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Liona Boyd and Mark Masri Breathe New Life Into Everly Brothers Classic With Radiant Rendition of “Bye Bye Love”

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Legendary classical guitarist and Canadian music icon Liona Boyd has teamed up with acclaimed tenor Mark Masri for a heartfelt new rendition of the timeless Everly Brothers hit, “Bye Bye Love.” Available now, the song blends nostalgic warmth with a vibrant new arrangement that showcases the distinct artistry of both performers.

Liona Boyd, known around the world as “The First Lady of the Guitar,” delivers her signature shimmering guitar work alongside elegant vocals. Mark Masri—celebrated for his soaring voice as a soloist and member of The Tenors—brings emotional depth and contemporary flair, breathing new life into this beloved 1950s anthem.

“I’ve always loved this song,” Boyd shares. “It was one of my favourites to sing in concert when I first began incorporating vocals into my performances. Revisiting it now with Mark has been such a joy.”

To accompany the single, a lyric video has been released that pays tribute to the song’s timeless quality while reflecting the grace and chemistry of this musical partnership. With lush harmonies and evocative instrumentation, “Bye Bye Love” is a reminder of the beauty that arises when two seasoned artists unite across generations and genres.

For Boyd, the release of “Bye Bye Love” arrives during a milestone year— 2025 marked 50 years since her debut album The Guitar. With over three million albums sold and more than 50 million streams, her influence on Canadian and global music cannot be overstated. Her most recent album, Once Upon A Time, continues to draw praise as a cinematic, genre-spanning work inspired in part by her friendship with the late Maestro Vangelis.

Liona Boyd’s legacy includes five Juno Awards, the Order of Canada (Officer), the Order of Ontario along with being inducted into Canada’s Walk of Fame in June 2025. Her reach extends beyond music: she’s a bestselling author, philanthropist, and trailblazer who helped bring classical guitar into the mainstream.

Boyd’s storied career includes performances for global dignitaries such as the British Royal Family, multiple U.S. Presidents, the King and Queen of Spain, and leaders from around the world. She has graced the stage of Carnegie Hall, toured alongside Gordon Lightfoot, Tracy Chapman, and Chet Atkins, and recorded with Eric Clapton, Yo-Yo Ma, and Olivia Newton-John.

Mark Masri, whose vocals elevate “Bye Bye Love” with romantic precision, is himself a powerhouse talent with a global following. Known for his emotive range and multilingual performances, he brings a refined yet passionate interpretation to this classic, forging a natural harmony with Boyd’s lyrical style.

This new single is part of Boyd’s ongoing evolution since she began singing and songwriting in 2009, following a successful classical career that started in the 1970s. Overcoming challenges including Musician’s Focal Dystonia, Liona reinvented herself and continues to push artistic boundaries, releasing albums like No Remedy for Love, Seven Journeys, and L.O.V.E.

In recent years, Boyd has become a champion for the next generation of musicians. In 2024, she personally sponsored the purchase of 30 classical guitars through Long & McQuade, gifting them to students across Canada. Her commitment to nurturing music education remains as strong as ever.

“Bye Bye Love” is a bridge across eras, brought to life by two of Canada’s most emotive and expressive performers. It’s a celebration of musical legacy, enduring melody, and the timeless power of collaboration.

Available now on all streaming platforms, this duet invites listeners to rediscover a classic—now reimagined with heart, harmony, and history.

Aug 1-2: RUSHfest Canada 2025 Celebrates 10 Years Since Band’s Final Concert With Fan Festival at Massey Hall & TD Music Hall

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This summer, RUSHfest Canada lands in Toronto for a once-in-a-generation celebration of one of Canada’s most iconic rock bands: Rush. Taking place Friday, August 1 at Massey Hall and Saturday, August 2 at TD Music Hall, this two-day event marks 10 years to the day since Rush played their final concert in Los Angeles on August 1, 2015—and brings together fans, friends, collaborators, and tribute artists in honour of drummer and lyricist Neil Peart.

Curated by RUSHfest Scotland founder Steve Brown and Canadian superfan and music journalist Paul Beaulieu, RUSHfest Canada is more than a fan convention—it’s a legacy event with heart, history, and an extraordinary mission: all profits will be donated to Brain Cancer Research at Sunnybrook Hospital in Toronto in honour of Neil Peart.

“We asked ourselves what the most excellent thing we could do would be,” says Brown. “And it was simple: bring Rush fans together, celebrate their music in the venue where it all started for them, and raise money in Neil’s memory.”

