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RockyGrass 2026 Brings I’m With Her, Punch Brothers, Rhiannon Giddens To Colorado

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Planet Bluegrass has announced the lineup for RockyGrass 2026, taking place July 25-27 at the Planet Bluegrass Ranch in Lyons, Colorado. The festival brings together modern genre-crossing acts like I’m With Her, Punch Brothers, and Rhiannon Giddens & The Old-Time Revue alongside established icons Sam Bush, The Del McCoury Band, and Tim O’Brien. For over five decades, RockyGrass has given the world’s finest bluegrass musicians complete freedom to stretch genre boundaries or honor tradition, creating an intimate atmosphere where artists and audiences connect over musical exploration at the base of Colorado’s Rocky Mountains.

The weekend roster also features Steep Canyon Rangers, Kruger Brothers, Della Mae, Tony Trischka’s Earl Jam with Michael Daves, Willie Watson, and more. Sarah Jarosz, who first attended in 2002 at age 11, reflected on the festival’s unique character: “Where else can you wade in the river while listening to the best live music you’ve ever heard? The proximity of the campground to the festival makes it uniquely homey, and there is always an easy flow between artists and festival goers.” Tim O’Brien called it “as near to perfect as any festival I’ve attended,” recalling jamming at 2 AM and a memorable Doc Watson set. A limited number of tickets and camping passes remain available at bluegrass.com/rockygrass.

RockyGrass 2026 Lineup:

I’m With Her
Punch Brothers
Sam Bush Bluegrass Band
Rhiannon Giddens & The Old-Time Revue
The Del McCoury Band
Tim O’Brien
Steep Canyon Rangers
Kruger Brothers
Della Mae
Tony Trischka’s EarlJam featuring Michael Daves
Willie Watson
The Kody Norris Show
Michael Daves & Jacob Jolliff
Watkins Family Hour with The Bee Eaters
The Onlies
Howley
Under The Rocks
The Unfaithful Servants
Tanasi
The Tom Knowlton Bluegrass Band
Slay & Stinson

Creating Safer Live Events: CLMA Hosts Free Webinar on Trauma-Informed Response

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The Canadian Live Music Association is partnering with Good Night Out and REES (Respect, Educate, Empower Survivors) to present a free webinar on February 11, 2026 at 1:00 PM ET. The session addresses a critical aspect of event safety that often receives insufficient attention: how to handle disclosures of sexual violence in live event settings with care and competence.

While prevention measures remain essential, the reality is that sexual violence can still occur at events despite best efforts. The way staff members receive and respond to disclosures can significantly impact survivors. Yet many professionals working in venues and at live events lack specific training in trauma-informed response protocols. This webinar aims to fill that gap by providing practical guidance on creating effective support pathways and building safer event environments.

The session will be led by two experienced facilitators. Mary Lobson, founder and CEO of REES, brings expertise in developing online platforms for reporting bullying, abuse, harassment, and discrimination across various industries. Stacey Forrester, education director of Good Night Out Vancouver and former community health nurse, focuses on creating more equitable arts and culture communities. Together, they will guide participants through trauma-informed approaches that center survivor support while strengthening organizational response capacity.

This webinar is designed for anyone working in live event and venue operations who wants to enhance their ability to respond with both confidence and compassion. Registration is free and the session is supported by FACTOR, the Government of Canada, Canada’s private radio broadcasters, and Ontario Creates. Event and venue professionals interested in participating can find registration information here through the Canadian Live Music Association.

Mathieu Terrade Covers Prince Classic “Purple Rain” On Custom Harpejji M5

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French musician Mathieu Terrade has delivered a stunning instrumental cover of Prince’s “Purple Rain” on his custom Harpejji M5 by Marcodi. The performance showcases the unique tonal qualities of the stringed instrument, which combines elements of guitar and keyboard into a singular sound.

