Postmodern Jukebox mastermind Scott Bradlee has reunited with his longtime collaborator and ‘American Idol’ standout Casey Abrams for a high-energy, jazzy reimagining of “Santa Claus Is Comin’ to Town.” Released just in time for the 2025 holiday peak, the track features Abrams’ signature gritty vocals and virtuosic upright bass work, turning the seasonal staple into a lively, spontaneous jam session. Bradlee, the architect behind PMJ’s “vintage-meets-modern” revolution, provides the perfect piano foundation for Abrams to shred, proving once again why this duo is a fan-favorite powerhouse within the collective. This release follows a prolific year for Bradlee, including his new ‘Lounge Language Models’ album and the ‘Magic, Moonlight & Mistletoe’ tour, adding a final burst of festive spirit to a record-breaking 2025.
Stage Lights, HD Cameras, and Skin Confidence in the Music Industry
By Mitch Rice
Stage lights hit differently now. Sharper. Brighter. Less forgiving. HD cameras catch details no one used to notice, or at least no one used to replay in slow motion on a giant screen. For musicians, this shift changed more than visuals. It changed how confidence gets built before stepping on stage.
This is not about perfection. Not even close. It’s about comfort. About knowing that when the camera zooms in mid-chorus, your face doesn’t pull you out of the moment. Because once that happens, the performance slips. Not dramatically. Just enough to feel it.
The New Reality of Being Seen
Back in the day, a concert felt distant. Fans saw the artist, sure, but from far away. Now faces appear ten feet tall on LED screens. Every expression amplified. Every shadow visible.
That changes behavior. Not in a shallow way. In a practical way. Artists prepare differently because the environment demands it. Skin reacts to lighting. Sweat reflects. Texture reads stronger on camera than in real life.
And here’s the part that doesn’t get said out loud: performers watch themselves back. Clips circulate. Screenshots live forever. Confidence has to survive not only the stage, but the replay.
Confidence Is Part of the Performance
Musicians talk a lot about sound checks and rehearsals. Less about how they mentally prepare to be seen. Yet appearance feeds directly into presence.
When someone feels distracted by how they look, attention splits. Part stays with the music. Part drifts to self-monitoring. That tension shows.
Artists who feel settled in their skin tend to move more freely. Faces stay expressive. Energy flows outward instead of inward. That’s not vanity. That’s stage psychology.
Confidence works like muscle memory. If something feels off, it interrupts the rhythm.
What HD Cameras Really Changed
High-definition cameras did one big thing: they removed blur.
Blur used to soften edges. It forgave fatigue. It hid uneven texture. Now everything appears crisp. Honest. Sometimes uncomfortably honest.
This forced a recalibration. Makeup techniques changed. Lighting setups adjusted. Skin routines became more intentional. Not heavier. Smarter.
Performers started thinking in terms of consistency. How does my skin look under white light? Under blue? After an hour on stage?
Those questions matter when the job involves being watched from every angle.
Offstage Decisions That Support Onstage Calm
Here’s where the conversation often gets simplified. People assume artists chase trends. Reality feels more grounded.
Most performers want predictability. They want to know how their face behaves under pressure. That includes stress, travel, late nights, dry air, and constant movement between climates.
Professional support plays a role here. Some artists rely on dermatologists and aesthetic specialists to keep things stable rather than dramatic.
This is where products like Restylane enter the picture. Not as a spotlight grabber. More like maintenance. The goal stays subtle. Familiar. Camera-friendly without erasing expression.
Because skin confidence works best when it doesn’t demand attention. When it simply removes one layer of worry.
Not Just a Celebrity Issue
Strip away fame and the situation feels familiar. Video calls. Livestreams. Content creation. Social media clips. Everyone lives a bit on camera now.
People notice things they never paid attention to before. Lines when smiling. Shadows under eyes. Uneven tone under artificial light.
The reaction mirrors what performers experience. A pause. A distraction. A slight dip in confidence.
Musicians just happen to face this at scale. The lesson transfers easily: comfort shows. Discomfort leaks.
Why Skin Confidence Isn’t About Looking Younger
This matters. A lot.
Artists don’t aim to freeze their faces. Expression drives performance. Emotion lives in movement.
Skin confidence means reliability. Knowing your face responds the way you expect it to. Knowing lighting won’t exaggerate something unexpected. Knowing your expressions still read clearly from the back row and the front row camera.
That’s the difference between control and obsession. Control supports creativity. Obsession kills it.
The Backstage Mirror Moment
Every performer has it. That quiet minute before stepping out. Looking at their reflection. Checking in.
That moment can go two ways. Either reassurance or doubt.
When reassurance wins, the artist steps out lighter. Focused. Present.