Massey Hall, the legendary venue where Rush recorded their first live album All The World’s A Stage in 1975, will host the Friday night showcase. Special guests include Terry Brown (Rush’s producer for their first 10 albums) and Hugh Syme (Rush’s art director since 1975). Syme also designed the artwork for Songs for Neil Vol. 6, which will be released on Neil’s birthday, September 12, with proceeds going to charity.

Friday’s lineup includes:

  • Jonathan Dinklage – toured with Rush as part of the Clockwork Angels string ensemble
  • Jacob Moon – known for his viral cover of “Subdivisions,” which led to private Rush performances
  • Nina DiGregorio & Brody Dolynuik – from Femmes of Rock, endorsed by Alex Lifeson himself
  • Chris Herin – guitarist of progressive rock band Tiles
  • David Barrett – Toronto-based instrumental virtuoso
  • Adi Berk – known for his haunting “Red Sector A” arrangement with Moon
  • Moving Pictures (UK) – official house band, featured at RUSHfest Brazil and Lakeside Park
  • Kevin J. Anderson – acclaimed sci-fi author and Neil Peart’s writing partner

Saturday’s show at TD Music Hall continues the momentum with:

  • 2112 (Burlington) – tribute band faithful to the Rush spirit – performing the full All The World’s A Stage
  • Permanent Waves (Toronto) – crowd-favourite live performers
  • The RUSHfest Canada Allstars Band – international lineup of handpicked musicians
  • Return performances by Jacob Moon, David Barrett, and DiGregorio & Dolynuik

“We’re excited to bring the global Rush family together,” adds Beaulieu, who has attended 114 Rush concerts since 1976. “This is more than nostalgia—it’s about keeping the spirit alive, supporting a vital cause, and creating new memories in places that mean something to Rush fans.”

Special guests of honour include members of the Peart and Živojinoviç families, as well as key figures in Rush’s legacy such as Bob King and Mike Dixon. Though not officially affiliated with the band, RUSHfest Canada has the blessing of many who helped shape Rush’s story.

Limited tickets remain and can be purchased here:
Friday, August 1 at Massey Hallmasseyhall.mhrth.com/tickets/rushfest
Saturday, August 2 at TD Music Halltdmusichall.mhrth.com/tickets/rushfest

VIP packages are available via www.RUSHfestCanada.ca.

To learn more visit – 

RUSHfestCanada.ca

Facebook.com/groups/RUSHfestCanada

Francis Baptiste Trades Heartache For A Hangover On Raw, Soulful New Single “Aspirin for the Soul” + Announces Tour Dates

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There ain’t no Aspirin for your soul. But Francis Baptiste has a song that comes close. The Vancouver-based Indigenous singer-songwriter returns with “Aspirin for the Soul,” a searing folk-rock confession about pain, healing, and the bruised beauty of survival.

Born and raised on the Osoyoos Indian Band Reservation in Oliver, BC, Baptiste has spent the last 20 years in East Vancouver, where his lived experience—addiction, fatherhood, poverty, and healing—have become the raw material for his music. “Aspirin for the Soul” marks a new chapter in his songwriting: blunt, bluesy, and bruised with hope. “I’d trade suffering any day / trade a heartache for a hangover,” he sings. “There ain’t no aspirin for your soul. Oh no, ain’t no fixing what’s been broke”.

The single is a preview of his forthcoming album Lived Experience in East Vancouver, out this October. “This song is about not knowing how to deal with trauma, outside of substances,” Baptiste explains. “I can numb my pain with drugs and booze, and deal with the hangover when it comes. But there’s no aspirin for my soul”.

In classic Francis fashion, the song was recorded with a powerhouse group of musicians from across the Vancouver scene. Baptiste handles vocals and guitar, joined by Ricardo Pequenino (piano, vocals), Rob Thomson (bass), Max Ley (drums), Emmett Jerome (lead guitar), Tegan Wallgrin (violin), Feven Kidane (trumpet), Darryl Havers (organ), and even a flute cameo by Mike Allen of Five Alarm Funk.

This single arrives with a stunning video filmed at the DUDES Club, the men’s health organization where Francis now works in Vancouver’s Downtown Eastside. “The video is centered on recovery and talking circles,” he shares. “I’ve spent years sitting in those circles, talking about trauma and healing. It felt right to film it where I live that reality every day”.

