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Rock The Ocean’s Tortuga Music Festival Returns With Post Malone, Riley Green And Kenny Chesney Headlining 2026

Eric Alper
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Rock The Ocean’s Tortuga Music Festival Returns With Post Malone, Riley Green And Kenny Chesney Headlining 2026

Rock The Ocean’s Tortuga Music Festival returns to Fort Lauderdale’s sandy shores April 10 through 12, 2026, with headliners Post Malone, Riley Green, and Florida favorite Kenny Chesney for the festival’s 13th annual beachfront celebration. Produced in partnership with Live Nation, the event marks Chesney’s fifth Tortuga performance, having headlined multiple times including the inaugural festival in 2013. Chesney expresses his love for everything about Tortuga, from that very first year to the unbeatable setting with the Atlantic Ocean, beach, and A1A creating the perfect environment for the music and the people who show up ready to work hard, play harder, and have fun while loving everyone in the space.

The powerhouse lineup includes Afroman, Graham Barham, Chayce Beckham, The Band Loula, Colbie Caillat, Ashley Cooke, Preston Cooper, Adam David, Russell Dickerson, Hunter Flynn, Flatland Cavalry, The Fray, Cole Goodwin, Solon Holt, Tyler Hubbard, Greylan James, Uncle Kracker, Mary Kutter, Lakeview, G. Love and Special Sauce, Dustin Lynch, McCoy Moore, Lukas Nelson, Elizabeth Nichols, Emily Ann Roberts, Owen Riegling, DJ Rock, Josh Ross, Rhys Rutherford, Dee Jay Silver, Amanda Shires, Shane Smith and the Saints, Sons of Legion, Brittney Spencer, Surfer Girl, Buffalo Traffic Jam, Chandler Walters, Clay Walker, Jack Wharff Band, Brandon Wisham, The Wheeland Brothers, and Dwight Yoakam. Tickets go on sale Saturday, January 18 at 10 am EST, with expanded hotel and VIP experience packages available via Vibee ahead of the general sale. The festival continues raising funds to educate the public about critical environmental issues impacting the oceans, with fans exploring the Rock The Ocean’s Conservation Village on site to learn more about the organization’s work, having helped raise six million dollars for ocean conservation initiatives to date.

Peaches Unleashes Protest Anthem “Not In Your Mouth None Of Your Business” And ‘No Lube So Rude’ 2026 Tour

Eric Alper
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Peaches Unleashes Protest Anthem “Not In Your Mouth None Of Your Business” And ‘No Lube So Rude’ 2026 Tour

Peaches returns with the electrifying protest anthem “Not In Your Mouth None Of Your Business,” a pulsing punk dance anthem recorded with producer The Squirt Deluxe in Berlin that serves as an energizing rallying chant for bodily autonomy. The iconic musician, producer, director, and performance artist has announced her No Lube So Rude 2026 tour, kicking off February 20 in Miami for 27 North American dates with support from Model/Actriz, Cortisa Star, and more to be announced. The Guardian has praised her “bravura” live performances as “a masterclass in gleeful subversion,” and this tour promises to deliver exactly that intensity and fearless artistic vision.

Peaches has partnered with PLUS1 so that one dollar from every ticket sold supports the Trans Justice Funding Project and their work funding trans-led grassroots organizations in the US and US Territories. VIP presale begins October 15 with general on-sale October 17. The single marks the first taste of her first album in over 10 years, ‘No Lube So Rude,’ set for release in 2026. Peaches explains that when the world is friction, lube becomes a necessity, turning that friction into pleasure, power, and pride, and she wants people to understand they can still have a voice no matter who they are or what the world says about them.

Born Merrill Nisker, Peaches first catapulted to international stardom with her 2000 debut ‘The Teaches of Peaches,’ which introduced her sexually transgressive and fiercely assertive stage persona through the ubiquitous lead single “Fuck the Pain Away.” Them Magazine noted that 20 years after that debut, the world is still catching up with the artist’s brash, irreverent, and sexually self-assured life philosophy. She has released five more trailblazing albums, collaborated with everyone from Iggy Pop and Daft Punk to Christina Aguilera and R.E.M. to Kim Gordon and Yoko Ono, and her music has been honored with the prestigious Polaris Heritage Prize while appearing in cultural watermarks like Lost In Translation, The Handmaid’s Tale, South Park, and Broad City. Beyond music, Peaches has directed over 20 videos, created immersive installations, penned the electro-rock opera Peaches Does Herself, and is the subject of two acclaimed 2024 documentaries: Teaches of Peaches directed by Judy Landkammer and Philipp Fussenegger, and Peaches Goes Bananas directed by Marie Losier.

