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The 10 Biggest Concert Tours of All Time – Updated For December, 2025

Eric Alper
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The 10 Biggest Concert Tours of All Time – Updated For December, 2025

When people talk about the power of live music, this is what they mean. For decades, touring has transformed from a promotional add-on to the main engine of the music industry. As record sales declined in the 2000s, artists turned to the stage — and the result was an explosion in global touring revenue unlike anything before.

The first tours to ever cross $100 million didn’t happen until the late 1980s, with Michael Jackson’s Bad World Tour and Pink Floyd’s Momentary Lapse of Reason Tour. Tina Turner became the first woman to hit that mark in the mid-1990s. Fast-forward, and Taylor Swift’s Eras Tour became the first in history to reach $1 billion, and then the first to cross $2 billion — ending at a staggering $2.07 billion in 2024.

The Rolling Stones have dominated touring history more than any act, holding the all-time record three different times and delivering the highest-grossing tour of the decade twice. Other artists have reshaped touring in their own way: Elton John performed more than 300 shows on his farewell trek, while Beyoncé achieved one of the top tours ever in just 56 shows.

The Weeknd’s After Hours til Dawn Tour grossed $693.2 million for 110 shows reported to Pollstar between 2022 and 2025. According to Live Nation, the tour has generated $1.004 billion from 153 shows, including its unrealized 2026 dates

Below is a clean breakdown of the Top 10 highest-grossing tours of all time, listed from highest to lowest, with only the core facts you need.

Top 10 Highest-Grossing Tours of All Time
(number – amount – artist – tour – years – shows

  1. $2,077,618,725 – Taylor Swift – The Eras Tour – 2023–2024 – 149 shows
  2. $1,524,423,018 – Coldplay – Music of the Spheres World Tour – 2022–2025 – 223 shows
  3. $939,100,000 – Elton John – Farewell Yellow Brick Road – 2018–2023 – 330 shows
  4. $875,700,000 – Ed Sheeran – +−=÷× Tour – 2022–2025 – 169 shows
  5. $776,200,000 – Ed Sheeran – ÷ Tour – 2017–2019 – 255 shows
  6. $736,421,586 – U2 – 360° Tour – 2009–2011 – 110 shows
  7. $729,700,000 – Bruce Springsteen & The E Street Band – 2023–2025 Tour – 2023–2025 – 129 shows
  8. $693,269,933 – The Weeknd – After Hours til Dawn Tour – 2022–2025 – 110 shows
  9. $617,325,000 – Harry Styles – Love On Tour – 2021–2023 – 169 shows
  10. $584,700,000 – Pink – Summer Carnival – 2023–2024 – 97 shows

Bo Staloch Captures The Contradiction Of Love And Life With New Single “Eastside”

Eric Alper
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Bo Staloch Captures The Contradiction Of Love And Life With New Single “Eastside”

Bo Staloch, fresh off his incredible first-ever North American headline tour—which featured a packed show at Brooklyn’s Baby’s All Right that The Aquarian tipped as one of the coolest live music shows of the week—is back with the stunning new track, “Eastside.” The song is a soulful meditation on youth and love, offering an affectionate, warm nod toward New York City. Staloch personally penned the song and accompanied himself on both guitar and piano, while Andrew Wells, known for his work with Ellie Goulding and Halsey, expertly handled production. The release is accompanied by a new visualizer that beautifully captures highlights from Staloch’s recent North American trek.

The artist gave insight into the meaning behind the powerful tune. “‘Eastside’ represents the ongoing contradiction of love and life,” Bo Staloch explained. “The two have a way of throwing you in one direction while simultaneously pushing you in another. They’re confusing and frustrating, slapping you on the wrist when you think they’re about to help you up. With the turmoil that comes with all of this, there needs to be a release in something, someone, or someplace.” He added that he has been “feeling drawn to the East (New York), and it feels like the city might be the release I’m searching for, hence the hook at the end of the chorus. With all the unrest that love and life cause, there is always beauty in the release. Listen, search, and find it, because I believe the answers are always there.” This single continues the momentum of a truly breakthrough 2025 for Staloch. Earlier this year, his debut EP, ‘The Garden’, won stellar reviews, with Atwood Magazine declaring the Austin-born, Nashville-based singer-songwriter “cements himself as part of folk rock’s ‘next generation.'”