Baptiste first turned heads with his 2022 debut Sneqsilx (Family), sung partially in Nsyilxcən, the endangered language of the Syilx people. His follow-up, Senklip, the Trickster, continued to explore intergenerational trauma, oral traditions, and his role as an Indigenous father. The Georgia Straight called his music “bluesy, bruised, and blossoming.” CBC praised his honesty, calling him “unsparingly candid”.

Now Baptiste is taking that honesty on the road. He kicks off a packed BC summer tour starting May 24 at Portside Pub in Vancouver, with dates in Penticton, North Vancouver, Revelstoke, Okanagan Falls, and more. He’ll make stops in Ottawa and Toronto this July before returning to Vancouver for the Vine Arts Festival on August 15. His full tour dates are below.

TOUR DATES
June 21 – Indigenous Day Celebration, Revelstoke, BC
June 22 – Rise and Shine, Okanagan Falls, BC
July 1 – Canada Day Celebration, Penticton, BC
July 5 – Khatsahlano Festival, Vancouver, BC
July 24 – Avant-Garde Bar, Ottawa, BC
July 27 – The Bell and the Beacon, Toronto, BC
August 15 – Vine Arts Festival, Vancouver, BC
August 30 – Penticton Farmers Market, Penticton, BC
August 31 – Drug Overdose Prevention Day, Penticton, BC

Aspirin for the Soul is a survival story, wrapped in the sounds of folk, rock, jazz, and Indigenous tradition. It’s the kind of track that hits you in the chest, then offers you a hand. Because if there’s no aspirin for the soul, maybe there’s music. And maybe that’s enough.

Steve Marriner Releases ‘Hear My Heart’ Album + Announces Canadian Tour Dates

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Acclaimed Canadian blues artist Steve Marriner is back with the new single “Straight Line,” the third release from his solo album Hear My Heart, out now via Cordova Bay Records. Following the swaggering success of his first single — a blues-soaked reinvention of Genesis’s “I Can’t Dance” and “I Don’t Know What To Say.”

With over twenty years of relentless touring and recording, Steve Marriner has earned a reputation as one of Canada’s most versatile and hard-working musicians. Nicknamed “The Swiss Army Knife for his multi-instrumental talents, Marriner is a celebrated harmonica player, baritone guitarist, soulful vocalist, and creative producer.

As a co-founder and frontman of the acclaimed blues-rock band MonkeyJunk, Marriner has won two JUNO Awards for Blues Album of the Year and became part of Canadian blues history when MonkeyJunk became the first Canadian band to win a Blues Music Award in Memphis. His 2021 solo album Hope Dies Last earned a 2022 JUNO nomination, cementing his place as a powerhouse solo artist.

Beyond MonkeyJunk, Marriner has collaborated with legends including Buddy Guy, Colin James, and Blue Rodeo, as well as produced two albums — Yeah! by David Gogo and This Old Life by Big Dave McLean — both nominated for Blues Album of the Year at the 2025 JUNO Awards.

With Hear My Heart, Marriner continues to evolve, bringing new emotional depth and musical grit to his work — and solidifying his status as one of the most compelling voices in modern blues.

UPCOMING TOUR DATES

SUMMER 2025

7/9 – Mont Tremblant, QC – Festival Du Blues International de Tremblant (w/ Colin James)

7/10 – Mont Tremblant, QC – Festival Du Blues International de Tremblant (SM & LE)

7/11 – Niagara-On-The-Lake, ON – Jackson Triggs Winery (w/ Colin James)

7/12 – Campbellford, ON – Westben Theatre (w/ Colin James)

7/16 – Huntsville, ON – Algonquin Theatre (support for Matt Andersen)

7/19 – Bathurst, NB – Bathurst Hospitality Days (w/ Colin James)

7/20 – Becancour, QC – Au Son Du Moulin (w/ MonkeyJunk)

7/25 – Fort Langley, BC – Cool Blues Show 

7/26 – Salmon Arm, BC – Salmon Arm Roots & Blues Festival

7/27 – Salmon Arm, BC – Salmon Arm Roots & Blues Festival (w/ Colin James)

7/31 –  Bromont, QC – TBA (w/MonkeyJunk)

8/1 – Calgary, AB – Calgary Blues Festival

8/2 – Bow Island, AB – TBA

8/8 – Kitchener, ON – Kitchener Blues Festival

8/10 – Cranbrook, BC – Rock The Kootenays (w/Colin James)

8/16 – Uxbridge, ON – Blues At The Holler 

9/1 – Saltspring Island, BC – TBA (w/ Harry Manx)

The Celtic Tenors Welcome George Hutton to the Trio, Ushering in New Lineup and Booking Agency

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After more than 25 years of captivating audiences around the world, The Celtic Tenors are turning the page to an exciting new chapter in their storied journey. The internationally acclaimed vocal trio proudly welcomes celebrated Derry-born tenor George Hutton, who joins founding member Matthew Gilsenan and long-time member Daryl Simpson. Together, they bring a renewed spirit, fresh harmonies, and vibrant energy to the beloved group.

