Rock en Seine (FR) and Reading & Leeds (UK), Good Neighbours will be back on home soil around Blue Sky Mentality’s release to play a run of intimate shows at select indie stores – tickets go on sale on Friday July 11th at 10am HERE.

UK Indie Store tour dates:
22/09 – Rough Trade, Bristol
23/09 – HMV, The Vault, Birmingham
25/09 – Banquet / Pryzm, Kingston
26/09 – Jacaranda, Baltic, Liverpool
27/09 – Crash Records, Wardrobe, Leeds
29/09 – Assai, Caves, Edinburgh
30/09 – Rough Trade, The Saltbox, Nottingham

Justin Bieber Is Dropping a New Album This Friday—Here’s Why That Matters

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It’s official—Justin Bieber is back. The Hollywood Reporter confirmed today that Bieber’s long-awaited seventh studio album will be released this Friday, July 11, via Def Jam. That’s four years since his last full-length, Justice, and based on everything we’ve heard so far, he’s not just returning—he’s recalibrating. The record includes collaborations with Gunna, Sexyy Red, and Cash Cobain, and sources say it was born in both the frosty quiet of Iceland and the jam-packed energy of Los Angeles house sessions. The duality? Pure Bieber.

Let’s rewind a little. According to THR, Bieber’s musical comeback started in Iceland this past April. He flew out to “vibe out” with collaborators in the kind of isolated creativity bubble artists dream of. The album may or may not be called Swag—thanks to mysterious billboards now popping up in Reykjavík and Los Angeles—but one thing’s for sure: this is Bieber reentering the chat with something to prove, especially after a few quieter years in the public eye.

In the time since Justice, Bieber’s world has shifted: he became a father, ended his longtime professional relationship with Scooter Braun, and settled financial tensions over his canceled tour. But he never stopped working. He hosted jam sessions in L.A. with DJ Tay James, HARV, and SZA producer Carter Lang. He brought in international talent like U.K. singer Sekou and hitmakers like Dylan Wiggins. This is a collaborative album made in the age of group chats, voice notes, and spontaneous DMs—and that modern, fluid energy will likely be felt all over the record.

The features alone signal a sonic departure. Sexyy Red and Cash Cobain aren’t names traditionally associated with Bieber’s pop leanings—this is a pivot into the raw, genre-crossing world of hip-hop-adjacent cool. Bieber has always had an ear for what’s next: remember Purpose? Where Are Ü Now? Peaches? He’s not chasing trends here—he’s setting the tone again.

Bieber’s rocky relationship with fame has been well-documented—relentless paparazzi, public scrutiny from a young age, and intense pressure led to struggles with mental health and burnout. At times, it seemed like the weight of celebrity might pull him away from music altogether. But his decision to stay, to keep creating and evolving despite it all, is a testament to his resilience. In an industry that can easily chew artists up, Bieber continuing to share his voice feels not just like a comeback—but a commitment to growth, artistry, and healing in public.

It also can’t go unnoticed that Bieber’s return coincides with a rare moment of reinvention across the music industry. Gen Z is leaning into nostalgia and chaos, AI is reshaping how music gets made, and artists are more independent—and genreless—than ever. Bieber seems to be threading that needle: working outside of traditional systems while staying as chart-ready as ever. He’s done this dance before. He just has a new set of shoes.

So this Friday, don’t be surprised if the conversation shifts. Justin Bieber isn’t here to remind us of his past success—he’s here to rewrite what pop sounds like in 2025. And if those Icelandic “Swag” billboards are any indication, he’s doing it his way, on his terms, with the kind of quiet confidence you only get from being the guy for nearly 15 years.