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Shutdown Roars Back With First New EP in 25 Years

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Shutdown are excited to announce the release of By Your Side, the NYHC institution’s brand new, six-song EP and first offering of new material in 25 years. A collection of passionate songs that are fueled by the same fiery intensity of the band’s youth but imbued and inspired by an outlook, worldview and wisdom that only comes with age and time, By Your Side transcends the genre and shows how effectively the band can write songs that appeal beyond the confines of the scene.

Additionally, Shutdown has released “What Are You Thinking?” today, a new single inspired by bassist Dion DeNardo’s son being diagnosed with autism, and a song that confronts and comes to terms with the challenges that this diagnosis posed for him. “That diagnosis taught Dion and even myself – because my oldest son is on the autism spectrum – to open ourselves up and learn more about who we are as people, especially compared to what we were taught when we were kids,” says vocalist Mark Scondotto.

While it’s a song that slots seamlessly into the Shutdown canon, it’s also one that obviously couldn’t have been written when the band first began. As if to drive that point home, it ends with all the band members’ children singing its chorus over an acoustic guitar. It’s the quietest moment on the EP but also its most powerful; not only does it demonstrate how well the band’s message resonates, but it serves as a symbolic passing of the torch to the next generation.

There are some bands that are just like old friendships – even if you haven’t spoken (or written music) for a while, you can pick up right where you left off. It had been an incredibly long time since New York hardcore outfit Shutdown had written a record together – 25 years, to be precise – but one listen to By Your Side and it’s almost as if that time has never passed.

Formed in Brooklyn in late 1994 as a bunch of teenagers, the four-piece quickly settled into their own skin. They solidified the line-up – Mark Scondotto on vocals, Steve DellaCroce on guitar, Dion DeNardo on bass and Jimmy McCormack on drums – and, after a handful of EPs and split 7″, released their debut full-length, Against All Odds, in 1998. An EP called Something To Prove came out the next year, followed by a second full-length, Few And Far Between, in 2000. Though young, the overriding sentiment of those songs was one of positivity despite the circumstances, and the band channeled that optimism and defiance through their raw and breathless take on hardcore. Straight edge and no bullsh*t, the four-piece soon became a known name in the scene … but then things slowed down and eventually just came to a stop. Life, as life does, got in the way.

“We never officially broke up,” says DellaCroce. “We needed to stop touring, and we started doing a few other things. We all tried to play when we could, but it wasn’t consistent. A couple of us had side projects going so we could keep playing, and we would write some Shutdown songs once in a while, but we realized we needed a plan of what we wanted to do and what the band should sound like. We’ve talked a lot over the past couple of years about how we’ve evolved and grown as musicians and songwriters, and we wanted everyone to hear what we were talking about.”

Given the state of the world right now, the community, optimism and hope the songs on By Your Side offer is not just important, but truly revolutionary and necessary. True to its title, it’s a companion, a friend, something to turn to when things get tough – because things always get tough. These six songs are a vital reminder that they also get better.

“That positivity is just how we roll,” DellaCroce summarizes, “because it helped us when we were angry teenagers. To this day, when we write songs, we write them for us and whoever likes it likes it, but obviously it speaks to a lot of people and it’s helped us survive this long as humans. So it was essential to keep that message going with this EP.”

“There’s a lot of hope on this release,” Scondotto summarizes. “I really think that’s what the world needs right now.”

WhatsApp Adds Camera Effects, Selfie Stickers & Fast Reactions

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  • Meta has introduced camera effects, selfie stickers and quicker reactions to make WhatsApp more fun and easier to use.

You can now create your own sticker packs and share them directly in your chats, so your friends and family can all use your custom stickers to express themselves. 

Adding stickers to a chat's sticker pack

Meta are always working on making WhatsApp more fun and easier to use, so they’re announcing new features and design updates to improve your experience.  

