j-hope of 21st century pop icons BTS releases a new solo single “Killin’ It Girl (feat. GloRilla)” out today. Following the release of chart-favorite smash hits “Sweet Dreams (feat. Miguel)” and “MONA LISA,” released back in March, j-hope’s solo single project culminates in a grand finale with the unveiling of this new track. “Killin’ It Girl (feat. GloRilla)” is a hip-hop track with an addictive hook that demands to be played on repeat. j-hope’s rhythmic finesse stands out against the track’s minimalist arrangement, exuding confident charisma with a sensual edge. The track conveys the sheer thrill of falling in love at first sight. With raw honesty, j-hope articulates the emotional rush and magnetic pull toward someone who radiates perfection with her own unique brilliance.
Following his participation in the production of “Sweet Dreams (feat. Miguel)” and “MONA LISA,” j-hope once again took part in the creation of “Killin’ It Girl (feat. GloRilla).” While staying true to his distinct musical taste, j-hope also ventures into new stylistic territory, experimenting with different genre elements.
The track serves as a further expansion of j-hope’s musical spectrum and a testament to his artistic growth. “Killin’ It Girl (feat. GloRilla)” brings together the hottest collaboration in the spotlight. World-renowned hitmaker Cirkut, known for his work with artists such as Lady Gaga, Miley Cyrus, Maroon 5, and Sam Smith, took the lead as the main producer, setting the track up for chart success. Additionally, GloRilla, one of today’s most prominent and commanding voices in hip-hop, joins as a featured artist, adding fierce energy and presence. With this new release, the global game-changer continues to build on his widely diverse portfolio of collaborators, a wide array of artistic influences.
The performance of “Killin’ It Girl (feat. GloRilla)” oozes sensuality, further amplifying the song’s allure. With the performance, j-hope delivers a bold and sultry display of confidence like never before. Alongside the grand production, his fluid yet dynamic choreography highlights his absolute mastery of stage presence, reaffirming his status as one of the most celebrated performers in demand.
In the official music video for “Killin’ It Girl (feat. GloRilla),” j-hope’s magnetic charisma is front and center. The video oscillates between intimate moments of introspection and high-energy, electrifying performances that showcase j-hope’s finest stage prowess.
In the video, j-hope’s energy as he boldly races through the vast urban landscape feels incredibly visceral. Striking bursts of contrasting colors add visual flair, offering a highly stylish and visually captivating experience with grunge-inspired aesthetics. GloRilla also makes an appearance in the music video, making it a standout collaboration that grabs everyone’s attention.
In a bold cross-continental collaboration, Kenyan Afro-Indie sensation Njerae pairs up with Canadian pop star and JUNO Award-winning artist with global hits like “Flowers Need Rain” and “Dance Alone” – Preston Pablo. The two have teamed up to release a one-of-a-kind musical masterpiece dubbed, “Gone.”
The record is Njerae’s first release following her February-released EP Four Letter Word that has grossed over 1.5 million streams across music platforms accumulatively. On the back of the successful EP and a run of collaborations including “Find Me” alongside Kenyan rap royalty King Kaka & Scar (from Wakadinali) – to her velvety outing on the Femi One and Brandy Maina embellished cut, “Sema” – Njerae is enjoying momentum coming into this release. After being selected to represent East Africa in Apple Music’s “Africa Rising Class of 2025,” and helmed as Spotify Africa’s Global Ambassador for the EQUAL campaign, award-winning crooner Njerae induces her emotionally rich vocals and Afro-Indie aptitude into “Gone”. Her unparalleled artistry, marked by authenticity and innovation, has steadily garnered acclaim across Kenya and beyond.
“It’s a huge moment for me to release this collaboration with Preston, who is someone I’ve seen blow up and rise in the music scene. He has a huge fan base in East Africa, and I’m happy to combine our worlds on this song to tell one story of love and heartbreak” Njerae mentions.
“Gone” tells the story of a love lost, but not forgotten. Through gripping melodies and honest lyricism, Njerae reflects on a relationship that once felt like a symphony. Unable to accept its end, she aches to understand what went wrong and clings to the hope that love can find its way back. Preston Pablo’s soulful delivery adds depth and texture, capturing the emotional tug-of-war between letting go and holding on.
“Gone” is a crossover pop record that bridges continents, merging Njerae’s African-rooted Afro-Indie sound with Preston Pablo’s North American pop-R&B talent. The collaboration offers a fresh, cross-cultural musical experience that transcends geographical boundaries, appealing to diverse audiences worldwide.
Their combined artistry not only showcases their individual talents but also represents a harmonious blend of different musical traditions, among Njerae’s efforts to tap into the international market and create music that can be felt all over the world.