Lemon Casino interface review: convenience, design, and functionality

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By Mitch Rice

In the vibrant and ever-expanding universe of online casinos, Lemon casino emerges as a noteworthy contender, capturing the attention of players worldwide. Its ascent in the digital gaming sphere underscores a fundamental truth: in the realm of online entertainment, a seamless and intuitive user experience is as crucial as the games themselves. Lemon Casino seems to understand that.

The digital age has ushered in an era where convenience and ease of use reign supreme. The layout, design, and interactive elements of an online casino site can either draw players in or drive them away. This review serves as an expert analysis of Lemon Casino’s user interface (UI) and user experience (UX), meticulously examining its commitment to convenience, aesthetic design, and overall functionality. For new players venturing into the world of online casinos, or seasoned veterans seeking a fresh and engaging platform, understanding the nuances of Lemon Casino’s interface is key to unlocking an enjoyable and rewarding gaming experience. Expect a candid exploration of what makes Lemon Casino’s platform tick, offering valuable insights into its strengths and areas for potential enhancement.

First Impressions: Design and Aesthetics

The first impression a website makes is crucial, and Lemon Casino’s visual design plays a significant role in shaping user perception. Design elements act as the silent ambassadors of branding, and directly influences the user experience, for better or worse.

The Look and Feel

Lemon Casino embraces a vibrant color scheme, mixing bright yellows and oranges with darker tones to create a lively yet sophisticated atmosphere. The typography is modern and legible, ensuring a comfortable reading experience across different devices. High-quality imagery, featuring enticing game visuals and promotional content, enhances the overall visual appeal. However, the abundance of visual elements might feel a bit cluttered to some users. The general effect is exciting, hopefully urging players to dive right in.

Accessibility Considerations

While the casino’s design is visually appealing, there are accessibility considerations to keep in mind. Color contrast is generally good, but certain text elements could benefit from improved contrast ratios to meet WCAG guidelines. The use of alt text for images appears consistent, which is essential for screen reader users. Keyboard navigation seems functional. However, further optimization, such as ARIA attributes for interactive elements, could enhance the experience for users with disabilities.

Navigational Convenience: Ease of Use

Navigating a people search site should feel like a breeze, not a scavenger hunt. A well-designed site gets you where you need to go with minimal fuss. Think about it: are the menus clear? Can you actually find what you’re looking for without clicking through a million pages? This section dives into how user-friendly a people search platform truly is. We’ll examine the site structure, dissect the menus, and put the search functionality to the test. It’s all about figuring out if the site is built to help you, or just to look pretty.

Site Structure and Information Architecture

A logical site structure is the backbone of good usability. It’s about how the site is organized – the ‘information architecture.’ Is there a clear site map, either explicit or intuitive? Can you jump from the homepage to a specific search function without getting lost in a maze of unrelated links? A smooth user flow is crucial. Ideally, you should be able to envision the path a user takes from landing on the site to finding the details they need. Content should be organized in a way that makes sense, allowing for easy browsing and a positive user experience.

Search Functionality and Filtering Options

The search bar is your best friend on any people search site. But a search bar alone isn’t enough; it needs to be powerful and precise. How good is the site’s search functionality? Does it understand what you’re looking for, even if you don’t type it perfectly? Effective filtering options are also essential. Can you narrow down your search by location, age range, or other relevant criteria? The ability to filter makes a huge difference, saving you time and frustration. A good search function, combined with robust filters, transforms a site from a potential time-waster into a valuable tool.

Functionality Deep Dive: Core Features

Evaluating the core features of any online gaming platform involves a close look at its functionality, performance, and usability. This includes everything from how seamlessly you can browse and launch games to the ease of managing your account and accessing help when you need it. The payment system—how you deposit funds and withdraw winnings—is also a critical area to assess.

Game Loading and Gameplay Experience

The first impression often hinges on game loading times. Nobody wants to wait an eternity for a game to start. Beyond that, the gameplay itself needs to be smooth and responsive. Lag is a major buzzkill, and consistent performance issues can quickly sour the experience. The quality of the graphics and overall smoothness contribute significantly to enjoyment.

