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Cork’s The Kates Announce Debut Album and Release the Urgent, Harmony-Driven “You Don’t See It”

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The Kates are one of Ireland’s most quietly compelling rock acts, and 2026 is shaping up to be their breakout year. The Cork-based five-piece have announced their debut album, due later this year, and released new single “You Don’t See It” to open the campaign. It’s the first proper look at where the band has been heading since their 2024 EP ‘Pictures Here of Dreams’ established them as a serious force in Irish independent music.

“You Don’t See It” features lead vocals from Mary Beth O’Mahony and reflects the full collaborative songwriting input of all 5 members. The track builds on The Kates’ rock foundation while pushing their dynamic harmonies further into focus. Percussionist Míde Houlihan’s rhythmic contributions anchor a lyrical theme about the pressures and unwanted attention women face, with time and its passage running through the song’s core. Comparisons to Pillow Queens and Little Green Cars are well-earned, though The Kates have a sound that increasingly belongs to them alone.

The band has covered serious ground since the EP. Festival appearances at Other Voices, Electric Picnic, and the Clonakilty International Guitar Festival followed, alongside a sold-out touring run across Ireland and Wales that included packed nights at DeBarras and Connolly’s of Leap. Their track “Unbalancing” was showcased on RTÉ’s television programme Seisiún, and earlier this year they appeared at the Your Roots Are Showing conference.

The debut EP itself set a strong foundation, with singles “All That Talk” and “Unbalancing” both landing on RTÉ Radio 1’s Recommends playlist and earning support from Today FM, Radio Nova, Live95, RedFM, Cork’s 96FM, and KCLR96FM. Each track on the EP was written by a different member of the band, signaling from the start that The Kates operate as a genuine collective.

Paula K, who founded the group in 2017, reflects on what the debut album represents: “We have spent the last year gigging and writing. The upcoming album is a collection of songs that happened between takes of our work and family lives. Naming that space as a creative outlet, where ideas were born and we found out more about ourselves as a band. Our Kates space.”

The origin of The Kates carries its own weight. Paula K created the band in memory of her late mother Catherine, a feminist who loved to lift other women up, as a fundraiser for ovarian cancer charity OvaCare. “The fundraiser was in memory of my mother, who passed away from ovarian cancer,” Paula explains. “The Kates have been going ever since.” Early performances celebrated songs by women, covering Sharon Van Etten, Orla Gartland, Angel Olsen, Lucy Dacus, Patti Smith, The Staves, and Haim, a lineage that still informs the band’s creative values.

That foundation, built on community, memory, and a genuine commitment to lifting women’s voices in music, runs through everything The Kates do. “You Don’t See It” is the next chapter, and the debut album will be the fullest picture yet of what this band has become.

“You Don’t See It” is out now. The debut album follows later in 2026.

Limerick Trio Lyterian Fuse Alternative Rock and 80s Nostalgia on New Single “Terminal 2”

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Lyterian have a new single out, and “Terminal 2” is the kind of track that rewards repeat listens. The Limerick-based alternative pop trio, consisting of Samuel O’Shaughnessy on vocals and guitar, Katie O’Shaughnessy on drums, and Brandon Ryan on bass, co-wrote the track with producer Mark Saunders, whose synth-driven production gives the song its distinctly cinematic, 80s-tinged character.

The song was sparked by Samuel watching Lost in Translation, drawing on the film’s melancholy and liminal atmosphere to shape a love story set against the backdrop of an airport. “The general feel and liminal space aesthetic of the movie and soundtrack sparked the fuse for what would become the love story inside ‘Terminal 2’,” he says. “Drawing on personal experiences and intertwining it with the melancholy from the film, we brought it to Mark Saunders, who brought in the cool, robust feel of the 80s, adding his own synthesisers and a whimsical John Hughes nostalgia to the track.”

The result is pulsing basslines, atmospheric synthesisers, and emotionally charged vocals layered with enough textural depth that multiple listens reveal something new each time. Samuel is direct about the importance of that detail: “Textures are such an important element to the sounds within a song. This track is packed with layers of texture that takes multiple replays to pick up on. I’m really proud of that.”

Lyterian emerged in 2022 and have built their sound with collaborators including Neal Avron and Howie Weinberg alongside Saunders. “Terminal 2” positions them as one of Ireland’s most compelling emerging acts heading into the rest of 2026.

“Terminal 2” is out now.