In essence, the Njerae and Preston Pablo collaboration in “Gone” exemplifies the power of music to unite diverse cultures, creating a unique and compelling sound that resonates on a global scale.
Award-winning artist Njerae is a Kenyan born and raised singer, songwriter and producer. Her music identifies as Afro-Indie with a touch of RnB and soul. She has played at Folk Fusion, Jamhuri Jam Sessions, Gig Dynamics Open House and a number of her own curated events.
Njerae’s debut album ‘Unintentional’ has grossed over 10 million streams with hit song “Aki Sioni” amassing over 6 million streams and charming fans to interpret it as a girl’s handbook when going through a breakup. The album allowed her to be featured in a number of radio and Tv shows.
Taking a more significant step toward modern RnB and contemporary Afro-pop sounds, Njerae has released two follow-up EP’s namely ‘Out With The Old’ and her latest effort ‘Four Letter Word’ – the latter being her first offering under her major record deal with Universal Music East Africa.
In 2024, Njerae signed her first major recording deal with UMG East Africa, and has become one of the most streamed female artists in East Africa topping charts with singles such as “Aki Sioni” and numerous others.
JUNO Award-winner and five-time nominee, Preston Pablo is one of the fastest growing global pop artists right now with over 3.9 million monthly listeners on Spotify, 186 million streams from his quadruple-platinum breakthrough hit “Flowers Need Rain” with multi-platinum producer-songwriters Banx & Ranx, a feature on Punjabi hit “Admirin’ You” from Karan Aujla’s highest-charting Punjabi album in Canadian history, and 718K UGC creates from his viral social media hit “Dance Alone” with a Spanish remix from Colombian singer-songwriter Juliana and another remix from Nigerian singer-songwriter Qing Madi and Nonso Amadi.
Preston started 2024 by touring with Jon Vinyl in major cities all over the U.S. while engaging with over 387K followers on TikTok. The past year of exponential growth and working with top producers like Banx & Ranx, Rico Love, Ikky, Sammy Soso, Euro, Milano, and Nate Ferraro, is the main inspiration behind Preston’s debut EP Anywhere but Here, out now via 31 East and Universal Music Canada.
Sammy Virji lifts the lid on his new album, Same Day Cleaning, landing on September 19 via Capitol. To celebrate, he’s taking over New York’s iconic Times Square today for a surprise pop-up with a host of soon to be announced special guests.
UKG don Sammy Virji has been creating serious noise on either side of the Atlantic leading up to the announcement of Same Day Cleaning. In April, across three debut shows, he drew some of Coachella’s biggest crowds (clip here) ahead of dropping the anticipated first single “Nostalgia” (stream here) ft. Issey Cross.
Alongside a B2B with Four Tet at Blackstone Street Warehouse and shows at U.S. festivals like Lightning in a Bottle and Movement Detroit, Sammy went on to drop the LP’s second single, “Cops & Robbers”, featuring grime legend, Skepta, in May. To launch the single, they hosted a huge pop-up party at Canning Town-based venue London East, after receiving over 10,000 sign-ups for the event (clip here).
More on Sammy Virji’s sophomore album, Same Day Cleaning, including details on guest collaborations with the finest from electronic music and beyond, will be revealed over the coming months. In the meantime, Sammy is gearing up for a stacked summer schedule that keeps the momentum sky-high. He’ll play his biggest headline show yet at Forest Hills Stadium in New York, followed by festival sets at Hideout, Outside Lands, Lowlands, All Points East with Chase & Status, Pukkelpop, and Reading and Leeds Festivals. He’ll also bring his signature energy to Boiler Room Ibiza in July. September closes out the run with huge appearances at Circoloco Ibiza, 10K-capacity shows in LA and Denver, all paving the way to the album’s release on September 19th.
Stream the first two singles, “Nostalgia” and “Cops & Robbers” from Sammy Virji’s upcoming album, Same Day Cleaning, now and head down to the pop-up party today at Times Square, where he’ll play unreleased gems from the album, releasing on September 19.
Oxford-born Sammy Virji is driving the evolution of UKG, as the genre takes the world by storm – again. The London producer/DJ, nominated for Best Producer at DJ Mag’s Best Of British Awards in 2023, is an in-demand dance music maker, whether that’s for his brighter garage cuts like “Find My Way Home” (33M streams), screw-face belters like “Shella Verse” featuring Grammy-nominated Flowdan (19M streams), or synth-heavy bass house singles like “Summertime Blues” with Chris Lake and Nathan Nicholson, now sitting at a whopping 32M streams. His catchy 2023 single “If U Need It” was arguably his biggest hit yet, now cruising towards 80M streams, having reached #85 on the UK Singles Chart. In 2024, he and fellow UKG don Interplanetary Criminal unleashed arguably the track of the year in the form of “Damager.”
