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Eric Hilton Blurs Borders and Genres on Hypnotic New Album ‘Midnight Ragas’

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Montserrat House Music and trip-hop pioneer Eric Hilton are pleased to announce the release of Midnight Ragas, the godfather of downtempo’s brand new “compilation mix” LP.

Featuring three different vocalists – Puma Ptah, Natalia Clavier and Kristina Westernik-Dandridge of The Infinite Daisy Chains – and lyrics sung in French, Spanish and English, Midnight Ragas has the distinct feel of international exotica, a sound that Hilton has cultivated over 30 years of album releases.

Compilation albums have always been a great tool for discovery, especially in electronic music. A couple of familiar artists or tracks, sequenced amongst unknown treasures, taking the listener on a satisfying journey through different moods and sounds. It’s not easy to make a good compilation album, one bad track can throw off the whole vibe, the flow. A great compilation album can elevate the individual tracks and put them into a context where the whole is greater than the sum of its parts.

With Midnight Ragas, Eric Hilton has made a great compilation album. Except not really. We’ll explain.

Midnight Ragas is a new album by the downtempo electronic music producer, with vocal contributions by longtime collaborators Natalia Clavier and Puma Ptah, along with newer recruit Kristina Westernik-Dandridge. And while the tracks are all new Eric Hilton recordings, the album sounds like a killer compilation record, with shifting tempos, moods, vocalists, and languages across twelve tracks. The vintage age of mix CDs may be long over, but listen to Midnight Ragas and you’ll think it never left.

Hilton has plenty of experience with compilation albums. Tracks by Thievery Corporation, the downtempo combo Hilton co-founded in 1995, have been featured on over 600 mix CDs, according to music database website Discogs. “I loved compilations back in the day. You bought them to get turned on to new sounds, or you liked the artist compiling it. ‘Midnight Ragas’ was not conceptualized as a compilation; the album is a moment of eclecticism,” says Hilton.

The opener, “Life In the Deep End”, hits like an even more laid-back Khruangbin, soundtracking a vintage Billy Dee Williams Malt liquor advert. Next up: “Leave It All”, a ballad in the Massive Attack/Zero 7 wheelhouse – minimal groove, smart sounding, sounds like a single. Puma Ptah pours it on smooth here. Track three is “Je ne t’aime plus” (I don’t love you anymore) – imagine it’s 1970 and you’re Alain Delon or Catherine Deneuve, driving a light gold Ferrari Daytona along the coast from Cannes to Monaco. Clavier provides the vocal accompaniment, singing for Hilton in French for the first time. The third song is “Behind My Eyes” (’70s crime flick meets ambient drum & bass). “I love the wildness of this track, we really nailed the production on this one, it’s tough and sets the tone for the next few tracks,” says Hilton.

“All I Want” also features Ptah; the track is an ass-shaking, purple crushed velvet groove, hard but smoooooth. Track six, “Burkina Faso”, will be a standout track for longtime Thievery fans, a tough D.C. bounce and “you know what time it is” feel. Things start to shift with the title track – seven songs in and things start sounding mysterious on “Midnight Raga”. “Traditional ragas are improvisational but repetitive; this song somehow is repetitive but doesn’t hit you that way,” opines the producer. Next up: “Sol Interior”, with gorgeous vocals from Clavier amid Ipcress File/John Barry twinkles. It sounds a bit like a great lost track from Air’s classic debut Moon Safari.

The album closes out with a trifecta of late-night slow burners. “Madame Asha” is classic trip-hop, a nod to legendary Indian American vocalist Asha Puthli. “L’Ocean” stays on the ’90s trip-hop wavelength and is a standout for Hilton, as good as any track of the era/genre. And it all comes down to “Beautiful Moment”, unquestionably the most romantic track on the album. Vocals by Westernik-Dandridge summon thoughts of the late summer evening sun, slow kisses and dew drops on agave leaves. It’s as perfect a sonic representation of apres-release afterglow that you’re likely to hear.

