Everybody smoked, right?











Michael Bublé has officially reclaimed his throne as the king of the holidays, as his 2011 blockbuster album ‘Christmas’ returns to #1 on the Canadian Albums Chart. This resurgence ends Taylor Swift’s impressive ten-week reign at the top spot, proving the enduring power of Bublé’s festive classic more than a decade after its initial release. With over 16 million physical copies sold worldwide and billions of streams to date, ‘Christmas’ remains a global phenomenon that continues to define the holiday season for millions of listeners. This return to the summit caps off a landmark 2025 for the Canadian icon, who earlier this year received a hero’s welcome while hosting the JUNO Awards in his home province of British Columbia.
Beyond the charts, Bublé’s year has been defined by significant global milestones and heartfelt community service. Just weeks ago, he performed for His Holiness the Pope in Vatican City, a “bucket-list” moment he described as one of the greatest honors of his life. Returning home to Vancouver, Bublé spent time volunteering at the Greater Vancouver Food Bank, surprising local clients while distributing Senior’s Program Packs. From the world’s most spiritual stages to hands-on charity work in his local community, Bublé’s 2025 has been a powerful testament to his status as a global superstar with a deep commitment to human connection.
Cologne-based modern metal act Andradite has released their debut EP ‘Ruined’, a direct and unfiltered exploration of self-hate, trauma, and the chaotic process of release. Driven by the creative core of frontwoman Coco, the band has carved out a unique sonic identity that oscillates between crushing, down-tuned breakdowns and the ethereal shimmer of dark industrial synths. This five-track collection serves as a powerful document of the band’s growth, anchored by Coco’s versatile vocal presence that transitions seamlessly from bottomless, visceral shouts to fragile, crystal-clear cleans. As bassist Sudi and guitarist Mia note, the diversity of ‘Ruined’ reflects an intense musical journey, intentionally moving through different emotional landscapes to create a vision that hits hard precisely because it refuses to hide its scars.
Postmodern Jukebox mastermind Scott Bradlee has reunited with his longtime collaborator and ‘American Idol’ standout Casey Abrams for a high-energy, jazzy reimagining of “Santa Claus Is Comin’ to Town.” Released just in time for the 2025 holiday peak, the track features Abrams’ signature gritty vocals and virtuosic upright bass work, turning the seasonal staple into a lively, spontaneous jam session. Bradlee, the architect behind PMJ’s “vintage-meets-modern” revolution, provides the perfect piano foundation for Abrams to shred, proving once again why this duo is a fan-favorite powerhouse within the collective. This release follows a prolific year for Bradlee, including his new ‘Lounge Language Models’ album and the ‘Magic, Moonlight & Mistletoe’ tour, adding a final burst of festive spirit to a record-breaking 2025.
Music understands feelings before we do. It sits beside us when words fall short, turns tears into something productive, and reminds us we are not alone in whatever ache we are carrying. Whether you are sad-sad, nostalgic-sad, or just emotionally overwhelmed by existing, these songs meet you exactly where you are and stay until the feeling passes.
Sometimes you do not need a solution. You just need a song that gets it.
Here are 15 songs to pair with a good cry, no judgment, tissues encouraged.
Chicago rap phenom Star Bandz reaches a massive new milestone with the release of her electric collaboration “Touch The Ground” featuring the legendary Chance the Rapper. This powerhouse single arrives via Priority and Capitol Records to blend the sharp drill-infused delivery of the seventeen-year-old artist with the soulful melodic flow that defines Chance the Rapper’s iconic sound. Directed by Christian Loggins, the accompanying music video highlights the natural hometown chemistry between the two generations of Chicago talent as they celebrate their shared roots.
The new track builds on a red-hot streak for Star Bandz following her successful Lollapalooza debut and viral hits like “My Baby” and the recent single “2 Gravy.” This collaboration serves as a bold evolution of her sonic landscape while Chance the Rapper continues his own monumental chapter following the critical acclaim of his independent album ‘Star Line’. Together, these artists deliver a defiant anthem that cements Star Bandz as a recognizable and shaping voice for a new generation of hip hop fans.
Prepare to test the limits of your sound system as world-renowned bass vocalist Geoff Castellucci releases his staggering low-bass reimagining of the Johnny Cash classic, “Ring of Fire.” Known for his superhuman vocal range and viral performances with the a cappella group VoicePlay, Castellucci dives into the subharmonic depths for this rendition, delivering a performance so resonant it demands the highest-quality headphones to truly appreciate. While Cash famously made the track an anthem of burning desire, Castellucci transforms it into a dark, floor-shaking masterclass in vocal control, proving exactly why he is considered one of the most unique and powerful bass singers on the planet today.
Global superstar Christina Aguilera is bringing the “City of Light” to living rooms tonight with the broadcasting debut of ‘Christina Aguilera: Christmas in Paris’. Airing on CBS and streaming on Paramount+, this dazzling holiday special celebrates the 25th anniversary of her landmark album ‘My Kind of Christmas’. Filmed against the breathtaking backdrop of the Eiffel Tower—transformed into a shimmering Christmas tree—Aguilera delivers a masterclass in vocal prowess for an intimate audience at the Musée du Quai Branly. Directed by Emmy-winner Sam Wrench, the special is a cinematic journey through holiday staples and career-defining hits, featuring high-energy appearances from legendary percussionist Sheila E. and French star Yseult.
