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Walker Hayes Drops First Single of 2025 with Reflective New Track “17 Year Old Problems”

Eric Alper
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Walker Hayes Drops First Single of 2025 with Reflective New Track “17 Year Old Problems”

It took over half of the year, but singer/songwriter and country music maverick Walker Hayes will release his new song of 2025 this week. “17 Year Old Problems” drops at midnight ET on Friday, July 25th via RCA Records.

He teased the song on his Instagram with the lyrics: “How in the world were we / Supposed to memorize our fake IDs / I thought your dad was gonna kick my ass / When we missed your curfew / By a song and a half he was so damn mad / Mr. Lester’s class ain’t got a clue how but somehow I passed / Friday night light butterflies until gametime / Trying not to trip when we ran through that sign / It was 1999 / Now I’m supposed to know how to smile without a drink / We got broken dreams and bills to pay that I can’t / All we buried then were dogs now I’m burying my dad / I want my 17 year old problems back / Yeah I want my 17 year old problems back.”

A native of Mobile, Alabama, Hayes broke into the mainstream in 2021 with his smash hit “Fancy Like” which topped every country music sales and streaming chart, spent more than six months at the No. 1 spot on the Billboard Hot Country Songs Chart, hit the Top 5 on Billboard’s Hot 100 Songs, and hit No. 1 at country radio. “Fancy Like” became a bona fide phenomenon; the six-time platinum-selling single propelled Hayes to a Grammy Award nomination and anchored his breakout 2022 full-length, Country Stuff The Album.

He’s continued to build a hitmaking career behind singles “AA,” “ Y’all Life,” “U Gurl,” and “Good With Me.” His latest releases include his 2023 follow-up New Money and 2024 EP Sober Thoughts.

TOOL Announces First Hawaii Show in Over a Decade, Adds Japan Dates This December

Eric Alper
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TOOL Announces First Hawaii Show in Over a Decade, Adds Japan Dates This December

TOOL returns to Honolulu’s Blaisdell Arena on December 19 for their first Hawaiian date in over a decade. Tickets are on-sale this Friday, July 25, at 10 a.m. local time. In advance of the public on sale, TOOL Army has opened additional memberships, with pre-sale tickets available exclusively to members from July 23 at 10 a.m. through July 24 at 10 p.m. local time.

The band also announced two performances in Japan, their first shows in the country since 2013: December 11 at K-Arena Yokohama and December 13 at Glion Arena Kobe.

Following the 2019 release of TOOL’s critically-acclaimed album, Fear Inoculum, the band has won a GRAMMY Award (Best Metal Performance for “7empest”), completed multiple, sold-out tours of the U.S., Europe, and South America, and delivered headlining sets at Bonnaroo, Power Trip, Aftershock, Welcome to Rockville, Louder Than Life, and the Sonic Temple Arts & Music Festival.

TOOL most recently appeared at the historic Back to the Beginning concert, where the band performed a three-song set, including their cover of Black Sabbath’s “Hand of Doom.”

Lovejoy Announce Debut Album ‘One Simple Trick’ and 26-Date North American Tour for Fall 2025

Eric Alper
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Lovejoy Announce Debut Album ‘One Simple Trick’ and 26-Date North American Tour for Fall 2025

Hot on the heels of recent single, “With Rob As My Witness”, Brighton-based quartet Lovejoy have announced their highly-anticipated debut album, One Simple Trick, out October 3rd.

About the debut album announcement, the band cheekily adds, “‘One Simple Trick’ took four years of overthinking, we are excited to underthink it from now on.”

Showing no signs of slowing down, Lovejoy have also announced their North American headline tour for Fall 2025. They will kick things off in Boston on October 18th, and make 26 stops across the US and Canada, including Toronto, Chicago, LA, New York, and Dallas. Presale tickets and VIP package sales begin Wednesday, July 23 at 10am local with all tickets going on sale Friday, July 25 at 10am local.

The upcoming dates mark the band’s anticipated return to the US for the first time since their debut North America headline tour in 2023 – which sold 25k tickets in just two minutes – in support of their most recent EP, Wake Up & It’s Over, which entered the Official UK Album Chart at number 5. This followed EP, Pebble Brain which was released in 2021 and landed at number 12 on the Official UK Album Chart, based on streaming alone. This is no mean feat for an independent band so early in their infancy. That same year Lovejoy released their debut EP, Are You Alright?, which has amassed 500 million streams on Spotify alone.