  • Camera effects: Now, when you take and send a video or photo in your chats, you can choose from 30 backgrounds, filters and effects to transform your shots.
  • Selfie stickers: You can now turn your selfies into  stickers. To get started, tap the create sticker icon and you’ll see the camera option to take a selfie and create your sticker. This feature is available on Android now and coming to iOS soon.
  • Share a sticker pack: Spotted a sticker pack you know a friend will love? Now you can share them directly in your chats. 
  • Quicker reactions: You’ll now be able to double tap a message to react and quickly scroll through your most-used reactions. 

They’re looking forward to introducing more exciting features this year, while continuing to offer private, secure messaging across the world. 

How Open Source AI Models Like Llama Are Fueling Innovation

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Artificial intelligence is poised to drive innovation, enhance human productivity and inject trillions of dollars into the global economy. At the forefront of this transformation are open source AI models, like Llama, which empower organizations to use and build upon them for free.  

These models allow businesses of all sizes to create innovative new products and tools that benefit individuals, society and the economy – saving time and money in the process. Without open source AI’s cost-effective way of working, these innovations, which are poised to push the world forward in essential areas like job creation, knowledge access and drug research, might not be possible.  

Here are a few examples of companies that are using Llama to save time and money. 

WriteSea

Oklahoma-based tech company WriteSea used Llama to build Job Search Genius, an AI career coach designed to enhance the job search experience and help candidates stand out. Job Search Genius provides an essential resource for candidates who need help reaching better outcomes in a competitive job market.

Brandon Mitchell sitting in a chair with the quote "The experience of looking for a job just got easier." above him.

Using easy-to-integrate AI-powered tools, Job Search Genius helps job seekers write custom resumes, practice mock interviews and learn how to negotiate their salaries. Their interface even facilitates video-based interviews, transcribes candidates’ mock interview responses and provides metrics to help candidates improve their performance in job interviews. 

WriteSea’s CEO, Brandon Mitchell, says the company chose Llama because it’s cost effective – open source helps the company avoid API call costs and they’ve been able to scale rapidly to support over 100,000 users. 

The Washington Post

The Washington Post launched “Ask The Post,” an AI tool built with Llama that helps users find answers from its published reporting, in an effort to democratize access to information and meet audiences where they are. Readers can ask the chatbot questions and receive factual responses based on information from The Washington Post’s article archives dating back to 2016. “Ask The Post”  responds in the newspaper’s voice and links to source articles, helping to ensure transparency and accountability. 

Vineet Khosla sitting a chair with the quote, "The world is moving at the speed of news-- and open source AI is helping people stay ahead."

Open source has been essential for The Washington Post. “Open source AI is helping people stay ahead, without the limitations and cost restrictions of other proprietary AI models,” says Vineet Khosla, the publication’s chief technology officer. 

Nanome

Nanome, a biotech software company based in San Diego, leverages Llama for Molecular Analysis and Reasoning Assistant (MARA), an AI agent that helps scientists view molecular structures in both text and 3D visual form. Powerful scientific tools are often inaccessible and expensive, slowing down the pace of innovation in areas like biopharma research  – Nanome aims to fix that with the help of open source AI. 

Steve McCloskey sitting in a chair with the quote "Llama's open source nature is critical to ensure biopharma research security and privacy," above him.

Scientists can ask MARA questions about the structure they’re viewing, and MARA provides answers and insights that can be used to further the development of new drugs and treatments. 

Nanome uses Llama because of its performance and adaptability, and because it allows universities, researchers and scientists to collaborate. “Creating new medications could take years and cost billions. Our startup wants to change that,” said Steve McCloskey, Nanome’s Founder and CEO. 

From the Top’s Rising Stars Shine Bright at Tiny Desk

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Thirteen-year-old Cameron Renshaw shreds Paganini on one cello string. Violin prodigy Laura Jin makes Wieniawski’s fireworks look effortless. Rhyuhn Green, 18, brings down the house with his own Romantic-era piano piece written at age 9. NPR’s Tiny Desk just became a time machine for the future of classical music.


Red Clay Strays Electrify Tiny Desk With Southern Soul and Swampy Swagger

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When Brandon Coleman of the Red Clay Strays opens his mouth, it’s like Johnny Cash wandered into a gospel-tinged Southern rock revival — and stayed for the harmonies. But make no mistake: this isn’t a one-man show. With Drew Nix shaking things up, Sevans Henderson trading keys for electricity with Zach Rishel, and John Hall’s thunderous restraint on drums, every song — from “Ramblin’” to “Wanna Be Loved” — is a front-row seat to magic in motion.