Rooted in Ireland and cherished across the globe, The Celtic Tenors have always embodied a musical brotherhood. With Hutton stepping in for the cherished James Nelson, the trio now reflects a rich harmony of Ulster and Leinster—uniting Simpson (Tyrone), Gilsenan (Meath), and Hutton (Derry) in a lineup that honors both tradition and transformation.

After a quarter century of touring the world James Nelson has chosen to retire, leaving a remarkable legacy of music, laughter, and heart. As a founding member, his voice and presence helped define the soul of The Celtic Tenors. His warmth, wit, and unwavering dedication touched audiences everywhere and inspired fellow artists alike. Though he now takes a well-earned bow, his influence will continue to resonate in every performance yet to come.

“It’s a privilege to welcome George. His energy, artistry, and deep Celtic roots bring new color to our harmony and promise an exciting future for The Celtic Tenors,” says Matthew Gilsenan.

The group offers its heartfelt thanks to James Nelson for decades of excellence and dedication and now looks ahead with excitement.

“To be stepping into the shoes of James Nelson—they’re big shoes to fill, but what an honor. I am so grateful for this opportunity and excited to carry on the group’s legacy with Daryl and Matthew,” says George Hutton

Whether heartfelt or high-spirited, The Celtic Tenors are ready for what comes next.

“Music has always been about bringing people together. With George joining the trio, we’re embracing a new era for The Celtic Tenors—one filled with fresh harmonies, renewed energy, and a continued passion for sharing Ireland’s music with the world,” says Daryl Simpson.

“We’ve always believed in mixing world-class music with a good bit of fun, and George fits right in. It’s an exciting time for The Celtic Tenors—our voices, our stories, and our laughter are ready for this next adventure,” says Daryl Simpson.

Since launching in 1999, The Celtic Tenors have reimagined vocal music through a fusion of classical, folk, pop, opera, and traditional Celtic stylings. With over a million albums sold and a global touring legacy, they’ve performed for world leaders, sold out venues across multiple continents, and topped charts in North America, Europe, and beyond.

Mentored by iconic Irish songwriter and producer Phil Coulter, the trio continues to evolve while staying rooted in the spirit of their homeland.

The lineup refresh comes at a moment of momentum. The group recently signed with The Feldman Agency for North American representation and are set to return this winter with their fan-favorite holiday show The Celtic Christmas, including a major performance with the Vancouver Island Symphony and more dates to be announced soon.

The trio’s first major projects together will include a brand-new PBS television special and a special performance celebrating the 200th anniversary of the Irish in Peterborough, Ontario. The Celtic Tenors are available through Slammin Media, with global distribution via Believe.

Still proudly based in Ireland, The Celtic Tenors continue to share the power and playfulness of Irish music with audiences across the world.

The Celtic Tenors Tour Dates:

August 2, 2026 — Yougal, Ireland

August 9, 2025 — Peterborough Music Festival, Del Crary Park

August 12, 2025 — Gravenhurst, Ontario, Wenonah II Muskoka Steamship Cruise

November 29, 2025 — Nanaimo, British Columbia, Port Theatre

December 2, 2025 — Surrey, British Columbia, Bell Performing Arts Centre

December 9, 2025 — Ottawa, Ontario, Shenkman Arts Centre

December 11, 2026 — Brantford, Ontario, The Sanderson Centre for the Performing Arts

February 19, 2026 — Medicine Hat, Alberta, Esplanade Arts & Heritage Centre

February 20, 2026 — Camrose, Alberta, Jeanne & Peter Lougheed Performing Arts Centre

February 21, 2026 — Fort Saskatchewan, Alberta, Dow Centennial Centre Shell Theatre

February 22, 2026 — Prince Albert, Saskatchewan, E.A. Rawlinson Centre For The Arts

March 5, 2026 — Burlington, Ontario, The Burlington Performing Arts Centre

Snowchild Edge Ignites Afro-Fusion With Bold New EP ‘No Wahala’ And Single “Big Problem”

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Afro-Fusion artist Snowchild Edge is redefining the sound of the West Coast with the release of his stunning new EP *No Wahala* and its lead single “Big Problem,” out now on 100 Collective Records. An ambitious project bursting with diasporic energy, soul-bearing lyrics, and global production, *No Wahala* marks a fearless new chapter for the Nigerian-Canadian artist.