Forming in 2021 during lockdown, Lovejoy have risen through the ranks quickly solidifying them as indie darlings, and gathering a rabid fanbase. They have cut their teeth on the live scene, selling out shows around the world, and playing festivals such as Glastonbury, Lollapalooza and Isle Of Wight to name a few.

NORTH AMERICAN TOUR DATES:
October 18 – Boston, MA – Big Night Live
October 19 – Montreal, QC – Beanfield Theatre
October 21 – Toronto, ON – HISTORY
October 22 – Detroit, MI – Masonic Temple
October 24 – Indianapolis, IN – HI-FI Annex
October 25 – Columbus, OH – KEMBA Live!
October 27 – Chicago, IL – House of Blues
October 29 – Minneapolis, MN – Uptown Theater
October 31 – Denver, CO – Ogden Theatre
November 1 – Salt Lake City, UT – The Depot
November 3 – Portland, OR – McMenamins Crystal Ballroom
November 4 – Vancouver, BC – Vogue Theatre
November 5 – Seattle, WA – Showbox SoDo
November 7 – San Francisco, CA – The Regency Ballroom
November 8 – Los Angeles, CA – The Wiltern
November 10 – San Diego, CA – The Observatory North Park
November 11 – Phoenix, AZ – The Van Buren
November 13 – Austin, TX – Emo’s
November 14 – Houston, TX – White Oak Music Hall
November 15 – Dallas, TX – House of Blues
November 17 – St. Petersburg, FL – Jannus Live
November 18 – Orlando, FL – The Plaza Live
November 20 – Atlanta, GA – Buckhead Theatre
November 21 – Charlotte, NC – The Fillmore
November 22 – Washington, DC – 9:30 Club
November 25 – Philadelphia, PA – Theatre of Living Arts
November 26 – New York, NY – Webster Hall

Dead Poet Society Reimagine “Running In Circles” with Fan-Turned-Collaborator in Stripped Piano Version

Eric Alper
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Dead Poet Society Reimagine “Running In Circles” with Fan-Turned-Collaborator in Stripped Piano Version

Dead Poet Society, who were tipped by The New York Post’s Page Six as a band to know, dropped their second album FISSION in 2024 via Spinefarm.

Today, they share a stripped down and reimagined, piano-driven version of their hit single “Running In Circles.” How the song came to be is quite the plot twist involving a fan and social media!

“A little while ago, we came across our longtime fan (and now friend) Marissa’s piano cover of ‘Running In Circles’ on Instagram. Everything about it – the expression, chord changes, and emotion – moved us. We knew right away that we needed to release this version of a song that’s so special to us,” the band explains. “Shortly after, we decided to fly Marissa out from Texas and have her officially record the version with Jack singing. We couldn’t be more excited about the result.”

DEAD POET SOCIETY ON TOUR WITH CHEVELLE + ASKING ALEXANDRIA:

