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Jeremy Voltz Trades Equations For Emotion On “Feel It All”

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Burned out mathematician turned indie soul artist Jeremy Voltz returns with “Feel It All,” a tender and searching new single from his 2025 campaign. The song wrestles with the strain of caring for someone through anger, distance, and the fear that comes with letting your guard down. It moves like a quiet confession, steady and patient, circling a feeling that refuses to disappear.

“The song came from a rocky relationship with a friend,” Voltz shares. “I tried for almost a year to distance myself and keep safe at arm’s length. But I realized that no matter how hard I tried not to care about my friend, I couldn’t stop. My anger had dried up without me noticing, and I even tried to cling to it so I wouldn’t have to care, because caring is hard. But ultimately, care blooms in spite of our best efforts.” The honesty lands without filters.

For the first time, Voltz built a release around the Akai MPC, the drum machine and sampler made famous by J Dilla and discovered by Voltz through D’Angelo’s catalog. “It’s an amazing new way to create away from my guitar,” he says. “The track inspired the lyrics, which is usually the other way around for me. When I came up with the beat, these emotions and lyrics flowed out of me almost instantly.” The groove carries the weight of the story.

Voltz adds, “The message of the song is that you can try as much as you want to harden yourself, to not care, but care and concern grow in spite of yourself. Like a flower growing out of a crack in the sidewalk.” That image anchors the track, echoed in lines like:

The cracks are showing
The flowers bloom
Pretend I don’t see ‘em open
With the morning dew

A seasoned performer, Voltz has toured the UK, Italy, Japan, Mexico, the US, and Canada, bringing songs to life in both full band and acoustic settings. His debut album ‘Weekender’ earned Album of the Year at the Ontario Folk Music Awards, and ‘Running Away’ reached national airplay. With “Feel It All,” he leans into a softer sound while still writing with the same unguarded voice that has defined his work.

Confess Reignite ‘In Pursuit Of Dreams’ With “5 Years In A Cave”

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Iranian Norwegian metallers Confess return with “5 Years In A Cave,” a searing single drawn from the remastered 10th anniversary edition of ‘In Pursuit Of Dreams,’ out now via their EVIN Productions imprint. The reissue arrives with three previously unheard tracks, expanding an album that already stands as a defining chapter in the band’s history.

Discussing the song, the band share: “’5 Years…’ comes from the darkest days of my youth, a time when depression, anger, and substance abuse were eating me alive. Writing it was like bleeding onto paper, a way to survive when I couldn’t see a way out. Remastering this track now feels like looking my younger self in the eye, not to glorify the pain, but to show that I carried it, and I came through it.”

Frontman Nikan Khosravi reflects on the album’s legacy: “To mark the 10th anniversary of ‘In Pursuit of Dreams’, we are proud to announce a reissue of the album, freshly remastered and featuring three previously unreleased songs, finally revealed after a decade. This isn’t just an album, it’s a piece of history.” He adds that its release in Iran sparked arrests and international attention, cementing its place as one of the most impactful metal records to emerge from the Middle East.

The full tracklisting for ‘In Pursuit Of Dreams’ is:

  1. Teh-Hell-Ran
  2. I’m Your God Now!
  3. See You on the Other Side
  4. Thorn Within
  5. 5 Years in Cave
  6. What Doesn’t Kill You Makes You Exhausted!
  7. Tsunami of Hate
  8. New World Order
  9. Aborted Déjà Vu
  10. Dysentery
  11. I Want Nothing More but the Past…
  12. The Alphabet of Power
  13. Did You Get My Last Message?
  14. The Last One Standing
  15. Watch the Decay of Sun (Bonus Track)
  16. Convention (Bonus Track)
  17. Face-Off (Bonus Track)

The band’s momentum continues to build. Their recent album ‘Destination Addiction,’ produced by Khosravi and mixed and mastered by Grammy nominated Alberto De Icaza, featured contributions from George Kollias and Marzi Montazeri and drew praise from major metal outlets. Confess are also featured in the HULU series “Into The Void: Life, Death & Heavy Metal,” standing alongside icons such as Judas Priest and Randy Rhoads. From Tehran to global stages, Confess remain a defiant voice in modern metal.

