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Forest Blakk Releases Vulnerable New Single “Nobody Knows” for Men’s Mental Health Month

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Multi platinum singer/songwriter Forest Blakk has released new single “Nobody Knows” – available today via Atlantic Records. The intimate and candid track sees the celebrated artist open up about his own mental health journey, arriving in tandem with Men’s Mental Health Awareness Month.

“All I hope is that ‘Nobody Knows’ finds the people who need it most. I’ve been on the other side of songs like this… the kind that show up when you feel like you’re disappearing. If this track makes just one person feel less alone, even for a second, then it’s done its job,” he says.

“Nobody Knows” is the latest single from Blakk since Valentine’s Day anthem “Love You ‘Til Death” earlier this year, marking the first in a series of upcoming releases that expand on his life and backstory. It arrives amidst Blakk’s performances in support of James Blunt along his 2025 North American Back To Bedlam 20th Anniversary Tour, with an upcoming stop at Los Angeles’ The Greek on June 27th.

Erin Lunsford Honors Appalachian Roots in New “Watch Out For Deer” Video

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Award-winning singer/songwriter Erin Lunsford known for her expressive voice-compared to the likes of Chris Stapleton, Eva Cassidy, and Susan Tedeschi- has shared the music video “Watch Out For Deer.”

The homesick Appalachian love song that captures the bittersweet ache of leaving home and the quiet tenderness of Southern goodbyes. Steeped in the bluegrass and folk traditions of her Southwest Virginia roots, Lunsford blends clawhammer banjo, front-porch storytelling, and pop-savvy hooks to create a sound that is uniquely her own. The track beautifully memorializes a familiar Southern farewell-“be safe, watch out for deer” – and transforms it into a moving anthem about family, identity and the pull of home.

“This song was born on a tearful nighttime drive back to Richmond after visiting my family in Fincastle,” Lunsford shares. “That phrase-‘watch out for deer’-it’s something we say all the time in the South, but it carries so much love. It’s our way of saying ‘I love you, be careful out there.'”

Produced by Jacob Ungerleider (Grebes) and featuring fiddle from Shannon Bielski, the single is the first from Lunsford’s upcoming 2025 album, the follow-up to her acclaimed 2020 release The Damsel. The project promises a rich tapestry of Appalachian storytelling, folk traditions, and modern reflections on identity, family, and finding one’s place in the world.

Lunsford’s performances are both powerhouse and intimate. Her musical upbringing in the Blue Ridge Mountains, where she learned flat-picking guitar from her mom and clawhammer banjo from her Papa, shaped her storytelling instincts and musical authenticity.

“Watch Out For Deer” marks a new era for Lunsford, who is embracing a bold solo journey with a six-piece band, including multiple women and a fresh infusion of Appalachian instrumentation. Her music, often blending homespun traditions with catchy, thoughtful songwriting, stands out for its authenticity, heart, and powerhouse vocals.

In recent years, Lunsford has taken the stage at festivals like FloydFest, Red Wing Roots, Rooster Walk, and has shared bills with Maggie Rose, Begonia, Bruce Hornsby, Darrell Scott, Carbon Leaf, and The Infamous Stringdusters. With Erin & The Wildfire, she’s performed on NPR’s Mountain Stage and earned national praise, including features in American Songwriter, NPR Music, MusicRow, and Rolling Stone Country, who named her set one of the “10 Best Things We Saw at FloydFest 2019.”

Lunsford’s upcoming album is a love letter to her Appalachian roots, featuring stories of family, self-discovery, heartbreak, and resilience. Expect songs that touch on identity, equality, and the complexities of growing up and moving away-all wrapped in her signature blend of folk, country soul, and thoughtful pop.

Pat Hatt Unveils “Lyin’ to Yourself” Video Ahead of Self-Titled EP

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California-based singer songwriter Pat Hatt will release his self-titled EP on July 11 and is previewing the effort by sharing a new music video for his single “Lyin’ To Yourself.”

