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What’s In Their Gig Bag? 15 Things Touring Artists Swear By

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By Mitch Rice

When you’re constantly on the road, bouncing between green rooms, cramped vans, sticky airport lounges, and noisy hotel hallways, your gear isn’t just about the stage anymore. For touring artists, whether they’re lighting up festival crowds or grinding through a bar circuit, the gig bag becomes sacred ground. It’s part survival kit, part sanctuary.

From voice-keeping tools to peace of mind protectors, cannabis-friendly artists have adapted their essentials to cater to both their lifestyle and the beat of the road. And no, it is not all about guitar strings and throat sprays any longer. Today’s touring musician brings smart, personal, and purposeful items to ensure the tour is a success while relaxing.

Let’s unlock that bag and dig in.

Portable Vaporizer for Cannabis Usage

For creatives who have made cannabis a part of their health regimen or art practice, discretion and ease are paramount, particularly while traveling through states or nations with patchy legislation. A vaporizer that’s easily transportable makes all the difference. Small, scent-containing, and powerful, it’s perfect for backstage meditations, road trips, or reading at home after the gig.

As opposed to joints or pipes, which will attract attention or leave behind smoke odors, a portable vaporizer enables musicians to remain earthy without sharing it. The most effective ones are polished, battery-friendly, and can vape flowers or concentrate. It’s a tiny bit of technology that becomes the gig bag’s unseen hero, assisting with pain management, anxiety, or just unwinding after an adrenaline-fueled set.

Cannabis-Infused Topicals

From carrying amps to playing under hot lights, the physical impact on a touring musician is real. Numerous performers have resorted to CBD or cannabis-infused salves and balms to relieve tension and soreness. Used on the neck, back, or legs following load-in or an extended set, these topicals provide localized pain relief without psychoactive consequences.

They swear by them not only for pain but also to avoid muscle exhaustion through consecutive show nights. Vocalists, in particular, have formulations administered to the jawline or shoulders to assist in eliminating tension that gets in the way of breath and tone. Because topicals don’t get absorbed into the bloodstream, they’re perfect for artists who desire the effects of cannabis without the “high.”

Personal Vocal Mic

Most places have microphones available, but a lot of vocalists like to use their own. Personal mics tend to be better cared for, cleaner, and fitted to the singer’s voice. And, having your own mic eliminates hygiene issues, a big plus when gigging several nights a week.

Some musicians also employ mics with integrated switches or particular tonal properties that are similar to their tone. Bringing your own guarantees consistency on stage and confidence.

Mini Humidifier (Specifically for Singers)

Traveling through climates, from steamy city streets to desert mountain towns, can destroy the voice. A mini travel humidifier is a must, particularly for singers. It maintains healthy voices by moistening hotel and bus room air, avoiding dry throat and hoarseness.

Some artists even operate them while sleeping or pre-gig preparation, employing distilled water for clean vaporization. Coupled with good vocal care, this little device serves to increase vocal stamina on long tour legs.

CBD Gummies for Travel Anxiety and Sleep

A good night’s sleep while on tour is a mythical quest. Stifling bunks, overnight load-outs, and early morning flights conspire against getting some rest. CBD gummies come to the rescue, a favorite among musicians attempting to manage their nervous system. Unlike THC edibles, which are too strong or up-in-the-air, CBD gummies are chill and controllable.

Some artists employ them for pre-show anxiety, others as a way to chill out without the use of sleeping meds or booze. They are also useful for long flights or bumpy van rides. Small, easy to measure, and legal everywhere, but with maybe a few nuances here and there, they’ve become a staple in gig bags around the globe.

Noise-Canceling Headphones

From cacophonous airports to packed vans, quietness is a luxury on the road. Noise-canceling headphones assist artists in creating space for themselves wherever they go. Whether to focus on mixes, hear podcasts, or flee the madness with a moment of peace, these headphones provide mental relief.

For most musicians, they’re also an integral component of pre-show rituals, ringing into a carefully curated playlist, rehearsing setlists, or simply taking a moment to breathe.

Tuner Pedal or Clip-On Tuner

Few things destroy a set quicker than being out of tune. For guitarists, bassists, and even violinists, a small tuner is a must-have gig bag staple. Pedal tuners are ideal for live performances, but most artists also have a clip-on tuner as a quick, no-drama backup.

They’re battery-driven, precise, and ideal for tuning in dim green rooms or between sets when pedalboards aren’t handy.

Extra Batteries and SD Cards

If you’re using wireless gear, tuners, or portable recorders, batteries are your lifeline. Many artists keep a stash of AA, AAA, and 9V batteries on hand, sometimes even labeled with the gear they belong to.

SD cards are also vital for musicians who record live performances, loop shows, or film on tour. A dead battery or full card can result in a missed great capture. Battery storage is often provided by gig bags with zippered compartments.

Reusable Water Bottle with Built-In Filter

Hydration is crucial when you’re constantly performing, traveling, and spending time under stage lights. Many artists carry reusable water bottles, often with built-in filters. These allow for safe drinking no matter where the road leads, be it a rural gas station or backstage tap.

Staying hydrated also helps with vocal quality, muscle recovery, and focus. Bonus: it cuts down on single-use plastic, something increasingly important to eco-conscious artists.

