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Heaven Shall Burn Honor Killswitch Engage With “Numbered Days” Cover Featuring Jesse Leach

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Following their tradition of covering some of their favorite and most influential tracks featuring members of the original, Heaven Shall Burn are releasing “Numbered Days” (Feat. Jesse Leach of Killswitch Engage).

They have also shared a visualizer that is accompanying the celebration of the friendship between the bands. Bonus points for anyone catching the title of one of Heaven Shall Burn’s classics in the lyrics.

The band comments, “Killswitch Engage are THE metalcore band! When we heard ‘Numbered Days’ for the very first time, it totally blew us away. It was clear that something new was brewing up. No other band has influenced this style of music more and interpreted it better. Just because the guys have been very good friends for many years doesn’t mean you can’t pay tribute to this great band. We hope the song means as much to you as it does to us!”

Leach further adds, “All of us are honored by Heaven Shall Burn covering ‘Numbered Days.’ That song truly kicked off an album for us that would change our lives. All these years later to have people still resonate with our music means the world to us. Now to have a band like Heaven Shall Burn cover it 23 years later is really wild! Grateful and very stoked to have been a part of the reshaping of this song and to hear someone else’s take on it!”

Make sure to catch Killswitch Engage on their upcoming European tour, because “Numbered Days” isn’t the only song from this legendary band that had a lasting impact on modern extreme music.

Another pending question is finally answered: After Heaven Shall Burn had to cancel some shows due to their singer Marcus Bischoff suffering from a severe infection of his vocal chords, the band is happy to announce that Britta Gortz from HIRAES will be filling in. “We have a plan!” says Bischoff. “Britta from HIRAES will fill in for me at the upcoming shows, so tomorrow in Kufstein as well as next weekend! Give her a warm welcome, show her what HSB fans are made of and make the shows something very special in the band’s history! We are really looking forward to it! Things are already looking better for me, too! Your Molle and the HSB guys!”

Randy Bachman and Burton Cummings Reunite as The Guess Who for Rock Legends Cruise

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 It was announced today that Randy Bachman and Burton Cummings will be playing as The Guess Who for the first time in 23 years when they take part in the Rock Legends Cruise as it sails from Fort Lauderdale, Florida through the Caribbean, February 23-27, 2026.

As principal songwriters of The Guess Who’s early hits, Bachman and Cummings helped propel the band to international success with songs such as “These Eyes,” “Laughing,” “Undun,” “American Woman,” “No Sugar Tonight/New Mother Nature,” and “No Time.” Their 1970 album, American Woman, reached number one in Canada, and the title track became the first Billboard number one hit by a Canadian group.

After the group disbanded, Burton continued his winning streak with a gold record for his solo debut single “Stand Tall.” He followed his inaugural solo success with more than a dozen hit singles and albums including “I’m Scared,” “My Own Way to Rock,” “Break It to Them Gently,” and “You Saved My Soul.” Burton’s 1978 album Dream of a Child became the first quadruple platinum-selling album by a Canadian artist.

Randy went on to find success as Bachman-Turner Overdrive with hits such as “Let It Ride,” “Roll on Down the Highway,” “Takin’ Care of Business,” “Lookin’ Out for #1,” “Hey You,” and the BTO anthem “You Ain’t Seen Nothin’ Yet.”

For the cruise, passengers can look forward to two hours of hits from The Guess Who, along with songs from BTO and Burton Cummings’ solo career. Joining Burton and Randy on stage will be Sean Fitzsimons (drums, vocals), Jeff Jones (bass, vocals), Nick Sinopoli (percussion, vocals), Tim Bovaconti (guitar, vocals) and Joe Augello (guitar, vocals).

The Guess Who joins the previously announced line up of Gene Simmons Band, Kevin Cronin Band, Blue Oyster Cult, Uriah Heep, Jefferson Starship, Ugly Kid Joe, Robert Jon & The Wreck, Gary Hoey, and Two Wolf.

Chris Slade Releases Lyric Video for “Time Flies” From New Album ‘Timescape’

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THE CHRIS SLADE TIMELINE released the amazing lyric video for the track “Time Flies” from their new album “Timescape”.

