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How Digital Boundaries Are Empowering Music Lovers in the Age of Global Streaming?

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By Mitch Rice

Now music is much closer than ever. Through such applications as Spotify, YouTube Music, and Apple Music, we are now able to immediately find musicians in Tokyo to Toronto. However, hitching a ride on this sleeker experience is an unseen co-dependency, in that our data, preferences and even our feelings are constantly being trailed and moulded by algorithms.

As an audience, we usually conceive about the comfort of use, collections, and streaming quality. We pay little attention to the extent to which we are giving away our own selves through streams, searches, and like playlists. This is changing though. It is small, subtle, but music lovers as a counterpoint are beginning to draw cyber walls around themselves–not because they are trying to escape music, but rather as a way to be closer to music.

Just like soundscapes can soothe or energize us, the way we listen—and how much control we have over our listening experience—matters deeply. Today, privacy-focused tools, private listening settings, and even choosing what not to share are becoming forms of empowerment for the conscious listener.

The Hidden Data Behind Every Song You Play

There is more to tapping play on a favourite song or going into a Spotify playlist like the “Top 50 Global” than good feels. Streaming companies monitor where you geographically are, time you choose to listen, songs you tend to skip and the duration you hover on the artist page.

The algorithms that recommend you the next song you will like, are trained by this data, and you are inside an over controlled bubble where you get direct to your content. Although it is customized, it is restrictive. This is when you start listening to what the algorithm believes you require but not necessarily what will be of value to you.

Creating digital listening boundaries, like disabling personalized ads, turning on private sessions on Spotify, or using a VPN to explore music charts from other countries, can help you break free of these bubbles. Suddenly, K-pop in Korea, Afrobeat in Nigeria, or indie folk from Iceland is just a setting away.

Why Setting Boundaries Is the New Way to Explore Music Freely?

When advertising is pushing us all the time toward what is Trending or Viral it can be a relief to listen to something that you choose. Digital boundaries are not a decision to take a break a part of your life; it is an act of rediscovering your right to make decisions.

That might mean-

  • Not linking your Spotify account to every social platform
  • Listening in “private mode” without feeding more data into the algorithm
  • Using a VPN to access music unavailable in your region
  • Being mindful of the apps connected to your streaming accounts

In this scenario empowerment means getting in touch with you, not what is charting. It is also getting in touch with those who get interested in them as artists as opposed to approaching artists through a trend. Do follow this quick guide.

How VPNs Help Music Fans Unlock New Worlds?

One of the most convenient tools used today to find music is called VPN (Virtual Private Network). It does not only keep your online browsing anonymous, but also sets your location to the country of your choice – allowing you to listen to a nationwide playlist, songs that are not officially released, or exclusive drops limited by geolocation, among other reasons.

Fancy listening to the Top Hits in Brazil on Spotify, or listening to a song that can only be heard in the UK? A VPN can solve that issue by avoiding those digital boundaries without violating any laws or ethics. It is an exclusive yet subtle form of agency over music. 

In fact, many audiophiles and global music bloggers now use VPNs to stay ahead of global music trends. It’s not just a tech tool—it’s a passport to richer listening experiences.

Conclusion- Your Playlist, Your Rules

Empowerment in music doesn’t always look like a protest. Sometimes it’s a quiet decision to tune out the noise and listen to what truly resonates. It’s about skipping the autoplay, switching off recommendations, or setting your VPN to explore new sonic cultures.

They help you find your rhythm without drowning in the algorithm. They let you connect with music that moves you—not just music that’s marketed to you. And in doing so, you create a space that’s truly your own—one that celebrates your taste, respects your privacy, and inspires discovery on your own terms.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Bring Me The Horizon Launches ‘USA Ascension Program+ Part 01’ Tour With Motionless In White

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Bring Me The Horizon are set to hit the road for USA Ascension Program+ Part 01 – a fall tour bringing their high-energy performances to select major markets. The first leg of this tour will feature Motionless In White, The Plot In You, and Amira Elfeky, making for a stacked lineup.

Produced by Live Nation, USA Ascension Program+ Part 01 kicks off on September 23 at Lenovo Center in Raleigh, NC making stops across the U.S. in Atlanta, Houston, Dallas, Denver, Salt Lake City and Phoenix, before wrapping up in Los Angeles, CA at Intuit Dome on October 3.

Bring Me The Horizon are becoming one of the most successful rock bands today, selling over 5 million albums worldwide. Renowned for their explosive live shows, they have played sold-out concerts in over 50 countries and headlined major festivals, including Reading & Leeds in 2022 and Glastonbury in 2016 and 2019, where they captivated a traditionally non-rock audience. With over 1 billion YouTube views and ranking among the top 500 most-streamed artists on Spotify, their influence continues to grow. In 2024, they released their latest studio album, POST HUMAN: NeX GEn, via Sony/RCA. The band consists of vocalist Oli Sykes, guitarist Lee Malia, bassist Matt Kean, and drummer Mat Nicholls.