Cavetown Reveals Debut Album ‘Running With Scissors’ Plus 2026 World Tour

Eric Alper
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Cavetown Reveals Debut Album ‘Running With Scissors’ Plus 2026 World Tour

Cavetown has released “Tarmac,” the latest single from his highly anticipated debut album ‘Running With Scissors,’ arriving January 16 via Sire Records, alongside the announcement of a major 2026 international headline tour. Co-written with Orla Gartland, “Tarmac” follows singles “Rainbow Gal” and “Baby Spoon,” showcasing Robin Skinner’s evolution into a new creative chapter as the lyrics fell out naturally during the writing session before he and Gartland figured out the meaning afterward. Skinner explains the track explores feelings of overwhelm and intrusive thoughts, hoping listeners find something that resonates with their own experiences. Produced by Skinner himself, ‘Running With Scissors’ marks a significant creative step forward, expanding his confessional songwriting into unpredictable yet heartfelt soundscapes that push further into genre-blending territory while maintaining his trademark emotional honesty. This summer Cavetown joined Pierce The Veil as a special guest on their European arena tour, including a memorable performance at London’s OVO Arena Wembley where Vic Fuentes joined him for their 2022 collaboration “a kind thing to do” from ‘worm food.’

Tour Dates:

02/01 – SINGAPORE – Pasir Panjang Power Station A
02/05 – AUCKLAND – Laneway Festival
02/07 – BRISBANE – Laneway Festival
02/08 – SYDNEY – Laneway Festival
02/12 – MELBOURNE – Palais Theatre
02/13 – MELBOURNE – Laneway Festival
02/14 – ADELAIDE – Laneway Festival
02/15 – PERTH – Laneway Festival
02/18 – MANILA – New Frontier Theatre
03/07 – DUBLIN – Academy
03/08 – DUBLIN – Academy
03/10 – GLASGOW – Barrowland Ballroom
03/13 – MANCHESTER – O2 Ritz
03/14 – NOTTINGHAM – Rock City
03/15 – BRISTOL – O2 Academy
03/17 – LEEDS – Project House
03/19 – LONDON – Electric Ballroom
03/20 – LONDON – Electric Ballroom
03/22 – BRUSSELS – AB Main Hall
03/24 – COLOGNE – Live Music Hall
03/25 – HAMBURG – Mojo Club
03/27 – BERLIN – Astra Kulturhaus
03/28 – WARSAW – Palladium
03/29 – PRAGUE – SaSaZu
03/31 – MILAN – Magazzini Generali
04/01 – MUNICH – Technikum
04/03 – PARIS – Elysee Montmartre
04/04 – TILBURG – 013 Poppodium


Scholar Emília Barna Examines Music Labor And Global Capitalism In ‘Working In Music On The Semiperiphery’

Eric Alper
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Scholar Emília Barna Examines Music Labor And Global Capitalism In ‘Working In Music On The Semiperiphery’

Emília Barna’s ‘Working in Music on the Semiperiphery: Local Cultural Production and Global Capitalism’ explores how informality permeates power relations and resource allocation in the music sector, proving that creative labor operates far differently than traditional capitalist models suggest. Drawing from field data collected in Hungary between 2018 and 2021, Barna examines the significant level of informal household involvement in creative and reproductive processes, revealing how home-based work and paid work remain unbalanced in semiperipheral contexts. The study covers the widest possible range of music workers across all genres from high art to commercial, observing various workers in the production chain beyond musicians and giving special treatment to niche segments like YouTube-based commercial hip hop.