Miami-based label Armada Music proudly presents “For Your Love,” the latest single from Ape Drums, featuring contributions from Eli Fola and BL SUEDE. Dropping this Friday, the track showcases Ape Drums’ signature progressive Afro tech sounds, fused with Eli Fola’s Afro-house, techno, jazz, and classical hybrid sound, resulting in a transcendent dancefloor anthem.
“For Your Love” seamlessly bridges global influences, blending hypnotic beats, soulful instrumentation, and infectious energy. Known for his boundary-pushing approach to music, Ape Drums draws inspiration from pioneers like Steve Angello, Swedish House Mafia, Carl Cox, and Erick Morillo. His breakout moment came in 2014, when RL Grimebooked him for HARD Day of the Dead, marking a pivotal turning point in his career. Now a key contributor to the next wave of Major Lazer’s sound, Ape Drums continues to release new singles monthly. At the heart of his artistry lies his commitment to creating music that feels good—music that not only moves him but connects deeply with audiences.
Complementing Ape Drums’ innovative style is Eli Fola, the pioneer of Yoruba Tech Soul,who layers Afro-house grooves with jazz and classical influences, and BL SUEDE, who adds modern textures and heartfelt energy, completing the dynamic collaboration.
As a standout track in this summer’s dancefloor soundscape, “For Your Love” is set to become a global favorite, solidifying Ape Drums’ reputation as a leader in dance music innovation. Fans can expect the single to resonate on stages worldwide, continuing Armada Music’s legacy of genre-defining releases.
Eric Alberto-Lopez, professionally known as Ape Drums, is a genre-bending DJ and producer whose journey from cassette tape daydreams to global festival stages has been anything but ordinary. Born and raised in Houston, Texas, the Mexican-American artist first fell in love with music at an early age, obsessively dissecting tracks while listening to music and teaching himself how songs were built. Fascinated by the sounds and structures of the songs he grew up listening to, he taught himself how to arrange music—long before he had access to proper gear. He always had a sense of what people wanted to hear, instinctively tailoring his ideas to move the crowd.
Originally dreaming of becoming a scratch DJ, Ape Drums shifted his path after watching The Martinez Brothers—two young Latin kids just like him—DJing on gear he had never seen before. It was 2008, and something clicked. Deep-diving into the world of electronic music and EDM culture, he began building his career, driven by the belief that he, too, could make it. What started as a duo project with a friend, eventually became Eric’s solo artistic identity. He got an early boost connecting with the Major Lazer crew via Twitter, all while building his own global presence through solo world tours as Ape Drums, known for his high-energy dancehall and dance music sets. His momentum and unique sound eventually caught Major Lazer’s attention, leading to collaborations and opening slots at their shows.
That relationship flourished over time, and in 2019, Ape Drums was officially asked to join the group. For him, being part of Major Lazer isn’t just a creative collaboration—it’s an immersive experience. From the high-energy shows to the behind-the-scenes lessons on navigating life on tour, it’s a chapter he considers one of the most enriching of his career.
Now based in Miami, Ape Drums has spent the last eight years sharpening his sound and redefining his identity. While he first made waves producing Caribbean-influenced electronic music, his evolution has taken him through EDM and now into a bold new era of Afro-tech and Afro-house. His sound is darker, rawer, and globally inspired. Though Mexican music was always around him, he grew up listening to a wide range of genres—from heavy metal and rock en español to R&B and ’90s dance music—all of which helped shape his ear and spark his early passion for production. Over time, he began chasing new textures and cultural hybrids, blending reggaeton, funk, and electronic elements to craft a sound that’s distinctly his own. Ape Drums credits much of his artistic vision to dance. His first passion was breakdancing, and it taught him to feel music in his body before ever producing it. That intuitive sense of rhythm continues to guide his creative process today.
Multi-platinum Maryland quartet All Time Low – Alex Gaskarth, Jack Barakat, Rian Dawson and Zack Merrick — known for their anthemic, inimitable sound and fiercely loyal fanbase, embark on a bold new era with the release of “SUCKERPUNCH,” out now via their own imprint, Basement Noise Records, in partnership with Photo Finish Records/Virgin Music Group. Sonically all arena-rock bombast and lyrically sentimental, “SUCKERPUNCH” — co-produced by frontman Gaskarth alongside Dan Swank — signals a thrilling new chapter for the rock outfit, who have sold more than 3.5 million albums in the U.S. alone and have garnered over 5 billion streams worldwide to date.