When doubt creeps in, it lingers. It shows in posture. In restraint. In hesitation.
Skin confidence plays a role in tipping that scale. Not alone. But significantly.
Preparation Over Pressure
The strongest performers build systems.
They don’t react emotionally to every change. They rely on routines that stabilize how they feel.
That might include:
- consistent skin care
- professional consultations when something shifts
- understanding how lighting affects appearance
- avoiding last-minute changes
The system removes guesswork. Guesswork fuels anxiety.
Music, Identity, and Visibility
Music asks for vulnerability. Real vulnerability. Faces tell stories before lyrics land.
When artists trust their appearance, vulnerability feels safer. They lean into emotion instead of guarding themselves.
HD cameras didn’t create insecurity. They exposed it. They also forced better solutions. Thoughtful ones.
What Audiences Often Miss
Fans focus on sound. They should. That’s the point.
But behind every performance sits preparation that protects the artist’s mental space. Skin confidence belongs there alongside vocal warm-ups and technical checks.
The audience may never notice the work. That means it worked.
A Broader Takeaway
Stage lights reveal more than faces. They reveal how preparation shapes confidence.
The music industry just happens to live under the brightest lights available. What artists learn applies everywhere else.
Comfort supports presence. Presence supports performance. Performance connects people.
No drama needed. No perfection required. Just readiness.
And when the lights go up, that readiness shows.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
15 Songs to Pair with a Good Cry
Music understands feelings before we do. It sits beside us when words fall short, turns tears into something productive, and reminds us we are not alone in whatever ache we are carrying. Whether you are sad-sad, nostalgic-sad, or just emotionally overwhelmed by existing, these songs meet you exactly where you are and stay until the feeling passes.
Sometimes you do not need a solution. You just need a song that gets it.
Here are 15 songs to pair with a good cry, no judgment, tissues encouraged.
- “All I Want” by Kodaline
Pure emotional surrender. This song does not ask you to be okay, it lets you fall apart and breathe through it. - “Motion Picture Soundtrack” by Radiohead
Soft, devastating, and beautiful in the quietest way. This one feels like crying alone at night with the lights off. - “Liability” by Lorde
For the moments when you feel like too much and not enough at the same time. Intimate and painfully honest. - “I Can’t Make You Love Me” by Bonnie Raitt
The universal anthem of loving someone who cannot love you back. Still hits every single time. - “Skinny Love” by Bon Iver
Fragile, raw, and emotionally exposed. This song feels like heartbreak whispered directly into your ear. - “Fast Car” by Tracy Chapman
Hope, struggle, and longing all wrapped into one song. It sneaks up on you and suddenly you are crying. - “Someone Like You” by Adele
A goodbye that hurts because it is kind. Let this one roll while you stare out a window dramatically. - “Black” by Pearl Jam
Big feelings, bigger emotion. This song is made for releasing everything you have been holding in. - “River” by Joni Mitchell
Gentle sadness that feels timeless. Perfect for reflective tears and quiet moments of longing. - “Fix You” by Coldplay
Sometimes you cry because you wish someone could save you. Sometimes you cry because you know they cannot. - “The Night We Met” by Lord Huron
For grief, nostalgia, and all the things you wish you could redo. This song feels like memory in slow motion. - “I Know It’s Over” by The Smiths
Melancholy at its most dramatic. Lean into it and let Morrissey do the emotional heavy lifting. - “Tears in Heaven” by Eric Clapton
A song about loss that never tries to soften the truth. Heavy, honest, and quietly powerful. - “Everybody Hurts” by R.E.M.
Sometimes you need a reminder that feeling broken is part of being human. This song holds your hand through it. - “Cellophane” by FKA twigs
Vulnerable, exposed, and deeply personal. This is the sound of standing in your truth and crying anyway.
Star Bandz and Chance the Rapper Join Forces for the Hometown Anthem “Touch The Ground”
Chicago rap phenom Star Bandz reaches a massive new milestone with the release of her electric collaboration “Touch The Ground” featuring the legendary Chance the Rapper. This powerhouse single arrives via Priority and Capitol Records to blend the sharp drill-infused delivery of the seventeen-year-old artist with the soulful melodic flow that defines Chance the Rapper’s iconic sound. Directed by Christian Loggins, the accompanying music video highlights the natural hometown chemistry between the two generations of Chicago talent as they celebrate their shared roots.
The new track builds on a red-hot streak for Star Bandz following her successful Lollapalooza debut and viral hits like “My Baby” and the recent single “2 Gravy.” This collaboration serves as a bold evolution of her sonic landscape while Chance the Rapper continues his own monumental chapter following the critical acclaim of his independent album ‘Star Line’. Together, these artists deliver a defiant anthem that cements Star Bandz as a recognizable and shaping voice for a new generation of hip hop fans.