Brighton’s Opal Mag Shares “World End” Ahead of Debut EP ‘Goodbye Lavender,’ Out May 29th

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Opal Mag is one of Brighton’s most talked-about emerging artists, and “World End” makes it easy to understand why. The new single is out now via Venn Records, arriving ahead of her debut EP ‘Goodbye Lavender,’ due May 29th. Listen here.

Drawing on influences including Mazzy Star, The Sundays, The Breeders, and The Smashing Pumpkins, “World End” sits comfortably in Opal Mag’s hazy, atmospheric lane while pushing her confessional songwriting further forward. The track explores emotional imbalance in relationships, specifically how one person’s pain gets minimised while another’s dominates. “It reveals how that imbalance can be quietly reinforced to serve someone else’s sense of control,” she explains, “kicking them when they’re down.”

The 6-track ‘Goodbye Lavender’ follows a run of early releases that earned coverage from NME, Stereogum, Dork, Clash, Rolling Stone UK, So Young, and Under The Radar, alongside radio play on BBC 6 Music, KEXP, and Triple J. Previous support slots with Black Honey, Overpass, and Phoebe Green have built her live reputation steadily.

Opal Mag has a run of dates live now, including Footsteps Festival in London today, Dot To Dot in Bristol and Nottingham later this week, and a string of in-store appearances around the EP release at the end of the month.

‘Goodbye Lavender’ EP Track Listing:

“World End”

Try Not To Hate Everything

Kiss Me

Wasting

Young Forever

Goodbye Lavender

Upcoming Dates:

May 21 – London @ Footsteps Festival

May 23 – Bristol @ Dot To Dot

May 24 – Nottingham @ Dot To Dot

May 29 – London @ Banquet Records

May 30 – Oxford @ Truck Store

May 31 – Portsmouth @ Pie and Vinyl

Wings of Desire Are Releasing a New Single on Every New Moon of 2026, and It’s Working

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Wings of Desire have a plan for 2026, and it’s one of the more creatively ambitious release strategies in indie music right now. The London duo of Chloe Little and James Taylor are releasing a new single on every new moon of the lunar calendar, with each track forming a piece of their forthcoming album ‘Stand Still Like The Hummingbird,’ due December 9th on the year’s final new moon.

“Nothing Left To Give,” released February 17th, is the latest entry in the series and it’s out now. Built around a propulsive, insistent beat with lockstep harmonies from Chloe and James, the track introduces more electronic elements into their established gritty dream-pop meets krautrock sound. Thematically it tackles burnout under modern pressure. “Some days we feel like we have nothing left to give but somehow we keep on pushing,” the duo share.

Each single arrives with an accompanying visual piece, and the full project draws on themes of chaos, sanity, natural ritual, folklore, and the push and pull of creation and destruction. It’s a continuation of their 2023 debut ‘Life Is Infinite,’ which earned praise from Stereogum, The Independent, CLASH, DIY, and DORK, with BBC 6 Music support from Steve Lamacq and Lauren Laverne, and led to tour slots alongside Editors, Nation of Language, Bleach Lab, and a Roundhouse date with The Cribs.

‘Stand Still Like The Hummingbird’ arrives December 9th. Every new moon between now and then brings another piece of it.

Nerve Star Unearth Forgotten Hard Rock Gems on Debut Album ‘White Hot’

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Nerve Star’s debut album ‘White Hot’ is out now on vinyl, CD, and digital, and it arrives with a genuinely unusual story behind it. The UK-based hard rock quintet built the 13-track record almost entirely from obscure covers, sourcing songs that never made it past local band demos or cassette tapes in the late 1970s and 1980s, tracks so buried that tracking down the original writers took real effort.

The payoff is an album that functions as a full-throttle rescue mission for lost hard rock material, delivered by a band with serious combined credentials. Guitarist Janne Stark has recorded and produced in metal, prog, and NWOBHM circles since the 1980s. Producer Mike Dixon toured with Thin Lizzy in 1975 and the Sensational Alex Harvey Band in 1976. The album was recorded and mixed by Rasmus Bom Andersen of Diamond Head at Raw Studios in England and mastered by Andy “Hippy” Baldwin, whose credits include Oasis and Blur, at Metropolis in London.