Chris Slade discusses the new video and song, “Time Flies, the song and the video was originally envisaged as a sort of sonic experiment. I only had the vaguest idea of a melody, but I knew I wanted the end of the lines to be repeated in echo. I’d demo’d half the song with Mike Clark (keyboards) help before I thought, “This needs a chorus”.  The heartbeat etc. and the silences between sections was a very dangerous thing to have in the middle of a song. The inspiration for both song and video came from some meditation experiences both real and imagined. You’d be surprised if you knew which is real and which imagined. I’ve been doing zen meditation since early 1970s.  70s saw me meditating twice a day for 45mins each sitting, every day.  Even when travelling on tour with Manfred Mann’s Earthband all over the world. I’ve never taken hallucinogenic drugs even while spending all my life, so far, in rock bands.”

Chris continues, “The End of the Universe bought in James Cornford on guitar. It comes from the concept of the end of time itself which could be next Wednesday or 115, million, million, centuries away, or, whenever you can make it really.  The stars will literally go out one by one just like The Carpenters predicted.”

THE CHRIS SLADE TIMELINE album Timescape can be purchased or streamed at: https://smarturl.it/ChrisSladeTimeline

Chris Slade launched the band ‘THE CHRIS SLADE TIMELINE’ in 2012 to mark 50+ years as a professional rock drummer. For this project, Slade took on phenomenal vocalists STEVE GLASSCOCK and PAUL “BUN” DAVIS with the added stunning musical techniques of guitarist JAMES CORNFORD along with keyboard and guitar player MICHAEL J. CLARK you most certainly have a band to be reckoned with and worthy to mark Slade’s illustrious musical career.

This is a concept for Slade that will include performances from a varied set list from Tom Jones, Manfred Mann’s Earthband, Uriah Heep, The Firm, ASIA, MSG, David Gilmour, Gary Moore along with a fair degree of AC/DC numbers and many surprises to be unwrapped along the way.

“After all these years recording and playing with some of the world’s greatest rock musicians such as Tom Jones, Manfred Mann’s Earthband, Gary Moore, Gary Numan, Denny Laine, Jimmy Page, Paul Rodgers, David Gilmour, Uriah Heep, Asia and of course AC/DC

Slade started his career at the age of 16 with Tom Jones before he changed his name to Tom Jones, this included World tours and recording throughout the 60’s.

Chris Slade was a founding member of ‘Manfred Mann’s Earth Band’ in January of 1971. He was to spend seven years with the band, recording eight albums and achieving three UK Top Ten singles in the process: ‘Joybringer’ (No. 9, October 1973), ‘Blinded By The Light’ (No. 6, September 1976 & a multi million selling #1 in the USA) and ‘Davy’s On The Road Again’ (No.6, June 1978). After ‘Earthband’ he spent 2 years with ‘Uriah Heep.’ A Year with Gary Numan and a year with David Gilmour in 1984.

He later teamed up with Jimmy Page, Paul Rodgers and bassist Tony Franklin to form ‘The Firm’. They produced two excellent albums for Atlantic in 1985 and 1986 that gave them a few radio hits including ‘Radioactive’ and ‘Satisfaction Guaranteed.’

Then Chris joined Gary Moore, taking over from Cozy Powell just four days before the start of the 1989 ‘After The War’ tour. It was at one of Gary Moore’s gigs in The UK that Malcolm Young saw Chris Slade play. After the tour it was Chris’s intention to put together a band with ex-Aerosmith guitarist Rick Dufay. But the call from AC/DC scuppered those plans as he was destined to tour and record with them over the course of the next five years, playing on their acclaimed ‘Razors Edge’ Album, and giving a killer performance on their concert DVD “Live from Donington”.

After his stint with AC/DC Chris joined the prog-rock band ‘Asia’, who (even with the many personnel changes over the years) had still been managing to churn out some excellent music. Chris recorded with them on their 2000-2004 studio recordings, ‘Aura’ and ‘Silent Nation’ , and put forth his ‘trademark’ energy-filled live performances on all the subsequent tours that ensued over five years in total.

In the 21st Century, for a period of 5 years, Slade played drums for German guitarist Michael Schenker before forming THE CHRIS SLADE TIMELINE in 2012.

GRAMMYs Announce New Categories & Major Eligibility Updates Ahead of 2026 Awards

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Music’s Biggest Night is set to return in a big way. Mark your calendars for Sunday, Feb. 1, 2026, when the 68th GRAMMY Awards will broadcast live from Crypto.com Arena in Los Angeles. Nominations will be revealed on Friday, Nov. 7, 2025, and from there, the countdown begins.