All-in-One Power Bank

To lose charge in the middle of a tour is a nightmare. With phones serving as GPS, setlist readers, recording stations, and communication centers, a good power bank is essential. Touring performers tend to carry high-capacity, multi-port power banks that can charge a phone, wireless earbuds, and even a tablet simultaneously.

It’s not just a convenience; it’s a backup plan. When you’re switching cities every day, access to a wall plug isn’t always guaranteed.

Mini First-Aid & Wellness Kit

Minor injuries, headaches, sore throats, or even an allergy attack can strike mid-tour, and when they do, there’s rarely a pharmacy within reach. That’s why most artists carry a mini wellness kit with them. It typically consists of painkillers, throat lozenges, Band-Aids, electrolyte powders, eye drops, and hand sanitizer.

Others add turmeric or vitamin C packets to help ramp up immunity on busy travel itineraries. It’s not sexy, but when you do need it, you need it badly.

Travel Fitness Kit or Folding Yoga Mat

It’s challenging to stay physically and mentally fit while traveling. For this reason, most creatives carry foldable yoga mats, resistance bands, or lightweight workout equipment like massage balls.

These enable rapid stretches in hotel rooms or green rooms, post-show relaxation, or even entire workouts between towns. The body can get tired during touring, and these little tools prevent exhaustion while maintaining energy levels per performance.

Journal or Songwriting Notebook

Your life is an onslaught of emotions, such as loneliness, excitement, inspiration, and fatigue. Most artists work through it all by writing. From lyrics and poems to random musings, a notebook easily finds its way into their bag.

It’s a creative escape and a therapeutic exercise. And unlike apps or digital notes, handwriting puts things in slow motion, something that happens less in the flurry of life on the road.

Foldable Yoga Mat or Travel Fitness Equipment

It’s challenging to remain physically and mentally fit while traveling. It is for this reason that most artists carry foldable yoga mats, resistance bands, or portable fitness equipment like massage balls.

These enable rapid stretches in green rooms or hotel rooms, wind-downs after the show, or full workouts between cities. Touring is hard on the body, and these little tools prevent burnout while maintaining energy levels for each show.

A Sharpie or Two

It may seem elementary, but a Sharpie is an MVP gig bag. From signing merchandise to marking setlists or jotting down last-minute reminders, musicians use it all the time. Some have even stashed various colors to cue set changes or sound notes.

It’s the type of device you don’t know you need until you do need it.

Backstage Aromatherapy with Cannabis-Friendly Oils

A few traveling musicians swear by essential oil rollers or sprays that mix relaxing herbs with cannabis terpenes, substances such as linalool (lavender) or myrcene (present in mango and cannabis) that boost the entourage effect.

A couple of swipes on the temples or wrists backstage can relax, enhance concentration, or establish a soothing mood before performing. These oils complement the effects of marijuana, enhancing benefits such as relaxation or clarity without requiring additional consumption.

During cramped green rooms filled with frenetic energy, these oils serve as phantom protection.

Final Thoughts

Touring life is exciting, but it’s hard on the body and mind. For cannabis-tolerant performers, including CBD and cannabis gear in their show bag isn’t a matter of indulgence; it’s a matter of survival, creativity, and health.

Whether it’s a transportable vaporizer providing discreet recovery, a journal to tap into self-awareness or a humble tea to drink before bed, each piece has its use. The ideal gig bags aren’t merely functional; they’re deliberate. Constructed not only for the gig but for the artist himself.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

The Benefits of CFD Trading: A Flexible Approach to Financial Markets

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By Mitch Rice

Contracts for Difference (CFDs) have gained immense popularity among traders worldwide due to their flexibility, accessibility, and potential for significant profits. If you’re interested in trading forex, stocks, commodities, or indices, understanding the benefits of CFD trading can help you decide whether this trading method is right for you. In this article, we’ll explore the advantages of CFDs and how they can enhance your trading strategy.

Understanding CFD Trading

CFD trading allows traders to speculate on the price movements of assets without actually owning the underlying asset. Instead of purchasing an asset, such as a stock or commodity, you enter into an agreement with a broker to exchange the difference in the asset’s price between when the contract is opened and when it’s closed. If the price moves in your favor, you make a profit; if not, you incur a loss.

Unlike traditional stock trading, where you buy and sell the physical asset, CFD trading lets you trade on price fluctuations in real-time. It’s available in multiple markets such as forex, indices, commodities, and more. Learn more about what is CFD trading.

CFDs are particularly appealing to modern traders because they reflect market sentiment almost instantly. Instead of waiting for settlement periods or the need to convert physical shares, CFDs provide direct exposure to market movement. This allows for more dynamic strategies and quicker reaction to breaking news or geopolitical events.

7 Benefits of CFD Trading

1. Leverage: Maximize Your Potential with Smaller Capital

One of the most compelling reasons to trade CFDs is the ability to use leverage. Leverage allows you to control a larger position than the initial margin you deposit. For example, a 10:1 leverage ratio means that for every $1 of your own capital, you can control a $10 position. While leverage increases the potential for profits, it also amplifies risks, so it’s important to use it judiciously.

Leverage is particularly useful for day traders or swing traders who aim to capture small but frequent movements in the market. However, it’s essential to understand margin requirements and be prepared for margin calls in volatile markets.

