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5 Surprising Facts About Dolly Parton’s ‘Coat Of Many Colors’

Ever wonder when a performer stops being just a singer and starts becoming an icon? For Dolly Parton, that moment happened in October 1971. Before this, she was largely seen as the girl singer on Porter Wagoner’s arm—a powerhouse talent, sure, but playing second fiddle.

Then came Coat of Many Colors.

It’s the record that proved Dolly was a world-class songwriter who could find the universal in the deeply personal. It’s lean, it’s mean (at under 30 minutes), and it’s arguably one of the most important blueprints for modern country music. From the Library of Congress to the top of Rolling Stone lists, this album is the bedrock of the Dolly legend. It’s where the “Iron Butterfly” first took flight.

  • The Receipt that Changed Everything
  • Dolly didn’t have a notepad handy when inspiration struck for the title track while on a tour bus with Porter Wagoner. She famously scribbled the lyrics on the back of a dry-cleaning receipt for one of Wagoner’s suits; he later had that piece of paper framed, and it now sits in the Chasing Rainbows Museum.
  • The Mystery of the Vanishing Verse
  • If you look at the lyric sheet of the 1975 Best of Dolly Parton compilation, you’ll find a “ghost verse” that doesn’t appear on the actual recording. It serves as a final moral to the story, emphasizing that no material wealth is as precious as her mother’s memory, yet Dolly chose to leave it off the studio version for a punchier ending.
  • A Productivity Record for the Books
  • 1971 was the year Dolly decided to outwork everyone in Nashville. Coat of Many Colors was actually one of three studio albums she released that single year, alongside The Golden Streets of Glory and Joshua, marking the most prolific 12-month stretch of her entire career.
  • The Slow Burn to the “Trio” Supergroup
  • The track “My Blue Tears” is a masterclass in songwriting that Dolly refused to let go of. After its 1971 debut, she re-recorded it in 1978 with Emmylou Harris and Linda Ronstadt for a project that sat on the shelf for years before finally surfacing on Ronstadt’s Get Closer and later the legendary Trio album.
  • The Mother’s Re-Creation
  • While the song is a tribute to the original coat made of rags, that garment was actually used for other purposes and lost to time. To ensure fans could see what the song was about, Dolly’s mother, Avie Lee Parton, actually sewed a brand-new “re-creation” of the famous coat specifically to be put on display at Dollywood.

Harry Styles Talks Album Titles, Vatican Stories, And Tour Life On BBC Radio 1

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Harry Styles returns to BBC Radio 1 for a wide-ranging conversation with Greg James, touching on album titles, unexpected Vatican detours, and moments from the “Together, Together” tour. The discussion moves easily between humor and reflection, including stories about parking fans’ cars and the playful idea that Drink Water All The Time. Pee, Occasionally. nearly joined the album-title conversation alongside ‘Kiss All The Time. Disco, Occasionally.’


Billy Strings Covers Pink Floyd’s “Fearless” On The Howard Stern Show

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Billy Strings performs Pink Floyd’s “Fearless” live from The Howard Stern Show studio, highlighting the musician as someone who approaches covers with care, intent, and unmistakable personality.

The Muppet Show Returns With Sabrina Carpenter

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The Muppet Show returns to the spotlight with a brand-new special event, bringing Kermit the Frog, Miss Piggy, and the full Muppet ensemble back to the original Muppet Theatre. Premiering February 4 on Disney+ and ABC, the special blends classic variety-show mayhem with music and comedy at full tilt. The energy lands fast and joyfully, driven by a guest appearance from Sabrina Carpenter.

David Letterman’s New Dog Steals The Spotlight On YouTube Channel

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David Letterman introduces a new four-legged scene-stealer as Doc makes a warm and instantly charming debut on The Barbara Gaines Show.

Green Day Brings Bay Area Fire To Super Bowl Opening Ceremony

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Iconic pop-punk trio Green Day returns to its home state to headline the 60th anniversary Super Bowl opening ceremony at Levi’s Stadium. Taking place on Super Bowl Sunday, February 8, the performance celebrates six decades of Super Bowl history by ushering MVPs onto the field in front of a global audience. The ceremony airs live at 3 p.m. PT on NBC, Telemundo, Peacock, and Universo.