“‘SUCKERPUNCH’ is a song about getting knocked down so many times that you learn to wear your bruises like badges,” Gaskarth says. “The music and tone of the song are so intentionally steeped in overconfident swagger, while the lyrics tell a very different story about stepping into the ring with an opponent twice your size, waiting for the bell to ring with a smile on your face. It’s saying ‘I have been so many different things for you, why not be your punching bag as well?’ I wanted to marry the grit and punch of an arena rock song with moments of Quincy Jones and Genesis… That culminated in a song that felt like kicking the door down, so we knew this had to come out first.”
All Time Low have additionally released the official music video for “SUCKERPUNCH” which, like the song itself, is both electrifying and sentimental. The video made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop and on the Paramount Times Square billboards today and centers on “Axel,” a legendary stuntman who looks back at the most death-defying stunt of his career.
All Time Low head out on tour this fall for a just-announced nationwide headline run. Produced by Live Nation, their EVERYONE’S TALKING! TOUR will kick off on October 4, 2025 in Missoula, Montana with support from special guests Mayday Parade, The Cab, Four Year Strong, and The Paradox across select cities. The 30-plus-date outing includes appearances at the iconic Red Rocks Amphitheatre (Oct 12), When We Were Young Festival in Las Vegas (Oct 18 + 19) and Warped Tour in Orlando (Nov 16).
TICKETS: Tickets will be available starting via a Citi presale (details below) beginning Monday, June 16 at 10am ET and a Future Hearts Fan Club presale at 12pm ET. Additional presales will run throughout the week ahead of the general on sale beginning Friday, June 20 at 10am local time atLiveNation.com.
CITI PRESALE: Citi is the official card of the EVERYONE’S TALKING! TOUR. Citi cardmembers will have access to presale tickets beginning Monday, June 16 at 10am ET time until Thursday, June 19 at 10pm local through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.
It’s been a momentous era for All Time Low: in addition to working on new music, the band celebrated its 20th anniversary last year with the release of The Forever Sessions Vol. 1 album via their own imprint – Basement Noise Records – launched in partnership with Photo Finish Records/Virgin Music Group. The new LP featured re-recordings of the band’s greatest hits from the early part of their career including “Dear Maria, Count Me In (ATL’s Version).”
Since their inception in 2003, All Time Low have shattered records, topped charts, sold out arenas and carved out a fervent fanbase along the way. Their catalog consists of five consecutive Top 10 albums on the Billboard Top 200 in addition to picking up multi-platinum, platinum, and gold certifications. Speaking to their impact, Rolling Stone named So Wrong, It’s Right, among its “50 Greatest Pop Punk Albums.” In 2020, they ascended to a new commercial and critical high watermark with their eighth full-length LP, Wake Up, Sunshine. Following a #1 debut on the Top Rock Albums chart, it spawned the biggest hit of the band’s career thus far, “Monsters” [feat. blackbear]. It clinched #1 on the Billboard Alternative Airplay Chart for an unprecedented 18 weeks, emerging as the longest-charting song ever at the Modern Rock format. In addition to going platinum, it notably garnered “Alternative Rock Song of the Year” at the 2022 iHeartRadio Music Awards, while superstar Demi Lovato teamed up with the group for the Official Remix.
The band also captivated audiences with explosive sets at Bonnaroo and Firefly, along with unforgettable appearances on The Late Late Show with James Corden, Jimmy Kimmel Live!, Ellen, Good Morning America, and more.
All Time Low Fall 2025 Tour:
*Not a Live Nation Date | ^Festival Dates Do Not Include Support Acts
October 4 – Missoula, MT @ KettleHouse Amphitheater
October 8 – Fayetteville, AR @ JJ’s Live
October 9 – Oklahoma City, OK @ The Criterion
October 11 – Omaha, NE @ Steelhouse Omaha
October 12 – Denver, CO @ Red Rocks Amphitheatre
October 14 – Seattle, WA @ WAMU Theater
October 16 – Salt Lake City, UT @ The Union Event Center
October 18 + 19 – Las Vegas NV @ When We Were Young Festival
October 21 – San Jose, CA @ San Jose Civic
October 22 – Inglewood, CA @ YouTube Theater
October 23 – Phoenix, AZ @ Arizona Financial Theatre
October 25 – Dallas, TX @ South Side Ballroom
October 26 – San Antonio, TX @ Boeing Center at Tech Port
October 28 – St. Louis, MO @ The Factory
October 29 – Waukee, IA @ Vibrant Music Hall
October 31 – Madison, WI @ The Sylvee
November 2 – Grand Rapids, MI @ GLC Live at 20 Monroe
November 3 – Detroit, MI @ The Fillmore Detroit
November 5- Toronto, ON @ HISTORY
November 7 – Columbus, OH @ Kemba Live!*
November 8 – Cincinnati, OH @ The Andrew J Brady Music Center
November 11 – Birmingham, AL @ Avondale Brewing Company
November 12 – Atlanta, GA @ Coca-Cola Roxy
November 14 – Fort Lauderdale, FL @ War Memorial Auditorium
November 15 – Clearwater, FL @ The BayCare Sound
November 16 – Orlando, FL @ Warped Tour^
November 18 – Virginia Beach, VA @ The Dome
November 19 – Coraopolis, PA @ UPMC Events Center
November 21- Philadelphia, PA @ The Met Philadelphia Presented by Highmark
November 22 – Boston, MA @ MGM Music Hall at Fenway
November 25 – New York, NY @ Hammerstein Ballroom at Manhattan Center
November 26 – Washington DC @ The Anthem
November 28 – Buffalo, NY @ Buffalo RiverWorks
November 29 – Wilkes-Barre, PA @ Mohegan Sun Arena
They say you can choose your bandmates, but you can’t choose your family — unless, of course, your family is your band. From onstage harmonies to offstage squabbles, here are 20 bands that kept it all in the family.