Lynyrd Skynyrd to Rock OLG Stage at Fallsview Casino for 50th Anniversary Celebration

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 Feel the excitement as a legendary band of rock and roll – Lynyrd Skynyrd is set to celebrate a golden milestone of 50 years at the OLG Stage at Fallsview Casino on September 19, 2025. Known for the venerable southern rock swagger only Lynyrd Skynyrd can deliver – fans are in for an incredible evening of music. Tickets for Lynyrd Skynyrd go on sale Friday, January 24 at 10:00am through ticketmaster.ca.
 

“Lynyrd Skynyrd is a band like no other with a legacy that has had a lasting impact,” says Cathy Price, Vice President of Marketing and Resort Operations at Niagara Casinos. “We can’t wait to welcome you to the OLG Stage at Fallsview Casino for a night of incredible music.”

As Lynyrd Skynyrd celebrates the 50th anniversary of the band’s critically acclaimed debut album Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd’ in 2023, they resonate as deeply with their multi-generational fan base today as when they first emerged out of Jacksonville, Florida in 1973. Today, Lynyrd Skynyrd rocks on with a current line-up featuring Johnny Van Zant, Rickey Medlocke, Mark “Sparky” Matejka, Michael Cartellone, Keith Christopher, Peter Keys, Carol Chase and Stacy Michelle.   With a catalogue of over 60 albums, billions of streams, and tens of millions of records sold, Rock & Roll Hall of Famers Lynyrd Skynyrd remain a cultural icon that appeal to all generations.  Hit songs include “Free Bird”, “Sweet Home Alabama”, “Simple Man”, “That Smell”, “What’s Your Name”,“Saturday Night Special” plus many more

Show date & performance
Lynyrd Skynyrd: Celebrating 50 Years
Date: Friday, September 19, 2025
Showtime: 8:00pm
Venue: OLG Stage at Fallsview Casino

Patterson Hood Unveils “The Pool House” From Forthcoming Album ‘Exploding Trees & Airplane Screams’

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Drive-By Truckers co-founder Patterson Hood has shared the second song, “The Pool House,” from his landmark new solo album, Exploding Trees & Airplane Screams, arriving via ATO Records on Friday, February 21, 2025. Pre-orders are available now.

“The Pool House” was originally inspired by a night I spent at a creepy rental,” says Hood. “A literal pool house for an apartment complex that I rented cheap for the night during a solo tour. It was off-season and the pool was dark green and filled with algae. The whole thing was creepy and as I’d had a couple of drinks, my mind was definitely wandering, conjuring up some macabre shit.

“I wrote most of it during lockdown and demoed it then on my home rig. 

“I later recorded it with Nate Query (The Decemberists) playing upright bass and Dan Hunt (Neko Case) on drums. I played piano, guitar, vocals, and a trashcan as percussion on the bridge. Then I had Kyleen King do her magic adding viola and layers of strings (from her own arrangement) to it and the great Steve Berlin (Los Lobos) played flute, which he knocked out of the park. He had come by the studio to put some sax parts on some songs and I mentioned wanting a flute for this song. He asked me what kind of flute part I was thinking of and I said, “something like what Christ Wood would play in Traffic.” He just smiled and said he’d see what he could do.

“It’s one of the weirdest and most twisted tracks I have ever recorded and I’m really thrilled with how it all turned out.

“Frances Thrasher (Heaven4TheYoung), who painted the album cover, also does incredible and creepy stop-motion animation and has made me a super cool video for the release using a vintage dollhouse and her own amazing skills and talents.”