Geoff Castellucci Challenges Your Subwoofers with Bone-Rattling “Ring of Fire” Cover
Prepare to test the limits of your sound system as world-renowned bass vocalist Geoff Castellucci releases his staggering low-bass reimagining of the Johnny Cash classic, “Ring of Fire.” Known for his superhuman vocal range and viral performances with the a cappella group VoicePlay, Castellucci dives into the subharmonic depths for this rendition, delivering a performance so resonant it demands the highest-quality headphones to truly appreciate. While Cash famously made the track an anthem of burning desire, Castellucci transforms it into a dark, floor-shaking masterclass in vocal control, proving exactly why he is considered one of the most unique and powerful bass singers on the planet today.
Christina Aguilera Celebrates 25 Years of Holiday Magic with ‘Christmas in Paris’ on CBS
Global superstar Christina Aguilera is bringing the “City of Light” to living rooms tonight with the broadcasting debut of ‘Christina Aguilera: Christmas in Paris’. Airing on CBS and streaming on Paramount+, this dazzling holiday special celebrates the 25th anniversary of her landmark album ‘My Kind of Christmas’. Filmed against the breathtaking backdrop of the Eiffel Tower—transformed into a shimmering Christmas tree—Aguilera delivers a masterclass in vocal prowess for an intimate audience at the Musée du Quai Branly. Directed by Emmy-winner Sam Wrench, the special is a cinematic journey through holiday staples and career-defining hits, featuring high-energy appearances from legendary percussionist Sheila E. and French star Yseult.
Beyond the spectacular musical performances, the special offers a rare, introspective look at Aguilera’s life and legacy. Between Parisian vignettes, she opens up about motherhood, her evolution as an artist, and the reinvention that has kept her at the top of the charts for three decades. The celebration is accompanied by the live performance album ‘Christmas in Paris’, which is out now on all streaming platforms. Featuring 13 tracks, including a show-stopping mashup of “Express” and “Santa Baby,” the album allows fans to take the magic of the Parisian night home. From her “Crazy Horse” cabaret sequences to a snow-kissed finale beneath the tower lights, Aguilera proves once again why she remains the quintessential voice of her generation.
Kyle Sevenoaks Ignites the Industrial Scene with New Single “Watch It Burn”
British-Norwegian composer and filmmaker Kyle Sevenoaks has unleashed his first musical offering of 2025 with the blistering industrial metal single “Watch It Burn.” Released on October 31st, the track is a raw, cathartic explosion aimed at the abuse of power and calculated injustice. Known for his “unhinged” sonic palette that blends heavy extended-range guitars with throbbing electronic elements, Sevenoaks describes the song as a fiery response to life-changing decisions made by those in cold control. This release marks a return to his musical roots following the massive success of his 2024 horror short, ‘Taste In Music’, which earned him a “Best Monster Movie” award and critical acclaim across Norway’s premier film festivals.
Sevenoaks continues to bridge the gap between sonic terror and cinematic storytelling, a skill honed through his work as the primary songwriter for the band I, The Betrayer. His transition into directing has been equally impactful; ‘Taste In Music’—filmed on a shoestring budget in a remote Norwegian cabin—captivated audiences at the Ramaskrik and Ravenheart festivals with its tale of a cosmic storm and a sentient, evil keyboard. Whether he is performing at TwitchCon or engineering music for global content creators, Sevenoaks remains a versatile force in the horror and metal communities. With “Watch It Burn,” he solidifies his reputation as a master of atmospheric extremity, proving that whether on screen or through a speaker, his vision is meant to leave a lasting, scorched-earth impression.
T. Rex and Devo Join the Rhino High Fidelity Series with Elite Audiophile Reissues
Rhino High Fidelity (Rhino Hi-Fi) expands its acclaimed series of limited-edition, audiophile vinyl reissues todaywith two pivotal albums: T. Rex’s Electric Warrior and Devo’s Q: Are We Not Men? A: We Are Devo!.
Each album was cut from the original analog master tapes by Kevin Gray and pressed on 180-gram black vinyl at Optimal in Germany. Both releases are limited to 5,000 individually numbered copies and available exclusively at Rhino.com and select Warner Music Group stores internationally. As a bonus, Electric Warrior has two 7-inch singles, “Hot Love” and “Bang A Gong (Get It On),” available to bundle. Order HERE.
Recently released as part of Rhino’s High Fidelity Reel-to-Reel line, Electric Warrior crystallized Marc Bolan’s transformation from cult folk hero to the godfather of glam with its release in 1971. The album topped the charts in the U.K. and was certified gold in the U.S., powered by hits like “Bang A Gong (Get It On)” and “Jeepster.” Working with producer Tony Visconti, the band built a sleek, groove-driven sound—equal parts grit and glitter—that came to define glam’s golden age.
