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Clay Aiken Reimagines “Measure Of A Man” In Powerful Father’s Day Release

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More than twenty years after the release of the iconic album “Measure of a Man”, his triple-platinum debut record, Clay Aiken returns today, Friday, June 13, with a moving reimagining of the title track, “Measure of a Man (Father’s Version).” The updated ballad reframes the 2003 song through the lens of fatherhood, offering an intimate reflection on how love, patience, and presence—not perfection—define true strength. The single drops just ahead of Father’s Day weekend, marking a poignant moment of growth and reconnection for one of America’s most cherished voices. Listen to the single HERE.

Clay became a household name on American Idol Season 2, captivating nearly 40 million viewers for the finale—the most-watched regularly scheduled TV episode of the 21st century. His debut single, “This Is The Night,” made Billboard history by entering the Hot 100 at No. 1, and his album Measure of a Man debuted atop the Billboard 200 with 613,000 first-week sales and eventually earned triple‑platinum certification.

Now a father, Aiken brings newfound vulnerability to “Measure of a Man (Father’s Version).” The stripped-down arrangement highlights his gorgeous vocals and the emotional resonance as he reflects on how parenting reshaped his understanding of strength. “The original was about asking what defines a good man,” Aiken explains. “This version is my answer—what I’ve learned through being a father.”

For me, part of coming back to recording after almost 15 years has been about having the opportunity to do things on my terms this time,” Aiken shares. “So much of everything I recorded and sang between 2003 and 2010 was what I was given or told to record—not necessarily what had meaning to me.… Revisiting this song now, and looking at it through the lens of the past 17 years I’ve had as a father, has been an opportunity to make it personal to me in a way it never was before.”

In recent years, Aiken took a break from entertainment to pursue advocacy and public service, and now after 10 years, he’s returning back to his first passion,  music. His work was centered on education, healthcare, and inclusion—issues reflecting his lifelong dedication to service. That spirit is also evident in his philanthropic activity: he co-founded the National Inclusion Project to support children with disabilities, and served for over a decade as a UNICEF Ambassador, focused on child protection in global crisis zones.

Ryan Pinkard Explores the Rise, Fall, and Revival of Shoegaze in ‘Shoegaze’ From The 33 1/3 Series

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What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied.

Today shoegaze is undeniable. As a descriptor and as a source of influence, it is used in more ways and by more bands than anyone could have dreamed of 30 years ago. Between those periods of invention and ubiquity, the term, along with the bands it first described, all but disappeared off the face of the earth.

In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity. His analysis is woven through dozens of original interviews with artists, label heads, and critics. What he discovers is the unlikely odyssey of this esoteric, experimental music form, which nearly became a mainstream entity, only to be viciously killed off, forgotten, and rediscovered by a new generation that regards it as one of the most influential alternative music events since the Velvet Underground.

Skylar Blatt Drops Self-Love Anthem “I Look Good”

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– Today, Cincinnati born rapper Skylar Blatt releases her motivational new single “I Look Good” out now via Saint Ka$h and Arista Records. The genre bending artist is back with her affirmation anthem blending equal parts throwback and her signature original flow. 

Listen to “I Look Good” Here

On the feel good track, Skylar shares, “‘I Look Good’ is a record that has this bop to it. It’s literally made to boost and build up people’s self-esteem and get them hype. Very often we, as humans, feel that other people be trying to play us in certain situations. This record was made for the haters in the back. The theme is to wake up feeling like you looking good,and knowing that you are looking good!!”
 

Following the momentum of March’s “Major League,” which also coincided with the newly coined “Skylar Blatt Day” in her hometown city of Cincinnati, Skylar continues to prove she is in a league of her own. Skylar keeps the haters blocked rapping, “Haters be yelling at the crowd / I don’t come down that’s low vibration / I ain’t tryna lose my patience / Don’t ever play me like an average bitch. Drop dead gorgeous like these prezzies.” Skylar is keeping us confident and unbothered. 

Fans will recognize the same signature swagger, humor, and heat as Skylar’s previous team-ups including Brooklyn’s Lola Brooke on “F**k Fame, Pt. 2,” “Super Bowl” with Doe Boy, and “God Forbid” with Icewear Vezzo. Last year’s “Hold Me Down,” put her melodic charm on full display over a sexy drill-inspired production — a fitting followup to R&B-inflected “Wake Up,” whose official video (shot at Brown’s mansion) recently surpassed 13 million views. 

“Wake Up” dropped last April to much fanfare, with TMZ Hip-Hop calling it a “song of the summer,” ESSENCE crowning it a “banger” and one of the “Best New Music” releases that week, and Angela Yee tapping Skylar for a wide-ranging chat on Lip Service. Meanwhile, Billboard selected “Hold Me Down” as one of its R&B/Hip-Hop Fresh Picks, writing, “Blatt is always cool, calm and collected. No matter the tempo of a track, the Cincinnati-bred artist remains in control of the steering wheel.” Before that came “Laughin to tha Bank.”