Produced by Chris Funk (The Decemberists, Stephen Malkmus and the Jicks) at various studios in Hood’s current hometown of Portland, OR, Exploding Trees & Airplane Screams marks the singer-songwriter-guitarist’s most expansive and ambitious extracurricular effort to date, supported by a stellar cast of friends and fellow musicians including Waxahatchee, Brad and Phil Cook (Megafaun), Kevin Morby, Wednesday, Brad Morgan and Jay Gonzalez (Drive-By Truckers), Steve Berlin (Los Lobos, The Blasters), David Barbe (Sugar, Mercyland), Nate Query (The Decemberists), Steve Drizos (Jerry Joseph and The Jackmormons), Daniel Hunt (Neko Case, M Ward), and Stuart Bogie (The Hold Steady, Goose). 

The 10-track was heralded late in 2024 with the first single, “A Werewolf and a Girl,” featuring additional vocals from Lydia Loveless. A lyric video directed by Jason Shevchuk is streaming now on YouTube.

Hood’s fourth solo album and first in over 12 years, Exploding Trees & Airplane Screams sees the veteran singer, guitarist, and songwriter exploring his youth and young manhood in a collection unlike anything in his ever-evolving catalogue. It is inspired in part by his own short story, “The Exploding Trees,” in which Hood tells the tale of a natural disaster that occurred in his North Alabama hometown just as he turned 30 and relocated to Athens, GA where Drive-By Truckers were co-founded in 1996.

The album gathers songs that have amassed over the remarkably prolific songwriter’s career, many of which provided him with distraction and creative sustenance during lockdown, others which have resided among his notebooks for years, including the string-driven “Airplane Screams,” written over four decades ago but never successfully recorded until now.

The album was further driven by his friendship with producer/musician Funk, a “profound chemistry” forged upon Hood’s 2013 move to Portland, OR. Having long discussed a collaboration, in 2023 the stars finally aligned, and they set to work on recording this new album which Hood intended to be “a bigger departure” from Drive-By Truckers and his previous solo efforts than ever before.

Working together at a number of Portland studios, Hood accomplished his goal, in part by writing much of the album on piano in a vigorous attempt to expand his parameters in new, heretofore uncharted, directions. While he planned to bring in a professional pianist for the recording sessions, Funk, eager to push his friend from his comfort zone, encouraged Hood to play the parts himself. Hood further took the opportunity to explore sounds outside the boundaries and obligations of his day job, deviating from his traditionally guitar-driven palette to create richly textured arrangements marked by the inclusion of strings, woodwinds, and vintage analog synthesizers.

The result is an ingeniously baroque Americana song cycle, fueled by Hood’s finely drawn character studies and gift for clear-eyed self-examination. Songs like “Pinocchio” and “Miss Coldiron’s Oldsmobile” are nakedly autobiographical and remarkably unflinching, steeped in the past but very much informed by who Hood is in the here and now. With its powerful textural clarity and Hood’s literary strengths at the fore, Exploding Trees & Airplane Screams coalesces as a staggering investigation into how time can shed light on the recesses of memory, revealing an exceptionally gifted songwriter’s resolute inclination to look back through the golden haze in order to grapple with the darkness and secret truths that perhaps weren’t understood or reckoned with at the time. 

“You remember it one way, but when you really dip into it, when you really look back, the world was a different place,” Patterson Hood says. “Things were accepted that wouldn’t be accepted now and things you didn’t understand then make sense now.

“This record has all these kind of unintended themes. I don’t know if that was anything I set out to do as much as it just kind of worked out that way. You know, there are a lot a lot of happy accidents in this record.”

The cover art for Exploding Trees & Airplane Screams is by Frances Thrasher, an artist from Athens, GA. “She recently put up a show called Heaven4TheYoung that really blew me away,” says Hood. “I was especially moved by one painting in the series, and she was kind enough to let me use it for the cover. I honestly didn’t have a second choice.”

“I’m putting together a kind of stripped-down band so we can go do this record right,” Hood says. “Now the challenge to see if I can pull off a few of the songs on piano live. There’s nothing but good to come from it. I think good has come from each of my solo records, they each made me better at what I do in various different ways.”

Kinky Friedman’s Final Album ‘Poet of Motel 6’ Set for March 2025 Release

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The storied Echo Hill Ranch, where Kinky Friedman lived for over 40 years, is now the birthplace of his final masterpiece, Poet of Motel 6. This posthumous album, set for release March 21, 2025 on Hardcharger/Blue Élan Records, showcases the wit, heart, and unflinching humanity that defined Kinky Friedman as one of America’s most iconic storytellers. A pre-order is available now.