2. Access to a Wide Range of Markets

CFDs give traders access to a variety of markets without owning the underlying asset. You can trade a diverse range of instruments, including:

  • Forex: Major currency pairs such as EUR/USD, GBP/USD, and USD/JPY.

  • Commodities: Precious metals like gold and silver, oil, and agricultural products.

  • Indices: Popular indices such as the S&P 500, Dow Jones, and NASDAQ.

  • Stocks: Companies’ stock prices across global exchanges, such as Tesla, Apple, and Amazon.

This allows you to diversify your portfolio and trade in different asset classes to capitalize on opportunities across global markets. For example, during high inflation periods, commodities might offer better returns than equities, giving you an option to pivot strategies without changing platforms.

3. No Ownership Required

CFD traders do not need to own the underlying asset. This means you can trade stocks, commodities, and forex without needing to buy the actual asset. For example, when trading CFDs in Canada on oil or gold, you don’t need to physically own barrels of oil or bullion bars; you’re simply speculating on the price movement.

This lack of ownership also means no storage costs, no delivery logistics, and fewer regulatory restrictions, making it especially attractive for retail traders and those looking to quickly move in and out of positions.

4. Ability to Short Sell

One of the key advantages of CFD trading is the ability to short sell, or profit from falling prices. In traditional investing, short selling can be difficult and comes with certain restrictions. But with CFDs, shorting is as simple as buying.

For example, during earnings season, if you expect a company to release disappointing results, you can short the CFD on that stock and potentially profit from a price drop. This two-way market access helps traders navigate both bull and bear markets effectively.

5. Lower Transaction Costs

CFD trading typically comes with lower transaction costs compared to traditional stock trading. Most CFD brokers charge a spread (the difference between the buy and sell price) rather than a commission. This can make it more affordable to trade frequently or with smaller amounts of capital.

Moreover, since many brokers offer tight spreads and competitive pricing, CFD traders can maintain cost efficiency even during volatile periods. Active traders particularly benefit from the scalability and low-cost nature of CFDs.

6. Hedging Opportunities

CFDs can be an effective tool for hedging. For instance, if you hold a position in a stock but fear a short-term drop in its price, you can open a CFD position to hedge your risk. This can protect your portfolio from downside risk while still allowing you to participate in upward movements.

Traders also use CFDs to hedge against forex exposure or to balance risks in emerging markets. The versatility of CFD instruments makes them a go-to option for tactical portfolio management.

7. Flexibility in Trading Hours

CFDs are available to trade 24 hours a day, five days a week, mirroring the operating hours of the global financial markets. This offers flexibility for traders who want to take advantage of different market conditions. The ability to trade during off-hours, such as after the market closes, allows traders to react to global events that might influence the price of their chosen assets.

For instance, traders in South Africa can access the London and U.S. trading sessions through CFD platforms, giving them the flexibility to engage with global news as it unfolds. This flexibility is particularly beneficial to people with full-time jobs who wish to trade part-time in the evenings.

Practical Example: CFD Trading in Different Regions

  • South Africa: Traders in South Africa often take advantage of the overlap between the London and U.S. sessions, which aligns with local evening hours. Since South Africa’s time zone is close to Europe, it makes it easier to react to European economic data. CFDs on forex, indices, and commodities are widely traded here.

  • Canada: Canadian traders benefit from access to U.S. markets, often trading CFDs on U.S. stocks, oil, and gold. The Canadian dollar’s correlation with commodities makes energy and resource-based CFDs particularly popular.

  • Latin America: In Latin American countries like Brazil and Mexico, traders often use CFDs to access global markets that are otherwise limited through local exchanges. Trading hours for major sessions (London and New York) are also well-aligned with Latin American daytime schedules, facilitating broader participation.

Risks of CFD Trading

While CFD trading offers numerous advantages, it’s important to note that it carries significant risks, particularly due to the use of leverage. Losses can exceed your initial deposit if the market moves against you.

Key Risk Factors:

  • Market Volatility: Sudden price changes can trigger stop-outs or margin calls.

  • Overleveraging: High leverage increases both profits and losses.

  • Broker Risk: Not all CFD brokers are regulated—always choose brokers with strong regulatory credentials.

  • Psychological Pressure: The speed and flexibility of CFD trading can lead to emotional trading and impulsive decisions.

Traders should implement risk management strategies such as using stop-loss orders, not using excessive leverage, and sticking to a consistent trading plan. It’s also advisable to start with demo accounts before committing real money.

Conclusion

The benefits of CFD trading are numerous, offering traders the ability to diversify their portfolios, access a wide range of markets, and take advantage of both rising and falling prices. With features like leverage, short selling, and flexible trading hours, CFDs offer a dynamic alternative to traditional investing.

However, as with any financial instrument, it’s crucial to approach CFD trading with knowledge, discipline, and a strong risk management plan. Whether you’re a trader in South Africa taking advantage of global sessions or someone in Canada hedging against local market swings, CFDs provide a powerful way to participate in today’s fast-moving financial markets.