8/7 — San Antonio, TX — Boeing Center at Tech Port

8/9 — Durant, OK — Choctaw Casino & Resort Durant — Grand Theater

8/10 — North Kansas City, MO — Harrah’s Kansas City — VooDoo Lounge

8/12 — Omaha, NE — Steelhouse Omaha

8/14 — Indianapolis, IN — Everwise Amphitheater

8/15 — Chicago, IL — Byline Bank Aragon Ballroom

8/16 — Louisville, KY — Iroquois Amphitheater

8/19 — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill

8/20 — Toronto, ON — Great Canadian Toronto — The Theatre

8/21 — Pittsburgh, PA — Stage AE

8/23 — Asbury Park, NJ — Stone Pony Summer Stage

8/24 — Boston, MA — MGM Music Hall at Fenway

8/26 — New York, NY — The Rooftop at Pier 17

8/27 — Bethlehem, PA — Wind Creek Bethlehem – Wind Creek Event Center

8/28 — Wallingford, CT — The Dome at Toyota Oakdale Theatre

8/30 — Virginia Beach, VA — The Dome

8/31 — Washington, DC — The Anthem

9/3 — Raleigh, NC — Red Hat Amphitheater

9/4 — Charlotte, NC — Skyla Credit Union Amphitheatre

9/5 — Simpsonville, SC — CCNB Amphitheatre at Heritage Park

9/7 — Atlanta, GA — Coca-Cola Roxy

9/9 — Nashville, TN — The Pinnacle

9/10 — Cincinnati, OH — PNC Pavilion

9/11 — Milwaukee, WI — The Rave/Eagles Club – Eagles Ballroom

9/13 — Maryland Heights, MO — Saint Louis Music Park

9/14 — Oklahoma City, OK — The Criterion

9/16 — Denver, CO — Fillmore Auditorium

9/17 — Grand Junction, CO — Las Colonias Park Amphitheater

9/18 — Albuquerque, NM — Revel

9/20 — Las Vegas, NV — The Cosmopolitan of Las Vegas – The Chelsea

9/21 — Phoenix, AZ — Arizona Financial Theatre

9/23 — San Diego, CA — Cal Coast Credit Union Open Air Theatre

9/26 — Hollywood, CA — Hollywood Palladium

9/27 — San Francisco, CA — The Masonic

9/28 — Redding, CA — Redding Civic Auditorium

9/30 — Idaho Falls, ID — Mountain America Center

10/1 — Nampa, ID — Ford Idaho Center Amphitheater

10/2 — Airway Heights, WA — Northern Quest Resort & Casino — BECU Live

ASIA Featuring John Payne Welcomes Francis Dunnery, Announces New Album AVIANA and 2025–26 Tour

Eric Alper
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ASIA Featuring John Payne Welcomes Francis Dunnery, Announces New Album AVIANA and 2025–26 Tour

Long time former ASIA front man John Payne (1990 to 2006), and from 2006 to present, the lead vocalist of ASIA featuring John Payne, would like to welcome guitarist and singer Francis Dunnery to the band.

Francis’ pedigree spans from fronting the mighty IT BITES, to recording and touring with Robert Plant. He has collaborated with artists including Robert Plant, Ian Brown, Lauryn Hill, Santana, and Anderson Bruford Wakeman Howe, and as a producer and/or collaborator with David Sancious, Chris Difford (Squeeze), James Sonefeld (Hootie and the Blowfish), Erin Moran, Steven Harris (The Cult, Zodiac Mindwarp and the Love Reaction), and Ashley Reaks (Younger Younger 28s).

Dunnery was one of the candidates invited to audition as a lead singer and frontman for Genesis following Phil Collins’ departure in 1996. He also played in the reformed 1960s beat/prog band The Syn between 2008 and mid-2009.

“I can’t think of a more apt musician to join the band, he’s a musical genius! I’ve followed his incredible work since the 80’s. My dear friend Alan Shacklock produced the first IT BITES album and I visited the studio whilst he was mixing it at RAK in London. I was blown away by the songs, the vocals, and the incredible guitar playing.

Frank and I have a great musical chemistry that has awoken a fire within me. We are currently in the studio writing the new album, AVIANA, at Loco Studios in Las Vegas, and hitting the road in August. After 8 albums with ASIA and a prog ASIA featuring John Payne album, this will be our first new material studio album.

To work with such a great songwriter and guitarist is so exciting. Our vocal harmonies both in the studio and live feel like we’ve been working together for years. It feels like our paths had to get here. We both grew from the same tree- destiny! Add to this my long-time friend and keyboard monster, Ryo Okumoto (Spocks Beard and GPS), and drummers, Thomas Lang and Aaron Olsen, we have created a new and exciting chapter of the band.”

Francis Dunnery commented, “I am dreadfully excited to be creating and playing music with John, he’s such a talented guy. The whole project feels fated in some mysterious way. I know deep in my bones we are supposed to do this. I’m very grateful to John for including me in this chapter of the band and I hope that my contribution can confirm he chose the right guy for the job”.

Winter 2025 will see the completion of the new studio album, AVIANA, keeping the “A’s” theme, with album artwork from Rodney Matthews, who previously worked with ASIA on the AQUA, ARENA and ARCHIVA records. Release is expected late 2025 or early 2026. A tour will follow that in 2026. Whilst most of this years shows are US based the band are excited to headline two UK shows: HRH PROG 15 FESTIVAL, Great Yarmouth on November 15th and O2 SHEPHERDS BUSH EMPIRE, London (with FOGHAT) on November 16th, 2025.

