Page 58 – That Eric Alper

Kent Dream Pop Band The Far Field Share New Single “Lake Of The Woods”

Music

Eric Alper

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Jan 1, 2026

Kent Dream Pop Band The Far Field Share New Single “Lake Of The Woods”

Kent based band The Far Field release the new single “Lake Of The Woods,” following their 2024 self titled debut EP. Drawing from 1990s Midwestern emo and shoegaze, the track presents a wider and more defined sound shaped by full band collaboration for the first time. Built around insistent drums, layered guitars, and expansive pop melodies, the song moves with steady forward drive while maintaining a hazy, melodic core. Vocals from Nicola Tee sit clearly at the center, carrying lyrics focused on leaving, distance, and starting over.

“Lake Of The Woods” was written collectively by the band and recorded at their practice space, The Joplin House, with Dan Lucas handling engineering, mixing, and production. The recording captures a direct, uncluttered sound that emphasizes momentum and structure over excess. Guitars alternate between shimmer and overdrive, anchored by Katie King’s bass and Cameron Sheppard’s tight rhythmic foundation. As a release, “Lake Of The Woods” documents a clear shift in how The Far Field work and sound together, presenting a concise snapshot of a band expanding its musical range through collaboration.

Belfast Indie Newcomers November Dog Share Debut Single “How I’ve Been”

Music

Eric Alper

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Jan 1, 2026

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Belfast Indie Newcomers November Dog Share Debut Single “How I’ve Been”

Belfast four piece November Dog introduce themselves with the debut single “How I’ve Been,” recorded and produced by bassist Shaun Carlin. Written over a year of focused rehearsals, the track presents the band’s lo fi slacker leaning sound through restrained guitars, soft Alesis keys, and a steady rhythmic base. The song opens quietly, allowing melody to take precedence, before expanding slightly in the chorus with controlled overdrive and a brief fuzzed out solo. The arrangement stays measured throughout, keeping space around the vocal and emphasizing tone over volume.

Formed around songwriters Scott Hanna and Danny Cockroft, with Carlin and drummer Michael McCorry completing the lineup, November Dog shape their material collaboratively once songs reach the full band. “How I’ve Been” was recorded between Blackstaff Recording Studio and Carlin’s home setup, capturing a direct and unembellished sound. Lyrically, the track addresses feeling overlooked by people close to you, framed plainly and without excess. As a first release, “How I’ve Been” outlines the band’s musical foundation clearly, placing melody, texture, and understatement at the center of their approach.

London Seven Piece The Orchestra For Now Share Expansive Single “Deplore You / Farmers Market”

Music

Eric Alper

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Jan 1, 2026

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London Seven Piece The Orchestra For Now Share Expansive Single “Deplore You / Farmers Market”

London seven piece The Orchestra (For Now) share the new single “Deplore You / Farmers Market,” taken from their second EP ‘Plan 76,’ out now. First written and performed live by the band, the track marks a pivotal moment in their evolution, pulling back their trademark maximalism in favor of exposed emotion and careful pacing. Sparse passages give way to slow building tension, allowing the song to stretch, strain, and finally erupt in a sweeping orchestral surge. It is a striking example of dynamic control, with every shift carrying weight and intention.

The release arrives as The Orchestra (For Now) continue building on the momentum sparked by their debut EP ‘Plan 75,’ following main stage festival appearances and sold out headline shows before an official single ever surfaced. ‘Plan 76’ expands their self described London prog sound through refined arrangements, dramatic contrasts, and fearless structure, balancing fragility with scale. “Deplore You / Farmers Market” stands as one of their most direct statements to date, a song that breathes, tightens, and ultimately overwhelms through restraint turned release.

Maryland Rock Trio Pinkshift Drop Defiant New Song “Authority Problem”

Music

Eric Alper

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Jan 1, 2026

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Maryland Rock Trio Pinkshift Drop Defiant New Song “Authority Problem”

Maryland trio Pinkshift continue their momentum with the release of the new song “Authority Problem,” arriving alongside their recent album ‘Earthkeeper’ via Hopeless Records. The track moves with blunt force and total conviction, pairing serrated riffs with a vocal performance that confronts power, identity, and self definition head on. “Authority Problem” channels fury into structure, cutting through noise with clarity and refusal, and it lands as a sharp statement that matches the band’s physical intensity and emotional weight. This song hits hard because it speaks plainly, loudly, and without hesitation.