And then it’s all over, sigh … unless you’ve put your CD player/turntable/streamer on auto repeat, which is the right idea. Midnight Ragas is the compilation album that isn’t; perhaps that’s why it’s so listenable, and so unforgettable. Get it here

Madilyn Mei Shares Dreamy Western-Tinged Single “At Least I’d Be A Cowboy!” With Animated Music Video

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Gaining traction as an innovative, singer, songwriter, and visual artist, Madilyn Mei shares a dreamy, wild west-infused new single entitled “At Least I’d Be A Cowboy!”, along with the official music video that was animated by Kohana Wilson.

The new track rolls like tumbleweed in the wind, with its breezy sing-song melody swept up in rattling percussion, steady claps, and distant echoes of guitar. As a climactic chorus takes hold, the hazy groove bleeds into an utterly hypnotic hook, “I don’t wanna be a self-fulfilling prophecy, but I’ve been here before, it doesn’t end well in my dream. If I were a cowboy, it wouldn’t change a thing, but at least I’d be a cowboy!” The song delicately unfolds as an unshakable and nostalgic anthem evocative of Madilyn’s ever-expanding artistry. At the same time, the accompanying visual translates this vibe to the screen.

About the song, Madilyn commented “”At Least I’d Be A Cowboy!” is about a rodeo clown who longs to be a cowboy. It’s also about trying to cope with feelings of abandonment and trying to find your independence.

I was particularly inspired by Dean Martin’s “My Rifle My Pony and Me.” I wanted to write a song about cowboys, and I also really wanted to attempt that old western call and response style of vocals. Growing up in Arizona, I’ve always loved anything having to do with the old west, and it felt about time I wrote a song using that inspiration.

To me, cowboys represent independence and self-reliance. I was going through a really hard time when I wrote this song, and I wanted to be so independent that my trials couldn’t even phase me. But instead I felt like a lost puppy and a fool. I felt shaken up, afraid and truly alone for the first time ever. The idea of writing a song about being a cowboy felt ridiculous! I couldn’t be any further from the tough lone rangers I’d seen in the movies. So I wrote about a clown who had the same longing as me: to be able to cope with the hard times alone, to be a cowboy.

It’s a very personal song, though I hope others are able to see themselves in the lyrics and interpret it in whatever way fits them!”

Erykah Badu and The Alchemist Drop Visionary New Single “Next To You” and Announce Japan Tour

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Erykah Badu has returned with her first lead single of this decade called “Next To You”-self-executive produced and in collaboration with legendary hip-hop producer The Alchemist. Queen of Neo-Soul, Badu, wrote, composed, arranged, and produced the single, released under her own imprint, Control Freaq Records-established in 2025.

The Alchemist describes the collaboration as him tossing the beats to Badu, who made the alley-oop. The record-whispered to be one of the biggest collaborations of the decade-was The Alchemist providing the foundation and Badu putting her ‘izm’ on it.

Badu, recognized as a fashion icon by the Council of Fashion Designers of America and renowned for her distinctive style, also conceptualized every aspect of the ancient futuristic stage show in Dallas. The custom costume design, lighting, and set design were created by Badu and inspired by graphic designer Voltage. The concert and upcoming tour promises a theatrical and visual spectacle reflecting Badu’s unique ability to make the ancient feel revolutionary and the futuristic feel deeply rooted in cultural tradition.

For the first time ever, the duo will hit the stage together in a series of highly anticipated live shows for The Abi & Alan Japan Tour. Beginning June 24 at Billboard Live Osaka, continuing June 28 at Billboard Live Tokyo, and concluding June 30 in Yokohama.

The Kid LAROI Drops Hypnotic New Single “How Does It Feel” Featuring Thundercat

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GRAMMY nominated, multi-platinum chart-topping global superstar The Kid LAROI releases his highly anticipated new single, “How Does It Feel” via Columbia Records.

LAROI officially announced the single on socials earlier this week, attracting buzz from eager fans. The track features a special appearance from renowned musician, Thundercat, playing the song’s hypnotic baseline. LAROI also dropped the flirty new video counterpart starring actress Talia Ryder alongside himself, directed by CALMATIC (Kendrick Lamar, The Rolling Stones), showcasing his smooth dance moves at the Hollywood Roosevelt Hotel.