Green Day opens the night ahead of pregame performances featuring Charlie Puth, Brandi Carlile, and Coco Jones. “We are super hyped to open Super Bowl 60 right in our backyard,” said frontman Billie Joe Armstrong. The announcement drew wide enthusiasm, with league executive Tim Tubito calling the moment a powerful celebration of football history, created in collaboration with NBC Sports. The pairing of hometown punk energy and NFL legacy lands as a crowd-pleasing kickoff with real cultural weight.

QCY Introduces the MeloBuds N20: Premium Hybrid NC Wireless Earbuds for an Elevated Everyday

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 As the audio landscape continues to be enriched by a wave of standout innovations, QCY, a leading brand driven by continuous audio innovation, proudly unveils its Hybrid Noise Cancelling Wireless Earbuds — MeloBuds N20. Combining exceptional sound performancepowerful hybrid noise cancellation, and up to 40 hours of immersive listening, the MeloBuds N20 is designed to surprise and delight, elevating commutes and everyday moments into experiences that are smarter, more comfortable, and blissfully quiet.

Tailored Sound, Elevated Listening
At the heart of the sound experience is a 13mm dynamic driver, precisely engineered to deliver rich, full-bodied audio with remarkable depth and clarity. From resonant lows to finely detailed mids and highs, every note is reproduced with balance and power, bringing music to life with natural warmth and immersive presence. Whether you are listening to music, podcasts, or calls, the expansive driver ensures a more expressive and engaging soundstage, transforming everyday listening into a truly refined audio experience.

Immersive ANC Delivers Pure Focus
Engineered for clarity in every environment, the advanced ANC intelligently adapts to your surroundings. With up to 55 dB of ANC, multiple precision-tuned modes, and adjustable levels of control, it delivers immersive silence where you need it most, whether you’re indoors, on your daily commute, moving through a crowded space, or facing strong wind. Every detail is designed to reduce distraction, so your sound remains pure, balanced, and effortlessly present.

Power That Lasts All Day
Built for all-day listening, it offers up to 10 hours of playtime on a single charge and up to 40 hours with the charging case (ANC off). Stay immersed from morning to night without interruption. With wireless charging support, powering up is effortless, bringing a cleaner, more seamless everyday experience.

Always Connected, Always in Sync
Engineered for a fluid listening experience, the earbuds support dual-device connectivity, allowing seamless switching between two devices without interruption. From music to calls, from work to entertainment, your sound stays perfectly in sync with your rhythm.

For gaming and video, the 0.068-second low-latency mode delivers precise audio synchronization, ensuring every detail arrives on time. Clear, fluid and immersive, the sound keeps you fully engaged in every moment.

Build for Everyday Durability
With an IPX4 water-resistance rating, the earbuds are built to handle sweat, light rain, and everyday wear, making them suitable for workouts and on-the-go use.

Availability and Prices
QCY officially announced MeloBuds N20 in January. Available in White, and Black, the MeloBuds N20 is priced at $29.99. For more details, please visit the QCY website.

Carín León Launches La Cura Fest in Hermosillo With Alejandro Sanz, Jelly Roll, Kany García, Kevin Kaarl, And More

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Carín León is returning home in a big way this spring with the launch of La Cura Fest, a new two-day music festival set for March 14 and March 15 at Expogan in Hermosillo, Sonora. The inaugural edition marks the first time León has curated and hosted a multi-artist festival of his own, headlined by Alejandro Sanz, Jelly Roll, and Grupo Frontera, with León himself performing both nights.

Night one features Alejandro Sanz, Jelly Roll, Kany García, Kevin Kaarl, Midland, and León, while night two welcomes Grupo Frontera in place of Jelly Roll, with the remaining artists returning to the stage. Additional performers will be announced closer to the event, with music spread across a main stage at Expogan and a secondary stage at Palenque. When announcing the festival, León shared that La Cura Fest is about opening his heart and creating a borderless celebration of music “right here in my homeland and with my people.”

Musicow Announces FANDOM, the First Fan-Owned Album Release, with Debut Single from Jon Bellion Ft. Swae Lee

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Musicow, the first Music Equity Service Provider to enter the U.S. market, has announced the launch of FANDOM, an unprecedented fan-owned album release distributed by Roc Nation. Bridging the gap between artists and their audience, FANDOM redefines this relationship by allowing fans to share equity in exclusive single releases. The first track from the project will be the brand-new single, “Two Car Garage,” from Grammy-nominated artist Jon Bellion ft. Swae Lee, releasing on January 30 with an accompanying music video. Pre-save the single HERE.