USA ASCENSION PROGRAM+ PART 01 TOUR DATES:
Sun Sep 21 Louisville, KY Louder Than Life Festival*
Tue Sep 23 Raleigh, NC Lenovo Center
Wed Sep 24 Atlanta, GA State Farm Arena
Fri Sep 26 Houston, TX Toyota Center
Sat Sep 27 Dallas, TX American Airlines Center
Mon Sep 29 Denver, CO Ball Arena
Tue Sep 30 Salt Lake City, UT Maverik Center
Thu Oct 02 Phoenix, AZ Footprint Center
Fri Oct 03 Los Angeles, CA Intuit Dome
Sun Oct 5 Sacramento, CA Aftershock Festival*
*Not a Live Nation Date

The Black Crowes Set To Rock OLG Stage At Fallsview Casino August 2, 2025

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Get ready to rock with the Black Crowes at the OLG Stage at Fallsview Casino on Saturday, August 2, 2025. The musical impact of the Black Crowes continues to be celebrated with their recent 2025 Rock and Roll Hall of Fame nomination. Tickets for The Black Crowes on sale through ticketmaster.ca.

“The Black Crowes bring an amazing stage presence and are known for their unique southern rock sound,” said Cathy Price, Vice President of Marketing and Resort Operations at Fallsview Casino. “ Bands like the Black Crowes are a rare find.  We can’t wait for them to take the stage for what we expect will be a rock show like no other!”

Fifteen years after their last album of original music, The Black Crowes released Happiness Bastards – their 10th studio album. Some may say the project has been several tumultuous years in the making for the Robinson brothers, but it arrives at just the right time. The Black Crowes are biting back with the angst of words left unsaid penned on paper and electrified by guitar strings, revealing stripped, bare-boned rock & roll. No gloss, no glitter, just rhythm and blues at its very best. Since The Black Crowes reunited in 2019, they’ve made a triumphant return to form with over 150 shows spanning 20 countries worldwide, celebrating the 30th anniversary of Shake Your Money Maker, the album that put them on the map. Following the 2019 tour, they knew they needed something new to show for their lost time. With producer Jay Joyce, The Robinson Brothers and longtime bassist Sven Pipien channeled years of experience into a raw, roots-driven sound. Happiness Bastards was released on March 15, 2024, and earned The Black Crowes their first GRAMMY nomination in over three decades for Best Rock Album. The band was also recently announced as 2025 Rock and Roll Hall of Fame nominees. Next, The Black Crowes and Jimmy Page will release the 25th anniversary edition of Live From The Greek on March 14, 2025, revisiting their legendary live collaboration with a fresh spotlight on one of rock’s most electrifying pairings.

Show date & performance
The Black Crowes
Date: Saturday, August 2, 2025
Showtime: 7:30pm
Venue: OLG Stage at Fallsview Casino

‘*Pride & Prejudice (Sort Of)’ Returns To Toronto’s CAA Theatre Summer 2025

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After captivating Toronto audiences with a wildly successful, sold-out run in 2023, the Olivier Award-winning comedy PRIDE & PREJUDICE (*SORT OF) is set to return to the CAA Theatre for a strictly limited engagement this summer, running from July 22 to August 17, 2025.

Hailed by critics as “smart, laugh out loud funny” (The Daily Telegraph), PRIDE & PREJUDICE (*SORT OF) made its North American premiere as part of the 2023/24 Off-Mirvish season and quickly became a word-of-mouth sensation. With its original twist on a beloved classic, the show extended its run twice due to audience demand. Now, Toronto theatre lovers will get another chance to experience the electrifying wit and riotous charm of Isobel McArthur’s groundbreaking adaptation.

This fiercely funny and affectionate retelling of Jane Austen’s iconic love story replaces ballroom decorum with karaoke mics, corsets with pop culture, and decorous suitors with full-throttle female storytelling. Featuring pop classics like “Young Hearts Run Free,” “Will You Love Me Tomorrow,” and “You’re So Vain,” the show reimagines Austen’s world through the voices of the overlooked—and very outspoken—women who keep the Bennet household running.

Directed by Olivier and Evening Standard Theatre Award winner Isobel McArthur and Martin Leonard, this production balances biting satire with generous heart, making it one of the most exhilarating theatrical experiences of the decade.

The returning cast features:

  • Emma Rose Creaner as Tillie, Charlotte Lucas, Charles Bingley, and Miss Bingley
  • Eleanor Kane as Anne, Mary Bennet, Lydia Bennet, and Mr. Gardiner
  • Rhianna McGreevy as Flo, Mrs. Bennet, and Fitzwilliam Darcy
  • Naomi Preston Low as Effie and Elizabeth Bennet
  • Christine Steel as Clara, Jane Bennet, and Lady Catherine de Burgh
    Also joining the company are Isobel Donkin and Georgia May Firth.

This dazzling ensemble brings depth, mischief, and unforgettable comedic timing to McArthur’s razor-sharp script, celebrating female friendship and fiery resilience with every beat.

Presented by David and Hannah Mirvish, this engagement marks the continued partnership with David Pugh & Cunard, building on the show’s success across the UK, including a critically acclaimed West End run. The original production was co-produced by The Tron Theatre Company, the Royal Lyceum Theatre Edinburgh, Blood of The Young, and other leading regional companies.