The album closes with “Richard III,” originally written by Tony Bourge of Welsh heavy metal legends Budgie, the riff architect behind tracks later covered by Metallica and Van Halen. Bourge recorded his guitar parts in Wales and sent them across, making the closing track a 3-guitar showcase featuring Stark, Chris Billinghurst, and Bourge himself.

The Astral DJ edit of “Space Ritual,” a shorter standalone version of the full album track originally recorded by Spanish band Warlock in 1987, is also out now. The band describes it as a fan favorite: “Starts off in a swirling riffing opening, that breaks into a deep Highway Star-type driving riff with some great wah solos and a spacey feedback finish.”

‘White Hot’ is out now on all formats, distributed in the UK by RSK Entertainment via Proper Distribution.

Col Gerrard’s Piano-Driven Self-Titled Debut Arrives Produced by Chris Potter

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Col Gerrard’s self-titled debut album is out now, a 12-track body of work produced entirely by Grammy-nominated producer Chris Potter, whose credits include The Rolling Stones, U2, and The Verve. Recorded across London studios including Abbey Road, Metropolis, and Kore, the record is piano-driven and emotionally charged, blending soulful, raspy vocals with organic instrumentation, driving guitars, and a cinematic warmth.

The album moves through themes of connection, miscommunication, longing, and time, written from a place of reflection on relationships and their emotional weight. “These songs came from looking back at moments I didn’t fully understand at the time,” Gerrard says. “Writing them was a way of making peace with the parts of love that don’t always make sense.”

The London-born singer-songwriter has built early momentum with features in Rolling Stone UK, extensive UK radio support, and a sold-out London headline show at Camden Club. With a self-titled debut this focused and this well-produced, Gerrard arrives as a name worth paying attention to.

Ryan Bingham and The Texas Gentlemen Finally Release ‘They Call Us The Lucky Ones’

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Ryan Bingham’s first full-length album in over 7 years is out now. ‘They Call Us The Lucky Ones,’ recorded with The Texas Gentlemen, is available via The Bingham Recording Co./Thirty Tigers, and it arrives as one of the most anticipated releases in Bingham’s catalog. Listen here.

The 10-track album was tracked mostly live with minimal overdubs, built around the loose, gritty, soulful energy Bingham has always chased in the studio. “This album was probably the most fun I’ve had making a record,” he says. “Working with musicians as talented as The Texas Gentlemen really let us lean into that in a way I hadn’t experienced before. It finally felt like I was capturing these songs the way I always heard them in my head.”

The record includes previous releases “The Lucky Ones” and “Americana,” alongside new single “Ballad of The Texas Gentlemen,” which traces how Bingham found himself part of a band again without planning it. “After years of being out on my own, I realized somewhere along the way I was part of a band again without really planning it,” he says. “Just being back out on the road with people you trust and remembering why you fell in love with playing music in the first place.”

In addition to Bingham and The Texas Gentlemen, Ryan Ake on guitars, Daniel Creamer on piano and organ, Paul Grass on drums and percussion, and Scott Lee on bass, the album also features Richard Bowden on fiddle and mandolin and Cody Huggins on electric guitar, acoustic guitar, and pedal steel.

The album is available on vinyl in multiple exclusive variants including Classic Black, Indie Retail “Electric Smoke,” Barnes & Noble “Blue Sky,” Amazon “Vintage Bone,” and webstore-exclusive “Roadside Rust,” plus CD and cassette.

Bingham and The Texas Gentlemen are currently on the Still Gettin’ Away With It Tour, with upcoming stops at Irving Plaza in New York, Roadrunner in Boston, The Fillmore in Philadelphia, Lincoln Theatre in Washington D.C., and Stage AE in Pittsburgh, among others.

‘They Call Us The Lucky Ones’ Track Listing:

The Lucky Ones

Let The Big Dog Eat

I Got A Feelin’

Twist The Knife

Americana

Cocaine Charlie

Blue Skies

Relevance

“Ballad of The Texas Gentlemen”

I’m A Goin’ Nowhere

Duane Betts Shares “Best Wishes” Ahead of Deeply Personal New Album ‘Isle of Hope’

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Duane Betts has a new album coming, and every track unveiled from it deepens the picture of what ‘Isle of Hope’ represents. “Best Wishes” is out now, the latest preview of the 10-track record arriving June 12th via Sun Records, his first project in partnership with the label.

“Life is like this constant accumulation of experiences,” Betts says of the song. “Sometimes, they come so fast that they kind of pile up before we can fully appreciate them. The idea of ‘Best Wishes’ is a reminder to take some time to reflect and appreciate those experiences.”