By understanding how CFDs work and carefully applying risk controls, you can maximize your potential while protecting your capital—a balanced strategy that defines long-term success in trading.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Top Restaurants Table Design

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By Mitch Rice

1. THE CLASSIC BOOTH

Can a booth be used in place of a table? If you’ve ever served as a hostess, you’re probably accustomed to customers asking you this question as they approach your dining area. And when you consider that, it makes sense why they are so well-liked. All ages of diners will enjoy a warm, cozy, and comfortable dining experience in a booth. They allow visitors more space to spread out and provide a sense of solitude and seclusion. As servers only approach them from one side, they reduce traffic, making them a fantastic choice for restaurants with narrow aisles.

While booths often have higher upfront expenses, they cost less in the long run. Choosing booths for your restaurant can also save you room and enable you to increase the capacity of your establishment because a four-person booth only requires around 3,000 square inches of floor space, compared to upwards of 5,000 for a table for four with chairs and a base.

2. THE PICNIC STYLE BANQUET TABLE

The usage of large picnic or banquet-style tables in pubs and restaurants’ dining rooms is one of the more informed choices that has grown in favor in recent years. These lengthy banquet tables are frequently seen as being employed in huge, informal settings like breweries and beer halls. 

Larger gatherings can be accommodated more easily at banquets and long picnic tables since people may select how much personal space they need. Additionally, their size and informal atmosphere enable smaller restaurant tables patron to interact and dine together when different groups don’t use them.

As shown in the photo below, the Harpoon Brewery in Boston does an excellent job using picnic or banquet-style tables. They are a fantastic illustration of selecting table designs that support your brand. The space’s ambiance would have been significantly altered if they had made a different choice, such as coffee or booth tables.

3. HIGH-TOP TABLE STOOL

You could use raised tables and stools for your dining area for the most versatility. If a party of seven or eight enters with a table for six, the extras may join by standing at the table or grabbing a stool.

High-top tables allow for greater physical flexibility and promote social interaction among bigger groups of individuals. With table tops, you can increase the seating capacity at each table or move the tables closer together to make it easier for guests to enter or exit the gathering.

The typical use for high tops and stools is the “after-work-drinks” hotspot, where employees can come and go after their shifts. As was previously discussed, you want your tables to contribute to the ambiance of your restaurant. High tops with stools are a terrific way to convey that laid-back tone in more informal pop-in, pop-out establishments. With this kind of seating, parties may cluster around a few high tops, engage in conversation, munch on snacks, and sip a few drinks.

However, there have been criticisms about how comfortable stools are, particularly at full-service/fine-dining establishments where patrons sit down to enjoy a meal.

Small and uncomfortable seats are partially undetectable and frequently seen as an attempt to urge customers to move more quickly. Eater claims that modern restaurateurs purposefully create an unpleasant environment in their eateries due to space limitations and turning tables. If your restaurant wants to do that, then by all means, arrange the stools in this manner. Otherwise, you should invest in more traditionally comfy chairs if you are worried that your guests will be uncomfortably seated.

We Are Scientists Drop Reflective New Single “What You Want Is Gone” Ahead of ‘Qualifying Miles’

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We Are Scientists today share “What You Want Is Gone,” the third single from their upcoming album Qualifying Miles, out July 18 via Groenland Records. The band has also announced today that their album release show will be at Brooklyn’s Union Pool (484 Union Ave, Brooklyn, NY 11211) on July 30th.

Built around a melancholic and cascading lead guitar riff that loops and evolves, the track moves between soft restraint and big climaxes. There’s a nod to 2000s indie ballads while singer and guitarist Keith Murray’s vocals are direct and open, carrying a sense of hope and regret in the track’s repeating lyric: “You can’t just wait around for what you want / if what you want is gone.”

On the track, Keith says: “I spent a lot of my early songwriting career celebrating the benefits of total passivity. A bunch of songs off of our first album, like ‘Nobody Move, Nobody Get Hurt,’ ‘The Great Escape,’ and ‘Inaction,’ are essentially manifestos on my overarching emotional philosophy back then, which was basically that, in life, it wasn’t really the destination or the journey, but rather the tension just before the journey begins that was most delicious. Well, it only took me like 20 years to realize that young Keith was kind of an idiot. I mean, I guess I did know that then, too. but I was simply more willing to indulge that idiocy. Plus, I was drinking with Chris Cain [bassist] at Lit Lounge in Manhattan like six nights a week, so my decision-making skills were low. I’m still a coward, yes, and I’m still fairly risk-averse, but I now at least believe that shooting your shot while you’ve still got the chance is a laudatory move. I probably should’ve been listening to more self-help podcasts, all this time.”

The accompanying video is made up of live and tour footage, showing the band in their element. The band invited fans on their recent EU tour to share video footage of the song’s first live performances and combined it with their own behind-the-scenes content. The result is a stripped-back, intimate portrait of the band on tour.

And on the video, Keith offers: “We’ve always thought the song’s vibe suggested some kind of road movie, but we became discouraged when Gronland rejected a €35 million budget we submitted to remake Thelma & Louise. Then, as we were starting an EU tour in April, we realized that at each night’s show we’ve got a roomful of cinematographers already equipped with really good cameras, and that we could dragoon them into shooting our movie for us. We added a little bit of spice shot backstage and on days off, dove into the edit, and it started to dawn on us that we had beaten Ridley Scott at his own game, and at virtually no cost. Now, we’re in talks with Ridley’s production company to receive a free BluRay copy of Thelma & Louise – possibly signed.”