Barna’s research employs multiple empirical methods to examine trends pushing workers toward digital entrepreneurship and platform work on one side and live performance on the other, while the semiperipheral context reveals considerable state involvement through subsidies and the crucial role of gatekeepers’ political capital. The focus on domestic work and informality provides a feminist analysis that illuminates gendered divisions of labor and forms of self-exploitation that typically remain invisible in discussions of creative work. The book proposes a new model of cultural autonomy accounting for the semiperipheral relationship between music industry workers, institutions, the market, and the state, offering essential insights into how global capitalism shapes local cultural production.

The Pretty Wild Drops Explosive “AFTERLIFE” With Magnolia Park From Album ‘zero.point.genesis’

Eric Alper
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The Pretty Wild Drops Explosive “AFTERLIFE” With Magnolia Park From Album ‘zero.point.genesis’

The Pretty Wild has released “AFTERLIFE” featuring Magnolia Park via Sumerian Records from their album ‘zero.point.genesis,’ out now. The track joins previously released songs “PARADOX,” “OMENS,” “Button Eyes,” “living ded,” and “sLeepwALKeR” that have racked up over 23 million Spotify streams and 3 million YouTube views. Jules describes the song as exploring star-crossed souls bound by something ancient and unbreakable, pulling from mythology and old tragedies where obsessive devotion meets destruction in something dark, beautiful, and eternal, while jyl calls it a pop-metal requiem about codependent magnetism that questions what happens when obsession carries souls into eternal dynamics beyond death.


Americana Folk Duo The Lowest Pair Unveils First Studio Album In Six Years ‘Always As Young As We’ll Ever Be’

Eric Alper
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Americana Folk Duo The Lowest Pair Unveils First Studio Album In Six Years ‘Always As Young As We’ll Ever Be’

The Lowest Pair returns January 23 with ‘Always As Young As We’ll Ever Be,’ their first studio album in six years produced by Tucker Martine. Kendl Winter and Palmer T. Lee expand their sonic palette while maintaining the captivating minimalism that defines their sound across 10 songs that sit with life’s problems rather than escape them, finding wonder in uncertainty and grace in imperfection. The new single “Give It All Away” reflects on the complexities between hanging on and letting go, capturing the desire for renewal with the duo’s signature tender vocal harmonies and folk craftsmanship that has built them an adoring fanbase over seven albums.

The album unfolds like a spiritual metamorphosis with each track serving as a different stage in shedding old skins. “The Uncertain Seas” addresses longing and emotional disconnection while “Diamonds” celebrates resilience and desire, and “Tiny Rebellions” offers a stylistic departure acknowledging that personal transformations bring light after darkness. “Quantum Physics” delicately frames love as shifting energies emphasizing continuous movement, while “Shitty Light” shines as a personal awakening with impassioned vocals weaving through a folky crescendo. Winter and Lee have reached another artistic plateau, reminding listeners that love, grief, joy, disappointment, failure, and renewal form one beautiful cycle that interconnects us all. The duo embarks on an extensive European tour throughout January and February with dates in the Netherlands, Germany, UK, Ireland, and Denmark.

The Lowest Pair 2026 European Tour Dates:

January
14 – Deventer, NL
16 – Amen, NL
17 – Solingen, DE
20 – London, UK
21 – Chester, UK
22 – Norwich, UK
23 – Hull, UK
24 – Exeter, UK
25 – Sheffield, UK
27 – Glasgow, UK
28 – Campbeltown, UK
29 – Derry, IRL
30 – Bangor, UK
31 – Dublin, IRL

Nashville Singer Laura Mustard Confronts Trauma Head-On With Powerful New Single “Afraid Of The Dark”

Eric Alper
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Nashville Singer Laura Mustard Confronts Trauma Head-On With Powerful New Single “Afraid Of The Dark”

Laura Mustard releases “Afraid of the Dark,” a deeply personal pop-folk single that tells the story of her carjacking at gunpoint off Music Row exactly nine years ago. The Nashville singer-songwriter transforms that traumatic night into a song about learning to live with fear and finding light on the other side, creating something that speaks to anyone navigating their own “after.” Produced by Nolan Sorsby, the track blends piano, mandolin, fiddle, and horns into an upbeat, catchy arrangement that deliberately contrasts with the weight of the lyrics, representing the “good front” people often put up to cope through difficult experiences.