When a lane doesn’t exist, Skylar Blatt will create one. The Cincinnati-born rapper has always thought beyond the confines of her circumstances and her city. She spits raw truth about the struggle, holding nothing back as she recollects trials, tribulations, and triumphs via her music. As the second oldest of six kids raised by a single mother, she and her family endured everything life threw at them. Strife at home would be compounded with the unforgiving nature of a flawed system. Eventually, she and her siblings settled in with her grandmother. Regardless of where she went, hip-hop always provided safe harbor as she listened to the likes of Lil Wayne, Nicki Minaj, Future, Young Thug, Gucci Mane, 50 Cent, Jadakiss, and Juelz Santana. Picking up a mic, she uploaded freestyles of her own to Facebook. She slowly but surely built an audience through consistent posts, gaining serious traction with originals “I Can Tell” and “Urgent Care.” Around the same time, Meek Mill cosigned her. She generated north of 738K YouTube views on “Exactly” [feat. Babyface Ray & Midwest Milly] followed by “God Forbid” [feat. Icewear Vezzo] and “Superbowl (BENGALS)” [feat. Doe Boy]. Reflective of Skylar’s burgeoning buzz throughout 2022, Lyrical Lemonade professed, “her story is so raw and genuine, that it’s hard not to fall in love with her aura,” and Respect My Region pegged her as “Cincinnati’s next big female.” Her hunger has no comparison on a series of releases this year including “F*ck Fame PT. 2” feat. Lola Brooke, “Laughin To Tha Bank” and “Wake Up” feat. Chris Brown, all via Saint Ka$h/Arista Records.

Skid Row Revive the Fury With “Disease” Lyric Video and ‘Revolutions Per Minute’ Reissue

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Today,legendary American hard rock band Skid Row unleash a video track ’Disease’, offering fans a first taste of the upcoming reissue of their fifth studio album, ’Revolutions Per Minute’. The newly mastered edition is set for release on June 20, 2025.

Originally launched in 2006, Revolutions Per Minute marked a bold shift in Skid Row’s evolution – pushing boundaries and fusing their trademark edge with a more modern, aggressive sound. The reissue brings that raw energy back to life, offering a fresh spin on a pivotal chapter in the band’s career.

The lyric video for “Disease,” the album’s explosive opening track, captures the song’s aggressive tone and introspective lyrics. Exploring themes of self-destruction and personal turmoil, the video enhances the emotional weight with visuals that evoke chaos and inner conflict.

The Vans Warped Tour Guide Returns With 2025 Anniversary Revival

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The Vans Warped Tour is making a highly anticipated return in 2025, celebrating its 30th anniversary with three major two-day festivals in Washington, D.C.; Long Beach, California; and Orlando, Florida. Also making its highly anticipated return is the Official Vans Warped Tour Program. 50,000 physical copies and 200,000+ digital editions will be distributed free to all ticketholders of the 2025 Vans Warped Tour.

Vans Warped Tour Founder Kevin Lyman tapped Josh Bernstein of Z2 Comics to produce these custom manga-sized collectible guides for fans, as Bernstein and his team had previously produced similar programs for the Warped, Mayhem, Uproar and Taste of Chaos Festivals.

“Back in the day, the Vans Warped Tour program was more than just a guide-it was a snapshot of a moment in music history. People used it to map their day, jot down set times, collect autographs, or just feel plugged into something bigger than themselves” says Kevin Lyman, Founder of Vans Warped Tour. “Bringing it back now isn’t just about honoring that past-it’s about making the experience whole again for a new generation that deserves something just as tangible.”

The Official Vans Warped Tour Guide features brand new cover art from Erik Rodriguez and Josh Bernstein reimagines a swinging ’60s-themed Warped pool party where all are welcome. This honors Kevin’s longtime tradition of aftershow BBQ parties and this cover features 2025 performers Avril Lavigne, Ice-T, Johnnie Guilbert, mgk, and members of A Day To Remember, All American Rejects, All Time Low, Black Veil Brides, Dance Hall Crashers, Dropkick Murphys, Falling In Reverse, Ice Nine Kills, mgk, Motionless In White, Rise Against, Simple Plan, Slaughter To Prevail, Sublime, The Funeral Portrait, The Interrupters and even the late Lou Dog. The BBQ is naturally headlined by Warped stalwarts, Pennywise.

“We can’t thank Kevin and the entire Insomniac Team enough for this opportunity” says Josh Bernstein of Z2. “Getting a chance to produce the Vans Warped Tour Guide again for all these fans and brands is a dream come true. Long live print!”

Edited and written by Vans Warped Tour Guide alums Rabab Al-Sharif and Mackenzie Hall, this 88-page guide features brand new interviews with 25+ bands, spotlights on brand new artists, charity partners, activities and things to do in each Warped city as selected by the Warped artists themselves. The guide also proudly features the art of Jimbo Phillips, who is responsible for all of the great 2025 Vans Warped Tour art and logos we’ve seen so far.

Z2 tapped famed underground cartoonist Luke McGarry to bring a series of “Warped Memories” back for some of the Vans Warped Tour’s most famous alumni, including brand new comics with Mark Hoppus of blink-182 showering with a hose, Hayley Williams of Paramore meeting Gerard Way of My Chemical Romance, Andy Biersack of Black Veil Brides meeting his future wife, Juliette Simms and the time Kevin Lyman kicked Sublime off the very first Vans Warped Tour for dog-biting.