On the song and video, Hatt shares:”I wrote ‘Lyin’ to Yourself’ about realizing you’re your own biggest obstacle. For the video, I wanted it to feel honest-true to the ways I’ve held myself back. I’ve definitely spent more hours at the bar than in the studio, and that’s slowed me down in the past. So it made sense to shoot at The Pony Club, one of my favorite higher-end dive bars in my hometown of Lancaster, Pennsylvania.

I brought in Andrew Burton and Nick Lowry-who also played on the track-to appear as bar employees and bandmates on stage. My longtime friend (and drinking buddy) David Ginolfi played a bar regular. The concept was to show that moment of real-time clarity, flipping between that and performing live-the one thing that actually means the most to me.

It was a long day, but a blast to shoot. I’m really proud of the mood we captured.”
“Lyin’ To Yourself” song debuted at Americana Highways and is on all streaming platforms for any playlist shares. The song follows the EP’s lead single “Drunk On Leaving” and its accompanying music video, which was directed and filmed by Alejandro Zapata. The song debuted at Glide Magazine and is available now on all streaming platforms for playlist shares.

“Drunk on Leaving,” the first single off of Hatt’s upcoming self-titled EP, sets the tone for the new direction of his latest work. After driving-cross country to begin a new chapter of his life on the west coast, Hatt was inspired by the awe and freedom one only finds after leaving everything behind. With a full band behind him, Hatt delves into the rootsy, heartland rock sounds of Petty and Springsteen, while weaving in elements of his youth in punk and indie rock. The record was produced by Alex Newport (City and Colour, Death Cab for Cutie, Bloc Party) at Tiny Creatures Studio in Joshua Tree, CA and mastered by Carl Saff. Hatt also recruited his good friends Andrew Burton and Nick Lowry (both of Super Vehicle) on guitar and drums.

Drawing from a wide range of influences, including everything from hardcore to honky-tonk, singer-songwriter Pat Hatt crafts his own brand of Americana with songs that give listeners a sense of heartfelt humility and grit. The five-song release is chock-full of loud, twangy guitars, a driving rhythm section and honest, heartfelt confessionals. With titles like “Turn The Dial,” “I’m Gonna Ride” and “Whiskey Lens,” the EP explores themes of self- reflection, change and a newfound lust for life… and the road. The second single, “Lyin’ To Yourself,” is a poignant ballad focusing on our inherent ability to get in our own way.

Writing about such topics has helped Hatt get out of his. Hatt spent most of his early adult life playing guitar and touring in bands nationwide. After a ten-year hiatus behind the chair as a professional barber, he made his return to music with 2023’s “High is Gone” and “The Mend.” These stripped down indie-folk songs showcase his knack for intimate storytelling, coupled with an acoustic guitar and a crooning vocal.

In April, 2025 he released an alt-country single “Catch a Serpent,” which was recorded at Tiny Telephone in Oakland, CA with Maryam Qudus (La Luz, Spacemoth) and mastered by Grammy Award winning Pete Lyman (Jason Isbell, Tyler Childers). Supported by a cast of session musicians including pedal steel player Ian Taylor Sutton (Vincent Neil Emerson, Jesse Daniel), this track is a folksy narrative on the opioid epidemic plaguing the Northeast.

With a fresh sound and fervor, this upcoming record defines a new era for Hatt’s career. “Drunk On Leaving” and “Lyin’ to Yourself” will be released in May and June with the full EP out in July 2025 on streaming platforms. Plans to tour both coasts in support are to be announced.

Epiphone Unveils Jeff Beck 1954 Oxblood Les Paul in Inspired by Gibson Custom Series

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For over 150 years, Epiphone has been a leading innovator in instrument design. By leveraging its iconic past and leaning into the future, Epiphone has set the stage for the next era of sound for present and future generations. Epiphone’s game-changing Inspired by Gibson Custom Collection, developed in close collaboration with the skilled luthiers at Gibson Custom Shop in Nashville, Tennessee, continues to expand, establishing a new tier of premium Epiphones for every stage. Featuring Gibson USA pickups and premium electronics, world-renowned Gibson “open book” headstocks, solid wood construction, and one-piece necks, Epiphone’s Inspired by Gibson Custom Collection brings Gibson Custom designs to the masses, adding to Epiphone’s full array of instruments for all player levels.