AC/DC Australian rock legends AC/DC were powered by the electric bond between brothers Angus and Malcolm Young. With Angus in a schoolboy uniform and Malcolm riffing hard in the background, they defined the sound of stadium-sized rock forever.
The Avett Brothers Scott and Seth Avett built their band on roots, heartache, and harmonies that hit like handwritten letters. Their blend of folk, punk, and Americana is a family affair that feels like a porch jam that got out of hand in the best way.
Bee Gees The Brothers Gibb — Barry, Robin, and Maurice — gave disco its heartbeat and soft rock its soul. From “Stayin’ Alive” to “How Deep Is Your Love,” they harmonized like angels… with fabulous hair.
The Beach Boys Brian, Carl, and Dennis Wilson turned Southern California into a sonic paradise. Add cousin Mike Love and friend Al Jardine, and you’ve got the most iconic family barbecue ever set to wax.
The Black Crowes Chris and Rich Robinson gave rock fans blues-drenched swagger and a front-row seat to their sibling rivalry. The Crowes fought, flew, broke up, made up — and made killer music in between.
The Breeders Kim and Kelley Deal brought grunge a dose of off-kilter beauty and distortion-rich anthems. When Kim wasn’t busy with Pixies, she and Kelley turned “Cannonball” into an alt-rock war cry.
The Carpenters Richard and Karen Carpenter brought tenderness and harmony to pop with songs that wrapped around your heart like a warm blanket. Karen’s voice was one in a million — and Richard was the orchestral engine behind it all.
Creedence Clearwater Revival John and Tom Fogerty led one of the most iconic American rock bands of the late ’60s, delivering swampy hits like “Bad Moon Rising” and “Fortunate Son.” While their creative chemistry was undeniable, their personal tensions eventually boiled over—proving once again that rock and roll and family can be a volatile mix.
The Cribs The Jarman brothers — Gary, Ryan, and Ross — gave indie rock a shot of raw energy straight from Wakefield, UK. Their DIY ethos and wild stage presence made them underground darlings.
HAIM Este, Danielle, and Alana Haim took Fleetwood Mac vibes and made them modern. Their bond as sisters is half the magic — the other half is undeniable groove, charm, and bass face.
Heart Ann and Nancy Wilson brought thunder and tenderness to rock, becoming one of the most powerful sister duos in music history. From “Barracuda” to “Alone,” they didn’t just break the mold — they melted it with soaring vocals and face-melting guitar solos.
INXS While Michael Hutchence was the charismatic frontman, it was brothers Tim, Andrew, and Jon Farriss who formed the band’s backbone. Their Aussie rock swagger ruled MTV and arenas alike.
The Kinks Ray and Dave Davies took British rock to sneering, snarling new heights. Between hits like “You Really Got Me” and legendary onstage fights, they set the gold standard for brotherly love… and guitar riffs that could split a pub in two.
The Jesus and Mary Chain Scottish brothers Jim and William Reid made feedback an art form. Their fuzz-drenched sound and moody cool helped define shoegaze before shoegaze had a name — and yes, they’ve broken up and reunited more times than you can count.
Kings of Leon Three Followill brothers (Caleb, Nathan, and Jared) plus cousin Matthew turned Southern garage rock into global anthems. Who knew a family jam in Nashville would lead to “Sex on Fire”?
Oasis Liam and Noel Gallagher may have made beautiful music, but their backstage brawls were just as legendary. “Wonderwall”? Timeless. Their family dinners? Probably best avoided.