Equilibrium Unleash ‘Equinox’ And Ignite Cinematic Fire With “Nexus”

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Cinematic folk metallers Equilibrium return with their long awaited new studio album ‘Equinox,’ released via Nuclear Blast Records. To mark the arrival, the band unveil an enchanting video for the album standout “Nexus,” a track that captures the record’s sweeping emotional and sonic scope. Arcane riffs, poetic melodies, and ritualistic hooks converge in a work that radiates focus and intensity.

Rene Berthiaume shares insight into the song’s origins. “The work on ‘Nexus’ started with a very simple idea: There was the guitar riff and there was the image of running people. I am very proud of the video because it is fully self made and it was a huge challenge to film this during the coldest days of last year’s winter in Germany. But the actual process of creating something is one of the most important parts for me in art in general.”

He adds that the album reflects a deep period of reflection and renewal. “It’s been 6 years since our last album was released, and a lot of things have happened in that time. We’ve explored what Equilibrium actually means for us and what it should be now and in the future. We’ve continued down the path that we explored throughout the last albums, but at the same time we’ve reconnected with our older works. And on top of that, we’ve explored some new territories. You can now hear this result on Equinox, which is probably the most honest and personal album we’ve ever made. If ‘Equinox’ would be a movie, it would be probably a mixture of ‘The Secret Life of Walter Mitty’ and ‘Princess Mononoke.’”

Jessica Rosch calls “Nexus” the emotional core of the record. “For me, ‘Nexus’ is the heart of Equinox. And it’s perhaps the moment where all the different forces of this album collide. The song and video are about that invisible thread between worlds, between who you were and who you are becoming. It’s the story of integrating a soul.” She continues, “With ‘Equinox’ we wanted to build a world and step back into our storyteller roots. To me the album feels like a ritual, like an offering.” The result is a record that moves through grief, rage, beauty, and renewal with striking clarity.

Neil Young Expands ‘Tonight’s The Night’ With 50th Anniversary Deluxe Edition

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There are albums that feel destined to matter, and Neil Young’s ‘Tonight’s The Night’ remains one of them. Recorded in 1973 and released in 1975, the record has come to be regarded as one of Young’s most powerful statements. Now, the 50th Anniversary Deluxe limited edition revisits that era with six bonus tracks drawn from the original sessions, deepening the story behind this pivotal release.

Often cited as the third chapter in the “Ditch Trilogy,” the album was shaped by a turbulent cultural moment and profound personal loss. The deaths of Crazy Horse guitarist Danny Whitten and road crew member Bruce Berry gave the record its raw emotional weight. The songs move through grief, reflection, and late night reckoning, capturing a time when rock music itself was shifting.

This edition includes previously unreleased original versions of “Lookout Joe” and “Walk On,” recorded during the 1973 sessions at S.I.R. in Los Angeles. It also gathers six bonus tracks from those same sessions, making this the first time they have all appeared together on vinyl. The original artwork has been creatively reimagined, and the release is available on vinyl, CD, and digital formats, with a clear vinyl pressing offered through the Greedy Hand Store and indie retailers.

‘Tonight’s The Night’ 50th Anniversary Edition Tracklisting:

Tonight’s The Night
Speakin’ Out
World On A String
Borrowed Tune
Come On Baby Let’s Go Downtown
Mellow My Mind
Roll Another Number (For The Road)
Albuquerque
New Mama
Lookout Joe [New 1973 version]
Tired Eyes
Tonight’s The Night (part II)

Bonus Tracks – all from original TTN sessions at S.I.R.:

Walk On
Wonderin’
Everybody’s Alone
Raised On Robbery [feat. Joni Mitchell]
Speakin’ Out Jam
Tonight’s The Night (take 3)

Five decades later, ‘Tonight’s The Night’ continues to resonate with unfiltered honesty and creative risk. This expanded edition brings listeners closer than ever to the sessions that shaped one of Neil Young’s most enduring works.