“HOW DOES IT FEEL” follows LAROI’s first release of 2025, “ALL I WANT IS YOU.” Last year, he released the deluxe version of his full-length debut album, THE FIRST TIME, featuring five new tracks. He also embarked on The First Time Tour, which brought him across Europe, North America and Australia. He released three new singles “Girls,” which he debuted live on tour ahead of the release, “Aperol Spritz,” and ended the year with “Slow It Down” featuring Quavo. LAROI was also recently featured on Tate McRae’s new album with their song “I know love.” With no signs of slowing down, LAROI continues to excite fans with his chart-topping hits and cinematic videos.

Miranda Lambert’s “Fill the Little Red Wagon” Returns to Help Local Shelters on Tour

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Country music icon Miranda Lambert will be rolling with MuttNation Foundation’s much-loved “Fill the Little Red Wagon” activation in support of local shelters on select tour dates this summer.

Launched with Lambert’s Keeper of the Flame Tour in 2016, “Fill the Little Red Wagon,” in partnership with Live Nation, teams up with local animal shelters in cities where she performs, collecting pet toys, food and supplies for each stop’s selected shelter while giving pet-loving fans the opportunity to win pit tickets.

“For me, it’s always been music and mutts, so whenever I’m able to make something happen with both at the same time, it’s magic,” said Lambert. “It’s been nearly a decade since we started ‘Fill the Little Red Wagon’ to help shelters while I’m on the road – it’s one of my favorite things about touring.”

This year, until noon local time the day before each show, fans can drop off their donations at the designated animal shelter and register for the chance to win pit tickets. The winners will be randomly selected and notified prior to the show.

Founded by Miranda Lambert and her mom, Bev, in 2009, MuttNation is a donation-supported 501c(3) nonprofit organization that has raised over $10 million to date in support of its mission to promote the adoption of shelter pets, advance spay & neuter and educate the public about the benefits of these actions. Through the MuttNation-Tractor Supply Relief For Rescues Fund, MuttNation provides financial support to shelters and other supporting organizations during times of natural disaster. MuttNation Fueled by Miranda Lambert, a pet line of toys and supplies that benefits the Foundation, is available exclusively at Tractor Supply Company stores throughout the U.S. To learn more, visit www.muttnation.com.

Critically acclaimed groundbreaker/songwriter/superstar Miranda Lambert has defined her multifaceted career as an artist, entertainer, entrepreneur, advocate and businesswoman with an unflinching quest for excellence, honesty and conviction. Her 10th solo studio album, Postcards from Texas, available everywhere now via Republic Records, continued her unbroken streak of 10 consecutive Top 10s on the Top Country Albums chart. The most-awarded artist in Academy of Country Music history, including their top honor for Entertainer of the Year, she has also won three GRAMMYs and 14 Country Music Association Awards. A TIME100 honoree and perennial best-of-the-year list maker at the New York Times, TIME, Rolling Stone, Billboard, Stereogum, People and more, NPR has called her “the most riveting country star of her generation.”

A multi-dimensional superstar, she’s earned seven No. 1 solo albums, 10 No. 1 hit radio singles, more than 80 prestigious awards and countless RIAA certifications; conquered Las Vegas with her twice-extended Velvet Rodeo residency; blurred genres with Leon Bridges, the B-52s, Loretta Lynn, Enrique Iglesias, Sheryl Crow and Elle King; and delivered her LGBTQ+ inclusive anthem “Y’All Means All” for Netflix’s “Queer Eye.” She’s taken those standards to become a New York Times bestselling author and the first female restaurateur on Lower Broadway with her Tex-Mex cantina Casa Rosa, while also expanding her creative reach with her Wanda June Home collection exclusive to Walmart and her Idyllwind clothing and boot line at Boot Barn. Her passion for rescue animals inspired the creation of her MuttNation Foundation, which has raised over $10 million since inception to promote adoption, support shelters across the country, advance spay & neuter and assist with the transport of animals during times of natural disaster.

John Berry Celebrates 30 Years of “I Think About It All The Time” With New Tour and Album Re-Releases

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GRAMMY & EMMY award-winning singer/songwriter John Berry is celebrating the 30th anniversary of his Top 5 single “I Think About It All The Time.” Written by Bill Livsey and Country Music Hall of Fame and Grand Ole Opry member Don Schlitz, this was the second single from Berry’s hit album ‘Standing On The Edge Of Goodbye,’ which also featured fan favorites such as “If I Had Any Pride Left At All,” “You And Only You,” and the title track which reached number 2 on Billboard.