Staloch spent the year building his reputation as a formidable live performer, touring with John Vincent III, Houndmouth, and Ashe, playing his first UK headline shows, opening for Zach Bryan at London’s Hyde Park, and making his Lollapalooza Chicago debut. He launched his highly successful 18-city North American tour in September at Nashville’s Exit/In, where his warm, powerful vocals and captivating stage presence were front and center every night. The outing included sold-out shows in Los Angeles, Denver, Minneapolis, Salt Lake City, and Austin, wrapping up at Antone’s Nightclub on November 1. Critics raved about the shows; Mylifeinsound observed, “Bo Staloch’s unique musical talent and charming charisma were in full mesmerizing display during his show at Baby’s All Right in Brooklyn, what’s striking is his mastery of dynamics and the concept of musical buildup.” The Daily summed it up perfectly in their Seattle review: “There’s a new heartthrob in town, and his name is Bo Staloch.”

Drew and Ellie Holcomb Deliver Warm Holiday Cheer With ‘I’ll Be Home For Christmas’ EP

Eric Alper
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Drew and Ellie Holcomb Deliver Warm Holiday Cheer With ‘I’ll Be Home For Christmas’ EP

The beloved husband-and-wife duo Drew and Ellie Holcomb are officially welcoming the holiday season with the release of their wonderful new EP, ‘I’ll Be Home For Christmas’, which is available everywhere today. This three-song collection features the pair revisiting timeless classics through their signature blend of close harmonies, heartfelt storytelling, and the kind of joyful, easy warmth that has made their annual holiday performances such a treasured tradition.

The Holcombs breathe fresh life into these familiar favorites across the EP, striking a perfect balance of reverence, nostalgia, and playful spirit. The collection moves seamlessly from intimate, fireside arrangements to moments of pure, upbeat holiday fun, capturing the full emotional spectrum of the season. Ellie Holcomb shared her affection for one of the tracks, noting, “I’ll Be Home For Christmas is a song that has floated through the air of most every Christmas morning memory that I have. It’s often been Amy Grant’s version, so getting to record this warm and nostalgic song as a duet with my husband was an absolute delight! I hope our version of this Christmas classic will float through the air of your Christmas memories too, and that it will add the warmth and light of home to your holiday season.” Drew Holcomb added that he loves exploring the full spectrum of holiday songs with their releases, saying, “With the more playful moments on this EP, I love the lighthearted rock ‘n’ roll that brings humor and fun to this key part of childhood, when kids discover the magic and mystery of who Santa Claus is. It’s a fun break from the more sentimental songs and leans into the joyful, humorous side of the holidays. Can’t wait to play these live during the Christmas shows.”

Known for their harmony-rich Americana and deeply rooted sense of community, Drew and Ellie continue to grow a devoted audience through their shared catalog of solo releases, collaborative projects, and their celebrated Neighborly Christmas shows. Earlier this year, the pair released their first full-length duo album, ‘Memory Bank’, which they recorded at Nashville’s Sound Emporium with producer Cason Cooley. The Holcombs will bring their new holiday songs and their cherished Christmas favorites to the stage next month during their annual Neighborly Christmas concerts in Memphis and Nashville. Following the holidays, the duo will resume their major 2026 headline run, the Never Gonna Let You Go Tour, which spans February through mid-May and concludes with a two-night celebration at Nashville’s Ryman Auditorium.