ASIA 2025 Tour Dates:
AUG 2 NEW PALTZ, NY
AUG 12 TOMBALL, TX
AUG 13 ARLINGTON, TX
AUG 15 PLYMOUTH, CA
AUG 17 SASKATOON, CANADA
AUG 30 MCARTHUR, CA WITH LOU GRAMM
SEP 20 JACKSONVILLE, FL PRIVATE SHOW
SEP 27 ASHLAND, KY
OCT 2-6 JAPAN TBA
OCT 24 NYC, NY CHARITY EVENT
OCT 25 SELLERSVILLE, PA
NOV 15 GREAT YARMOUTH, UK
NOV 16 SHEPHERDS BUSH LONDON, UK

Wednesday 13 Drops Campy “Rotting Away” Video Amid Summer Tour, Sets Sights on Fall and 2026 Dates

Eric Alper
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Wednesday 13 Drops Campy “Rotting Away” Video Amid Summer Tour, Sets Sights on Fall and 2026 Dates

Amid his current Summer Blood Storm UK/European tour, Wednesday 13 has just dropped a delightfully deathly music video for Mid Death Crisis track “Rotting Away.” The Duke of Spook goes on a date with the dead, picnicking with a petrified soul!

Wednesday 13 comments about “Rotting Away”: “I’m putting the Fun back in Funeral with our new video for ‘Rotting Away.’ I had such a great time filming this and wanted to do something fun, campy, and different from the other band performance videos. Inspired by the original Night Of The Living Dead film, Tom Petty’s video ‘Last dance with Mary Jane’ along with a little Weekend at Bernie’s thrown into this.”

Wednesday 13 is currently touring the UK and Europe with support from Fearless Vampire Killers and The Nocturnal Affair, with more performances to slay in cities like Birmingham, Prauge, Vienna, and beyond. The tour also features festival stops at Wacken Open Air and Poland Rock Festival. Then, later this fall, Wednesday will return to the UK and Europe for his Mid Death Crisis tour, starting October 17 in Oslo, Norway!

Between these tours, Wednesday 13 will perform at a special event honoring the late Joey Jordison on Friday, October 3. The event, presented by the Joey Jordison Charitable Fund, is headlined by Vimic and will take place at the Teragram Ballroom in Los Angeles, CA. Visit the Teragram Ballroom site for tickets and more information.

Lastly but certainly not least, Wednesday 13’s upcoming North American tour with headliners and label mates Lord of the Lost, featuring fellow support artists The Birthday Massacre, will take over venues in January/February 2026.

Consequence of Energy Debuts with Explosive Anthem “Freedom,” Produced by Garth Richardson

Eric Alper
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Consequence of Energy Debuts with Explosive Anthem “Freedom,” Produced by Garth Richardson

Consequence of Energy is a politically-charged hard rock act from Chile, whose lead-off single, “Freedom,” marks their thunderous debut into the international arena. Released on July 18, 2025, “Freedom” features explosive riffs, relentless grooves, and an urgent vocal performance – which hits like a protest anthem born in the heat of global unrest.

Comprised of Michael Bianchi “Sirius” (vocals), Diego Sagredo “Caminantecosmico” (guitar / synths / others), Roli Cortes (guitar / synths), Pedro Javier (bass / backing vocals), and Amaru Lopez Campbell (drums), Consequence of Energy has also issued a music video for the tune via YouTube, which features a performance in front of a festival-sized crowd.

“Freedom” captures the desperation and defiance of a generation pushed to the brink – a song tailor-made for mosh pits and gym playlists. The production is raw but laser-focused, with modern metal sheen and South American fire. Produced by legendary rock producer Garth Richardson (Rage Against the Machine, Biffy Clyro), mixed by Dave Schiffman (System of a Down, Red Hot Chili Peppers), and mastered by the iconic Howie Weinberg (Nirvana, Soundgarden), the sonic pedigree speaks for itself.