Paramore While not always front-and-center, brothers Josh and Zac Farro were key to Paramore’s early rise. Zac’s return to the band brought rhythm, fire, and a little extra sibling spark to the mix.
Radiohead Colin and Jonny Greenwood are more than just brothers — they’re half of one of the most important bands of the last 30 years. Jonny makes guitars weep and synths tremble, while Colin lays down the foundation.
The Staves Jessica, Camilla, and Emily Staveley-Taylor are the British sisters who make harmonies so heavenly, they sound like a single voice echoing through a forest. Their folk-pop is both intimate and epic.
Tegan and Sara Canada’s indie-pop queens, identical twins Tegan and Sara Quin, turn life’s awkward, emotional roller coasters into anthems. Whether acoustic or electro-pop, their connection is unmistakable.
Turns out sibling rivalry makes for great songwriting — and even better stories.
Primed to make waves around the globe this year, acclaimed Japanese singer, songwriter, Fujii Kaze shares a brand-new single entitled “Hachikō” available now. It heralds the arrival of his anxiously awaited third full-length studio album, Prema, out September 5, 2025.
About the release, Kaze said, “It all started with a bit of playfulness. Tobias Jesso Jr. suggested we try a song with Japanese in it. He said “What was the name of that dog at Shibuya?” and I said, “uh…Hachiko?”. And Sir Nolan made the beat on the spot. Years later, I watched the movie “The Tale of Hachikō” to finish the song. The melody and lyrics came naturally after that. I had never written a song to a beat before, so it was a whole new experience for me. Finally, I worked with producer 250 to further refine it. Hachiko, a loyal dog, waited for his deceased owner for 10 years at the station every day, and they finally got to see each other in heaven. Rather than focusing on the tragic sides of the story, the song highlights its joy and peace. This song is about the power of loyalty and, it seems also about my fans who have been patiently waiting for my 3rd album. Ha!”
Expanding his sound once more, “Hachikō” laces primarily English lyrics with Japanese phrases, bringing bilingual energy to the tune. Neon keys accent the stomp of a head-nodding drumbeat, while bassline struts across the path of a disco-ready track. Buoyed by shimmering synths, it culminates on a gloriously catchy chorus, “You’ve been patiently waiting for me.” It has all the makings of an international banger.
It lands in the wake of the 2024 fan favourite “Michi Teyu ku (Overflowing).” Beyond reeling in over 90 million Spotify streams, he has recently landed looks in Billboard and more.
In other news, Kaze will be performing all over the world in 2025. He will appear at upcoming festivals such as North Sea Jazz Festival in the Netherlands, Montreux Jazz Festival in Switzerland, Lollapalooza in Chicago, and Outside Lands in San Francisco. Check out his full confirmed itinerary below.
It has been three years since the release of the second album in 2022. Prema is the third studio album with all English lyrics. It contains 9 songs including the lead track “Hachikō”.
Casket Girl
I Need U Back
Hachikō
Love Like This
Prema
It Ain’t Over
You
Okay, Goodbye
Forever Young
Tour Dates:
7/1 Berlin, Germany @ Admiralspalast 7/4 Roskilde, Denmark @ Roskilde Festival 7/6 London, United Kingdom @ O2 Sheperd’s Bush 7/7 London, United Kingdom @ O2 Sheperd’s Bush 7/10 Paris, France @ L’Olympia 7/12 Rotterdam, Neterlands @ North Sea Jazz Festival 7/14 Montreux, Switzerland @ Montreux Jazz Festival 8/1 Chicago, IL @ The Vic 8/2 Chicago, IL @ Lollapalooza 8/4 Toronto, ON @ Danforth Music Hall 8/7 San Francisco, CA @ Bimbo’s 365 8/8 San Francisco, CA @ Outside Lands 8/11 Los Angeles, CA @ Greek Theatre 8/13 San Diego, CA @ Balboa Theatre 10/11 Austin, TX @ AUSTIN CITY LIMITS
MIXES OF A LOST WORLD,conceived and compiled by Robert Smith, is a new remix collection of tracks from The Cure’s acclaimed #1 2024 album, SONGS OF A LOST WORLD. The set features brand-new remixes from Four Tet, Paul Oakenfold, Orbital and many more, with the deluxe edition including additional remixes and reworks by Chino Moreno (Deftones), Mogwai and 65daysofstatic, among others.
This stunning collection is out now on Fiction/Polydor, with all The Cure’s recording royalties benefitting War Child UK.