PRIDE & PREJUDICE (*SORT OF) invites audiences to laugh, sing, and fall in love all over again—with Austen, with karaoke, and with the joy of theatre itself.

Performance Details:
CAA Theatre – 651 Yonge Street, Toronto
Run Dates: July 22 – August 17, 2025
Tickets on Sale: Friday, March 7 at 10AM
Box Office: www.mirvish.com | 1-800-461-3333

Tori Amos Releases Debut Children’s Book ‘Tori And The Muses’

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From the Grammy-nominated and multiplatinum singer-songwriter and New York Times bestselling author Tori Amos comes Tori and the Muses, a thoughtful and sprightly tale of young Tori navigating the magical world of inspiration in all its forms.

Tori is no ordinary child—her musical inspirations and talents are clear from a young age. But when her dad forces her to rehearse for her recital, Tori is unhappy. She wants to play what she wants to play! And though they don’t see eye to eye, Tori has a secret: eleven Muses who have visited her since she was a baby and inspire her to write and make her own beautiful music. These fairy godmother–like Muses remind Tori that inspiration is everywhere, and perhaps in helping others find their own Muses—including Dad—she may better understand her own inspirations.

So, Tori takes her brand-new floating pink piano—a gift from the Muses—to see what might inspire others, in hopes of understanding what her dad’s Muses might be. And she is surprised at what she finds.

Filled with joy, curiosity, and imagination, this debut picture book written by Tori Amos with otherworldly illustrations by Demelsa Haughton will inspire, encourage, and most importantly, remind young readers to find inspiration in the things they love, and to listen to their own Muses.

The Ting Tings Meet ‘My Sharona’ With Toni Basil’s ‘Mickey’ In This Wild Mashup

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YouTuber Justin Kayes dropped a mashup that still slaps. Blending The Ting Tings’ “That’s Not My Name” with ’70s and ’80s gems like “My Sharona,” “Mickey,” and “Ça Plane Pour Moi,” plus a wink from The B-52’s, this mix is a time-traveling dance party. Four decades collide—and somehow it all grooves.












Rush’s “Subdivisions” Stripped Down: Geddy Lee’s Voice And Alex Lifeson’s Solo Take Center Stage In Isolated Tracks

“Subdivisions” gets the vocals-only treatment, and the results are stunning. Geddy Lee’s delivery (starting at 0:54) rings with clarity and emotion, while Alex Lifeson’s guitar solo at 4:17 cuts straight to the core. Even without the full mix, Neil Peart’s rhythmic presence is felt in every measure. This version pulls back the curtain on the intricate genius of a band that always played with heart—and precision.












Geddy Lee’s Voice And Alex Lifeson’s Isolated Guitar Shine In “Closer To The Heart”

In this vocals-only version of Rush’s “Closer To The Heart,” Geddy Lee’s voice takes on new depth, every word cutting through with clarity and soul. Stripped of full instrumentation, the spotlight also falls on Alex Lifeson’s elegant solo—crisp, emotional, and perfectly placed. It’s a fresh way to experience one of prog rock’s most heartfelt anthems. Rush, up close and personal.












Peter Gabriel’s Vocals Shine In Isolated “Supper’s Ready” With 1973 Bataclan Footage

“Supper’s Ready” gets stripped down to the soul with this vocals-only version featuring the unmistakable voice of Peter Gabriel. Paired with footage from Genesis’s 1973 performance at the Bataclan in France, it’s a haunting, theatrical, and deeply human experience. The instrumental breaks are filled in with live audio, but it’s Gabriel’s storytelling tone that steals the show. A prog epic, now even more intimate.












Alice Coltrane’s ‘Monument Eternal’ Returns With Spiritual Wisdom And Musical Insight

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The long-awaited reissue of Alice Coltrane’s original spiritual teachings and reflections, which provide powerful insight into her transcendent music, cherished by millions across the globe 

ALICE COLTRANE (1937–2007) was a composer, master of various musical instruments, improviser, spiritual leader, and wife of John Coltrane. Throughout her adult life, she worked within and combined a broad range of musical genres, including gospel, R&B, bebop, free jazz, Indian devotional song, and Western art music. She recorded more than twenty full-length albums for Impulse and Warner Bros. Her music speaks to her experiences as a child playing for church congregations in Detroit; the transcendent and mind-bending avant-garde improvisations she performed with John Coltrane; and her religious pilgrimages to India. 

When Monument Eternal was originally published in 1977, Alice Coltrane was living in Southern California and had recently become a swami, building and nurturing an alternative spiritual community. In these pages, she says that the book is “based upon the soul’s realizations in Absolute Consciousness and its spiritual relationships with the Supreme One.” Monument Eternal offers deep insight into Coltrane’s tremendous musical output, and shines a light on her transformation from Alice McLeod, Detroit church organist and bebopper, to sage thought leader Swami Turiyasangitananda. It also reflects the extraordinary fluidity of American religious customs in the mid and late twentieth century. 

Akashic’s long-awaited reissue of Monument Eternal includes a new foreword by Ashley Kahn.