Beyond the spectacular musical performances, the special offers a rare, introspective look at Aguilera’s life and legacy. Between Parisian vignettes, she opens up about motherhood, her evolution as an artist, and the reinvention that has kept her at the top of the charts for three decades. The celebration is accompanied by the live performance album ‘Christmas in Paris’, which is out now on all streaming platforms. Featuring 13 tracks, including a show-stopping mashup of “Express” and “Santa Baby,” the album allows fans to take the magic of the Parisian night home. From her “Crazy Horse” cabaret sequences to a snow-kissed finale beneath the tower lights, Aguilera proves once again why she remains the quintessential voice of her generation.
British-Norwegian composer and filmmaker Kyle Sevenoaks has unleashed his first musical offering of 2025 with the blistering industrial metal single “Watch It Burn.” Released on October 31st, the track is a raw, cathartic explosion aimed at the abuse of power and calculated injustice. Known for his “unhinged” sonic palette that blends heavy extended-range guitars with throbbing electronic elements, Sevenoaks describes the song as a fiery response to life-changing decisions made by those in cold control. This release marks a return to his musical roots following the massive success of his 2024 horror short, ‘Taste In Music’, which earned him a “Best Monster Movie” award and critical acclaim across Norway’s premier film festivals.
Sevenoaks continues to bridge the gap between sonic terror and cinematic storytelling, a skill honed through his work as the primary songwriter for the band I, The Betrayer. His transition into directing has been equally impactful; ‘Taste In Music’—filmed on a shoestring budget in a remote Norwegian cabin—captivated audiences at the Ramaskrik and Ravenheart festivals with its tale of a cosmic storm and a sentient, evil keyboard. Whether he is performing at TwitchCon or engineering music for global content creators, Sevenoaks remains a versatile force in the horror and metal communities. With “Watch It Burn,” he solidifies his reputation as a master of atmospheric extremity, proving that whether on screen or through a speaker, his vision is meant to leave a lasting, scorched-earth impression.
Rhino High Fidelity (Rhino Hi-Fi) expands its acclaimed series of limited-edition, audiophile vinyl reissues todaywith two pivotal albums: T. Rex’s Electric Warrior and Devo’s Q: Are We Not Men? A: We Are Devo!.
Each album was cut from the original analog master tapes by Kevin Gray and pressed on 180-gram black vinyl at Optimal in Germany. Both releases are limited to 5,000 individually numbered copies and available exclusively at Rhino.com and select Warner Music Group stores internationally. As a bonus, Electric Warrior has two 7-inch singles, “Hot Love” and “Bang A Gong (Get It On),” available to bundle. Order HERE.
Recently released as part of Rhino’s High Fidelity Reel-to-Reel line, Electric Warrior crystallized Marc Bolan’s transformation from cult folk hero to the godfather of glam with its release in 1971. The album topped the charts in the U.K. and was certified gold in the U.S., powered by hits like “Bang A Gong (Get It On)” and “Jeepster.” Working with producer Tony Visconti, the band built a sleek, groove-driven sound—equal parts grit and glitter—that came to define glam’s golden age.
In the new liner notes, Visconti recalls how sessions for the album gained momentum when the band moved from London to Los Angeles, and finally New York, where they cut three songs in a day, including “Lean Woman Blues” and “Jeepster.” “I could tell this was one of the best times of Marc’s life from how great these tracks turned out—they fully complemented the tracks we had just recorded in L.A. He was so happy,” he writes. “We knew we had a hit album.”
Q: Are We Not Men? A: We Are Devo! introduced the band’s theory of de-evolution to the world in 1978, as shown in their 2025 GRAMMY®-award nominated documentary DEVO. Formed in the wake of Kent State and forged in Ohio’s post-industrial landscape, Devo turned art-school ideas into subversive songs. Mark Mothersbaugh, Gerald Casale, Bob Mothersbaugh, Bob Casale, and Alan Myers recorded the album in Germany with Brian Eno, blurring the line between human and mechanical on “Uncontrollable Urge,” “Jocko Homo,” and their twitchy reimagining of “(I Can’t Get No) Satisfaction.”
Gerald Casale says Devo knew exactly what they wanted their first album to sound like when they arrived in Germany—but Eno had other ideas. “Brian had ‘evolved’ to nuanced electronic beauty. He was attempting to broaden our aesthetic, and we were trying to double down on our Brutalist leanings.” Despite the head-butting, he says they “captured the Devo meta-concept in a way that has withstood the test of time. Q: Are We Not Men? A: We Are Devo! doesn’t sound like 1978. It doesn’t sound like punk. It doesn’t sound like it’s ‘of its time’ in any way.”
Rhino High Fidelity continues to tap into Warner Music’s vast catalog, introducing reissues of seminal albums across genres—from rock and pop to jazz, soul, and beyond. Each title pairs uncompromising audio with archival-grade packaging, honoring the album’s original intent in both sound and design.
Electric Warrior (Rhino High Fidelity)
LP Track Listing
Side One
Side Two
Singles
Side One
Side Two
Side One
Side Two
Q: Are We Not Men? A: We Are Devo! (Rhino High Fidelity)
LP Track Listing
Side One
Side Two