In the new liner notes, Visconti recalls how sessions for the album gained momentum when the band moved from London to Los Angeles, and finally New York, where they cut three songs in a day, including “Lean Woman Blues” and “Jeepster.” “I could tell this was one of the best times of Marc’s life from how great these tracks turned out—they fully complemented the tracks we had just recorded in L.A. He was so happy,” he writes. “We knew we had a hit album.”
Q: Are We Not Men? A: We Are Devo! introduced the band’s theory of de-evolution to the world in 1978, as shown in their 2025 GRAMMY®-award nominated documentary DEVO. Formed in the wake of Kent State and forged in Ohio’s post-industrial landscape, Devo turned art-school ideas into subversive songs. Mark Mothersbaugh, Gerald Casale, Bob Mothersbaugh, Bob Casale, and Alan Myers recorded the album in Germany with Brian Eno, blurring the line between human and mechanical on “Uncontrollable Urge,” “Jocko Homo,” and their twitchy reimagining of “(I Can’t Get No) Satisfaction.”
Gerald Casale says Devo knew exactly what they wanted their first album to sound like when they arrived in Germany—but Eno had other ideas. “Brian had ‘evolved’ to nuanced electronic beauty. He was attempting to broaden our aesthetic, and we were trying to double down on our Brutalist leanings.” Despite the head-butting, he says they “captured the Devo meta-concept in a way that has withstood the test of time. Q: Are We Not Men? A: We Are Devo! doesn’t sound like 1978. It doesn’t sound like punk. It doesn’t sound like it’s ‘of its time’ in any way.”
Rhino High Fidelity continues to tap into Warner Music’s vast catalog, introducing reissues of seminal albums across genres—from rock and pop to jazz, soul, and beyond. Each title pairs uncompromising audio with archival-grade packaging, honoring the album’s original intent in both sound and design.
Electric Warrior (Rhino High Fidelity)
LP Track Listing
Side One
- “Mambo Sun”
- “Cosmic Dancer”
- “Jeepster”
- “Monolith”
- “Lean Woman Blues”
Side Two
- “Bang A Gong (Get It On)”
- “Planet Queen”
- “Girl”
- “The Motivator”
- “Life’s A Gas”
- “Rip Off”
Singles
Side One
- “Hot Love”
Side Two
- “Woodland Rock”
- “The King Of The Mountain Cometh”
Side One
- “Bang A Gong (Get It On)”
Side Two
- “There Was A Time”
- “Raw Ramp”
- “Electric Boogie”
Q: Are We Not Men? A: We Are Devo! (Rhino High Fidelity)
LP Track Listing
Side One
- “Uncontrollable Urge”
- “(I Can’t Get No) Satisfaction”
- “Praying Hands”
- “Space Junk”
- “Mongoloid”
- “Jocko Homo”
Side Two
- “Too Much Paranoias”
- “Gut Feeling” / “(Slap Your Mammy)”
- “Come Back Jonee”
- “Sloppy (I Saw My Baby Gettin’)”
- “Shrivel-Up”
The Behaviour Deconstructs The Police on Brooding New Single “Invisible Sun”
Multi-instrumentalist and seasoned rhythm veteran Marshall Kilpatric is continuing his transformation from elite skinsman to alternative visionary with the release of “Invisible Sun,” the haunting new single from his project The Behaviour. A masterful deconstruction of The Police classic, the track serves as the final precursor to the upcoming EP ‘PEDESTALS’, set for release via Rexius Records. Kilpatric—whose storied career includes replacing Brann Dailor in Today is the Day and Josh Freese in Black Light Burns—strips the 1980s staple down to its melancholic core, infusing it with the fuzz-drenched shoegaze and analog warmth that has become The Behaviour’s signature. It is a poignant, timely reimagining that breathes new life into Sting’s lyrics, finding the light in adverse environments with a sound that is both personal and profoundly cinematic.
The forthcoming EP ‘PEDESTALS’ explores themes of uncritical admiration, loss, and the “shadow work” of spiritual redemption. Moving beyond the critical acclaim of his 2023 debut ‘A Sin Dance’, Kilpatric takes full creative control here, crafting a sonic haven for fans of Queens of the Stone Age and All Them Witches. Drawing inspiration from the poetic intensity of Leonard Cohen and the atmospheric mystique of Pink Floyd, ‘PEDESTALS’ represents an arc of healing and transformation, where the noise of heavy music becomes a form of medicine. As Kilpatric moves from the back of the stage to the front of the studio, The Behaviour invites listeners into a brooding, introspective landscape where every distorted note and layered vocal serves as a step toward clarity.