MIXES OF A LOST WORLD is available as 3LP/3CD/3MC deluxe editions featuring both the ‘Artists’ & ‘Remixers’ tracks. The 3LP set includes three half speed mastered 180g heavyweight black bio vinyl LPs, a tri-gatefold printed sleeve, and a large foldout poster; the triple deluxe CD has an 8-panel digisleeve and includes a foldout poster; the limited edition 3MC set has individually printed o-cards and obi-strip and is exclusive to The Cure store HERE.
The 2LP/2CD/2MC edition features the ‘Remixers’ tracks only and comes as a black vinyl 2LP with a gatefold sleeve; a double CD in 6-panel digisleeve includes foldout CD poster; the limited edition double cassette has individually printed o-cards and obi-strip is also exclusive to The Cure store.
Speaking about MIXES OF A LOST WORLD Robert Smith says “JUST AFTER CHRISTMAS I WAS SENT A COUPLE OF UNSOLICITED REMIXES OF SONGS OF A LOST WORLD TRACKS AND I REALLY LOVED THEM. THE CURE HAS A COLOURFUL HISTORY WITH ALL KINDS OF DANCE MUSIC, AND I WAS CURIOUS AS TO HOW THE WHOLE ALBUM WOULD SOUND ENTIRELY REINTERPRETED BY OTHERS. THIS CURIOSITY RESULTED IN A FABULOUS TRIP THROUGH ALL 8 SONGS BY 24 WONDERFUL ARTISTS AND REMIXERS AND IS WAY BEYOND ANYTHING I COULD HAVE HOPED FOR. GIVING OUR RECORDING ROYALTIES FROM THE PROJECT TO WAR CHILD HELPS MAKE MIXES OF A LOST WORLDAN EVEN MORE SPECIAL RELEASE.”
Initially formed in 1978, The Cure has sold over 30 million albums worldwide, headlined the Glastonbury Festival four times, and been inducted into the Rock and Roll Hall of Fame in 2019. They are considered to be one of the most influential bands to ever come out of the UK. The Cure’s first album in 16 years, ‘Songs Of A Lost World’, reached #1 in fifteen countries and the top 5 in a further seven.
Andy Vella, a long-time Cure collaborator, has ‘remixed’ the artwork for the album, which as with ‘Songs Of A Lost World’, features ‘Bagatelle’, a 1975 sculpture by Janez Pirnat.
THE CURE – MIXES OF A LOST WORLD 3CD/3LP/3MC – DELUXE ARTISTS & REMIXERS
3LP TRACKLIST:
VINYL 1 SIDE A
I CAN NEVER SAY GOODBYE (Paul Oakenfold ‘Cinematic’ Remix)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
SIDE B
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
VINYL 2 SIDE A
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
A FRAGILE THING (Sally C Remix)
ENDSONG (Gregor Tresher Remix)
SIDE B
WARSONG (Omid 16B Remix)
DRONE:NODRONE (Anja Schneider Remix)
ALONE (Shanti Celeste ‘February Blues’ Remix)
ALL I EVER AM (Mura Masa Remix)
VINYL 3 SIDE A
I CAN NEVER SAY GOODBYE (Craven Faults Rework)
DRONE:NODRONE (JoyCut ‘Anti-Gravitational’ Remix)
AND NOTHING IS FOREVER (Trentemøller Rework)
WARSONG (Chino Moreno Remix)
SIDE B
ALONE (Ex-Easter Island Head Remix)
ALL I EVER AM (65daysofstatic Remix)
A FRAGILE THING (The Twilight Sad Remix)
ENDSONG (Mogwai Remix)
3CD TRACKLIST: CD1
I CAN NEVER SAY GOODBYE (Paul Oakenfold Cinematic Remix)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
CD2
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
A FRAGILE THING (Sally C Remix)
ENDSONG (Gregor Tresher Remix)
WARSONG (Omid 16B Remix)
DRONE:NODRONE (Anja Schneider Remix)
ALONE (Shanti Celeste ‘February Blues’ Remix)
ALL I EVER AM (Mura Masa Remix)
CD3
I CAN NEVER SAY GOODBYE (Craven Faults Rework)
DRONE:NODRONE (JoyCut ‘Anti-Gravitational’ Remix)
AND NOTHING IS FOREVER (Trentemøller Rework)
WARSONG (Chino Moreno Remix)
ALONE (Ex-Easter Island Head Remix)
ALL I EVER AM (65daysofstatic Remix)
A FRAGILE THING (The Twilight Sad Remix)
ENDSONG (Mogwai Remix)
THE CURE – MIXES OF A LOST WORLD 2CD/2LP/2MC REMIXERS
2LP TRACKLIST: VINYL 1 SIDE A
I CAN NEVER SAY GOODBYE (Paul Oakenfold ‘Cinematic Remix’)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
SIDE B
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
VINYL 2 SIDE A
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
A FRAGILE THING (Sally C Remix)
ENDSONG (Gregor Tresher Remix)
SIDE B
WARSONG (Omid 16B Remix)
DRONE:NODRONE (Anja Schneider Remix)