But this isn’t just another GRAMMY season — it’s a signal that the Recording Academy is actively listening, learning, and evolving with the times. Two new categories — Best Traditional Country Album and Best Album Cover — have officially been added to the awards roster. These updates aren’t just cosmetic; they reflect deep conversations among Academy members and a growing awareness that the musical landscape is more nuanced and diverse than ever before.

In an exclusive with GRAMMY.com, Mason underscored how essential these changes are. The goal isn’t simply more categories — it’s about more meaningful celebration. From revisiting what “Best New Artist” can mean, to broadening eligibility for packaging categories that reflect the real-life way music is sold today (yes, direct-to-fan vinyl counts now), the GRAMMYs are trying to meet the moment. And in 2026, the moment is big.

Here’s a quick breakdown of the key updates:

  • General Field
  • Eligibility for Best New Artist has been expanded to include artists who have been previously nominated in Album Of The Year, but whose contributions fell below the current 20 percent playing time threshold. This update allows acts who were credited as featured artists on projects that were GRAMMY nominated for Album Of The Year in a previous awards cycle to be eligible for Best New Artist consideration.
  • Country Field
  • The existing Best Country Album Category has been renamed Best Contemporary Country Album, and a new Category, Best Traditional Country Album, has been added.
  • Classical Field
  • In Classical Categories, composers and lyricists/librettists are now eligible for GRAMMY recognition alongside all other key creative personnel including artists, producers, and engineers on winning albums.
  • Packaging Field
  • The existing Best Recording Package and Best Boxed or Special Limited Edition Package Categories have been combined into one single Category: Best Recording Package. A new Category, Best Album Cover, has also been added.
  • The physical product eligibility requirement for Best Recording Package, Best Album Notes, and Best Historical Album has also been expanded to be more representative of today’s marketplace. This change ensures that physical album packages sold directly to fans through an artist’s or label’s website are eligible for GRAMMY consideration.
  • Additionally, the Craft Committee serving in this field is transitioning from a regional to a national model.

Each rule tweak, redefinition, and category addition is a step toward recognizing the evolving ways music is made, consumed, and shared.

Stay tuned to live.GRAMMY.com for full coverage and updates on this year’s show, and get ready to celebrate the artists, the innovators, the visuals, the songs — and yes, the album covers — that made 2025 unforgettable.

The Black Crowes Celebrate 25 Years of ‘Live at the Greek’ With Jimmy Page With New Video

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To celebrate the 25th anniversary of Live at the Greek, The Black Crowes have released a behind-the-scenes video on the making of their legendary collaboration with Led Zeppelin icon Jimmy Page. The remixed and remastered album captures the raw power of their live performances, blending blues-rock swagger with guitar god brilliance. It’s a must-listen for any rock fan revisiting a once-in-a-lifetime musical moment.












John Entwistle Performs “My Wife” on Old Grey Whistle Test in Classic 1973 Performance

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There are bass players, and then there’s John Entwistle. This blistering 1973 performance of The Who’s ‘Who’s Next’ standout “My Wife” on The Old Grey Whistle Test captures The Who’s legendary low-end wizard at his peak—effortlessly precise, thunderously powerful, and cool as ever.












Raf-Saperra and Ikky Unleash Genre-Bending Punjabi Pop Banger “Step Out”

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Cultural vanguard Raf-Saperra returns today with his brand new single “Step Out” produced by hitmaker Ikky and backed by Polydor Records in the UK and Universal Music Canada.
 
An unexpected new chapter from the British Punjabi musical disruptor, Raf-Saperra takes his boldest artistic leap to date with a vibrant, infectious pop track delivered through his signature Punjabi lens. “Step Out” is the latest collaboration between Raf and Ikky, following “Heer” from earlier this year.


 About the new single, Raf says: “First time stepping into the pop lane… and who better to do it with than the hitmaker himself, Ikky. ‘Step Out’ is a full-blown earworm – catchy, bold, and backed by a visual straight out of a cartoon-meets-cinema dream. Press play and don’t look back!

A powerful blend of catchy melodic hooks, electronic textures, and Raf’s trademark folk lyricism, “Step Out” is lifted from his upcoming pop-focused EP in collaboration with Ikky. This song is Raf and Ikky’s take on the Dub music that has inspired London with a blend of dancehall that has inspired Toronto– all with the strength of Punjabi music coming from these two global stars.
 