“Big Problem” hits with undeniable urgency — a rhythmic eruption that’s equal parts swagger and soul. “I get e very big problem//E get how we go solve em, Kilode for the funds that I’m wanting //You know say money na the anthem,” Snowchild Edge declares, setting the tone for a project that confronts real-life stress with head-nodding, body-moving beats. The track balances vulnerability with vitality, inviting listeners to feel deeply and dance freely.


The *No Wahala* EP spans Six songs, each channeling a different emotion and sonic landscape. From the slow-burning “Bonnie & Clyde” to the kinetic, inspired “Wine Down,” to the breezy escapism of “Wine Down,” and the healing affirmation track “Searching,” to the bouncy playfulness of “Go” and the futuristic energetic anthem that is “Big Problem”  the EP is a journey through hardship, joy, self-discovery, and cultural pride. Ultimately Snowchild Edge creates a world that he calls home.

“This project means a lot to me, it’s a piece of home, a place I carry with me. It reminds me of where I come from and keeps me grounded, no matter how far I go.”

Behind the scenes, a formidable creative team brought *No Wahala* to life. Production credits include Hila Boi, Ramoon, Rellik Beats, MasonsPayback, and Kira, while engineering duties were handled by Austin (Deus) Glabus-MacLeod, and Teon Gibbs. The EP was mixed by Matt Di Pomponio and Austin Glabus-MacLeod, and mastered by Greg Mindorff, ensuring sonic richness across every track.


Snowchild Edge collaborated with a dynamic mix of co-writers, including  Teon Gibbs and Angel Akabuno, who also appears on the project. At the core of it all is Snowchild Edge who penned the lyrics and helped steer the emotional narrative of the EP. Each contributor has brought a layer of intention, resulting in a record that feels both deeply personal and globally resonant.

Snowchild Edge’s musical foundation is rooted in Afrobeat and Alt Hip-Hop, but his sound is far from predictable. By fusing traditional African rhythms with futuristic production and a storyteller’s sensitivity, he creates a space where listeners from all backgrounds can find something to hold onto.

The music video for “Big Problem” further elevates the experience, shot in Vancouver’s urban core. Visually arresting and emotionally raw, it’s a visual translation of the song’s call for resilience and reckoning. “I made this for anyone who’s been told to stay quiet when they needed to speak loud,” says Snowchild Edge.

*No Wahala* is a bold assertion of identity, place, and purpose. With early attention from industry tastemakers and a growing digital following across platforms like Soundcloud, TikTok, and Spotify, Snowchild Edge is stepping onto the world stage with fire and finesse.

How The Music Industry Is Winning Big With TikTok Spark Ads

TikTok isn’t just for dances anymore—it’s the modern-day MTV, radio, and magazine cover all rolled into one scroll-happy platform. And with Spark Ads, labels and indie artists alike are finding new ways to boost the signal on their bangers. Here are a dozen fun, serious, and scroll-stopping facts about how the music biz is using TikTok Spark Ads to make the magic happen.

1. Spark Ads Let You Promote Actual Fan Love
Unlike traditional ads, Spark Ads boost real organic posts—so when a fan posts themselves vibing to your track, you can amplify their video. It’s like retweeting with a boost.

2. Labels Are Turning Virality Into Strategy
Labels now scout TikTok comments for posts worth turning into Spark Ads. That 19-year-old who danced to your song in her kitchen? She’s your new campaign centerpiece.

3. Artists Are Releasing ‘Hook First’ to Fuel the Feed
With Spark Ads in mind, artists are now teasing 15-second snippets optimized for TikTok’s algorithm—chorus first, visual pop, and relatable lyrics. The full song can wait; the scroll must be stopped.

4. It’s Cheaper Than a Billboard (And Way More Targeted)
For the price of one badly placed print ad, Spark Ads let you laser-target music lovers based on interests, location, and even the kind of music they already engage with. Your song shows up in exactly the right feed.

5. You Don’t Have To Film New Content
If someone already posted a TikTok using your song, you can Spark Ad their content with their permission. The fans do the dancing, you do the promoting. Win-win.

6. Spark Ads Give Indie Artists a Fighting Chance
Even if you don’t have a major label budget, a well-placed Spark Ad can put your song in front of thousands (or millions) of ears. Bedroom pop can still go platinum.