The song is a preview of what is to come in the near future, when the band drops their full-length debut, We Are One – which will be released sometime in late 2025/early 2026. With distribution via AWAL and support from the underground powerhouse Los Lobos Records, the band is set to make a global mark. “Freedom” is the first strike from a full campaign aimed at tearing down borders – sonically and socially.

“‘Freedom’ captures everything I love about a great rock song – raw energy, emotional weight, and total honesty,” Richardson said. “Consequence of Energy came into the studio with something urgent to say, and you feel it in every riff and every beat. I’m proud to have worked with them on this track – it’s a modern hard rock anthem that hits with purpose.”

“The song questions the very concept of freedom in a world where structure, ego, and belief systems often masquerade as liberation,” the band adds. “It mocks the idea that louder voices or purer ideologies can set us free, when in truth, we’re often trapped by the very tools we use to define ourselves. Freedom is not a protest song-it’s a mirror. A bold, biting, and brutally honest reflection of a society addicted to control while crying out for release. Consequence of Energy doesn’t offer easy answers-just a challenge: What does freedom really mean? And are you ready to face what’s in the way?”

Fueled by the rhythms of Latin America and shaped by the influence of genre giants like Audioslave, Gojira, and System of a Down, Consequence of Energy delivers music that is equal parts catharsis and confrontation. And soon, rock fans worldwide will get a chance to experience this exciting up and coming band.

Malina Moye and Danielle Nicole Announce U.K. Co-Headlining Tour with January Blues Festival Stop

Eric Alper
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Malina Moye and Danielle Nicole Announce U.K. Co-Headlining Tour with January Blues Festival Stop

Malina Moye is heading to the United Kingdom to co-headline the “Love You Bleed & Dirty Tour” with Grammy nominee Danielle Nicole. The tour will make stops in five cities including, Southampton, Manchester, Wolverhampton, Edinburgh, and finally London on January 8th where Malina and Daniel will co-headline the January Blues Festival.

Malina states, “I’m thrilled to be bringing my Dirty Tour to the U.K. I love the country and London has always been one of my favorite places to visit. Yes, I’m excited to perform, but I couldn’t resist the best part, which is joining forces with the incredible Danielle Nicole who flat out rocks,” declares Moye. “I look forward to seeing and meeting everyone, and I promise the tour will be a good time with amazing energy.”

Danielle adds, “I’ve loved and respected Malina for years. To get to a tour with a powerful and amazing woman such as her is a dream come true!”
The singer-songwriter, lefty guitarist will be playing songs from her current Billboard charting album “Dirty,” which was critically acclaimed and landed in the top five on Guitar World Magazine’s Greatest Guitar Albums of the Year list, as well as music from fan favorite past albums.

Flipping a fender Stratocaster upside down or a Gibson flying V, Malina has been embraced by music lovers and critics alike, deeming her one of the most innovative lefty guitarists in the world. She’s honored the late Queen of England and played on some of the biggest stages from the Rock and Roll Hall of Fame tribute concerts to playing the national anthem at some of the biggest games in U.S. sports history.

As a genre-defying artist, Malina Moye has played Eric Clapton’s most recent Crossroads Festival and was the first female guitarist on the Experience Hendrix tour alongside, Buddy Guy, Kenny Wayne Shepherd, and Zakk Wylde to name only a few. Moye’s viral hit “Enough” launched the #IAMENOUGH movement garnering over 70 million impressions across all platforms. She is also a TV personality on two series including AXS TV’s SPIN magazine’s 100 greatest Rock Stars and the Top 10 revealed.

Jan 7 – The 1865 Southampton UK
Jan 8 – January Blues Festival 229 London UK
Jan 10 – The Robin 2 Wolverhampton, UK
Jan 11 – Band On The Wall Manchester, UK
Jan 13 – La Belle Angele Edinburgh, UK

Motion City Soundtrack Roars Back with “You Know Who The F* We Are” Ahead of New Album This Fall*

Eric Alper
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Motion City Soundtrack Roars Back with “You Know Who The F* We Are” Ahead of New Album This Fall*

Motion City Soundtrack share “You Know Who The F*** We Are,” the latest preview of their new album ‘The Same Old Wasted Wonderful World’ out on September 19 via Epitaph Records.