Qualifying Miles is a return to the music that shaped the band’s childhoods, with echoes of ’90s guitar music threading throughout the project. With their trademark danceable, razor-sharp hooks and witty lyricism, the record is the sound of a band revisiting their roots while interrogating the distance they have traveled. It follows two previous self-produced albums Huffy (2021) and Lobes (2023), which were beloved by fans and critics alike for their ambitious experimentation with studio production and expanded sonic palettes. A sharp, reflective ninth studio album that trades studio maximalism for raw immediacy, Qualifying Miles explores themes of loss, memory, and the half-haunting pull of the past. And that’s what makes the record so compelling: it feels instinctive, unfiltered, and human – the kind of record only a band this experienced and self-aware could make.

The Band CAMINO Announce New Album ‘NeverAlways’ and Massive World Tour

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The Band CAMINO is back and bigger than ever. The Nashville-based trio – Jeffery Jordan, Spencer Stewart, and Garrison Burgess – have officially announced their forthcoming third studio album NeverAlways, arriving July 25th via Atlantic Records. The 11-track collection is previewed today by new tracks and videos: “Stupid Questions” & “Hates Me Yet (222).”

“Both ‘Stupid Questions’ and ‘Hates Me Yet (222)’ came from a similar headspace – that spiral you slip into when you care a little too much and think a little too hard,” explains Jeffrey Jordan. “We wanted these songs and their visuals to capture the way overthinking can feel both ridiculous and heavy at the same time.. two sides to the same door, except one’s a smirk and the other’s a blow to the chest.”

The band has also announced their NeverAlways fall headline tour, kicking off October 10th in Atlanta, GA with stops at Los Angeles’ Hollywood Palladium on October 23rd and New York’s Brooklyn Paramount on November 11th ahead of European and Australian legs continuing through February 2026. Ticket pre-sales begin Tuesday, June 24 with general on sale next Friday, June 27th.

The NeverAlways era kicked off with “Infinity,” co-written with longtime collaborators Seth Ennis and Schmidt (capturing the classic CAMINO sound first heard on hit singles “Daphne Blue” and “See Through”) and “Baggy Jeans,” co-written with Captain Cuts. The forthcoming album also features collaborators Jonah Shy (Role Model, Shawn Mendes) & Gabe Simon (Noah Kahan, Gracie Abrams).

“All at once, the music is the juxtaposition of who we’ve been, where we’re going, and where we’re headed,” Jordan continues. “We wouldn’t have made this record five years ago. It’s a perfect snapshot of what we’re listening to, how our tastes have matured, and how we’ve evolved. We’re continuing to take people on a journey.”

The Band CAMINO has amassed nearly 1 billion career streams, sold out global headline tours, and received critical acclaim from the likes of Rolling Stone, Billboard and more. Since forming in 2015, they’ve unleashed a series of fan favorite projects including the My Thoughts On You EP (2016), Heaven EP (2017), tryhard EP (2019), self-titled debut LP The BAND CAMINO (2021), and sophomore LP The Dark (2023). They have delivered showstopping performances on The Kelly Clarkson Show and Jimmy Kimmel Live, in addition to major festival sets at Bonnaroo, Lollapalooza and more. Now entering their tenth year, the trio has crafted their most substantial body of work yet alongside exhilarating live shows slated through 2026.

NORTH AMERICA

Oct 10, 2025 – Atlanta, GA – Coca-Cola Roxy

Oct 11, 2025 – Columbia, SC – Township Auditorium

Oct 13, 2025 – Orlando, FL – House of Blues Orlando

Oct 14, 2025 – St. Petersburg, FL – Jannus Live

Oct 16, 2025 – Birmingham, AL – Avondale Brewing Company

Oct 18, 2025 – Austin, TX – ACL Live at The Moody Theater

Oct 19, 2025 – Dallas, TX – South Side Ballroom

Oct 21, 2025 – Tempe, AZ – Marquee Theatre

Oct 23, 2025 – Hollywood, CA – Hollywood Palladium

Oct 26, 2025 – Salt Lake City, UT – Rockwell at The Complex

Oct 28, 2025 – Denver, CO – Fillmore Auditorium

Oct 30, 2025 – Kansas City, MO – The Midland Theatre

Nov 1, 2025 – Minneapolis, MN – The Fillmore Minneapolis

Nov 2, 2025 – Madison, WI – The Sylvee

Nov 4, 2025 – St. Louis, MO – The Pageant

Nov 5, 2025 – Indianapolis, IN – Egyptian Room at Old National Centre

Nov 7, 2025 – Pittsburgh, PA – Stage AE

Nov 8, 2025 – Grand Rapids, MI – GLC Live at 20 Monroe

Nov 9, 2025 – Toronto, ON – HISTORY

Nov 11, 2025 – Brooklyn, NY – Brooklyn Paramount

Nov 13, 2025 – Washington, DC – The Anthem

Nov 15, 2025 – Boston, MA – The MGM Music Hall at Fenway

Nov 16, 2025 – Philadelphia, PA – The Fillmore Philadelphia

Nov 18, 2025 – Louisville, KY – Old Forester’s Paristown Hall

Nov 20, 2025 – Chicago, IL – The Salt Shed

Nov 21, 2025 – Columbus, OH – KEMBA Live!