Marissa Nadler Dives Into Nine Inch Nails With ‘The Great Below’ Redux

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The Redux Series companion album ‘Best of Nine Inch Nails Redux’ has arrived, bringing bold reinterpretations of essential tracks. Among its standout moments is Marissa Nadler’s haunting take on “The Great Below,” now paired with a striking music video she created, directed, and edited herself. The result feels immersive and deeply personal, extending the song’s atmosphere into vivid visual form.

Nadler shares her connection to the track: “Both Milky and I were immediately drawn to the song’s intimate darkness and atmosphere, elements that resonate deeply with our own work. In this version, we aimed to preserve the original’s haunting sense of isolation and shimmering despair.” Her voice floats through the arrangement, honoring the source while reshaping its emotional core.

She continues, praising Nine Inch Nails’ sonic architecture and the film score work of Trent Reznor and Atticus Ross. “The sense of suspense created by that restraint in ‘The Great Below’ was immensely compelling to us. I’ve always been drawn to the slowest, saddest corners of a record, the ones that can open up into new realms, and ‘The Great Below’ felt like one of those rare portals.” The performance captures that quiet intensity.

Best known as a singer songwriter, Nadler released her tenth studio album ‘New Radiations’ in 2025 to strong acclaim. A mezzo soprano who blends folk, country, and experimental metal textures, she also brings a background in fine art, with degrees in illustration and art education from the Rhode Island School of Design. Painting, bookbinding, wood carving, and hot wax techniques all inform her visual language, and now video art joins that list. This reimagining stands as a compelling bridge between two distinct creative worlds.

The All American Rejects Drop ‘Get This’ And Turn Up The Sandbox

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Fresh off an arena run with the Jonas Brothers, The All American Rejects return with “Get This,” a sharp edged indie pop rush from their forthcoming album ‘Sandbox.’ The track signals a confident new chapter while tapping into the melodic instincts that first made them radio staples.

“Get This” carries the punch and swagger of earlier favorites like “Gives You Hell” and “Move Along,” pairing tight hooks with a playful edge. The cheeky music video places the band across five different sets inspired by classic holiday films, leaning into the fun and amplifying the track’s off center charm.

Tyson Ritter shares about the song’s origins: “Little hooks will sit in your pockets like a lead weight that won’t shake out in the dryer. ‘Get This’ was a song born on a drive. It was made in the sunshine on the back porch of our family home. Pure fun like the company it was written around.” That spirit runs through every second of the track.

The momentum has been undeniable. Their breakout “Easy Come, Easy Go” fueled the viral House Party Tour, generating hundreds of millions of views across three music videos and drawing coverage from Nightline, CNN, FADER, Kerrang!, New York Magazine, and NPR. With “Get This” and ‘Sandbox’ on the horizon, The All American Rejects are moving with renewed energy and a growing audience that spans generations.

Mr. Fantasy Blasts Off With “Catapult” And Miami-Fueled Pop Funk

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Rising star and viral sensation Mr. Fantasy returns with “Catapult,” a glossy, groove heavy single that leans all the way into his technicolor world. The track arrives with a music video set in Miami, where he cruises through the city before launching into a rocket ride that sends viewers into another dimension. It is bold, theatrical, and built for repeat spins.

The release follows a major milestone. Mr. Fantasy made his live debut at the Macy’s Thanksgiving Day Parade, performing his self titled breakout “Mr. Fantasy” from the Jolly Polly Pirate Ship. The single has already crossed six million streams and generated more than 200 million views and 13 million likes across TikTok and Instagram, cementing his status as a social media force.

Since emerging in August 2025, Mr. Fantasy has carved out a vivid identity. The synth pop artist channels a 1970s British rockstar aesthetic, complete with brunette bob wig, oversized sunglasses, false teeth, and a playful accent that feels straight from another era. The commitment to character fuels the spectacle and keeps audiences guessing.