The track is accompanied by a sleek, high-energy visual directed by Bedroom Projects and Avleen Kaur, spotlighting Raf in full transformation mode, stepping confidently into new sonic terrain. “Step Out” signals a striking new direction for an artist known for bending genre rules and elevating underground sounds.
 
Rooted in traditional Punjabi singing, but equally shaped by Streatham’s rap culture and East Coast hip-hop, Raf-Saperra is one of the most daring and original voices to emerge from London in recent years. His 2023 project Ruff Around The Edges was critically acclaimed as one of the most genre-bending debuts in the British underground, and his 2024 follow-up 5 Deadly Venomz, a hard-hitting Punjabi boom-bap rap project, proved Raf could go bar-for-bar with rap royalty like Conway The Machine, Dave East, and Big Body Bes, all while staying rooted in his cultural identity. Raf has routinely spoken fondly of the Punjabi music scene in Canada and sold out shows across the country. With “Step Out,” he formally lends his voice to one of the nation’s most in-demand producers.
 
With his upcoming EP, Raf is out to prove something different: that Punjabi music isn’t confined to genre, and neither is he.

The single and EP are produced by Ikky, one of the most important and influential producers in the global Punjabi music movement. With over 3 billion streams to his name, the Toronto-based super-producer has redefined what Punjabi music can sound and feel like in the modern era. His sonic blueprint has powered crossover anthems for the likes of AP Dhillon, Karan Aujla, Diljit Dosanjh, Shubh, and more, blending rich Punjabi instrumentation with stadium-sized pop and R&B polish.
 
“Step Out” is more than a single – it’s a statement.



King Cruff Teams With !llmind for Hip-Hop and Reggae Smash “BUNCH”

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Today, fast-rising visionary artist King Cruff drops the hip-hop and reggae-infused banger “BUNCH” via Tuff Gong Collective.
 
Produced by 2X GRAMMY winner and 12X GRAMMY nominee !llmind and Don Mills (J. Cole, Giveon, Juice WRLD), “BUNCH” is an immediate earworm, punching through the speakers with heavy vibrating bass, infectious rhythmic drums, and King Cruff’s signature rapid bars.

When writing the lyrics for “BUNCH”, King Cruff was inspired by the wit often found in dancehall music. “I’m very much in my hip-hop bag on ‘BUNCH’ but I also wanted to bring a sarcastic sense of humour to the lyrics like earlier dancehall songs I remember listening to,” says King Cruff. “But as funny as the song is, it’s actually talking about being faithful to your partner. ‘Stand at attention when I stand up for my queen’ is talking about being there and being present for your partner and ‘Don’t you know Jamaican men do not cheat’ serves as a reminder that Jamaican men are the original ‘lover mans.’”

“BUNCH” follows the release of King Cruff’s debut EP WHAT HAVE I ‘DON, a collection of genre-blending innovative soundscapes and poetic lyricism. Released in November of 2024, the project features collaborations with Skip Marley, Stonebwoy, Jag.Huligin, and Solo YT, and production by Banx & Ranx, Tessellated, !llmind, Don Mills, Circa Eleven, Natural High Music, A.J. Mills, Pops, Lowner and OLivR.
 
2025 is shaping up to be a momentous year for King Cruff. This past March, after playing multiple shows at SXSW, King Cruff’s artistry was recognized by the Canadian music industry when his single “FALLBACK” featuring Runkus earned him his first JUNO Award nomination for Reggae Recording of the Year. Following recent performances at Departure Festival and Cali Vibes Festival in California, King Cruff returned to the venue that hosted his first ever headlining show, the Drake Underground, for an energetic NXNE set this week. Up next, King Cruff is slated to perform at additional festivals in the US and Canada this summer including Festival d’été de Québec, Breaking Sound in Brooklyn, Sommo Festival in Prince Edward Island, and opening for the legendary GRAMMY-winning band The Roots at Backyard Music Festival in Victoria, BC. 

Canadian-Jamaican artist King Cruff (Solomon Marley-Spence) was born with the talents of songwriting and performance in his blood. An introspective storyteller, he sees his songs as think pieces that embody the poetic lyricism, vibrant rhythms, and innovative soundscapes that define his artistry. Drawing on his audio engineering background, the versatile King Cruff fuses genres across the diaspora including hip-hop, Afrobeats, dancehall, and reggae. 
 