Finally, Warped’s incredible legacy is perfectly encapsulated with the photo gallery and interview with Lisa Johnson, the Vans Warped Tour photographer since day one. Her iconic shots of My Chemical Romance, Rancid and Simple Plan perfectly capture the continuing spirit of Warped.

The Official Vans Warped Tour Guide would like to thank the following partners for their incredible support: American Musical Supply, Beatbox, CAA, Death Valley Dreams, Ernie Ball, Hopeless Records, Ghost Energy, Rise, Sumerian, Alternative Press, Jeffree Star, Killer Merch, Live Nation, Manic Panic, Marshall, Mercury Records, MNRK Music Group, The Music Experience, Punk Rock Museum, Slice, Thriller Records, The University of South Carolina, Vans, and Veeps.

The 2025 Official Vans Warped Tour Guide will be available free at the Washington, D.C., Long Beach, California, and Orlando, Florida, Vans Warped Tour weekends as well as the Z2 Booth at the San Diego Comic Con International (Booth #1529)

Soft Cell’s Strange Worlds Explored In Patrick Clarke ‘Bedsit Land’ Biography

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Soft Cell are not your average pop band. Marc Almond and Dave Ball may be best known for the string of hits they released in 1981, but the powerful first phase of their collaboration embraced a staggering array of sounds, influences and innovations that would change the face of music to come.

In Bedsit land, Patrick Clarke plunges into the archives and interviews more than sixty contributors, including the band members themselves, to follow Soft Cell through the many strange and sprawling worlds that shaped their extraordinary career. They lead him from the faded camp glamour of the British seaside to the dizzying thrills of the New York club scene. From transgressive student performance art to the sleaze and squalor of pre-gentrified Soho. From the glitz of British showbiz to the drug-addled chaos of post-Franco Spain.

Bono Talks ‘Stories Of Surrender’ With Zane Lowe For An Hour

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Bono reflects on life, legacy, and letting go in a candid sit-down with Zane Lowe, diving deep into his Apple TV+ documentary Stories of Surrender.












Metal Dad Band Shreds Alice Cooper’s ‘School’s Out’ to Embarrass Son

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Forget pickup lines and polite claps—this dad squad cranked Alice Cooper’s “School’s Out” to 11 in full metal gear just to mortify their kid at the bus stop. That’s not just parenting… that’s power-chording fatherhood!












Bluegrass Version of ‘Star Trek: TNG’ Theme Boldly Goes Banjo

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What do you get when a banjo beams aboard the USS Enterprise? Gordon Lustig’s bluegrass take on the Star Trek: The Next Generation theme! It’s twang, trek, and total joy—because even in deep space, the banjo boldly goes.












Sean Egan’s New Book ‘Long Agos and Worlds Apart’ Explores the Small Faces’ Legendary Legacy

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The Small Faces epitomised the maxim, “Never mind the width, feel the quality.” In their brief original lifespan, they released just three official albums and a dozen-and-a-half authorised non-album singles and B-sides. Yet more than five decades after the London quartet’s split the phenomenal quality of that compact body of work has ensured a continuing and unassailable musical esteem bordering on legend.

Gut-bucket vocalist Steve Marriott brought a bluesy grit to both compositions of gravitas and effervescent pop numbers. Bassist Ronnie Lane collaborated with him to form one of the most formidable songwriting partnerships of the era. Ian McLagan was an exhilaratingly blurred-fingered keyboardist. Kenney Jones brought up the rear with blistering drum patterns, with his rolls often used to provide an explosive fanfare to Small Faces singles. Such a talent-oozing line-up was virtually predestined to conjure excellence. ‘Tin Soldier’, their exquisitely sophisticated psychedelic-soul release of 1967, regularly appears in polls to decide history’s greatest singles.

However, the band are just as much loved for rip-roaring power-pop like ‘Sha-La-La- La-Lee’ and ‘All or Nothing’ and storming instrumental B-sides such as ‘Grow Your Own’ and ‘Almost Grown’. Their acknowledged masterpiece is Ogdens’ Nut Gone Flake (1968), an album that was not only artistically superb but boasted a second-side narrative suite that paved the way for rock operas such as the Pretty Things’ SF Sorrow and the Who’s Tommy. Regardless of style, quality and innovativeness, the Small Faces’ music was characterised by a life-affirming joyousness.

All this explains why their catalogue is endlessly recycled and why their oeuvre has been disproportionately inspirational. Long Agos and Worlds Apart covers the Small Faces’ full, tumultuous story. The book draws on lengthy new interviews, including ones with Jones, Lane’s close friend Pete Townshend and original Small Faces member Jimmy Winston.

It features contributions from many associates and intimates, including managers, agents, publicists, songwriters, auxiliary musicians, fan-club personnel, recording engineers, journalists, friends and wives. It also draws on numerous interviews the author conducted down the years with both Jones and McLagan, much of which material is previously unpublished. It is a revealing, impartial, exhaustive and definitive exploration of the corpus and career of a truly great band.