The album’s poignant first single, “See You Down the Highway,” serves as a heartfelt farewell, weaving together themes of departure, gratitude, and resilience. As the opening preview of Poet of Motel 6, the track encapsulates the deeply personal and reflective tone of Kinky’s final work. Producer David Mansfield recalls how the song, like the rest of the album, was crafted with meticulous care and emotional authenticity, offering listeners a glimpse into Kinky’s creative and spiritual journey.

Poet of Motel 6 was written at Echo Hill Ranch, a 400-acre property that Kinky called home. Surrounded by the tranquility of Texas Hill Country, the ranch served as both inspiration and sanctuary. This album is not merely a collection of songs; it is Kinky’s heartfelt goodbye, a reflection of his singular life and enduring legacy.

Produced by Mansfield, a longtime collaborator dating back to Bob Dylan’s Rolling Thunder Revue, the album captures Kinky at his most intimate. Tracked in the spring of 2023, the recording process was an emotional journey. Mansfield recalls the sessions as deeply personal, with Kinky’s voice embodying both vulnerability and resilience.

The album features ten original tracks, penned and performed by Friedman. The title track, ‘Poet of Motel 6,’ stands out as a poignant elegy, inspired by the passing of his friend Billy Joe Shaver.

“Kinky was very upset when Billy Joe Shaver died,” explains Hardcharger head honcho Jesse Dayton. “Kinky idolized Billy Joe. I hear that sense of loss.” Mansfield experienced it firsthand. “Those songs he wrote about people he cared about that had passed on, they were quite elegiac,” says the producer. “He sang beautifully, and at the end he was in tears. He was very emotionally connected when he was doing these vocals.”

Other notable contributions to the album include musical luminaries like Rodney Crowell, Jimmie Dale Gilmore, Rick Trevino, and Amy Nelson, the record resonates as a heartfelt tribute to Kinky’s unique perspective on life, loss, and love.

Poet of Motel 6 concludes a remarkable creative resurgence for Friedman. Beginning with The Loneliest Man I Ever Met in 2015, Kinky returned to music after decades dedicated to writing and activism.

Subsequent albums, including Circus of Life and Resurrection, reaffirmed his status as a cultural icon. With Poet of Motel 6, Kinky achieves an artistic zenith, leaving behind an album hailed by Dayton as “his most heartstring-pulling record.”

Echo Hill Ranch is more than just the backdrop for this album—it is an enduring part of Kinky’s story. From its rolling hills to its timeless tranquility, the ranch is a reflection of the man himself: storied, larger-than-life, and filled with a quiet strength. Kinky’s younger sister, Marcie Friedman, fondly recalls their time together at the ranch and the profound symbolism embedded in his songs.

“This record is as good as Kinky’s [1973 debut album] Sold American,” she says. “Every song is about saying goodbye in a way only Kinky could.”

From the intimate, stripped-down recording sessions to the final harmony-filled gathering of friends and collaborators, Poet of Motel 6 is a testament to the enduring spirit of Kinky Friedman.

Poet of Motel 6 marks the final chapter in Kinky Friedman’s extraordinary musical journey. Fans and newcomers alike will discover an album that is as unforgettable as the man who created it.
 
“The hills are alive with the sound of Kinky Friedman.”

Sunny War Announces New Album ‘Armageddon in a Summer Dress’ Featuring Valerie June, Steve Ignorant, Tré Burt & More