Nov 22, 2025 – Nashville, TN – The Pinnacle

UK + EU

Dec 9, 2025 – Glasgow, United Kingdom – The Garage

Dec 10, 2025 – Manchester, United Kingdom – New Century Hall

Dec 12, 2025 – London, United Kingdom – O2 Forum Kentish Town

Dec 14, 2025 – Haarlem, Netherlands – Patronaat

Dec 16, 2025 – Cologne, Germany – Kantine

Dec 17, 2025 – Berlin, Germany – Columbia Theater

NZ + AU

Feb 19, 2026 – Auckland, New Zealand – The Powerstation

Feb 21, 2026 – Sydney, Australia – Enmore Theatre

Feb 22, 2026 – Melbourne, Australia – Forum

Feb 24, 2026 – Brisbane, Australia – The Tivoli

Feb 26, 2026 – Fremantle, Australia – Freo Social

John Lee Hooker’s ‘Boom Boom’ Returns With First-Ever Wide Vinyl Release July 25

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BMG is proud to announce the upcoming release of Boom Boom, a revelatory album from blues legend John Lee Hooker, arriving July 25, 2025, with pre-orders beginning today. Originally released in 1992, the album captures Hooker in full creative stride following his 1989 comeback with The Healer, reinterpreting his most beloved tracks with a cast of modern blues titans. Audio was sourced from the original master tapes to cut lacquers for the album’s first ever wide release on vinyl. The album will also be available on CD with two bonus tracks.

Recorded at Russian Hill Recording in San Francisco and The Record Plant in Sausalito, Boom Boom finds Hooker revisiting classic cuts like “Boom Boom” ,”Bottle Up and Go” with fresh intensity and soul. Lending their talents to the sessions are blues powerhouses Jimmie Vaughan, Robert Cray, Albert Collins, and Charlie Musselwhite, who bring fire and reverence to Hooker’s gritty grooves. The album received a Grammy nomination for Best Traditional Blues Album in 1993.

This project reinforces Hooker’s enduring relevance and influence, decades after defining the blues landscape. Boom Boom is not just a tribute to his legacy-it’s a vibrant reaffirmation of it.

Known to music fans around the world as the “King of the Boogie,” John Lee Hooker endures as one of the true superstars of the blues genre: the ultimate beholder of cool. His work is widely recognized for its impact on modern music – his raw, yet deeply moving songs transcend borders and languages around the globe. Each decade of Hooker’s ever-evolving career brought a new generation of fans. He never slowed down either: As John Lee Hooker entered his 70s, he suddenly found himself in the most successful era of his career – reinvented yet again, energized as ever, touring and recording up until his passing in 2001.


TRACKLISTING:

CD

Boom Boom (feat. Jimmie Vaughan)

I’m Bad Like Jesse James

Same Old Blues Again (feat. Robert Cray)

Sugar Mama

Trick Bag (Shoppin’ for My Tombstone)

Boogie at Russian Hill (feat. Albert Collins)

Hittin’ the Bottle Again

Bottle Up and Go

Thought I Heard (feat. Charlie Musselwhite)

I Ain’t Gonna Suffer No More

Dimples (Bonus Track)

Ain’t No Love In This House (Bonus Track)


LP

Side A

Boom Boom (feat. Jimmie Vaughan)

I’m Bad Like Jesse James

Same Old Blues Again (feat. Robert Cray)

Sugar Mama

Trick Bag (Shoppin’ for My Tombstone)


Side B

Boogie at Russian Hill (feat. Albert Collins)

Hittin’ the Bottle Again

Bottle Up and Go

Thought I Heard (feat. Charlie Musselwhite)

I Ain’t Gonna Suffer No More

Bad Suns Announce New Album ‘Accelerator’ With Sparkling Single “Mystery Girl”

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California indie-pop band Bad Suns have unveiled their sparkling new single, “Mystery Girl”, the latest taste of their dance-inducing new album Accelerator out on August 8th via Epitaph. In an upbeat cascade of dreamy riffs and a lively rhythm section, Christo Bowman’s wistfully reflective lyrics signify a crossroads for the lead singer and guitarist.

Through a diaristic stream of consciousness, he remembers his coming-of-age years while facing the inertia of fatherhood: “There’s this beautiful new chapter in my life unfolding, and there’s mixed emotions that come with it,” he says. ““Mystery Girl” is a song about my teenage years, past relationships and experiences, and being a young person who is ultimately just looking for love.”

Since 2012, Bowman (vocals/guitar), Gavin Bennett (bass) and Miles Morris (drums) started making music together as teenagers and went viral almost immediately with their magnetic blend of indie-rock and ‘80s synth sheen. After four hit albums, the trio reached a point where they needed to recalibrate and recenter if they wanted to continue. Recording their exuberant 2023 EP Infinite Joy was a cleansing experience that served as fuel for Bad Suns and set them on a thrilling path forward into making Accelerator, which comprises 12 new tracks brimming with dance-pop hooks and poignant lessons learned.