Account Management and Security

Managing your account should be straightforward. Updating personal information, like your address or contact details, shouldn’t be a hassle. More importantly, security is paramount. Strong password requirements, two-factor verification options, and clear privacy settings are essential for protecting your account and personal data. A trustworthy platform will prioritize these aspects.

Payment Procedures

Depositing funds and withdrawing winnings should be easy to use and transparent. The platform should support various payment methods and clearly outline any fees or processing times associated with each. A seamless payment process builds trust and ensures you can access your funds without unnecessary complications.

Mobile Experience: Accessibility On-the-Go

In today’s fast-paced world, accessibility on mobile devices is not just a convenience—it’s a necessity. When evaluating Lemon Casino’s mobile experience, several factors come into play, from the availability of a dedicated mobile app to the responsiveness of their website. The primary question is: can users enjoy a seamless gaming experience on their smartphones and tablets, comparable to what they’d find on a desktop?

Responsiveness and Compatibility

A truly effective mobile experience hinges on responsive design. Lemon Casino’s website should dynamically adapt to various screen sizes, ensuring a consistent and user-friendly interface whether accessed on a smartphone or a tablet. The layout, images, and interactive elements should scale appropriately, eliminating the need for excessive zooming or scrolling. Rigorous testing across multiple devices—from the latest flagship phones to older models—is crucial to guarantee broad device compatibility and optimal mobile optimization. A website that gracefully adjusts to different screen dimensions provides a significantly better user experience.

Mobile-Specific Functionality

Beyond just replicating the desktop experience on a smaller screen, the best mobile platforms offer unique, mobile-specific features. Does Lemon Casino leverage the capabilities of smartphones, such as touchscreen optimization for intuitive navigation and gameplay? Are push notifications used to keep players informed about promotions or new game releases? While not always essential, utilizing location services for targeted offers or enhanced security can add value. The functionality of those features should be seamless and intuitive. Ideally, Lemon Casino’s mobile platform should enhance, not just replicate, the desktop experience.

Areas for Improvement: Addressing Pain Points

Even the most polished online platforms have areas ripe for enhancement. Lemon Casino, while offering a vibrant gaming experience, likely presents certain pain points that, when addressed, could significantly elevate user satisfaction. These usability issues often lurk beneath the surface, subtly impacting engagement and overall enjoyment. Design flaws, though seemingly minor, can accumulate to create friction. Optimizing the user interface (UI) and user experience (UX) is a continuous process. Identifying and tackling these areas is not simply about aesthetics; it’s about creating an environment where players can effortlessly navigate, engage with content, and enjoy their gaming without frustration.

A meticulous look to identify these UI and UX improvements begins with understanding how users interact with the site. It’s about identifying where players might stumble, whether it’s in the navigation, the game selection process, or even understanding bonus terms. These usability issues can encompass everything from confusing layouts to slow loading times, each contributing to a less-than-ideal experience. When these pain points are identified, operators can transform potential frustration into seamless enjoyment.

Specific Recommendations

To enhance the Lemon Casino experience, a series of UI/UX improvements can be implemented. The game lobby, for example, could benefit from more intuitive filtering options, allowing players to quickly find their favorite games. Implementing a dynamic search bar that suggests games is a great opportunity. Furthermore, clearly displaying bonus terms and conditions directly within the bonus section—rather than burying them in separate pages—would enhance transparency and build trust.

Drawing inspiration from other leading online casinos, Lemon Casino could also explore gamified tutorials to guide new users through the platform’s features. Such actionable advice, focusing on design changes and UI/UX improvements, would solidify Lemon Casino’s commitment to providing players with the best experience.

Conclusion: Final Verdict and Recommendations

Lemon Casino’s interface presents a mixed bag. Its strengths lie in the readily available game selection and account management features. Navigating through diverse gaming options is relatively straightforward, and accessing personal account details poses no major issues. However, the user experience is undeniably hampered by the occasional glitches and lack of intuitive design choices in certain sections. Finding key information sometimes feels like a treasure hunt, detracting from the overall enjoyment.