Today, Epiphone is proud to introduce the Jeff Beck 1954 Oxblood Les Paul from Epiphone, an Inspired by Gibson Custom recreation of one of the most famous guitars in history–Jeff Beck’s famous Oxblood, the heavily modified 1954 Les Paul that was immortalized on the cover of his groundbreaking 1975 album Blow by Blow. The world-famous guitar is now available worldwide at Authorized Epiphone dealers, the Gibson Garage in Nashville and London, and online via www.epiphone.com.

“Bringing the Epiphone version of the infamous ‘Oxblood’ Les Paul to life was something Jeff Beck wanted, and the team has now truly delivered,” says Lee Bartram, Head of Commercial and Marketing EMEA at Gibson. “Making this guitar accessible to a wider market was important to Jeff and his family; this Epiphone guitar turned out truly exceptional and is a worthy tribute to the legacy of a legend.”

In the minds of many of his fellow guitarists, as well as those of countless fans, Jeff Beck remains one of the finest players ever to pick up the instrument. From his early work with the Yardbirds to his work with the Jeff Beck Group, Beck, Bogert & Appice, as a session musician and throughout his solo career, Jeff Beck was one of the most influential lead guitarists of all time. A guitarist’s guitarist and sonic innovator, Beck was a master of genres who played rock, blues, hard rock, and jazz fusion, and helped popularize the use of feedback, fuzz pedals, and distortion, influencing countless players to this day with his inimitable style. An eight-time GRAMMY® Award winner, including six times for Best Rock Instrumental Performance, Jeff Beck also received the Ivor Novello Award for Outstanding Contribution to British Music. He was also inducted into the Rock and Roll Hall of Fame twice: as a member of the Yardbirds and as a solo artist.

Known to millions as the Oxblood due to its unique chocolate brown/oxblood finish, Jeff Beck’s heavily modified 1954 Les Paul™ was immortalized on the cover of Blow by Blow, his groundbreaking first solo album. This past January, the original Oxblood recently sold at auction for a record-setting $1.3 million. In 2009, Gibson Custom first recreated the Oxblood in a limited edition run of only 50 aged guitars, which collectors still highly value. Now, Epiphone, in collaboration with Gibson Custom, is immensely proud to introduce the Jeff Beck Oxblood 1954 Les Paul™, based on his iconic 1954 Les Paul. It features a mahogany body with a maple cap, a one-piece mahogany neck with a long neck tenon and a Jeff Beck Custom Large C neck profile, a rosewood fretboard with 22 medium jumbo frets and aged mother-of-pearl trapezoid inlays, and a Gibson “open book” style headstock with an Epiphone logo inlaid in aged mother-of-pearl. The headstock is equipped with a low-friction Graph Tech® nut and Schaller M6 90 tuning machines. It is powered by a pair of USA-made Gibson Custombucker humbucker™ pickups that are connected to CTS® potentiometers and Mallory capacitors using 50s-style wiring. Other thoughtfully considered details are included to match the original guitar, including gold Speed knobs, a Les Paul pickguard with a gap above the bridge pickup, and a Gibson Historic Wraparound bridge. It comes packaged in an Epiphone hardshell guitar case with Inspired by Gibson Custom graphics and includes a vintage-style replica strap. The Epiphone Jeff Beck Oxblood 1954 Les Paul is available for a limited time, so do not miss this rare opportunity to own an accessible tribute to one of the world’s most famous, cherished, and valuable electric guitars and the master instrumentalist who made it famous–Jeff Beck.

Explore the full Inspired by Gibson Custom lineup of premium Epiphone models for players of every level HERE.

Check out more photos of the new Epiphone Inspired by Gibson Custom Collection Jeff Beck 1954 Oxblood Les Paul:

‘Now Playing – Randy Travis’ Vinyl Release Coming August 1 via Rhino and Warner

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Warner Music Nashville and Rhino Records along with Randy Travis proudly announce the upcoming release of NOW PLAYING – Randy Travis, a new vinyl collection featuring 10 of the country icon’s most beloved songs. This special release, part of Rhino’s Now Playing series, will be officially available on August 1, bringing Randy Travis’ timeless sound to both longtime fans and new listeners.