Drew & Ellie Holcomb: Neighborly Christmas

  • December 5 – Orpheum Theatre – Memphis, TN
  • December 12 – Schermerhorn Symphony Center – Nashville, TN

Drew & Ellie Holcomb: Never Gonna Let You Go Tour (2026)

  • February 4 – Jefferson Center – Roanoke, VA
  • February 5 – The Colonial Theatre – Phoenixville, PA
  • February 6 – The Capitol Theatre – Port Chester, NY
  • February 7 – Lincoln Theatre – Washington, DC
  • February 11 – Florida Theatre – Jacksonville, FL
  • February 12 – Knight Theater – Charlotte, NC
  • February 13 – New Barn Theatre – Mount Vernon, KY
  • February 14 – Tennessee Theatre – Knoxville, TN
  • February 19 – The Carolina Theatre – Durham, NC
  • February 20 – Atlanta Symphony Hall – Atlanta, GA
  • February 21 – Oxford Performing Arts Center – Oxford, AL
  • February 22 – Charleston Music Hall – Charleston, SC
  • March 3 – Egyptian Room at Old National Centre – Indianapolis, IN
  • March 4 – The Pabst Theater – Milwaukee, WI
  • March 6 – Fitzgerald Theater – Saint Paul, MN
  • March 7 – Rialto Square Theatre – Joliet, IL
  • March 8 – The Pageant – St. Louis, MO
  • March 20 – Vilar Performing Arts Center – Beaver Creek, CO
  • April 15 – Tulsa Theater – Tulsa, OK
  • April 16 – Uptown Theater – Kansas City, MO
  • April 17 – Paramount Theatre – Denver, CO
  • April 19 – Virginia G. Piper Theater – Scottsdale, AZ
  • April 21 – Lobero Theatre – Santa Barbara, CA
  • April 22 – Rio Theater – Santa Cruz, CA
  • April 24 – Neptune Theatre – Seattle, WA
  • April 25 – The Egyptian Theatre – Boise, ID
  • April 26 – Revolution Hall – Portland, OR
  • May 12 – The Joy Theater – New Orleans, LA
  • May 13 – Winspear Opera House – Dallas, TX
  • May 15 – Ryman Auditorium – Nashville, TN
  • May 16 – Ryman Auditorium – Nashville, TN

Manchester’s Loud George Just Dropped The Crushing New Single ‘Monolith’

Eric Alper
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Manchester’s Loud George Just Dropped The Crushing New Single ‘Monolith’

Loud George has roared back onto the scene with “Monolith,” a dark and utterly massive surge of Alt Rock, Grunge, and Hard Rock straight from Manchester’s electric underground. The track instantly erupts with jagged riffs, bruised emotion, and a spectacular wall-of-sound density that effortlessly captures the heavy music legacy of their city while carving out something wholly new and distinctive. This single feels like a psychological descent wrapped tight in distortion, fueled by cryptic lyricism and tension-soaked vocals that command your attention from the very first grinding pulse.

The band’s ability to conjure a surreal, apocalyptic atmosphere is undeniable. Lines like “Lucid apples on a grape vine, breathing clouds of rusted iron” and the relentless chant of “Idol anarchist, I won’t die for this” paint a vivid, unsettling backdrop that sticks with you long after the music stops. Loud George, the brainchild of Eric Hayes, Nick Baxter, and Sam Smith, originally took root in 2010 when they turned their backs on the mainstream in pursuit of raw, unfiltered creativity. Their sound quickly evolved into a ferocious blend of chaos and melody, which they brought to venues like Gullivers, Dry Bar, Night and Day, and Bakers Vault in their borrowed Peugeot 206, performing high-octane sets that included original tracks and punked-up covers of classics. Hayes led the charge then as producer, capturing their basement grunge sound in his home studio.

Now, a decade later, the trio has reunited, channeling the grit of 90’s grunge, the bite of modern alt rock, and the heaviness of hard-edged guitar music into a sound that feels both nostalgic and aggressively cutting-edge. With the new EP, Sex Teeth, in the works, this reunion sees them resurrecting the feral energy of their early days. ‘Monolith’ sharpens their identity; it is moody, powerful, and unmistakably theirs, proving their gritty, unapologetic sound is as potent as ever. This track is absolutely essential for fans of Alice in Chains, Soundgarden, Deftones, Failure, and anyone who loves dark, brooding rock that immediately pulls you into its gravity. You can find “Monolith” on all major digital platforms now.