“What a fun, infectious song,” shares Berry. “Uptempo songs are pretty hard for me to find, but I knew from the minute I heard it was for me. I’ve always loved Don Schlitz’s songwriting, and it was an honor to record this one.”

Berry recently announced the first dates for his 29th Annual ‘Christmas With John Berry’ Tour. With fourteen shows currently slated and more to come, the tour will kick off on November 28 in Sugar Hill, Georgia, and continue through the holiday season. John Berry takes pride in offering a fresh new show each year while always including popular classics like “Little Drummer Boy,” “O Come All Ye Faithful,” “Let It Snow,” “Mary Did You Know,” and his timeless hit, “O Holy Night.”

Alongside this milestone, Berry has re-released five albums with StarVista Music: ‘Thomas Road,’ ‘Christmas,’ ‘Hits,’ ‘I Give My Heart,’ and ‘What I Love The Most.’ These albums, a staple at his live shows, showcase music spanning his career. ‘Thomas Road’ features “The Richest Man,” while ‘Christmas’ includes classics like “You Raise Me Up” and “O’ Holy Night.” ‘What I Love The Most’ highlights ten tracks, including “You’re My Sunshine” and “She Don’t Need Me.” ‘I Give My Heart’ offers eleven songs, such as “Time In A Bottle” and “Let’s Stay Together,” while ‘Hits’ compiles twelve of Berry’s biggest songs, including “Kiss Me In The Car” and “Standing On The Edge Of Goodbye.”

With a career spanning over three decades, Berry continues to be a beloved voice in country music. Fans can celebrate his enduring legacy by streaming his re-released albums and revisiting his timeless hits.

2025 Tour Schedule With More Dates Added Soon!
JUN 28 – Normaltown Brewing Company: A 40th Anniversary Homecoming Celebration / Athens, Ga.
JUL 16 – Wild Wild West at the National Baby Food Festival / Fremont, Mich.
JUL 18 – 20 Front Street / Lake Orion, Mich.
AUG 23 – Heard County Performing Arts Center / Franklin, Ga.
SEP 06 – Pulaski Corn Show / Pulaski, Iowa
SEP 12 – Hey Nonny Live Music & Local Kitchen / Arlington Heights, Ill.
SEP 13 – Ypsilanti Community High School / Ypsilanti, Mich.
The 29th Annual ‘Christmas With John Berry’ 2025 Tour Schedule**:
NOV 28 – The Eagle @ Sugar Hill / Sugar Hill, Ga.
DEC 02 – Iron & Oak Event Center / Livingston, Tenn.
DEC 03 – The Etherredge Center / Aiken, S.C.
DEC 04 – Jeff’s Music Hall / Jeffersonville, Ind.
DEC 05 – Hastings Performing Arts Center / Hastings, Mich.
DEC 06 – Dogwood Center for the Performing Arts / Fremont, Mich.
DEC 10 – The Grand Oshkosh / Oshkosh, Wis.
DEC 12 – Historic Holmes Theatre / Detroit Lakes, Minn.
DEC 16 – Majestic Theatre / Chillicothe, Ohio
DEC 17 – Cedartown Performing Arts Center / Cedartown, Ga.
DEC 18 – The Classic Center / Athens, Ga.
DEC 19 – Grand Opera House / Macon, Ga.
DEC 20 – Dothan Opera House / Dothan, Ala.
DEC 21 – Harken Hall / Madison, Tenn.
**additional dates to come

Ryan Brown Releases Poignant New Ballad “Wildflower Highway” Marking a Breakout Year

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Rising singer-songwriter Ryan Brown releases her new single “Wildflower Highway.” The single is now available on all digital streaming platforms.

With poetic detail and a voice full of longing, Ryan Brown delivers a deeply emotional ballad with her new single “Wildflower Highway.” Produced by Ron DiSilvestro and mastered by David Kutch, the track is equal parts gritty country and tender confessional, brimming with loss, beauty, and an unshakable connection to the past.