‘Earthkeeper’ frames that energy across a full album that balances heaviness, vulnerability, and urgency, shaped by years on the road and expanding musical range. The record’s track listing includes Love It Here, Anita Ride, Evil Eye, Don’t Fight, Patience, Spiritseeker, Blood, Freefall, Suspended, Reflection, Vacant, and Something More. Pinkshift bring that material on the road this fall with a headline U.S. run, followed by UK and European dates with Grandson early next year. Each performance places community, catharsis, and connection at the center, reinforcing Pinkshift’s role as a band that speaks directly to the present moment with force and purpose.

PINKSHIFT ON TOUR WITH GRANDSON:
29 January Munich DE Tonhalle
30 January Berlin DE Huxleys Neue Welt
1 February Utrecht NL Tivoli Vredenburg Ronda
3 February Brussels BE Ancienne Belgique
6 February Münster DE Skaters Palace
7 February Copenhagen DK Amager Bio
8 February Hamburg DE Docks
18 February Milan IT Magazzini Generali
19 February Lausanne CH Les Docks
20 February Zurich CH X-TRA
21 February Wiesbaden DE Schlachthof
23 February Paris FR La Cigale
24 February Cologne DE E-Werk
26 February Manchester UK Academy
28 February Birmingham UK O2 Institute
1 March Bristol UK Electric Bristol
2 March London UK O2 Forum Kentish Town
3 March Glasgow UK SWG3 Galvanizers

Experimental Electronic Supergroup CVCHE Release Cosmic Single “The Star” From ‘Get Fluffy’

Music

Eric Alper

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Jan 1, 2026

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Experimental Electronic Supergroup CVCHE Release Cosmic Single “The Star” From ‘Get Fluffy’

Experimental electronic supergroup CVCHE share the new single “The Star,” a hypnotic transmission drawn from their forthcoming debut album ‘Get Fluffy.’ Built during a late night studio session with Chris Seligman, the track unfolds as a sweeping slice of Rural Canadian Techno, guided by drifting synths and slow burning momentum. The song locks into a steady orbit, channeling atmosphere, motion, and restraint while letting texture do the heavy lifting. “The Star” carries a sense of elevation and focus, shaped by instinct rather than intention.

CVCHE brings together Jimmy Shaw of Metric and Broken Social Scene, Liam O’Neil of Kings of Leon, Dave Hodge of Broken Social Scene and Leisure Cruise, and conceptual artist Jon Morris. Their recent run of releases, including “Thumper” and “Never Whatever,” outlines a sound built on patience, scale, and curiosity. “The Star” sharpens that vision, presenting a calm yet commanding piece that expands electronic music through collaboration, mood, and a shared late night spark.

Bernie Leadon Returns With New Album ‘Too Late To Be Cool’

Music

Eric Alper

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Jan 1, 2026

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Bernie Leadon Returns With New Album ‘Too Late To Be Cool’

Rock and Roll Hall of Fame member Bernie Leadon releases his first new album in more than two decades with ‘Too Late To Be Cool.’ Written by Leadon and produced and engineered by longtime collaborator Glyn Johns, the album reflects a lifetime of songwriting shaped by experience, curiosity, and craft. Recorded live to analog tape, the sessions bring a natural looseness and clarity, supported by Tony Harrell on keys, Greg Morrow on drums, and Glenn Worf on bass. The performances carry confidence and ease, allowing the songs to breathe and unfold with intention.

https://open.spotify.com/album/28T6MN36XjOhZ5AjvuUep4

‘Too Late To Be Cool’ follows Leadon’s 2004 release ‘Mirror’ and marks a return that emphasizes musicianship and perspective over nostalgia. The album draws from lessons gathered across decades of playing, listening, and living, delivering songs grounded in observation and melodic instinct. Early listeners have responded strongly to its warmth and honesty, noting its unforced flow and attentive arrangements.

The release arrives alongside a renewed public chapter for Leadon, who headlined AMERICANAFEST and appeared at the Country Music Hall of Fame following the album’s announcement. He also recently signed a long term worldwide publishing agreement with Warner Chappell Music, reinforcing his ongoing role within the music community. These moments frame the album as part of an active creative present rather than a retrospective pause.

Leadon’s career began with the Flying Burrito Brothers and Dillard & Clark before co founding the Eagles alongside Don Henley, Glenn Frey, and Randy Meisner. That foundation helped shape country rock as a lasting force in American music. With ‘Too Late To Be Cool,’ Leadon adds another chapter that stands on its own terms, rooted in skill, memory, and a steady creative hand.