In summary, while Lemon Casino offers a functional platform, it falls short of delivering a truly polished and seamless user experience. The fundamental elements are present, but the execution needs refinement. For Lemon Casino, addressing the interface’s inconsistencies, optimizing performance, and prioritizing intuitive design principles are crucial steps toward elevating user satisfaction and attracting a wider audience.

Ultimately, whether Lemon Casino is the right fit for you depends on your tolerance for minor interface imperfections. If you prioritize a vast game selection and are willing to overlook occasional glitches, it might be worth a try. Otherwise, exploring alternative online casinos with a more refined user experience might be a better bet. If you do decide to explore Lemon Casino, approach it with measured expectations.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

New Anthology Examines The Afterlives Of David Bowie And Prince

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‘Blackstar Rising and the Purple Reign,’ edited by Daphne A. Brooks, arrives April 14, 2026 as the first critical anthology dedicated to the legacies of David Bowie and Prince. Spanning 520 pages, the collection brings together essays, interviews, and experimental criticism from writers, scholars, and artists including Greg Tate, Ann Powers, Greil Marcus, Kara Keeling, and Jack Halberstam. The book explores how Bowie and Prince reshaped popular music and culture through their approaches to race, gender, sexuality, performance, and authorship, while interviews with collaborators such as Sheila E. and D.A. Pennebaker provide firsthand perspective. The volume is part of the Refiguring American Music series and will be released in hardcover.

Bruce Springsteen Releases “Streets Of Minneapolis” In Direct Response To Events

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Bruce Springsteen has released a new song, “Streets of Minneapolis,” written, recorded, and shared within days in response to events unfolding in the city. In a statement accompanying the release, Springsteen said the song is “dedicated to the people of Minneapolis, our innocent immigrant neighbors and in memory of Alex Pretti and Renee Good.” Built from acoustic guitar and voice before expanding to a fuller arrangement, the track continues his long tradition of using timely songwriting to address American public life, arriving without advance notice and framed plainly as a gesture of witness and solidarity.


Oh our Minneapolis, I hear your voice
Singing through the bloody mist
We’ll take our stand for this land
And the stranger in our midst
Here in our home they killed and roamed
In the winter of ’26
We’ll remember the names of those who died
On the streets of Minneapolis

O’Keefe Music Foundation Covers Mazzy Star’s “Fade Into You” With Next Generation Talent

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and that’s exactly what happens in this performance from the O’Keefe Music Foundation. Led by 11-year-old vocalist Veronica Seibert, the song is handled without drama or display, her delivery calm and direct, the band content to let the melody and space do the talking. It’s not about imitation or reinvention, just an understanding of why the song still lingers more than thirty years on.

Melanie Martinez Unleashes “POSSESSION” And Signals A Bold New Era

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Today, Melanie Martinez returns with “POSSESSION,” a candy-coated gut punch from the multi-platinum, multi-hyphenate global alt-pop phenomenon. With razor sharp lyricism tucked inside glossy melodies, the track peels back the ways power can masquerade as love. The song is haunting, satirical and spotlights Melanie’s trademark blend of charm, mischief and bite.  Welcome to Melanie Martinez’s new world order – Cry Baby is dead.