The Lone Bellow Find Their Best Self On New Album, ‘What a Time to be Alive’

Eric Alper
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The Lone Bellow Find Their Best Self On New Album, ‘What a Time to be Alive’

The highly anticipated sixth studio album from The Lone Bellow, ‘What a Time to be Alive’, is officially set for release on February 13th, and the news is nothing short of thrilling. This new record marks a whole new chapter for the Nashville by-way-of-Brooklyn trio. They broke fresh sonic ground by writing and recording collaboratively for the first time with their full touring ensemble, which includes drummer Julian Dorio and multi-instrumentalist Tyler Geertsma. Laying down tracks in the legendary Muscle Shoals, Alabama, the band created ecstatic arrangements that truly capture the immense energy and firepower of their acclaimed live performances. The result is their most exhilarating, cohesive, and strongest record yet, a true testament to their evolution. As Zach Williams expressed, “This record encapsulates everything we love and respect about each other, it’s a snapshot of the friendships we’ve built over the last decade-and-a-half, of how far we’ve come and how much we’ve grown.”

Music fans are already falling in love with the tracks they have unveiled. The new single, “You Were Leaving,” is a stunning piece that beautifully grapples with the fleeting transience of life. It was preceded by the “harmony-rich” “Common Folk,” a heartfelt anthem dedicated to the quiet strength of everyday people, and “No Getting Over You,” a raw and unguarded track that MXDWN praised for a “stunning performance from Kanene Pipkin, whose voice captures both the fragility and strength that come with heartbreak.” Holler also called “Night Goes Black” “mesmerizing, with the band’s signature harmonies and anthemic indie folk turned up full.” The songs on ‘What a Time to be Alive’ are earnest and poignant, full of ruminations on innocence, loss, and the mysteries of love, with rapturous performances that perfectly balance rock and roll swagger with sincere folk tenderness. The creative process began in Henderson, KY, where producer Peter Barbee converted an abandoned firehouse into a recording studio. There, they improvised instrumental beds by jamming, trying a new approach that Elmquist says “felt like we were teenagers again playing in a garage, which is a magical thing for a band that’s 15 years into their career.”

This album represents more than just music; it is also a story of community. After the devastating theft of their van, gear, and hard drive containing their new recordings, the band’s diehard fanbase stepped up, raising enough funds to replace everything and get them back in the studio within hours. This humbling experience motivated the group to push even harder, resulting in a record that is their best yet and a powerful testament to the enduring bonds their music has forged. They will be playing a blowout hometown show tomorrow at Nashville’s Ryman Auditorium before kicking off a nationwide headline tour early next year to support the new release. The first set of tour dates will take them through Pittsburgh, Chicago, Louisville, Iowa City, and Madison, among many others. The palpable chemistry fueling these blissful, freewheeling celebrations of the human spirit will surely make for unforgettable nights on the road.

Cherry Gold for Aussies: fast sign-ins, fair dinkum pokies, and bonuses that actually land

Eric Alper
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By Mitch Rice

Swing by Cherry Gold Casino and have a go today. The lobby carries 130+ games, from pokies like Aladdin’s Wishes to table staples and video poker. Keen for a spin right now? Register, set a budget, and play smart. Try a quick round on Bubble Bubble or a few hands of blackjack – easy in, easy out.

Pokies first, talk later

Cherry Gold Casino keeps things simple: RTG-powered pokies, classic tables, and a few progressive jackpots for when you’re chasing that “go on then” moment. The slot cupboard leans into recognisable names — Aladdin’s Wishes, Bubble Bubble — plus progressive picks like Mega Vault and Treasure Chase for a bigger sweat. You also get blackjack in a few flavours, roulette variants, baccarat, craps, and video poker such as Jacks or Better and Deuces Wild, so there’s always a seat handy.