This new vinyl release spans the remarkable career of Randy Travis’ career, capturing the heart and soul of a voice that defined a generation of country music. From heartfelt ballads to honky-tonk staples, NOW PLAYING – Randy Travis is a tribute to one of country music’s most enduring voices.

NOW PLAYING – Randy Travis is the latest installment in the Now Playing series — a curated collection from Warner Music’s legendary artists, designed to bring great hits to music lovers at an accessible price point. Each release in the series includes ten essential tracks from iconic catalogs, pressed on vinyl and made available wherever vinyl records are sold.

The vinyl release comes in advance of the next leg of the “More Life Tour,” a salute to the music of Randy Travis, featuring his original band members, guest vocalist James Dupré and a unique touch, Randy and his wife, Mary, onstage the entire show interacting with Dupré, the band, and the audience – something Randy has missed since his 2013 stroke sidelined him from touring the world. Tickets can be purchased at his website: RandyTravis.com.

NOW PLAYING – Randy Travis Track Listing:
Side 1:
1. “If I Didn’t Have You”
2. “Forever and Ever, Amen”
3. “1982”
4. “Where That Came From”
5. “Diggin’ Up Bones”

Side 2:
1. “Deeper Than The Holler”
2. “I Told You So”
3. “Better Class of Losers”
4. “On the Other Hand”
5. “Whisper My Name”

“More Life Tour” Dates:
August 21 – Denver, Colo. – Paramount Theatre
August 23 – Cheyenne, Wyo. – Cheyenne Civic Center
August 25 – Gillette, Wyo. – CAM-PLEX Heritage Theatre
August 26 – Butte, Mont. –  The Mother Lode Theatre
August 27 – Missoula, Mont. –  Dennison Theatre
August 28 – Boise, Idaho – Morrison Theatre
August 29 – Salt Lake City, Utah – Kingsbury Hall
September 18 – Peoria, Ill. – Peoria Civic Center
September 19 – Cedar Rapids, Iowa – Paramount Theatre
September 20 – St. Joseph, Mo. – Missouri Theatre
September 21  – Branson, Mo. – Clay Cooper Theater
September 25 – Meridian, Miss. – Riley Center*
September 26 –  Hiawassee, Ga. – Dailey & Vincent Music Fest
September 27 – Dothan, Ala. – Dothan City Civic Center
October 1 – San Angelo, Texas – Murphy Hall
October 2 – Waco, Texas – Hippodrome
October 3 – San Antonio, Texas – Majestic Theatre
October 16 – Hagerstown, Md. – Maryland Theatre
October 17 – Reading, Pa. – Santander PAC
October 18 – Morristown, N.J. – Mayo Performing Arts Center
October 23 – Lexington, Ky. – Lexington Opera House
October 24 – Tiffin, Ohio – Ritz Theatre
October 25 – Roanoke, Va. – Berglund Performing Arts Theatre
November 5 – Green Bay, Wis. – Meyer Theatre
November 6 – Rochester, Minn. – Mayo Civic Center
November 7 – St. Cloud, Minn. – Paramount Center for the Arts
November 8 – Grand Forks, N.D. – Chester Fritz Auditorium
November 13 – Roanoke Rapids, N.C. – Weldon Mills Theatre
November 14 – Maryville, Tenn. – Clayton Center for the Arts
November 15 – Nashville, Tenn. – Schermerhorn Symphony Center w/ The Nashville Symphony
November 20 – Binghamton, N.Y. – Broome County Forum Theatre
November 21 – Concord, N.H. – The Capitol Center For The Arts’ Chubb Theatre
November 22 – Orono, Maine – Collins Center for the Arts
November 23 – Torrington, Conn. – The Bushnell Performing Arts Center
*on sale to public June 30

Blue Note Jazz Club Launches Los Angeles Location With Robert Glasper

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The iconic Blue Note Jazz Club will open its Los Angeles location on August 14 and will launch its first season of programming that runs through 2025, with the grand opening headlined by five-time Grammy winner Robert Glasper. Glasper is not only the opening-night artist but also a creative ambassador whose presence will help shape the culture of Blue Note Los Angeles.