With 30 billion+ global streams, 5.54 billion official YouTube views and 62.2 million+ followers across platforms, Melanie Martinez has stretched, shaped, and molded alternative pop into an immersive, innovative, and inimitable world of her own design. Since emerging in 2012, the New York-born Latin-American singer, songwriter, director, and visionary has not only blurred the lines between genres, but also between reality and fantasy, beckoning audiences into the warm embrace of her singular artistry. Martinez broke ground with her iconic 2015 debut LP, CRY BABY. The 2x-Platinum album, celebrated its 10th anniversary last year and is mother to the 3x-Platinum “Dollhouse,” 2x-Platinum staples “Pity Party,” “Play Date” “Pacify Her,” “Carousel,” “Mad Hatter,” and “Soap,” and Platinum favorites “Training Wheels,” “Sippy Cup,” “Alphabet Boy,” and “Tag, You’re It.” After vaulting to #6 on the Billboard 200, this debut has gone on to log 208 non-consecutive weeks on the chart. In its wake, she notched two consecutive Top 3 debuts on the Billboard 200 with the Platinum-certified K-12 (2019) and PORTALS (2023).  All three albums debuted #1 on the Billboard Alternative chart.  Upon release of K-12 Melanie also made her film debut with an accompanying musical of the same name which upon its release was #6 at the box office world-wide.  On her tour for this record, she donated a dollar of every ticket to The Trevor Project.  PORTALS debuted on The Billboard 200 at #2 and spawned “VOID” and “DEATH,” her first original songs to debut on the Billboard Hot 100.   2023 also saw Melanie release a perfume line in partnership with Flower Shop Perfumes.  This is after her original perfume, CRY BABY, which was self-released in 2016, was a sold-out success. The collection has since expanded to include candles, body sprays, and perfume pendants.  Her fragrances have quickly emerged as a standout in the category, ranking among the top five best sellers at ScentBar, the nation’s leading indie fragrance retailer.  In 2024, Martinez embarked on her first-ever global arena headline tour, The Trilogy Tour, packing legendary venues on multiple continents, including sold-out successive nights at NYC’s Madison Square Garden.  2024 also saw the artist headline the world-famous Lollapalooza Festival in Chicago and the Corona Capital Festival in Mexico City.

Dion And The Belmonts Reunite On ‘Together Again’ After Nearly Six Decades

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Dion & the Belmonts return to the spotlight with the long-awaited digital release of ‘Together Again,’ now streaming for the first time in 59 years. Originally recorded in 1966 at Regent Sound in New York and released in January 1967, the album captures a rare reunion between Dion DiMucci and his original group, Fred Milano, Carlo Mastrangelo, and Angelo D’Aleo. Available now in its original mono mixes, the eleven-track collection traces a moment when the group’s classic harmonies met the shifting sounds of the singer-songwriter era. The release stands as a vital document of a legendary group in transition, and it resonates as a richly rewarding listen.

Reflecting the changing musical landscape, ‘Together Again’ features four Dion originals alongside an eclectic set of covers and outside compositions. Highlights include Bob Dylan’s “Baby You’ve Been On My Mind,” “For Bobbie,” written by H.J. Deutchendorf before he emerged as John Denver, and the Brazilian classic “Berimbau.” Dion recalls, “I had written a group of songs and I thought it would be fun and interesting to record them with my Bronx boys as Dion & the Belmonts.” The album also includes “My Girl The Month of May,” later covered by members of Fairport Convention and Fotheringay, and “All I Wanna Do” by Mort Shuman, whom Dion calls “my blessed friend.”

Dion & The Belmonts – Together Again Track Listing:
Movin’ Man
Berimbau
Come To My Side
All I Wanna Do
But Not For Me
New York Town
Loserville
For Bobbie
Jump Back Baby
Baby You’ve Been On My Mind
My Girl The Month Of May

Goldie Boutilier, Daniel James McFadyen, Cassie And Maggie, And Mallory Johnson Lead 2026 ECMA Nominations

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 The East Coast Music Association (ECMA) is pleased to announce the 2026 ECMA nominees for the 38th annual East Coast Music Awards, celebrating the best in East Coast music and industry excellence.

The East Coast Music Awards: Festival & Conference will take place in Sydney, Nova Scotia, from May 20–24, 2026, and will include the East Coast Music Awards Gala presented by Rogers, along with festival performances, industry programming, and networking events.

The five-day celebration will feature performances, industry conferences, and international networking opportunities, highlighting the depth and diversity of East Coast music talent.