Bonuses that actually pull their weight

Cherry Gold Casino doesn’t shy away from detail, and that’s handy because you want real numbers. Here’s the shape of what’s on the table right now:

  • Welcome Package: 260% up to AU$2,600 + 35 free spins on select slots; code CHERRYSPLASH; minimum AU$20 deposit; 30× wagering on bonus amount.
  • No-deposit offer: AU$100 or 20 free spins on sign-up; code CHERRY100; typical no-deposit terms apply; check max cashout once you’re in the cashier.
  • Weekly rhythm: Free Spins Friday and a Wednesday Reload with spins; seasonal promos and the odd tournament when the calendar gets lively.

A gentle reminder: you can only claim each bonus once. If Cherry Gold Casino flags bonus abuse — say, multiple accounts or mismatched details — those winnings can be clipped. Keep it tidy and you’re sweet.

Cherry Gold Casino also runs a four-tier VIP setup — Bronze, Silver, Gold, Platinum — with higher match rates, quicker withdrawals, bigger limits, birthday perks, and an account manager as you climb. Not a bad carrot for regulars who keep a steady bankroll.

Banking in AUD that doesn’t muck about

Cherry Gold Casino supports AUD across cards, crypto, and bank transfer, so topping up in Australia is straightforward. Deposits generally land instantly, and the site states it doesn’t charge withdrawal fees (your bank or processor might).

AUD methods at a glance

For timing and choices, here’s the short version before you hit the cashier.

MethodTypeMin DepositWithdrawal LimitsTypical Payout Time
Visa / MasterCard / AmexCard (Deposit & Withdrawal)AU$20AU$100–AU$2,000 per request3–7 business days
Bitcoin (BTC)Crypto (Both ways)AU$30AU$100–AU$2,000 per request3–7 business days
Litecoin (LTC)Crypto (Both ways)AU$30AU$100–AU$2,000 per request3–7 business days
Ethereum (ETH)Crypto (Both ways)AU$30AU$100–AU$2,000 per request3–7 business days
Bank WireBank transfer (Withdrawal)—AU$100–AU$2,000 per request3–7 business days

Those ranges are what Cherry Gold Casino advertises for the .bet site; limits can tighten or stretch during promos or verification checks, so take 30 seconds in the cashier to confirm the exact figures you see on your account.

Sign-in, spin, repeat

New day, same routine: the Cherry Gold Casino login gets you back to your dashboard in seconds — username or email, password, and away you go. If you misplace the password, the reset link does the job quickly. For the “back in I go” crowd, the Cherry Gold login page highlights current promos as you sign in, which makes snagging a reload less of a treasure hunt. Live chat and email support run 24/7 if something goes pear-shaped.

Why Aussies tend to stick around

Before chasing the next shiny thing, Cherry Gold Casino gives you a few steady anchors that matter week to week:

  • Pokies with familiar mechanics and clear paytables; no strange gimmicks.
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That combo makes Cherry Gold Casino easy to keep in rotation — quick to top up, quick to play, and no dramas when you want to hop back in after work.

FAQ

How do deposits work at Cherry Gold?

Cherry Gold Casino accepts AUD via cards, bank wire, and crypto like BTC, ETH, and LTC; deposits are typically instant and withdrawals are quoted at 3–7 business days.

What is the Cherry Gold Casino login process?

Use your email or username and password on the login page; if needed, trigger a password reset and you’ll be back into Cherry Gold Casino fast.

Does Cherry Gold have no-deposit offers?

Yes — Cherry Gold Casino periodically lists a no-deposit chip or free spins; a current example is AU$100 or 20 spins with code CHERRY100, subject to standard bonus rules.

What pokies are popular at Cherry Gold?

Aladdin’s Wishes and Bubble Bubble remain steady picks at Cherry Gold Casino, with progressives like Mega Vault and Treasure Chase for a bigger sweat.

Is support helpful at Cherry Gold?