Upcoming performances and residencies include Andra Day, Killer Mike, Ben Folds, Charlie Puth, Esperanza Spalding, Branford Marsalis, GoldLink, Alex Isley, Tank and the Bangas, Ravi Coltrane, Mayer Hawthorne, Charles Lloyd, The Soul Rebels with special guest Too $hort, and hometown heroes Kamasi Washington, Terrace Martin featuring Kenyon Dixon, 1500 or Nothin’, The Free Nationals, and James Fauntleroy, among many others. See the full schedule below. All shows are on sale now; more information is available here.

I’m honored to partner with Blue Note and open the doors to what will be a significant cultural intersection for the Los Angeles community. L.A. has always been a second home to me, and I can’t wait to bring its culture to the Blue Note,” Robert Glasper said in a statement.

Blue Note LA will focus on curated, consistent, artist-driven programming delivered in the intimate Blue Note Jazz Club vibe that people love. Blue Note New York has a uniquely New York energy; for Blue Note LA, it’s essential to honor what makes this city’s creative spirit so distinctive. We embrace collaboration and those spontaneous moments that make live music special. We’re grateful to all the artists and their teams who are part of this opening season—they’re helping set the tone for Blue Note LA,” says Alex Kurland, Director of Programming at Blue Note Entertainment Group.

Designed specifically for Los Angeles, the new venue will pair an intimate atmosphere with the hallmarks of its New York counterpart: world-class performances from celebrated icons, rising stars, and genre-defying collaborations that reflect jazz’s ongoing evolution and influence. Each artist will perform two shows nightly, at 7:00 p.m. and 9:30 p.m. Designed by the acclaimed Legeard Studio, the space blends mid-century elegance with the raw energy of classic jazz.

Located at 6372 Sunset Boulevard (at Ivar Avenue) in Hollywood, the venue features two performance spaces: a main showroom with a 200-person capacity and a secondary “B-Side” room with a 100-person capacity (programming to be announced). A full-service kitchen and beverage program will be open for weekend brunch and nightly dinner. The menu, crafted by Chef Asaf Maoz of L.A.’s Carmel, showcases bold, internationally inspired flavors, while the cocktail list offers sophisticated riffs on jazz-era classics designed to complement the room’s energy.
About Blue Note Jazz Club

Since opening in New York City in 1981, Blue Note Jazz Club has become one of the world’s premier live-music venues. While jazz is at its core, Blue Note spotlights contemporary artists across a wide range of styles, backgrounds, and cultures, drawing frequent surprise appearances from superstars such as Stevie Wonder, Ed Sheeran, Dave Chappelle, Chris Rock, and more. Blue Note’s global outposts include Milan, Honolulu, Beijing, Shanghai, Tokyo, Napa, Rio de Janeiro, and São Paulo, with a London location slated for 2026.

Launched in New York in 2011, the Blue Note Jazz Festival presents a month-long celebration of jazz each June. The festival expanded to Napa in 2022 under the curation of Robert Glasper, creating a multi-day event where jazz meets hip-hop and R&B across multiple stages. Past headliners include John Legend, Nas, Mary J. Blige, Chance the Rapper, Maxwell, and Jill Scott. In 2024 the Napa festival introduced the Black Radio Experience in partnership with Glasper at the Meritage Resort; it will return in 2025. Earlier this month, Blue Note partnered with the LA Phil to present the Blue Note Jazz Festival at the Hollywood Bowl, ensuring that this beloved celebration—formerly the Playboy Jazz Festival—continues to thrive under a new banner.

10 Surprising Facts About Serge Fiori, One of Quebec’s Greatest Musical Minds

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Serge Fiori, founder of French-Canadian rock band Harmonium, died Tuesday at the age of 73. He shaped an entire era of Quebec music with words that felt like poetry and melodies that never faded. His work with Harmonium and his solo career left a deep mark on culture, creativity, and sound itself. Here are 10 facts you may not know about the man behind some of Canada’s most beloved songs.