“We saw the Infinite Joy EP as a new beginning for the band. I felt this yearning once again,” reflects Christo Bowman. “Accelerator being our fifth album, our first studio album as a trio, and the first album of my 30s, we knew that this was going to be really important. We didn’t want to take that lightly. We asked ourselves, how do we live up to the occasion? We saw this album as a mountain we wanted to climb.”

Bad Suns ushered in the first preview of Accelerator with the grooving single “Communicating”, currently at #21 on the alternative rock charts and recently named one of Rolling Stone’s Best Songs Of The Year So Far. They compared the track to “a late-night cruise down the highway with the windows down, the slinky bass thumping, and overthinking in overdrive.” Anthemic opener “Slow Karma” revealed a riveting pop turn for the band, showing how Accelerator is still steeped in the original DNA that made Bad Suns a feel-good viral sensation with early hits like “Cardiac Arrest.” The rushing pop melodies may mirror Accelerator’s title, but its lyrics are filled with stop-and-think moments where Christo surveys his past actions and makes the intentional choice to embrace personal growth and impending fatherhood.

“My 20s were a challenging time with a lot of peaks and a lot of valleys,” he says. “There’s a lot of joy, a lot of mistakes. This album is ultimately about finding the strength within yourself to assess the damage that’s been done and make the changes that you need to in order to take control of your own life.”

As Bad Suns move into their latest era, one filled with exciting personal and professional milestones, they’ve never been more harmoniously aligned. “While making this album, I turned 30, I got married, I found out I was having a kid,” the frontman muses. “Going to the studio every day and being in the room with the guys, I had this sense that I’m going to look back and know that was probably one of the best times of my life.”

Lola Young Announces Bold New Album ‘I’m Only F***ing Myself,’ Out September 19

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 Ivor Novello’s Rising Star Award winner and Brit-nominated South London singer / songwriter Lola Young announces her new album I’m Only F***ing Myself due September 19th via Island Records. The forthcoming album will include the previously shared, head-bopping and dub grooved “One Thing,” which arrived with a Dave Meyers directed video, has accumulated millions of streams since its release and has been praised by Rolling Stone, PAPER, Billboard and more.

Following her major festival run this summer with performances at Glastonbury, Rosklide, Lollapalooza Paris, All Things Go Festival and more still on the horizon, Lola will embark on her headline North American tour this November and December. During the tour, the powerhouse vocalist will bring her show to Toronto, New York City, Washington D.C., Atlanta, Austin, Chicago, Vancouver and Seattle, before wrapping up in Los Angeles. Since the tour’s announcement, Lola has added additional shows in Toronto, New York City and Los Angeles due to demand.

2025 has been nonstop for Lola. Earlier this month, Lola was direct support to Billie Eilish for her Paris shows at Accor Arena and performed at both Summertime Ball and Meltdown Festival in London. In May, Lola performed at BBC Radio 1’s Big Weekend following her debut performance at the iconic Coachella Valley Music and Arts Festival in April, where she premiered “One Thing.” Lola was also nominated for an American Music Award for Social Song of the Year for “Messy” and received 3 nominations at this year’s Ivor Novello awards, winning the Rising Star Award, which followed her “Best Pop Act” nomination at this year’s BRIT Awards. Lola was also named as a Future 25 artist with Rolling Stone, performed her track “Conceited” on Jimmy Kimmel Live!, spoke with NPR about her breakout and sat with The Los Angeles Times to discuss her rise and debut Coachella performance.

Boasting over 1 billion all-time streams globally across her catalog of releases, Lola Young continues to achieve tremendous success. Her platinum-certified #1 single “Messy,” which The New York Times described as “one of the most legitimately viral and popular songs of 2025” from her acclaimed 2024 album, This Wasn’t Meant For You Anyway, recently hit #1 on the Billboard Pop Airplay chart, #1 at Hot Adult Contemporary, #1 on the Alternative Rock Billboard chart as well as reaching the upper regions of the Billboard Hot 100. Lola Young is the first female artist to have a debut single go #1 at both Pop and Alternative since Lorde’s “Royals.” “Messy” also held the top spot in the UK for four consecutive weeks, making Lola one of only two British female artists to reach #1 in the UK Singles Chart within the last year. Lola has collaborated with Tyler, The Creator (“Like Him”), and Lil Yachty (“Charlie”) and continues to make a global impact with her music and compelling personality.

SG Lewis Announces New Album ‘Anemoia’ and Fall North American Tour

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SG Lewis has announced his third studio album Anemoia, set for release this September 5 via his own label Forever Days, in collaboration with Positiva. Today’s announcement comes exciting news of a highly anticipated North American headline tour. Starting at ACL in Austin on September 5, the 14-date tour will take the multi-talented artist across multiple states this fall.

Marking a pivotal moment for the London-born, LA-based artist – following a string of club-focused releases and collaborations, Anemoia sees SG Lewis return to the centre of his solo artist project with a sound that’s expansive, cerebral and deeply personal.

Named after the word that describes a nostalgia for a time never personally experienced, Anemoia explores SG’s long-standing fascination with past eras of dance music, refining an emotional sound that draws as much from early trance, Balearic house, and 2000s electronica as it does modern pop songwriting.