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Sunny War returns with Armageddon in a Summer Dress on February 21, 2025, via New West Records. The 11-song set was produced by Andrija Tokic (Alabama Shakes, Hurray for the Riff Raff) and features guest appearances by Valerie June, John Doe of X, Steve Ignorant of Crass, Tré Burt, Jack Lawrence of the Raconteurs, Kyshona Armstrong, John James Tourville of the Deslondes, and more. Armageddon in a Summer Dress follows 2023’s Anarchist Gospel, which appeared on numerous “Best of the Year” lists including Rolling Stone, NPR Music, Uncut, Paste Magazine, No Depression, Flood Magazine, Magnet Magazine, The Bitter Southerner, and more. NPR Music called Anarchist Gospel “thrilling,” Mojo called it “exceptional” and a “significant breakthrough,” while Bandcamp called it a “stellar work of art.” Pitchfork called it “emotionally resonant and curiously hopeful,” while Rolling Stone said, “It all amounts to a powerful statement from a singer-songwriter poised to become one of the year’s most vital voices in roots music.” Anarchist Gospel’s success also took Sunny War on the road appearing alongside Mitski, Iron & Wine, John Doe & Exene Cervenka of X, Bonnie Raitt, and more. 

Today, Paste Magazine premiered the new single “Cry Baby” which features Valerie June. She says, “I’ve opened for Valerie June quite a bit and years ago I asked her if I could try and write a song for her. Somewhere in Portland, OR, I wrote ‘Cry Baby’ with Valerie in mind. I always listen to her when I want to be calmed down or hugged. I’m stoked that she was down to sing on this song inspired by her.”

Sunny War previously shared the video for the album’s first single, “Walking Contradiction,” a duet with the legendary Steve Ignorant of Crass. Recruiting Steve to sing on the anarcho-punk anthem was a full-circle moment for Sunny, who counts Crass among her all-time favorite bands. She wrote the song especially for him: with its snaking blues melody, ominous organ chords, and her guitar tagging the walls of city hall, the song is a smart, scowling depiction of late-capitalist America, where even the best of us are compromised by a fundamentally evil system. Their voices suggest a wild chemistry between them, possibly because Sunny’s been singing along with Steve for decades. She says, “He’s my hero for life. When I started listening to Crass, it changed everything about how I thought about everything.” Steve Ignorant says, “It’s always an honour to collaborate with someone you respect and Sunny War is no exception. She is the younger voice, taking up the torch of hope in this dark world. The minute I heard the song I knew it would work and recording it was an incredibly emotional experience. The lyrics are now in my head for good – which is not a bad thing, and who knows – maybe one day we’ll get the chance to perform it together live.” She also previously shared the album highlight “Scornful Heart,” featuring Tré Burt.  

Following the release of her breakthrough Anarchist Gospel, Sunny moved into her late father’s house in Chattanooga. She thought the place was haunted. “I spent the winter seeing things and hearing things,” she says. “The house is 100 years old, and I was in there by myself. I could hear people walking around and talking, but when I jumped out of bed with my machete, there was nobody there. I assumed it was my dad, and I started writing about the ghosts that I was living with.” Sunny’s house wasn’t haunted, at least not the way she initially suspected. “Something broke and I had to fix it, so I called the gas company even though I didn’t have the money. The guy discovered major gas leaks all over the house. I thought I was losing my mind, but I was just hallucinating from the gas. After I got that fixed, I never saw or heard another ghost.” That’s not to say they weren’t there, just that she could no longer detect them. Armageddon is rooted in the disorientation of those hallucinations. In songs that are deeply incisive and keenly imaginative, Sunny ponders the act of crossing boundaries—between worlds, between musical genres, summoning the ghosts of the people she lost, the people she once was, and the people she was not allowed to be. 

Off the road and back at her not-haunted house, Sunny did her best to stay busy, lest she lapse back into the alcohol and drug abuse that almost killed her years ago. “If I’m not touring, I’m either going to play music all day or I’m going to get drunk. It’s really one or the other. I’m just obsessively trying to work on something so that I’m making healthier decisions that day.” She spent long days recording elaborate demos, chasing ideas and assembling whole songs from the ground up. The intense demo process allowed her to experiment with new textures, and she found herself gravitating away from her trusty acoustic guitar for an electric. “Touring behind Anarchist Gospel made me want to make a bigger-sounding record and have a whole band rather than just playing solo acoustic or with a three piece. I wanted to try stuff out of my comfort zone and try and have more fun playing. I definitely wanted to make this album for a badass five-piece band.” 