Mustard explores how trauma fundamentally changes the way someone moves through the world, asking questions like “What if what doesn’t kill you leaves you looking over your shoulder forever?” The bridge transforms into a conversation with her own emotions including fear, paranoia, and hope, showcasing her growth and acceptance. Mustard calls “Afraid of the Dark” the most healing song she’s ever written, and that vulnerability creates a connection point for listeners working through their own hard times. This is songwriting that doesn’t just acknowledge pain but walks straight through it with courage and honesty.

Kids In The Hall Legend Bruce McCulloch Returns With ‘Dark Purple Slice’ Tour

Eric Alper
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Kids In The Hall Legend Bruce McCulloch Returns With ‘Dark Purple Slice’ Tour

Comedian Bruce McCulloch is going back on tour in 2026 with his Dark Purple Slice Tour!
Best known for his work with the award-winning sketch troupe, The Kids in the Hall, the Albertan comedian is going back on the road for his Dark Purple Slice tour. On stage, he has written or performed several one-man shows including Two-Headed Roommate, Jazz Stenographers, Slightly Bigger, and most recently Tales of Bravery & Stupidity.

As an  actor, he has appeared in numerous Canadian and American television shows such as Saturday Night Live, Arrested Development, Gilmore Girls, Comedy Bang Bang, Workaholics, Nobodies, and even Anne of Green Gables.

Tour Dates

February 19 | Peterborough | Showplace Theatre

February 22 | Oshawa | Regent Theatre

March 22 | Winnipeg | West End Cultural Centre

March 27 | Victoria | McPherson Playhouse

April 11 | Kelowna | Kelowna Community Theatre

Screamo Trio Knumears Joins Run For Cover With Explosive New Single “Breaking Ground”

Eric Alper
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Screamo Trio Knumears Joins Run For Cover With Explosive New Single “Breaking Ground”

Los Angeles screamo classicists Knumears have signed to Run For Cover Records and Summer Shade, the imprint led by Fury’s Madison Woodward, celebrating with the release of “Breaking Ground.” The track serves as a perfect introduction to the three-piece’s harrowing blend of old school screamo and ferocious hardcore, exploding through bracing dynamic shifts before building to a stunning scream-along finale. Available everywhere now and as a limited 7″ single, “Breaking Ground” was recorded by Jack Shirley at Atomic Garden and comes paired with an intense music video.

Guitarist and vocalist Matthew Cole, bassist and vocalist Dante Garcia II, and drummer Frankie Lopez have been touring relentlessly since forming in 2018, steadily releasing heartrendingly compelling music that carries the torch for one of hardcore’s most esoteric corners. Whether you call it screamo, skramz, or emoviolence, Knumears deliver a fresh take on the chaos and catharsis that define this sound, channeling the spirit of ’90s innovation while carving out their own path forward. The band promises more to come in 2026.

The Black Crowes Revive ‘Amorica’ In Full For Recorded Live At Analog Performance

Eric Alper
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The Black Crowes Revive ‘Amorica’ In Full For Recorded Live At Analog Performance

The Black Crowes brought their acclaimed 1994 album ‘Amorica’ to life on Recorded Live at Analog, presented by United Family of Cards from Chase. Founding brothers Chris and Rich Robinson led the band through the entire album for an intimate audience of fans and United Cardmembers at Analog inside Nashville’s Hutton Hotel. They performed hits like “Wiser Time,” “P. 25 London,” and “A Conspiracy” while sharing stories behind the songs, with Chris Robinson’s powerful vocals driving the band’s heavy rhythm and blues sound. The show closed with an encore of Southern rock classic “Remedy.”

Chris Robinson reflects that revisiting ‘Amorica’ in Nashville felt like coming home and gave the band a chance to reconnect with a record that defined a pivotal chapter for them. The performance arrives as The Black Crowes celebrate the 30th anniversary of the album with a remastered deluxe reissue featuring seven unreleased recordings that’s out now. The episode streams free on YouTube and airs on public television stations nationwide. Produced by iMaggination, Inc. and presented by WNPT Nashville PBS with direction from Pat Heaphy and LCM247, this seventh episode of season two captures the magic that happens when legendary artists meet Analog’s state-of-the-art acoustics and up-close setting.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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