Speculation continues to swirl that Mr. Fantasy may be the alter ego of New Zealand actor KJ Apa, known for his role as Archie Andrews on Riverdale. Observers point to similarities in voice, tattoos, and build, while his manager has offered cryptic hints. Confirmed or not, the mystique only amplifies the buzz around “Catapult” and earlier single “Wayuwanna,” both signaling a pop project that is moving fast and aiming higher.

Alice Gerrard Reflects On A Lifetime In Folk With ‘Custom Made Woman’

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Award-winning folk and bluegrass musician Alice Gerrard traces more than five decades of music and advocacy in her new memoir, ‘Custom Made Woman: A Life in Traditional Music.’ The book follows her journey through festivals, collaborations, family life, and the personal and professional relationships that shaped her path in a genre long dominated by men.

Central to her story is her partnership with Appalachian singer Hazel Dickens during the 1960s and 1970s. Their four albums, recently reissued by Rounder Records and Smithsonian Folkways, stand as pivotal recordings in the years following the American folk revival. Gerrard also worked alongside musicians including Tommy Jarrell, Enoch Rutherford, Otis Burris, Luther Davis, and Matokie Slaughter.

Beyond performance, Gerrard helped document and sustain the traditional music community. She founded The Old-Time Herald in Durham, North Carolina, serving as editor-in-chief for more than a decade. Her lifelong commitment to preserving folk culture is reflected in the book’s nearly 100 rare photographs, many previously unpublished.

Featuring images of figures such as Doc Watson, Bill Monroe, Hazel Dickens, Elizabeth Cotten, and Mike Seeger, ‘Custom Made Woman’ offers both memoir and cultural record. Gerrard’s story provides an intimate lens on a distinctly American tradition that continues to evolve and endure.

Van Morrison Collects Six Decades Of Songwriting In ‘Lit Up Inside / Keep ’Er Lit’

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Van Morrison gathers more than sixty years of songwriting into ‘Lit Up Inside / Keep ’Er Lit: The Collected Lyrics,’ a hardcover volume featuring the words to over two hundred songs. With a foreword by John Cooper Clarke, the book presents Morrison’s lyrical world in one carefully assembled edition.

Across its pages, readers encounter the recurring touchstones that define his work — back streets and mystic avenues, childhood memory and adult reckoning, church bells and late-night radio. The lyrics move between solitude and celebration, naming fellow artists, tracing romance and regret, and returning again and again to themes of grace and transcendence.

Spanning his full career, the collection charts the evolution of a writer who has continually reshaped blues, soul, folk, and rock traditions through language and phrasing. Seen together, the lyrics reveal patterns of imagery and rhythm that run through decades of recording and performance.

‘Lit Up Inside / Keep ’Er Lit’ offers a comprehensive overview of Morrison’s output, presenting the words on their own terms — a standalone document of one of contemporary music’s most enduring songwriters.

John Darnielle Chronicles 365 Songs In ‘This Year’

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John Darnielle gathers decades of songwriting into ‘This Year: 365 Songs Annotated,’ a hardcover collection pairing lyrics with first-person commentary. Illustrated by John Keogh, the book presents 365 songs with reflections on their origins, influences, and the people who shaped them.

Spanning Darnielle’s earliest boom-box recordings through the evolution of The Mountain Goats into a full band, the collection documents a creative life in motion. Each annotation offers context — where the song came from, who it was written for, and what was happening at the time. Family, friends, collaborators, and literary heroes all surface in the margins.

Readers will find insight into songs like “This Year,” “No Children,” “The Best Ever Death Metal Band in Denton,” and “Up the Wolves,” alongside commentary on the writers who influenced him, including Flannery O’Connor, Jorge Luis Borges, and Stephen King. The result is part lyric archive, part memoir, part craft study.

‘This Year’ stands as a detailed literary record of one of indie music’s most prolific voices — not just a compilation of songs, but an examination of how they came to exist and why they continue to resonate.