Armageddon in a Summer Dress reveals an artist further refining her vibrant mix of punk and roots. “To me it’s the same kind of music. If you’re into punk for the lyrics and the message, there’s definitely a lot of old-time music that has that spirit. Folk used to be very anti-establishment. Pete Seeger, union songs, Woody Guthrie—that’s punk rock shit. It’s all about being an outsider.” What kind of person would Sunny be had she never heard Crass? Or Robert Johnson? Or any of her heroes? Those mirror-universe Sunnys are just some of the ghosts that haunts Armageddon in a Summer Dress: all of those different selves would have led different lives. These songs tally up everything that’s lost as you grow up and grow old, all of those small occurrences that turn out to be pivotal. As dire as some of these songs may be, they’re also righteous and therefore joyous in their exhortations to live on your own terms, to fight injustice wherever you see it, and to always reach for new ways to express yourself.” 

Sunny War’s Armageddon in a Summer Dress will be available across digital platforms, compact disc, and standard black vinyl. A limited Clear Pink color vinyl edition as well as a limited compact disc edition autographed by Sunny War will be available at Independent Retailers. A limited Green & Black Swirl color vinyl edition of 200 will be available via Rough Trade. A limited signed compact disc edition as well as a limited “Cry Baby Blue” color vinyl edition of 500 will be available directly via NEW WEST RECORDS

Armageddon in a Summer Dress Track Listing: 

1. One Way Train
2. Bad Times
3. Rise
4. Ghosts
5. Walking Contradiction (feat. Steve Ignorant)
6. Cry Baby (feat. Valerie June)
7. No One Calls Me Baby
8. Scornful Heart (feat. Tré Burt)
9. Gone Again (feat. John Doe)
10. Lay Your Body
11. Debbie Downer

Chick Corea Trio Returns With Final Tour Recordings on “Trilogy 3”

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Candid Records and Chick Corea Productions announce Trilogy 3, a new double live album. In 2020, Chick Corea-27-time GRAMMY winner, National Endowment for the Arts Jazz Master, and one of the most iconic figures in jazz-hit the road with his powerhouse trio of Christian McBride and Brian Blade, embarking on what would be Corea’s final tour. The recordings from those shows are now being released as Trilogy 3, the third installment from this extraordinary group. The announcement comes with the first single “Windows,” an iconic Corea composition making its first appearance on a trio recording of Chick’s since his landmark album Now He Sings, Now He Sobs nearly six decades ago.

The album is now available for pre-order. It will be released on all streaming services on February 28th with physical formats arriving on May 30th. The vinyl release is a double-disc LP in a gatefold jacket. Produced and recorded by Bernie Kirsh, and mastered by Bernie Grundman, both the LP and CD feature personal liner notes from Christian McBride and Brian Blade.

With years of collaboration to draw from, nine-time GRAMMY-winning bassist Christian McBride and four-time GRAMMY-winning drummer Brian Blade bring a profound musical connection to their work with Corea. Their long standing partnership fuels a dynamic, ever-evolving soundscape that elevates the art of the jazz trio to new heights.

Following the critically acclaimed Trilogy (2013) and Trilogy 2 (2018) albums, which each earned two GRAMMY Awards including Best Jazz Instrumental Album, Trilogy 3 marks yet another milestone for this celebrated ensemble. The release brings together live performances from their February-March 2020 tour, cut short by the onset of the pandemic, capturing the trio’s extraordinary interplay and artistic brilliance. The album features fresh interpretations of jazz standards by Thelonious Monk and Bud Powell, alongside Chick Corea compositions, and a vibrant take on Domenico Scarlatti’s “Sonata In D Minor.”

Widely regarded as one of Chick’s most acclaimed ensembles, this trio has consistently pushed the boundaries of jazz with technical brilliance, playful camaraderie, and deep emotional resonance. Trilogy 3 invites listeners to join these masters on a journey through music that is both timeless and groundbreaking.

Tracklisting:
1. Humpty Dumpty
2. Windows
3. Ask Me Now
4. You’d Be So Easy To Love
5. Trinkle Tinkle
6. Scarlatti: Sonata in D Minor K9, L413 Allegro
7. Spanish Song
8. Tempus Fugit