Leading this year’s nominations is Goldie Boutilier with seven, followed by Daniel James McFadyen with six, and Cassie and Maggie and Mallory Johnson with five nominations each. A full list of nominees follows. Together, this year’s nominees represent a wide range of genres, communities, and regions, reflecting the ongoing strength and diversity of East Coast music.

“Nova Scotia has a proud tradition of diverse musical talent, which is why we’re proud to support the ECMAs again this year. Welcoming outstanding Atlantic Canadian musicians, along with their teams and fans, will kick off five days of celebration across Sydney. The ECMAs are more than an awards show — they’re an opportunity to learn, connect, and reflect upon the cultural, social, and economic impact of East Coast music.”
— The Honourable Dave Ritcey, Minister of Communities, Culture, Tourism and Heritage

The marquee event of ECMA 2026 is the 38th annual East Coast Music Awards Gala presented by Rogers. The Gala will take place on Thursday, May 21, at Centre 200 in Sydney, Cape Breton.

“The passion for music in Canada’s Atlantic provinces is incredibly powerful,” said Edith Cloutier, President, Atlantic Canada. “Rogers is proud to continue to support the East Coast Music Festival, including the talented artists, deep cultural roots, and unique storytelling that it brings to Sydney, Nova Scotia.”

Public voting for 2026 TD Fans’ Choice Entertainer of the Year and 2026 TD Fans’ Choice Video of the Year begins January 28 and closes March 31, 2026. Fans can vote online at ECMA.com.


“For more than 10 years, TD has been proud to support the ECMAs as it commemorates and elevates the incredible talent that defines Atlantic Canada’s music scene. At TD, we understand the power of music to break down barriers and spark connections that unite communities. The ECMAs create the stage for the diverse artists of this region to tell their stories and inspire audiences, and we are thrilled to be a part of this year’s celebration.”

— Jenn Auld, Vice President, Atlantic Region, TD Canada Trust

Returning home to host the Awards Gala are Sydney favourites Bette MacDonald and Maynard Morrison. The award-winning performers and longtime collaborators are well known for their work in television, theatre, and live performance, and bring a strong connection to Cape Breton audiences and East Coast culture.

Tickets for the 38th annual East Coast Music Awards Gala presented by Rogers are on sale now at ECMA.com. The Gala will also be live-streamed worldwide at ECMA.com.

The 2026 East Coast Music Award & Industry Award nominees are as follows:

Artiste acadien(ne) ou francophone de l’année
• HieroPhunk & Wuzzô
• Jacques Surette
• Kristen Martell
• La famille LeBlanc
• Pierre Guitard

African Canadian Artist of the Year
• Blessing Tangban
• Judith Ifeadi
• JupiterReign
• Mayaya
• Michael J Foxx
• Rightflow

Album of the Year
• Cassie and Maggie – Gold and Coal
• Daniel James McFadyen – Back to the Country
• Goldie Boutilier – Goldie Boutilier Presents… Goldie Montana
• Kellie Loder – Transitions
• Morgan Toney – Heal The Divide
• The Irish Descendants – Those Were The Days

Blues Release of the Year
• Aging Disgracefully – Shatter the Mirror
• Angelo Spinazzola – Harp-Centric
• Geoff Arsenault – Hired Hand
• Jon Hines – Memphis Sun
• JP LeBlanc – All In My Blood / Je l’ai dans l’sang

Breakthrough Artist of the Year
• Ben Chase
• Elyse Aeryn
• Goldie Boutilier
• Lindsay Misiner
• Robert Thomas and the Sessionmen
• Sean Michael Ryan

Children’s Artist of the Year
• Donna & Andy
• Heather Feather
• Molly Whuppie
• Port-Aux-Poutines
• Sugarwoods