“When I discovered the word Anemoia, it articulated a feeling I’d struggled to describe for so long – a nostalgia for times I never lived through,” SG says. “Throughout my career, I’ve often referenced past eras of music, studying them inside out to understand their cultural and technical history. In doing so, I started to question my emotional connection to those times, and why they left such a mark on me. This album is rooted in the dancefloor, and even its quieter moments are shaped by Balearic sounds that are influenced from spending a lot of time in Ibiza last summer. I think a lot of the music carries an undertone of melancholy, even when it feels high in energy. More than anything, I want Anemoia to be a soundtrack to living in the present – to creating the kind of moments that others might one day feel nostalgic for.”

The album follows the release of ‘Back of My Mind’, which premiered as BBC R1’s Hottest Record last month and introduced a more introspective tone while nodding to SG’s roots in euphoric, progressive electronic music. It also arrived at a time of creative renewal for SG Lewis. Having spent the past year grounding himself in his London studio after a decade of life on the road, he channelled that reflective energy into a new body of work that reaches beyond the club – blending timeless dance music influences with vivid storytelling.

This wave of new music follows on from a stellar 18 months of activity for the much-adored artist, with key collaborations alongside Tove Lo (HEAT EP), Nelly Furtado and Shygirl as well as the launch of his own label Forever Days which saw him launch his own curated headline shows across iconic venues including KOKO in London, The Knockdown Centre in New York and Ibiza’s Cova Santa. SG Lewis partnered up with Mixmag last month for a very special Forever Days curated livestream and party at a central London rooftop location. Watch it back HERE. With over 1.7 billion streams to date and collaborators ranging from Elton John to Dua Lipa, SG Lewis continues to shape the future of electronic music – one era-defining record at a time.

North American Tour Dates:
09/05 – Austin, TX – ACL Live
09/06 – Dallas, TX – House of Blues
09/11 – Toronto, ON – HISTORY
09/12 – Washington, DC – Echostage Saturday,
09/13 – Boston, MA – Royale Friday,
09/19 – Queens, NY- Knockdown Center
09/20 – Queens, NY – Knockdown Center
09/26 – Detroit, MI – The Majestic Theatre
09/27 – Chicago, IL – RADIUS
10/02 – Seattle, WA – Showbox SoDo
10/04 – Vancouver, BC – Vogue Theatre
10/10 – Los Angeles, CA – Shrine Expo Hall
10/17 – San Francisco, CA – Bill Graham Civic Auditorium
10/18 – Denver, CO – Mission Ballroom

Automatic Announce Fall Tour and Bold New Album ‘Is It Now?’

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Los Angeles avant-garde/post punk/synth punk trio Automatic is back with a new song, “Is It Now?”, and will release their album of the same name later this year via Stones Throw. Having released 2 albums since forming nine years ago, Automatic knew they wanted to do something different for their next album. For Is It Now? they collaborated with the producer Loren Humphrey (Cameron Winter, Nice As F***, Arctic Monkeys) to build on the sound of previous albums Signal and Excess – minimalist yet danceable songs which they describe as “deviant pop”.

After they finished touring around their last record, 2022’s Excess, each member of the LA trio pursued their own interests: Izzy Glaudini (synths, vocals) honed her skills as a producer; Halle Saxon Gaines (bass, vocals) enrolled in botany classes; and Lola Dompe (drums, vocals) got married, moved to the country, and began caring for horses.

The title track from Is It Now? celebrates being authentically yourself. Its call-and-response chorus vies between two points of view – the rebellious perspective and the mass culture one. Izzy explains that, increasingly, “the thing I think about the most on a day-to-day basis is: how do you have a sense of joy while the world seems to be collapsing, and you feel so powerless?”

She adds, “I feel like, as American citizens, we have a responsibility to pull the levers to stop the machine. ‘Is It Now?’ is about trying to not feel like a victim in this environment. It’s important to still feel a sense of joy, even amongst all the horrible sh*t going on in the world.”

Automatic hits the road for a co-headlining tour with Sextile this fall; see dates below.

Automatic on tour:
9/16: Salt Lake City, UT @ Urban Lounge
9/17: Denver, CO @ Meow Wolf Denver
9/19: Chicago, IL @ Outset
9/20: Detroit, MI @ Tangent Gallery
9/21: Toronto, ON @ Velvet Underground
9/23: Montreal, QC @ Theâtre Fairmount
9/24: Boston, MA @ Brighton Music Hall
9/25: Brooklyn, NY @ Warsaw
9/26: Philadelphia, PA @ The Foundry @ The Fillmore
9/27: Washington, DC @ Black Cat
9/29: Asheville, NC @ The Grey Eagle Tavern & Music Hall
9/30: Nashville, TN @ The Blue Room at Third Man Records
10/1: Atlanta, GA @ The Masquerade
10/3: Dallas, TX @ Studio at The Factory
10/4: Houston, TX @ White Oak Music Hall
10/5: Austin, TX @ Mohawk (Outside)
10/6: El Paso, TX @ The Lowbrow Palace
10/8: Phoenix, AZ @ The Crescent Ballroom
10/9: Las Vegas, NV @ Swan Dive
10/10: San Diego, CA @ The Observatory North Park
10/11: Los Angeles, CA @ The Novo