Live chat runs around the clock at Cherry Gold Casino, with email and phone as backup, so you can get answers without hanging about.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Bob Odenkirk Admits Absurd Crimes In Iconic ‘Mr. Show’ Lie Detector Sketch

Eric Alper
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Bob Odenkirk Admits Absurd Crimes In Iconic ‘Mr. Show’ Lie Detector Sketch

During a 1998 episode of the seminal sketch comedy series Mr. Show with Bob and David, the brilliant Bob Odenkirk played a job applicant who was undergoing a hilariously rigorous screening process for Shoecourt Shoes. The premise involved David Cross administering a lie detector test, during which Odenkirk honestly admitted to a wide array of increasingly absurd crimes and misdeeds.

Bluegrass Band Steve’n’Seagulls Drop Spooky Cover Of “Don’t Fear the Reaper”

Eric Alper
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Bluegrass Band Steve’n’Seagulls Drop Spooky Cover Of “Don’t Fear the Reaper”

Finnish bluegrass band Steve’n’Seagulls has released their cover of the classic Blue Öyster Cult song “Don’t Fear the Reaper,” which is out now. The band delivered a spookier version of the song for Halloween, using green lighting effects and a costumed title character in the video. The bluegrass cover showcases the band’s unique style of blending traditional sounds with hard rock classics for a memorable and fun result.

Ticketmaster Supports Olivia Dean’s Commitment to Fair Ticket Pricing and Takes Action to Cap Resale for ‘The Art of Loving Live’ Tour on Its Site

Eric Alper
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Ticketmaster Supports Olivia Dean’s Commitment to Fair Ticket Pricing and Takes Action to Cap Resale for ‘The Art of Loving Live’ Tour on Its Site

To support Olivia Dean’s commitment to fair ticket pricing, Ticketmaster is capping all future ticket resale prices for ‘The Art of Loving Live’ tour on its platform and refunding fans for any markup they already paid to resellers on Ticketmaster.

Ticketmaster has activated a Face Value Exchange for the tour, effectively immediately but without transfer restrictions, to ensure that any future ticket sales on its site are capped at the original price paid—with no added fees. Ticketmaster was the first ticketing service to offer a Face Value Exchange in 2019 and continues to offer artists the right to cap resale prices prior to going on sale.

Demand for this tour was high with the artist adding three additional nights at Madison Square Garden to give fans the opportunity to see the show. After reviewing all sales, less than 20% of primary tickets were listed for resale—showing that Olivia’s demand was driven by genuine fans who intend to go to the show rather than resellers out for profit.

In early December, fans who purchased resale tickets on Ticketmaster will receive partial refunds reflecting the difference between the original tour price and the higher price charged by the reseller. Ticketmaster does not receive the markup on those tickets but is stepping in to absorb this refund cost for fans. Refunds will be processed by December 10 and may take a few additional days to post, depending on individual banks.

“We share Olivia’s desire to keep live music accessible and ensure fans have the best access to affordable tickets,” said Michael Rapino, CEO, Live Nation Entertainment. “While we can’t require other marketplaces to honor artists’ resale preferences, we echo Olivia’s call to ‘Do Better’ and have taken steps to lead by example. We hope efforts like this help fans afford another show they’ve been considering—or discover someone new.”

Ticketmaster believes artists should control how tickets are sold and resold. To support artists who want to keep concerts affordable, Ticketmaster is committed to:

  • 20% Concert Resale Caps: They will continue to advocate for lawmakers to create and enforce industry-wide resale caps on concert tickets and curb deceptive resale practices.
  • No-Fee Face Value Exchange: They offer artists the ability to use Face Value Exchanges to cap resale on our site while still giving fans the flexibility if they need to sell tickets at the price they originally paid; and
  • Verified Resale: WeThey authenticate resale listings on our site to ensure fans have a safe, secure marketplace that offers flexibility AND respects artists’ wishes.

Live Nation Gives Developing Artists The Stage — Free Venues, Full Support, And Every Dollar From Tickets & Merch

Eric Alper
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Live Nation Gives Developing Artists The Stage — Free Venues, Full Support, And Every Dollar From Tickets & Merch

Live Nation is proud to launch Next On, a new program supporting developing artists in Australia and New Zealand with the access, exposure, and support they need to grow their careers and reach new fans.