7. They Extend the Shelf Life of a Trend
Got a viral moment? Spark it. Ads let you stretch a trend past the usual 5-day flame-out and build it into something with staying power. It’s the TikTok version of the encore.

8. You Can Turn One Post Into a Campaign
With Spark Ads, one organic post can become a multi-week campaign. Promote it. Remix it. React to it. Suddenly, one spark becomes a firestorm.

9. Analytics That Actually Matter to Musicians
Instead of vague “reach,” Spark Ads show how many people saved, shared, or used your song. Real actions, real fandom, real playlist adds.

10. Even Heritage Acts Are Getting In On It
Legacy artists are using Spark Ads to reintroduce classic hits to Gen Z. Don’t be shocked when your kid adds a Bee Gees track to their TikTok playlist—because Barry Gibb just went viral again.

11. It’s the Best Way to Launch a Challenge (Without Feeling Cringe)
Forget forcing a dance. Spark Ads let you fuel trends that happen naturally—then back the best ones with dollars to go even further.

12. TikTok + Spark = Streaming Gold
Every 15-second view is one step closer to a Shazam, a Spotify stream, a follow, a fan. Spark Ads don’t just sell—they connect. And in music, that’s everything.

If you’re an artist waiting for lightning to strike, Spark Ads might just be your weather machine. They’re fun, smart, and—when used right—more effective than anything since TRL. Because the truth is simple: If they can’t see you, they can’t stream you.

And if that’s not worth Sparking up, what is?

Matthew Restall Explores How David Sylvian, Mark Hollis, and Kate Bush Transformed Pop in ‘Ghosts – Journeys To Post Pop’

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Three music-obsessed, suburban London teenagers set out to make their own kind of pop music: Kate Bush became an overnight star, while success came to David Sylvian (and Japan), and to Mark Hollis (and Talk Talk) after years of struggle. But when their unique talents brought them international acclaim, they turned their backs on stardom. ‘Just when I think I’m winning,’ sang Sylvian on ‘Ghosts,’ a 1982 Japan hit, ‘when my chance came to be king, the ghosts of my life grew wilder than the wind.’ Haunted by doubt, spooked by fame, shocked by the industry’s classism, sexism, and rapacity, Sylvian, Hollis, and Bush were driven to brave new destinations by multiple factors: creative originality and the inspiration of artists from every genre; the turmoil of personal relationships and inner psychological struggles. Along the way, as sacrifices were made – bands, friendships, marriages, the trappings of stardom – and experiments were pursued with dogged fearlessness, these musicians forged something new, changing how we hear pop music and the role of its creators in modern society. Ghosts uses the Sylvian, Hollis, and Bush journeys to define post-pop for the first time. Weaving together memoir, biography, musicology, cultural criticism, and history, the book shows how the story is both personal – as individual artists struggled with their own ghosts – and contextual, a larger history of pop music, popular culture, and the creative process itself. The post-pop story is about music and fame, ambition and fear, happiness and melancholy. As a journey from noise to silence, the journey to post-pop is ultimately about life itself.

Rock Hall Legend Dion DiMucci Reflects on 60 Years of Music and Influence

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Legendary Rock Hall of Fame innovator shares the most lasting influences on his remarkable life — a life that helped shape the last 60 years of rock and roll history

The book features a prologue by Eric Clapton and a foreword by Paul Simon.

Dion DiMucci’s journey through rock and roll history is as legendary as his hits. As the lead singer of Dion and the Belmonts in the late 1950s, Dion captured the heart of America with chart-toppers like “Runaround Sue”, “The Wanderer”, and “A Teenager in Love.” His later solo success with the profound “Abraham, Martin, and John” in 1968 marked another high, contributing to his twelve gold records. Throughout the 1970s and 1980s, Dion explored folk, blues, and gospel, earning a Grammy nomination in 1985 and an induction into the Rock and Roll Hall of Fame in 1989 alongside icons like the Rolling Stones and Stevie Wonder.

In this compelling collection, Dion shares intimate conversations with close friend Adam Jablin, reflecting on his rise to fame, battles with heroin addiction, a sixty-year marriage, and the influential figures in his music career, including Hank Williams and Bob Dylan.

Featuring over 200 vibrant photos, this book captures not just the life of a music icon but six decades of rock and roll evolution.

Photo Gallery: Keith Urban, Chase Matthew, Alana Springsteen, And Karley Scott Collins At Toronto’s Budweiser Stage June 21, 2025

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All photos by Mini’s Memories. You can contact her through Instagram or X.