ALONE (Shanti Celeste ‘February Blues’ Remix)
ALL I EVER AM (Mura Masa Remix)
2CD TRACKLIST: CD1
I CAN NEVER SAY GOODBYE (Paul Oakenfold Cinematic Remix)
ENDSONG (Orbital Remix)
DRONE:NODRONE (Daniel Avery Remix)
ALL I EVER AM (meera Remix)
A FRAGILE THING (Âme Remix)
AND NOTHING IS FOREVER (Danny Briottet & Rico Conning Remix)
WARSONG (Daybreakers Remix)
ALONE (Four Tet Remix)
CD2
I CAN NEVER SAY GOODBYE (Mental Overdrive Remix)
AND NOTHING IS FOREVER (Cosmodelica Electric Eden Remix)
head of today’s release of multi-Platinum entertainer Dierks Bentley’s 11th studio album BROKEN BRANCHES, praise has already rolled in for the 11-track collection that’s rooted in raw honesty and storytelling, embracing life’s outliers and underdogs with songs about resilience, change, and connection. Earning 5 out of 5 stars, the album features cross-generational lineup of collaborators—including John Anderson, Riley Green, Miranda Lambert and Stephen Wilson Jr. BROKEN BRANCHES is a bold reaffirmation of Bentley’s heartfelt grit paired with standout musicianship and is available today HERE.
BROKEN BRANCHES Track List:
Cold Beer Can (featuring Stephen Wilson Jr) Written by Jon Randall, Luke Dick, Stephen Wilson Jr. and Dierks Bentley
Jesus Loves Me Written by Adam James, Ben Stennis and Allison Veltz Cruz
She Hates Me Written by Ashley Gorley, Chase McGill, Ross Copperman, Jimmy Allen, Wesley Scantlin and Dierks Bentley
Something Worth Fixing Written by Stephen Wilson Jr., Luke Dick and Dierks Bentley
Standing In The Sun Written by Kyle Sturrock
Well Well Whiskey Written by Seth Ennis, Devin Dawson and Jordan Reynolds
Broken Branches (featuring John Anderson and Riley Green) Written by Zach Abend, Beau Bailey and Graham Barham
Off The Map Written by Jeremy Bussey, Lauren McLamb and Adam Wood
Near You (featuring Miranda Lambert) Written by Scooter Carusoe, Ross Copperman and Ben Williams
For As Long As I Can Remember Written by Devin Dawson, Connie Harrington
Don’t Cry For Me Written by Jim Beavers and Dierks Bentley
With equal parts commotion and comedy, Bentley invites fans to a “Broken Branches” family reunion at a dive bar in East Nashville. Directed by Wes Edwards, the video features an all-star cast including Anderson and Green as well as Joey Breaux, Dane Lindfors, Cornbread Cowboi, Trailer Trash Tammy, Andi Tillman; cameos from CMT’s “Still The King” stars Travis Nicholson and Jon Sewell; and Allie Eklund, who starred in Bentley’s video for lead single “She Hates Me.” Fans can join the party by watching it HEREtoday.
Dubbed “one of the most fun lineups you’ll see this summer” (Whiskey Riff), Bentley’s 30-city BROKEN BRANCHES TOUR recently launched with support from Zach Top and The Band Loula. Continuing this weekend in Chicago and at The Country Fest, fans can catch the tour’s “high-energy charm and heartfelt hits” (Loudhailer Magazine) through August with stops at amphitheaters and iconic venues across the country, including New York City’s Madison Square Garden. Bentley also recently announced the Broken Branches Fund, a multi-year initiative in partnership with Music Health Alliance to provide mental health support for the music industry’s creative and touring professionals; since launching, the program has sparked donations from across the industry. To learn more and make your own donation, click here.
After more than 20 years on country music’s family tree, Bentley’s current Top 30 “She Hates Me” is quickly climbing the charts following eight Number One albums, 22 Number One songs and over 9.5 billion global streams—plus 15 Grammy nominations and membership in the historic Grand Ole Opry. Continuing the path built from the ground up, as an entrepreneur, Bentley has four locations of the gastropub and live music venue “Dierks Bentley’s Whiskey Row,” has a Flag & Anthem lifestyle collection “Desert Son” and recently released ROW 94, a Kentucky Straight Bourbon Whiskey crafted with only “three ingredients and the truth” at Kentucky’s Green River Distilling Co.