1. His First Stage Was a Ballroom in Little Italy
Serge Fiori got his start performing with his father’s orchestra in Montreal’s Little Italy. Surrounded by music from a young age, he stepped into the spotlight as a teenager, already thinking like a composer

2. Harmonium Started With a Play That Never Happened
He met Michel Normandeau through a friend while writing music for a play. The project fell through—but the partnership formed Harmonium, one of the most influential bands in Quebec’s history.

3. His Music Career Paused So He Could Study Meditation and Computer Science
After Harmonium disbanded, Fiori moved to Los Angeles, where he turned inward. He studied meditation, composition, and even computer science, taking a step away from the stage to explore other disciplines.

4. He Brought Harmonium’s Spirit Into His Work With Richard Séguin
In 1978, he teamed up with Richard Séguin to record Deux cents nuits à l’heure. Most of Harmonium’s musicians appeared on the album, creating a kind of spiritual continuation of the band’s work.

5. He Composed the Theme for Montreal’s Just For Laughs Festival
In 1984, Serge wrote and performed the original theme for the Just For Laughs comedy festival. His voice, known for introspection and emotion, also found a place in joy and celebration.

6. His Solo Return Came After 28 Years of Silence
After years of working behind the scenes on film scores and meditation music, Fiori returned with a self-titled solo album in 2014. It marked one of the most celebrated comebacks in Quebec music.

7. He Reimagined His Classics for Cirque Éloize
In 2018, Fiori worked with Louis-Jean Cormier on Seul ensemble, a dance and acrobatic show based on his music. The show premiered in 2019, bringing his timeless songs to life on stage in a brand new form.

8. He Was a Pioneer of Progressive Folk Rock in Canada
With Les cinq saisons (1975), Fiori and Harmonium created a concept album that fused folk, prog, and classical elements. Its 17-minute closer, “Histoires sans paroles,” helped define a new sound in Canadian music.

9. Les cinq saisons Made Rolling Stone’s List of Greatest Prog Albums
Rolling Stone ranked Harmonium’s Les cinq saisons at #36 in their list of the 50 Greatest Prog Rock Albums of All Time. It remains one of the most acclaimed transitional albums ever made in Canada.

10. His Lyrics Spoke to Quebec’s Political and Emotional Heart
Songs like “Depuis l’automne” reflected the separatist sentiments of the time, while others captured universal feelings of love, longing, and hope. His music helped soundtrack both personal and cultural awakenings.

Serge Fiori’s legacy is not just in what he sang—but in what he sparked. From ballrooms to festivals, prog rock suites to meditative chants, he followed every path with heart and honesty. His voice continues to echo, not as a memory, but as music that lives on.

Joe Bonamassa Launches Sound Wave Beach Weekend Festival in Florida for April 2026

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Blues-rock titan Joe Bonamassa in partnership with Topeka has officially announced his first-ever curated land event: Joe Bonamassa’s Sound Wave Beach Weekend, an unforgettable, three-day immersive music experience set against the stunning backdrop of Miramar Beach, Florida. Catch the set you’ll never forget April 10–12th, 2026, featuring two exclusive headline performances from Bonamassa, artist collaborations, and an all-star lineup including Gov’t Mule, Kenny Wayne Shepherd, JJ Grey & Mofro, Grace Potter, Little Feat, Larkin Poe, Samantha Fish, Joanne Shaw Taylor, and Robert Jon & The Wreck.
 
In addition to Joe’s two unique performances, this one-of-a-kind beach weekend will feature special artist jams and collaborations, daily activities, and unforgettable moments with some of today’s most beloved and influential performers in blues, rock, soul, and Americana. When guests book during the presale they will receive a $100 per person merch credit. To sign up for the presale and reserve your spot, visit: https://soundwave.topeka.live
Redefining the music festival experience with a new level of hospitality and service, Topeka allows guests to immerse themselves in live music from the comfort of their own personal seated cove, complete with delivery of all food, drinks and merchandise within 5 minutes of ordering. The 5,500 capacity open air green space venue is a few minutes walk from guests’ lodging and to the beach. Offering a convenient, intimate and unique experience, guests spend the day under the sun at the beach and nights under the stars with their favorite artists.
 