Lines like “Stuck in the dark, you were the light / A world of wrong, you made it right” set the tone for a story of a love that burned bright but slipped away. Brown’s gift for imagery shines in every verse, while the production leans into soft textures and melancholic hooks.

2025 has been a milestone year for Brown. She delivered the National Anthem for the Baltimore Ravens, Philadelphia Eagles, and other major venues and teams. With a growing platform and a string of new music ahead, “Wildflower Highway” marks a heartfelt and promising step in her next chapter.

Brendan Walter Signs With Sony Music Nashville and Drops Reflective Debut Track “Normal Day”

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Rising star and Texas native Brendan Walter today releases a new song, “Normal Day.” Written by Walter with Grady Smith and Jack Rauton, “Normal Day” paints a picture of a narrator waking up and realizing he needs to leave old habits behind. The song serves as an introduction to Walter’s artistry, with the track featuring his signature rich vocals and honest lyrics.

“‘Normal Day’ is a song about growing up and locking in,” Walter shared. “I’ve learned that partying comes at a cost, and if you want to be great, sometimes you have to take a step back and get it together.”

Walter also begins an exciting new chapter as an artist today, announcing he has signed with RECORDS Nashville and Sony Music Nashville.

Walter reflected on the accomplishment, stating, “I’m so excited to be working with RECORDS and Sony Music Nashville and can’t wait to build with my new team.”

The Cranberries Announce 30th Anniversary Deluxe Edition of ‘No Need To Argue’ Featuring “Zombie” Demo, MTV Unplugged, and New Remixes

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“Sometimes, it feels like it’s only been a few years ago and other times it feels like an eternity. There are lots of memories still fresh in our minds. It’s hard to believe it’s been 30 years since its release,” says The Cranberries drummer Fergal Lawler about the 30th anniversary of their landmark second album NO NEED TO ARGUE.

The band is celebrating the anniversary with a limited-edition deluxe set of the album that is available for pre-order today at here and will be released on June 27, 2025 via Island/UMe. Additionally, a 2LP Deluxe Edition, 2CD Deluxe Edition, 1LP, 1CD and Digital Deluxe will be available for pre-order on June 27th and released on August 15th.

Originally released on October 3, 1994 via Island Records, No Need To Argue serves as the commercial breakthrough for the band, led by the phenomenal and global success of its signature single “Zombie.” Fronted by the instantly recognizable vocals of the late Dolores O’Riordan, The Cranberries had no trouble writing music for their follow-up to their worldwide multi-platinum breakthrough debut Everybody Else Is Doing It, So Why Can’t We? “There was no ‘difficult second album syndrome’,” says Lawler. “Dolores didn’t have any problems writing on the road and in fact was bursting with ideas. Often when a song was completed it’d go straight into the live set, so audiences got to hear a lot of the No Need To Argue songs way before they were recorded. I remember playing ‘Zombie’, for instance, early in 1993 on our first European tour with Hothouse Flowers. By the time the chorus came around for the second time, you could feel the reaction in the room. People just loved it from the get-go.”

Written about the political unrest in Ireland called “The Troubles” that lasted from the late 1960s to 1998, “Zombie” reflected on the innocent children who were killed due to the violence that erupted. “People say we shouldn’t have done ‘Zombie but, excuse me, I’m Irish. I’m a human being,” explained O’Riordan about the song. “I’m allowed to have feelings about the North, the same way I’m allowed to have feelings about what’s going on in Bosnia. I express those feelings in my songs. It’s up to people whether they want to listen to them or not.”

The special limited-edition 3LP vinyl package includes a previous unreleased demo of “Zombie”, live recordings from Woodstock ’94, and MTV Unplugged which originally aired April 18, 1995. “It was an honour to do MTV Unplugged and I’m really proud that our songs didn’t need all the bells and whistles you get in the studio to sound good,” explains Lawler. “They worked just as well, stripped down and played acoustically, albeit with the help of the brilliant Electra Strings.”

Also included are two remixes by Scottish producer and CHVRCHES band member Iain Cook – the dancefloor ready “Zombie” and a much dreamier “Ode To My Family.” Recalls Lawler of the remixes, “Iain was very nervous about doing ‘Zombie’ because of its legacy. I told him not to worry about what other people think and just go for it. Originally, he went down the traditional Irish music route but then decided to do something dance-ier, which has worked out brilliantly.”