Irish Folk Pop Singer Darren Kiely Returns With Reflective Single “Bound”

Music

Eric Alper

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Jan 1, 2026

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Irish Folk Pop Singer Darren Kiely Returns With Reflective Single “Bound”

Free Flight Records artist Darren Kiely releases the new single “Bound,” following his recent cover of “When You Were Young.” Written with Jamie Kenney and Ava Suppelsa, the mid tempo track centers on memory, attachment, and the pull of unfinished emotion. Stripped back production places the focus squarely on Kiely’s vocal delivery, allowing every lyric to land with clarity and weight. The song moves deliberately, letting restraint and space underline its emotional core.

“Bound” presents Kiely at his most direct, pairing vulnerable writing with a melodic framework that keeps the tension intact from start to finish. His performance carries quiet intensity, drawing strength from understatement rather than scale. Following a year filled with touring, including the “Your Love, Your Lighting Tour,” the track adds another dimension to Kiely’s growing catalog, rooted in folk tradition and shaped by modern storytelling instincts. “Bound” stands as a focused statement that highlights his control, emotional precision, and evolving voice as a songwriter.

Pop Punk Staples Yellowcard Unite With Avril Lavigne On “You Broke Me Too”

Music

Eric Alper

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Jan 1, 2026

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Pop Punk Staples Yellowcard Unite With Avril Lavigne On “You Broke Me Too”

Pop punk veterans Yellowcard release a lyric video for their new collaboration with Avril Lavigne titled “You Broke Me Too,” marking a standout moment from their new album ‘Better Days,’ produced by Travis Barker. The song pairs Yellowcard’s melodic drive with Lavigne’s unmistakable vocal edge, delivering a sharp, emotionally charged anthem centered on resilience after heartbreak. The lyric video keeps the focus on the words, letting the message land with clarity and intention.

The collaboration came together organically after Barker introduced Lavigne to the track, and the result carries the immediacy and emotional weight both artists are known for. Ryan Key highlights the experience as creatively transformative, pointing to renewed energy and instinct in the writing process. ‘Better Days’ captures that momentum across the record, shaped by Barker’s hands on production and a band writing with urgency and confidence. “You Broke Me Too” stands as a defining cut, direct, relatable, and rooted in the shared language of pop punk catharsis.

Amsterdam Indie Folk Artist Tonneau Shares Playful New Single “Crush On You”

Music

Eric Alper

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Jan 1, 2026

0

Amsterdam Indie Folk Artist Tonneau Shares Playful New Single “Crush On You”

Amsterdam based indie folk artist Tonneau releases his second song of the year with “Crush on You,” a bright, buoyant track built on warmth, motion, and melodic charm. The song blends violins, layered vocals, and a confident rhythmic pulse, creating a lighthearted sweep that nods to classic pop craftsmanship. Folk rooted at its core and indie in spirit, the arrangement opens outward into something cinematic and colorful, with each element locking into place to carry the song forward with clarity and lift. The production embraces momentum, letting the melody glide while the instrumentation adds depth and sparkle.

Lyrically, “Crush on You” captures the fleeting rush of attraction and the quiet knowledge that it cannot last. Lines like “I know you and I can never see this through” and “I was just dreaming a little bit about you” frame the song with honesty and restraint, balancing joy and longing without excess. The ensemble of Jan, Alies, and Elaine supports the narrative with a sense of movement and emotional precision, reinforcing the song’s push beyond acoustic boundaries. “Crush on You” stands as a vivid snapshot of admiration and desire, rendered with playful confidence and a sharp melodic memory.

Rock Icon Melissa Etheridge Releases “Don’t You Want A Woman” Single

Music

Eric Alper

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Jan 1, 2026

0

Rock Icon Melissa Etheridge Releases “Don’t You Want A Woman” Single

Grammy Award-winning rock icon Melissa Etheridge shares her new single “Don’t You Want A Woman,” produced with Shooter Jennings and introduced to audiences throughout her recent tour dates. The song carries a muscular groove and confident swagger, built on driving guitars and a vocal performance that leans into strength, humor, and conviction. It arrives after years of careful writing and refinement, and it sounds fully charged, direct, and fearless in its message. The track hits with bold clarity, delivering a rush of rock energy that is immediate and unapologetic.

The release also launches a new partnership with Kansas City Current, whose matchday atmosphere at CPKC Stadium will feature the song as part of the team’s in game experience. The collaboration aligns Etheridge’s voice with a roster defined by power and unity, bringing music and sport together through shared intensity and purpose. “Don’t You Want A Woman” stands as a statement piece that moves with force, pride, and volume, perfectly suited for stadium speakers and raised fists alike.