The announcement comes amid a wave of career milestones for Bonamassa. His new studio album, Breakthrough, arrives July 18th via J&R Adventures. Described as his most genre-defying and emotionally resonant record to date, the album features the already-released singles, “Trigger Finger,” “Breakthrough,” “Still Walking With Me,” and “Shake This Ground.” Bonamassa continues to push the boundaries of modern blues with a fearless creative spirit and relentless dedication to the craft.
 
Following international dates with his supergroup Black Country Communion and his solo band, Bonamassa will return to the U.S. this summer for an amphitheater run that includes stops at The Greek Theatre (July 31), Red Rocks (August 8), and the Bourbon & Beyond Festival (September 12), before heading out on the Keeping the Blues Alive at Sea cruise to Alaska in September.
 
With Sound Wave Beach Weekend, Bonamassa deepens his commitment to his fans, the music community, live performance, and the future of blues-rock. For more information on the event, upcoming tour dates, and Breakthrough, visit jbonamassa.com.

JOE BONAMASSA – TOUR SCHEDULE

SOUND WAVE BEACH WEEKEND
April 10-12, 2026 – Sound Wave Beach Weekend – Miramar Beach, Florida
 
EUROPE SUMMER TOUR 2025
July 1 – Cork, IE – Live at The Marquee*
July 2 – Cork, IE – Live at The Marquee*
July 3 – Cork, IE – Live at The Marquee
July 6 – Klam, AT – Clam Castle
July 8 – Veszprém, HU – Veszprémfest
July 10 – Stuttgart, DE – Jazzopen Stuttgart
July 13 – Weert, NL – Bospop
July 16 – Montreux, CH – Montreux Jazz Festival
July 18 – Pordenone, IT – San Valentino Park
July 19 – Rome, IT – Auditorium Parco della Musica – Cavea
* Sold Out
 
U.S. SUMMER TOUR 2025
July 31 – Los Angeles, CA – The Greek Theatre
August 1 – Paso Robles, CA – Vina Robles Amphitheatre
August 3 – Bend, OR – Hayden Homes Amphitheater
August 5 – Airway Heights, WA – BECU Live at Northern Quest
August 6 – Pocatello, ID – Portneuf Health Trust Amphitheatre
August 8 – Morrison, CO – Red Rocks Amphitheatre
August 9 – Albuquerque, NM – Sandia Resort & Casino Amphitheater
 
SEPTEMBER 2025
September 12 – Louisville, KY – Bourbon & Beyond Festival
September 13 – Vienna, VA – Wolf Trap
September 15-21, 2025 – Seattle, WA – Keeping The Blues Alive at Sea ALASKA
 
DECEMBER 2025
December 6 – Hollywood, FL – Hard Rock Live

Stephen Kalinich and Friends Announce Reflective New Album ‘I Love My Life’ for July 11

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Heyday Again Records (helmed by reissue maven and counterculture author Pat Thomas) presents I Love My Life – confirmed for release on Friday July 11, a postcard from one of the last-standing poets of peace and excitation. The album, which is available for preorder here or here, is credited to Stephen J. Kalinich and Friends and produced by Milo Binder, and Willie Aron (Thee Holy Brothers, The Third Mind) – marks a stylistic departure from Kalinich’s earlier works in that it eschews the format of a collection of poems with accompanying scores in favor of songs that Kalinich and Binder co-wrote that alternate with a series of spoken-word performances that Kalinich improvised online during the global pandemic.

“Stevie (Kalinich) and I decided to have weekly phone sessions that took place every Sunday just before the pandemic shut down the world,” said Milo Binder. “When we had enough songs, we decided to record them. I wanted to do something different with Stevie this time around; his filmed posts on social media were sincere and soulful, they addressed his life as well as the world in its current state; it seemed that having them transcribed for audio to follow each song was a unique and timely way to present the album to the world.”