‘Isle of Hope’ was produced by Dave Cobb and recorded in just 5 days at Cobb’s studio in Savannah, GA. The album’s emotional centerpiece, “Heartache,” honors the second anniversary of the passing of Betts’ father, beloved singer and guitarist Dickey Betts, making this record as much a tribute as a personal document. The album was created during a period when Betts was simultaneously at a peak in his career and confronting profound loss, and that tension runs through every track.

‘Isle of Hope’ follows his 2023 debut solo album ‘Wild & Precious Life,’ which featured Derek Trucks, Marcus King, and Nicki Bluhm and earned widespread acclaim. Before his solo work, Betts co-founded The Allman Betts Band alongside Devon Allman in 2018, releasing 2 studio albums and touring relentlessly, including the annual Allman Betts Family Revival with guests including Jason Isbell, Robert Randolph, Jimmy Hall, Charlie Starr, and Marcus King.

Betts and his band Palmetto Motel tour through the fall, with stops including New York’s Gramercy Theatre, West Hollywood’s Troubadour, Raleigh’s Lincoln Theatre, Madison’s Majestic Theatre, and 2-night runs at Evanston’s Space and Mill Valley’s Sweetwater Music Hall.

‘Isle of Hope’ is out June 12th via Sun Records.

Lauren Watkins Opens a New Chapter With the Sharp and Self-Aware “Heartbreakaholic”

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Lauren Watkins has her first new music since her 2025 album ‘In A Perfect World,’ and “Heartbreakaholic” signals a more self-aware season for the Nashville native. The track is out now via Big Loud Records/Songs & Daughters, written alongside Will Bundy, Nicolle Galyon, and Rodney Clawson.

The song draws directly from Watkins’ own experience with heartbreak patterns, the kind of emotional cycle that feels almost habitual, chasing the next thing to feel deeply about even when you know better. It’s a hook built from real life, and Watkins delivers it with the kind of warmth and humor that makes the subject land without feeling heavy.

“There was always something strangely addicting about it to me,” she says. “Just when I’d get over something, I needed something else to get over. Maybe I’m crazy, but I’m just a person who feels things deeply, and I kinda get restless when I don’t have an excuse to drive around and cry to my favorite sad songs.” She adds with a laugh: “Heartbroken or not, I’m a creature of habit, and that’s really what this song is about.”

The release arrives alongside the renewal of Watkins’ publishing deal with Big Loud Publishing, further establishing her position as one of country music’s most promising young artist-writers. With a writing room full of heavy hitters and a voice that earns every lyric she delivers, “Heartbreakaholic” is a strong opening move for whatever comes next.

“Heartbreakaholic” is out now via Big Loud Records/Songs & Daughters.

Cassidy Daniels Releases “Heart Shaped Necklace” and Performs It on Paramount+’s Dutton Ranch

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Cassidy Daniels has a new single out and a national television platform to go with it. “Heart Shaped Necklace” is available now via 101 Music/Thirty Tigers, released alongside Daniels’ appearance in the series premiere of Paramount+’s Dutton Ranch, where she performs the track onscreen.

Co-written by Daniels and produced by John Osborne of Brothers Osborne, the track blends heartfelt storytelling with a country-rock edge drawn from classic Southern rock influences. Soaring vocals and sharp lyricism drive the song, which zeroes in on the kind of love that’s imperfect, consuming, and impossible to walk away from.

Daniels is direct about what the song means to her. “‘Heart Shaped Necklace’ isn’t about jewelry. This song encapsulates the messy, breathless, butterflies-in-your-stomach kind of love, the kind that knows you down to your soul and sticks around anyway.” She points to a specific lyric as the song’s anchor: “I don’t need a real diamond just a solid heart.”

Originally from North Carolina and raised in a military household that moved her across the country, Daniels draws from Southern influences shaped by time in Kentucky and Florida. She’s shared stages with Willie Nelson, Florida Georgia Line, and Billy Currington, built a following through her run as a finalist on CBS’s The Road, and released “Southern Rock” earlier this year as her debut on 101 Music. A full-length album produced by John Osborne is currently in progress.

This summer, Daniels hits the road with Brothers Osborne and performs at CMA Fest in Nashville next month.

“Heart Shaped Necklace” is out now via 101 Music/Thirty Tigers.