FANDOM creates a truly unique connection, empowering listeners to become more than fans by sharing in the success of their favorite artists and becoming part of the music’s journey. In addition to the debut track from Jon Bellion ft. Swae Lee, Musicow will release additional new singles as part of the series, including many artists across genres. Notably, there will be groundbreaking, cross-cultural collaborations between U.S. and global K-pop talent – a reflection of music’s growing cultural exchange and worldwide influence. By pairing voices across genres and continents, the project underscores how K-pop’s global reach continues to inspire new creative partnerships and connect fans everywhere.

“FANDOM represents the next evolution of how we connect artists and fans,” says Marcus Sanchez, CEO of Musicow IP. “By giving fans the opportunity to share in the financial journey of the music they love, we’re reimagining what fan engagement can be. It’s a step toward a more connected, collaborative future where artists and audiences grow together.”

“K-pop has shown the world the true power of fandom – communities that go beyond streaming and social engagement to become part of the story itself,” says Woo Rhee, CEO of Musicow. “With FANDOM, we’re turning that passion into partnership – giving fans the chance to actually share in the success they help create while connecting U.S. and K-pop artists on a truly global stage.”

Complementing the release of FANDOM, Musicow is also launching the FANDOM Community Hub, a visual and experiential space featuring a 3D interactive “Two Car Garage” that includes a community forum for fans to connect, discuss and engage.

For the latest news and releases from the album, fans can sign up for updates on the FANDOM site. Fans can also be part of the conversation by engaging with the FANDOM community in the forum. 

Musicow recently rolled out the beta release of its groundbreaking app, available for download now. This new age entertainment company is poised to redefine how creators and fans connect with a platform that enables fans to participate in equitable ownership of fractionalized royalty revenue from songs by their favorite artists.

ALEXSUCKS Hit Full Speed With New Single “Autopilot” And Album Reveal

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L.A. rock provocateurs ALEXSUCKS tear into 2026 with “Autopilot,” a volatile new single that sharpens their blend of indie-rock immediacy, post-punk tension, and shout-along hooks. The track arrives alongside the announcement of their new album, ‘Autopilot’, due February 20 via Warner Records. Lean, restless, and emotionally charged, the song thrives on momentum, pairing jagged guitars and snap-tight rhythm with a vocal performance that feels both detached and desperate.

Built around loss, confusion, and impulse, “Autopilot” captures the band’s knack for turning spirals into anthems. “If you don’t wanna shoot yourself in the foot, then don’t,” frontman Alex Alvarez says bluntly of the track’s message. The single follows a growing run of buzz-heavy releases including “The Headache,” “Flowers & Dirt” featuring Lola Bllue, and “Worm in the Sun,” each reinforcing the band’s ability to fuse raw feeling with sticky melodies. The response has been loud and enthusiastic, positioning the album as a defining next step rather than a repeat.

To bring the new material to the stage, ALEXSUCKS kick off their headlining autopilot US tour on February 25, running through late March and hitting clubs across the country. The tour follows a breakout year that included standout sets at Lollapalooza and packed rooms internationally, continuing the momentum sparked by their debut album ‘The Gutter’ and the Warm Beers EP. With sweat-soaked shows and a reputation for controlled chaos, the tour promises the band at their most feral and fully locked in.

ALEXSUCKS autopilot US Tour Dates:
Feb 25 – Phoenix, AZ – The Rebel Lounge
Feb 27 – Austin, TX – Brushy Street Commons
Feb 28 – Houston, TX – House of Blues Houston
Mar 1 – Dallas, TX – Dada Dallas
Mar 3 – Athens, GA – Georgia Theatre
Mar 5 – St. Petersburg, FL – Bayboro Brewing Co.
Mar 6 – Jacksonville, FL – Jack Rabbits
Mar 7 – Charlotte, NC – Neighborhood Theatre
Mar 9 – Washington, DC – The Atlantis
Mar 10 – Brooklyn, NY – Market Hotel
Mar 12 – Toronto, ON – The Sound Garage
Mar 13 – Ferndale, MI – The Loving Touch
Mar 14 – Lakewood, OH – Mahall’s
Mar 15 – Chicago, IL – Lincoln Hall
Mar 16 – Minneapolis, MN – 7th St Entry
Mar 18 – Denver, CO – Marquis Theater
Mar 20 – Salt Lake City, UT – Soundwell
Mar 22 – Seattle, WA – Baba Yaga
Mar 24 – Sacramento, CA – Harlow’s
Mar 25 – Los Angeles, CA – El Rey Theatre