Hosted at Live Nation’s iconic venues across Australia and New Zealand, Next On unlocks stages rent-free, removing some of the biggest barriers facing developing artists: venue hire, and costs related to production, marketing, and ticketing.

Every month, one of Live Nation’s premier venues will host a showcase featuring local talent. Artists will set their ticket prices, keep every dollar of their ticket and merchandise revenue, and be backed by Live Nation’s expansive marketing and industry network. Artists know how critical those early breaks can be.

Kate Ceberano, ARIA Award-winning artist and advocate for developing talent, said, “My career began in pubs, clubs, and the small rooms where Australian music has always found its heartbeat. Those early stages teach you everything – how to test your material, how to win an audience, and how to build a fan base not through hype, but through real connection.

Giving young artists the chance to stand on iconic stages early, to find their voice and confidence in the right environment, is invaluable. I’m 100% behind it, and I’m thrilled to see these sorts of initiatives help make this possible. This is how we build a healthy industry – one strong foundation at a time.” [1]

Missy Higgins, ARIA Award-winning artist and advocate for developing talent, said, “When you’re starting out, what you need most is a chance – to get on stage, connect with fans, and be supported by the industry. ‘Next On’ delivers that.”

Tim Rogers, ARIA Award winning artist and advocate for developing talent, said, “Taking a punt on a new act, a new group, a book reading, a theatre show that is not necessarily on the popular culture radar WILL make you a more fulfilled human. While the rush of being part of a spectacle is palpable, to engage with an artist as they begin makes you, more than ever these days, part of the experiment. To be a fan, a participant, a patron is a noble thing. You are not just an audience. You were involved, and joined the community. Welcome, Onward we go.”

Adelaide’s pop punk duo Teenage Joans, said, “Growing up in Adelaide, we were lucky to have a few initiatives that gave us a leg up in those early days, and we know how much that help matters. Later, in the US, we benefited from Live Nation’s On The Road Again program, which supported developing artists with financial benefits – the kind of support that really keeps you going between gigs. Next On takes that same spirit even further here at home – taking the pressure off and giving developing artists space to grow on real stages. Support like this can genuinely change the path for new bands.”

Seb Szabo, rising Australian songwriter, said, “Having the chance to play a venue as iconic as the Palais at this point in my journey is incredible, especially after having seen my third ever show (Glen Hansard) here with my dad years ago. Next On is providing such a unique opportunity for developing artists to dream big & be inspired about possibility at a crucial early career stage, and it’s an opportunity I know I won’t soon forget.”

Next On launches this Aus Music Month, calling for applications ahead of shows kicking off in  2026 at some of the country’s most iconic venues — including the Palais Theatre – On The Stage  (Melbourne), The Outpost at Fortitude Music Hall and The Triffid (Brisbane), Anita’s Theatre – The King’s Room (Thirroul), Divide at Hindley Street Music Hall (Adelaide) and The Tuning Fork in Auckland (NZ).

Mark Vaughan, Senior Vice President Touring, Live Nation Australia and New Zealand said,  “We’re handing over the keys – giving artists the stage to own, and fans the story to tell. Next On tears down some of the barriers so developing artists can shine, keep 100% of what they earn, and fans can say, ‘I saw them here first.’”

Artists will also benefit from marketing and PR support, professional photography, and career development opportunities, reaching over six million fans via Live Nation and Moshtix’s channels and media partners.

For more information visit: https://www.livenation.com.au/nexton or to apply for Next On visit here.

LIVE NATION PRESENTS – NEXT ON

  • Palais Theatre – On The Stage, Melbourne
  • The Triffid, Brisbane
    The Outpost at Fortitude Music Hall, Brisbane
  • Anita’s Theatre – King’s Room, Thirroul
  • Divide, Hindley Street Music Hall, Adelaide
  • Tuning Fork, Auckland (NZ)
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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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