Binder and Kalinich enlisted his longtime friend and collaborator Aron – who had accompanied Kalinich in concert many times and produced Binder’s critically acclaimed album The Unspeakable Milo Binder, also released on Heyday Again – to co-produce the album with them. “Willie is my closest friend and the person whom I have relied upon the most to fulfill whatever musical obsessions pop into my head; he was a perfect fit for this record.”

Kalinich – who first garnered acclaim for writing the lyrics for “Little Bird” and “Be Still” on The Beach Boys’ understated classic album from 1968, Friends – has been unwavering in his fervent desire for the arrival of peace on earth; he attests, “I have been writing poems about world peace well before the Sixties’ peace movement; this has been a constant theme in my life for decades.” After all, this is the same artist who titled his debut album, A World Of Peace Must Come, done in collaboration with Brian Wilson in 1969. The themes that he explores on I Love My Life – homelessness, aging, gratitude, narcissism, and other topics – are universal, hard-hitting, and passionate, delivered with a heart full of soul, yet imbued with the spirit of grace and humility that has marked all of his previous works.

I Love My Life features vocal and instrumental contributions by Randell Kirsch (Beach Boys, Jan & Dean), LuAnn Olson, Rob Bonfiglio (Wilson Phillips), and other musicians and singers. The album was recorded at Pasadena’s The Pie Studios and engineered by Jeff Peters, who has worked with the Beach Boys collectively and individually for over forty years.

Kalinich sums up his feelings about the album thusly: “The recording of this album took place during a vulnerable time in our world. But working with Milo and Willie and the other remarkable musicians was such a joyful, satisfying experience, it gave me the energy and confidence to persevere. I am immensely proud of this album, and I’m hopeful that it touches the hearts of those who listen to it.”

Track Listing:
1. Preamble
2. Today
3. What Would Love Do?
4. If I Could Write the Poem
5. Beyond Frightened
6. Change
7. The First One to Heal Is Yourself 8. There Is a Loneliness
9. Across Bridges
10. The Divine
11. Down This Road
12. Enjoy Your Life
13. I Love My Life

Atlantic Races Ahead With Star-Studded ‘F1 THE ALBUM’ Featuring Peggy Gou, Burna Boy, RAYE, and More

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Atlantic Records’ upcoming F1THE ALBUM, the supercharged and star-studded musical companion to Apple Original Films’ high-octane, action-packed film F1 THE MOVIE, starring Brad Pitt and directed by Joseph Kosinski (Top Gun: Maverick), approaches the finish line with today’s premiere of “D.A.N.C.E” from renowned South Korean DJ, producer, artist, and songwriter Peggy Gou, available everywhere now. F1 THE ALBUM is available arrives in stores and at all online retailers on Friday, June 27th in conjunction with the theatrical release of the feature film, distributed worldwide by Warner Bros. Pictures.

From the label that brought you the award-winning, blockbuster soundtracks Barbie The Album, Twisters: The Album, The Greatest Showman, Suicide Squad and more, F1 THE ALBUM will feature massive new tracks from an unprecedented lineup of superstar artists, including Burna Boy, RAYE, Madison Beer, and more.

F1 THE ALBUM was produced and overseen by multi-GRAMMY Award Winner, 7x GRAMMY Award nominee, and Atlantic Records West Coast President, Kevin Weaver (Soundtrack Album Producer of Barbie The Album, Twisters: The Album, The Greatest Showman, Suicide Squad, Daisy Jones & The Six, Birds Of Prey) along with Atlantic Records’ EVP and Co-Head of Pop/Rock A&R, Brandon Davis and Atlantic Records’ SVP A&R/Marketing, Joseph Khoury. Named by Rolling Stone as a “soundtrack guru,” Weaver has produced numerous multi-platinum soundtrack projects that have amassed tens of millions of albums sold worldwide. Additional key players involved in the project include Soundtrack Album Executive Producers Joseph Kosinski and Jerry Bruckheimer, and Music Supervisors David Taylor and Jake Voulgarides.