Cook’s reinvention of “Ode To My Family” took on a dreamier route. “There’s a groove on the original when the chorus comes in, which he leant into,” adds Lawler. “You’ll be nodding your head and tapping your feet for sure! Iain also added strings so, again, it turned out great.”

Often cited as the album that helped cement Irish music in the worldwide musical conversation, No Need to Argue saw the critical darlings (whose debut Everybody Else Is Doing It, So Why Can’t We? introduced the band to the masses) embraced by a global audience due to the album’s universal appeal. No Need to Argue boasted a number of singles including “Ode To My Family”, “I Can’t Be With You”, “Ridiculous Thoughts”, “Dreaming My Dreams” and, of course, “Zombie” which reached No. 1 in Australia, Denmark, France, Belgium, Germany, and topped Billboard’s Alternative Airplay chart and whose video counts an astounding 1.6B plays on YouTube. It was also crowned “Song of the Year” at 1995’s MTV Europe Music Awards.

The album’s enduring popularity keeps the band at the forefront of the mainstream’s consciousness, especially with the impact of “Zombie.” Whether being covered by Miley Cyrus at the Whisky A Go Go in West Hollywood, belted out by a stadium full of Ireland rugby fans who’ve adopted it as their match day anthem, or sampled by Eminem on his monster 2017 “In Your Head” hit, those tanks and bombs and guns stir the emotions as much now as they did then.

But “Zombie” wasn’t the only track that is singled out by pop culture. “Ode To My Family” even found its way into a 2019 episode of Family Guy with Peter – who was particularly fond of the “Doo doo doo”-ing – telling Lois: “You know once I hear that I can’t get it out of my head!” In fact, songs from No Need To Argue have been showing up in The Office (US), Pitch Perfect 3, Clueless, Yellowjackets, Army Of The Dead, Roswell, New Mexico and more.

Described by producer Stephen Street as “a beautiful collection of people working together with the right intentions,” The Cranberries’ vigor and familial chemistry exudes throughout the album. “Call it youthful arrogance but we knew the songs we’d written were good and couldn’t wait to get them down,” adds guitarist Noel Hogan. “Stephen had bought a camcorder that we spent a lot of time messing around with in The Manor and you can see in the videos how happy and chilled everyone was. The mood in the camp was really, really good and it never felt like work.”

The one indelible mark The Cranberries upholds is their love and belief in their own music. The endurance of that message is the pinnacle of their legacy. “I really think that what makes people tune into The Cranberries is the honesty of the music,” O’Riordan is quoted as saying. “Some fans say, ‘Aren’t you embarrassed singing about such things?’ and I say, ‘That’s what makes me what I am.’ I’m not going to change for anyone.'”

The 3LP edition of NO NEED TO ARGUE will be available for pre-order today, June 20th and will be released on June 27, 2025. Additionally, a 2LP Deluxe Edition, 2CD Deluxe Edition, 1LP, 1CD and Digital Deluxe will be available for pre-order on June 27th and released on August 15th. Be sure to check the store for more Cranberries offerings in the future.

Half Dizzy Drop Summer Punk Anthem “Turn This Up” Via Punkerton Records

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With the first day of summer landing on Friday, June 20, Long Island punk rockers Half Dizzy are kicking off the season right with their latest single, “Turn This Up”-a high-energy anthem produced and recorded by Pete Steinkopf of The Bouncing Souls at Little Eden and released via Punkerton Records.

A summer playlist essential, “Turn This Up” is a fast-paced, feel-good punk rock banger packed with crunchy guitars and uplifting lyrics like: “Life’s too short and time moves fast / Yea the future’s calling so don’t look back.” The message is clear-embrace the present and live loudly, because life moves fast and the future can wait.

“Get ready to turn up the heat with this upbeat summertime punk rock banger,” says guitarist/vocalist Daniel Marchelewski. “It’s an infectious anthem about living in the moment, letting go of worries, and soaking up every bit of joy life has to offer. It’s the perfect soundtrack for sun-soaked days, late-night drives, and carefree vibes all season long.”

“Turn This Up” is a rallying cry for the young and the young-at-heart-an invitation to live fully, loudly, and without regret.