With its infectious palm-muted power, “You Know Who The F*** We Are” embodies the carefree exuberance that permeates throughout the new record. The single injects a dose of unrestrained energy, fueled by MCS’s resurgence after a decade-long hiatus.

“Don’t Call It a Comeback” isn’t just the name of a song off Motion City Soundtrack’s 2003 debut I Am The Movie, it’s also an apt way to summarize the band’s mission statement. During their initial run from 1997 to 2016, the Minneapolis-based group released six celebrated albums, toured the world countless times and achieved gold status for their hit single “Everything Is Alright.”

After taking a three-year hiatus, the band – vocalist/guitarist Justin Pierre, guitarist Joshua Cain, bassist Matt Taylor, keyboardist Jesse Johnson and drummer Tony Thaxton – started performing live again in 2019, but even the most optimistic fans didn’t necessarily expect a follow-up to 2015’s Panic Stations. “When we started conceptualizing the idea for this record, I was thinking about what we loved about doing this originally,” Cain explains. The result is The Same Old Wasted Wonderful World, an album that sees the band transmuting the last decade of life experiences into the catchiest songs of their career.

To record the album, the band reunited with Sean O’Keefe (Fall Out Boy, Plain White T’s) at the legendary Chicago studio Electrical Audio. With features from Fall Out Boy’s Patrick Stump (who also co-wrote the song “Particle Physics”), Citizen’s Mat Kerekes and Deanna Belos of Sincere Engineer, the album sees the band reclaiming their crown as one of punk rock’s most accessible – and infectious – acts. However, the most impressive aspect of The Same Old Wasted Wonderful World is the fact that instead of relying solely on nostalgia, Motion City Soundtrack continues to experiment outside their comfort zone. “It’s a very interesting thing to feel like we made the most important record of our career this late in the game,” Johnson explains.

“I think that if you look at a lot of our past records, it’s about ‘What’s wrong? What am I not getting right? Why do I feel f***ing crazy? Why can’t I figure this out, and I figured it out,” Pierre admits. “It’s almost like I felt I didn’t have an identity [in the past] and now by working through the hard stuff, I know who I am.” With that sense of self-discovery mirrored by the music, when the final track fades out it may be the conclusion of the album, but in reality, it’s just the beginning of another chapter of Motion City Soundtrack’s journey.

Universal Music Group Partners with Liquidax to Expand AI Patent Portfolio and Launch Music IP Holdings

Eric Alper
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0
Universal Music Group Partners with Liquidax to Expand AI Patent Portfolio and Launch Music IP Holdings

Universal Music Group (UMG), the world leader in music-based entertainment, today announced a strategic partnership with IP asset management, investment and advisory firm Liquidax Capital, to accelerate the development of UMG’s music-related AI patents.

Since 2020, UMG has been a music industry leader in AI, having developed patented technology focused on leveraging AI to support artist marketing, analytics and distribution.  Under this new partnership, Liquidax will provide UMG with support on the development, filing, and licensing work required to greatly expand its patent portfolio and bring new products to market. UMG has already filed 15 patents with Liquidax in the fields of musical collaboration, multi-media content and campaign creation, music & health, AI threat protection, music administration and rights management. Two of the UMG AI patents have already been issued.

In connection with the partnership, Music IP Holdings, Inc. (MIH) has been formed to license the AI patents and other technologies developed with UMG into the global marketplace.

In making the announcement, Chris Horton, SVP, Strategic Technology at UMG said, “At Universal Music Group, we are taking a very active role in fostering innovation. Building on our historical and contemporary track record of cutting-edge R&D, scientific advancements and successful patent applications, we are looking forward to significantly advancing our internal efforts, with a dedicated focus on AI technology. And we’re very pleased to be entering into this collaboration with Liquidax, with whom we intend to develop a strong strategic relationship that will amplify our ability to develop IP and take it to market, accelerating the evolution of the music ecosystem.” 

Daniel Drolet, Founder of Liquidax and Partner in MIH said,“We are honored and excited to partner with UMG, the global leader in music innovation and ethical AI. We are laser focused on advancing UMG’s leadership and their cutting-edge technologies, especially in AI, to empower their artists, protect creative rights, foster partnerships, and enhance UMG’s fan experiences worldwide. We are thrilled to be working with UMG to shape the future of music.”

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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