While reggae royalty is in his blood, King Cruff’s rapid flow and patois-laced lyrical style reveals the influence hip-hop lyricists such as André 3000 and Kendrick Lamar have had on him choosing to carve his own path and building his own legacy.
 
Following two consecutive Top 40 radio hits in Canada, “Soufflé” and “PROPPA GHANDA”, King Cruff released his debut EP WHAT HAVE I ‘DON to critical acclaim, landing multiple ‘Best Of’ lists and receiving the 2025 JUNO Award Nomination for Reggae Recording of the Year.

 Canadian-Jamaican artist King Cruff (Solomon Marley-Spence) was born with the talents of songwriting and performance in his blood. An introspective storyteller, he sees his songs as think pieces that embody the poetic lyricism, vibrant rhythms, and innovative soundscapes that define his artistry. Drawing on his audio engineering background, the versatile King Cruff fuses genres across the diaspora including hip-hop, Afrobeats, dancehall, and reggae. 
 
While reggae royalty is in his blood, King Cruff’s rapid flow and patois-laced lyrical style reveals the influence hip-hop lyricists such as André 3000 and Kendrick Lamar have had on him choosing to carve his own path and building his own legacy.
 
Following two consecutive Top 40 radio hits in Canada, “Soufflé” and “PROPPA GHANDA”, King Cruff released his debut EP WHAT HAVE I ‘DON to critical acclaim, landing multiple ‘Best Of’ lists and receiving the 2025 JUNO Award Nomination for Reggae Recording of the Year.
 
A natural-born performer, 27-year-old King Cruff has spent the past two years on stages in Jamaica, the US, and Canada opening for Stonebwoy, DillonPonders, and Damien and Stephen Marley, performing alongside Skip Marley at the Tuff Gong Takeover in New York, playing multiple festivals including SXSW, NXNE, and Cali Vibes Festival, and for cultural events such as Toronto’s Caribana, School Night, Skratch Bastid’s BBQ in both Toronto and Jamaica, Afro Carib Fest, and at the LA and Toronto opening nights of the Bob Marley One Love Experience. Uniting his love for hip-hop, reggae, dancehall, and funk, King Cruff’s captivating performances and innovative sound has solidified him as a visionary artist to watch.
 


 

Your Favorite Color Unleashes Anthem of Self-Liberation With “Less in Love”

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Following last month’s release of the anthemic “Forever,” indie alt-rock band Your Favorite Color  – who continue to carve out their place in the modern alt-rock scene, resonating deeply with listeners searching for honesty and emotional depth – returns with an emotionally charged new single, “Less in Love.” Blending the band’s signature mix of cathartic lyrics with cinematic soundscapes, the song is a hard-charging alt-rock thriller that doubles as a confession. The song was born from a feeling of pure freedom during the band’s first UK tour where they ran through the streets of London and shed the weight of others’ expectations. 

“This song is about refusing to change for someone else and owning your true self without apology,” Your Favorite Color says of “Less in Love.” “It’s an anthem of self-liberation.”

Your Favorite Color— which features lead vocalist Matt Warren and keyboardist Nicky Neighbors, along with Cameron Pearson on bass, Matthew Fosmire on drums (aka “Foz”) and guitarist David Silveria — recently released their new single “Forever” —a high-energy anthem that captures the rush of living in the moment.  The single follows the breakout success of their debut album, For You, and viral moments sparked by their cover of the Thompson Twins’ “Hold Me Now” and the fan-favorite track “ Medicine .”  Most recently, Your Favorite Color wrapped a 26-date European tour opening for The Driver Era on the X Girlfriend tour, playing to sold-out crowds in Paris, Madrid, London and introducing their high energy, nostalgic sound to a global audience. 

Hailing from Huntington Beach, CA, Your Favorite Color blends alt-rock with dreamy ‘80s pop influences and moody emotional undertones. United by a shared love of music and the ocean, the band formed in Orange County and  has evolved into lifelong friends and collaborators. 

After six years performing along the California coast and honing their sound, they signed with esteemed indie label Prajin Parlay and released their debut LP For You in September 2024—an 11-track journey through love, heartbreak, and self-discovery, influenced by the pop/rock sounds of the ‘80s, ‘90s, and early 2000s. A standout performance at SXSW 2024, their debut European tour, and back-to-back alt-rock anthems “Bleach” and “Forever” have firmly established them as one of California’s most exciting rising acts.