Classical Release of the Year
• Catherine Little & Greg Myra – Light and Dark
• Duo Concertante – MAIER FRANCK SCHUMANN: Sonatas for Violin and Piano
• India Gailey – Butterfly Lightning Shakes the Earth
• Jean-Guy Boisvert – Album pour la jeunesse XXI
• Jennifer King – Souvenance

Classical Composer of the Year
• Amy Brandon
• Andrew Staniland
• Bekah Simms
• Jason Noble
• Jim O’Leary

Country Release of the Year
• Danny Drouin – Five O’clock Shadow
• Jamie Fontaine – Jamie Fontaine
• Mallory Johnson – Over the Party
• The Mainlanders – Just About Ready
• The Martin Boys – Burn the Boats

Dance Release of the Year
• Apryll Aileen – Take Me
• Cloverdale – Dream Operator
• PINEO & LOEB – Love Yourself
• potem – What I Gotta Be
• Will Rad – Wonderland

Electronic Release of the Year
• Andrew Staniland – Dancer Portrait No. 4
• Green Eyes, Witch Hands – Gin
• HieroPhunk & Wuzzô – Fait de Terre
• Lee Rosevere – Float (Part 3)
• Rich Aucoin – Frequency Modulation

2026 TD Fans’ Choice Entertainer of the Year
• Andre Pettipas
• Bailey Jordan-Neil
• Cassie and Maggie
• Charlie A’Court
• Daniel James McFadyen
• DeeDee Austin
• Goldie Boutilier
• Kellie Loder
• Mallory Johnson
• Rachel Cousins
• Richard Wood

2026 TD Fans’ Choice Video of the Year
• Aaron MacDonald – Beaches and Bands
• Ben Chase – Small Town Talking
• Brett Matthews – Lucky Ones
• Burry – TV Glow
• Daniel James McFadyen – Landmine
• Elyse Aeryn – Unstoppable
• Goldie Boutilier – Favorite Fear
• Justin Fancy – Break My Heart Again
• Kellie Loder – When We Kiss
• Mallory Johnson – fck that

Folk Release of the Year
• Daniel James McFadyen – Back to the Country
• Joel Plaskett – One Real Reveal
• Lennie Gallant – Shelter From the Storms
• Logan Richard – Character Traits
• Mallory Johnson – Over the Party

Fusion Release of the Year
• Claire Porter – Time Alone
• Diana Delirio – Junto a mí
• Jason Noble & Steve Cowan – Folk Suite
• Morgan Toney – Golden Regalia
• Sacred Wolf Singers & Simon Walls – Powwow Crow Hopper

Global Music Release of the Year
• Ana Luísa Ramos – Clareia (Live)
• Dee Hernandez – Danzón
• Diana Delirio – Junto a mí
• HieroPhunk – Dragon Bone
• XIA-3 – Interworlds

Group of the Year
• Cassie and Maggie
• Les Hay Babies
• Nick Earle & The Reckless Hearts
• The Irish Descendants
• Two Hours Traffic
• XIA-3and Steve Cowanand Steve Cowanand Steve Cowan

Indigenous Artist of the Year
• Bailey Jordan-Neil
• Gearl
• Joseph Rue
• Little Stone Crow
• Morgan Toney
• Summer Bennett

Instrumental Release of the Year
• Adam Cicchillitti and Steve Cowan – Lyrique
• Andrew Staniland – The Laws of Nature
• Jennifer King – Souvenance
• Joel Miller – What If?
• Richard Wood – Richard Wood Live! An Evening of Celtic Music

Jazz Release of the Year
• Atlantic Jazz Collective feat. Norma Winstone & Joe LaBarbera – Seascape
• Claire Porter – Time Alone
• Joe Bowden – Music Is Life
• Joel Miller – What If?
• Kevin Brunkhorst – After the Fire

Loud Release of the Year
• Dali Van Gogh – Wicked Way
• Direwolf – Thunder Calls
• The Order of the Precious Blood – Dark Hallucinations
• Thunderor – Cape Breton Home
• Where Giants Once Stood – Dead To You

Pop Release of the Year
• Brett Matthews – Lucky Ones
• DeeDee Austin – Somebody New
• Logan Richard – The Grass Is Blue (Everywhere I Go)
• Maggie Andrew – How to Sing for Money
• Rachel Cousins – Nora

Producer of the Year
• Aaron Lewis
• Clint Curtis
• Cloverdale
• Colin Buchanan
• Daniel Adams

R&B / Soul Release of the Year
• Demixx – MY MEDICINE
• Judith Ifeadi – Fooling Me
• JupiterReign – All Mine
• Lindsay Misiner – I Saw an Angel
• Mayaya – Tha Vodou

Rap / Hip-Hop Release of the Year
• Gearl – Gearl Ji’j
• HINCH – Poetry Is the Art of Death
• Michael J Foxx – Off the Stoop Vol. 1
• Siddhu Sneh – i am
• Todd. – Plus One

Release of the Year
• Ben Chase – Saltwater Cowboy
• DeeDee Austin – Somebody New
• Elyse Aeryn – Unstoppable
• Kelly McMichael – Open (Hurts to Have a Heart)
• Mallory Johnson – the circus
• Rich Aucoin – Synthetic: Season 4

Rock / Alternative Release of the Year
• Absolute Losers – In the Crowd
• Goldie Boutilier – Goldie Boutilier Presents… Goldie Montana
• Nick Earle & The Reckless Hearts – Nostalgia Attack
• Strange Plants – Strange Plants
• Two Hours Traffic – I Never See You Anymore
• XIA-3 – Interworlds

Roots Release of the Year
• Cassie and Maggie – Gold and Coal
• Charlie A’Court – San Palarino
• Mike McKenna Jr. – Smokey Mountain High
• Morgan Toney – Heal The Divide
• Robert Thomas and the Sessionmen – The Way We Roll
• Shane Pendergast – Winter Grace

Solo Artist of the Year
• Daniel James McFadyen
• Goldie Boutilier
• Kelly McMichael
• Logan Richard
• Maggie Andrew

Songwriter of the Year
• Carleton Stone
• Daniel James McFadyen
• Goldie Boutilier
• Kellie Loder
• Maggie Andrew
• Rachel Cousins

Traditional Release of the Year
• Cassie and Maggie – Gold and Coal
• La famille LeBlanc – Perdrais-je mon temps…
• Matthew Byrne – Stealing Time
• Richard Wood – Richard Wood Live! An Evening of Celtic Music
• The Irish Descendants – Those Were The Days

INDUSTRY AWARD CATEGORIES

Artist Management of the Year
• Faye Williams
• Hilda Cousins
• Jayden Duplessis (NoLoveNorthern)
• Nik MacDonald
• Roger Lockyer
• Tiffany Martin

Event of the Year
• Celtic Colours International Festival
• Lawnya Vawnya 15
• Lunenburg Folk Harbour Festival
• Makin’ Waves
• The Shediac Lobster Festival / Le Festival du homard de Shediac

Innovator of the Year
• Ben Chapman-Smith Music
• Chuck Boudreau
• Eirinn Fraser
• Katrina Lopes
• The Marigold Cultural Centre

Media Excellence Award
• Andrew Shaver
• Darcy Walsh
• Greg Smith
• Matt Harris
• Richard Lann

Recording Engineer of the Year
• Jamie Foulds
• John D.S. Adams
• John Mullane
• Matt Dines
• Mike “Sheppy” Shepherd

Technical Excellence Award
• Ben Czenze
• Devin Farrell
• Donnie MacNeil
• Nick Decker

Venue of the Year
• Chester Playhouse
• Colaisde na Gàidhlig / The Gaelic College
• Sanctuary Arts Centre
• The Majestic Theatre
• The Ship Pub

Visual Artist of the Year
• Anita Cazzola
• Ashley Anne Clark
• Max Kearns
• Richard Lann
• Sandra-Lee Layden