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Cody Jinks Celebrates A Decade Of ‘Adobe Sessions’ With Expanded Anniversary Reissue

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Independent country titan Cody Jinks has marked the tenth anniversary of his breakthrough album, Adobe Sessions, with a comprehensive commemorative reissue released on December 12. Originally recorded in 2015, the album is widely credited with establishing Jinks as a permanent fixture in the outlaw country scene. This special edition features premium packaging with metallic copper foil stamping and a reversible dual-cover design. Most notably, the tracklist has been expanded to include “Everything,” a previously unreleased song from the original recording sessions. The collection arrived in multiple collectible formats, including hand-splattered vinyl variants and autographed editions, offering a factual look back at the record that defined his career trajectory.

The release follows a prolific year for Jinks, who recently wrapped his “Same Kind of Crazy Acoustic Tour” with longtime collaborator Ward Davis. As he moves into January 2026, the multi-platinum artist is scheduled for a high-profile performance at The Studio at the Factory in Dallas, followed by an appearance at the San Diego Rodeo. His upcoming itinerary also includes headline slots at major events such as the Outlaws & Legends Music Fest in March 2026 and the Under The Big Sky Festival in July 2026. These performances continue to highlight the raw, guitar-driven sound and honest storytelling that have earned him over five million ticket sales to date. This anniversary project serves as both a tribute to his roots and a bridge to his future touring cycles.

The All-American Rejects Blend Indie Sensibility With Pop-Rock Power On “Eggshell Tap Dancer”

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The All-American Rejects have released their latest single, “Eggshell Tap Dancer,” a track that continues the indie-leaning sonic evolution first introduced with their previous release, “Search Party.” The song balances atmospheric textures with the band’s trademark pop-rock energy, featuring a lyrical narrative that frontman Tyson Ritter describes as a study in performing tenderness to the point of exhaustion. Produced by the band alongside longtime collaborators, the track explores themes of detachment and obsession, utilizing a character-driven approach to storytelling. This new material serves as a centerpiece for their upcoming fifth studio album, scheduled for a full release in February 2026 via BMG. The project marks a significant creative resurgence for the Oklahoma-born group, blending their 2000s heritage with a sophisticated, modern rock edge.

This release coincides with one of the most visible years in the band’s history, highlighted by a massive North American arena tour as special guests for the Jonas Brothers. The Rejects’ current momentum was sparked by the viral success of their “House Party Tour” and the breakout single “Easy Come, Easy Go,” which propelled their catalog past a billion plays on TikTok. Beyond the music, the band has expanded their cultural reach through a high-profile partnership with Indy 500 driver Conor Daly and a televised performance on Jimmy Kimmel Live!. The instrumentation on “Eggshell Tap Dancer” reflects this renewed confidence, featuring intricate guitar work from Nick Wheeler and Mike Kennerty supported by Chris Gaylor’s driving percussion. As the band moves toward their 2026 album cycle, they continue to bridge the gap between their nostalgic pop-punk roots and a contemporary, indie-inspired future.

Middleman Confronts The Past On Their High-Voltage Debut Album ‘Following The Ghost’

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London-based DIY quartet Middleman has announced the arrival of their debut studio album, Following the Ghost, set for release on February 13 via Evil Speaker Records. The band—consisting of Noah Alves, Harper Maury, Rory White, and Ted Foster—draws on a diverse range of influences including the taut post-punk of Mission of Burma and the melodic grit of The Replacements. The album functions as a lyrical exploration of how the past can tether an individual, hindering progress into the future. This sonic identity balances a wiry, aggressive assault with tender, acoustic-leaning moments reminiscent of Big Star or Neil Young. This record provides a fresh and urgent document of the modern UK punk scene.

The announcement is supported by the new single “The Furthest Place,” a track that pairs a sugary power-pop melody with an eruptive, high-energy finish. Songwriter and vocalist Noah Alves describes the composition as a rejection of instant gratification, contrasting a “sweet” musical core with lyrics that explore deeper dissatisfaction. This single follows the release of “Vacant Days,” which further established the band’s ability to swing between mellow tones and scratchy, angsty delivery. The instrumentation relies on sharp guitar lines and a driving rhythm section that emphasizes the group’s garage-distortion roots. These songs represent a bold and ambitious step forward for a band that has rapidly evolved from a three-piece unit into a sophisticated four-piece powerhouse.

SASAMI Taps Soccer Mommy For A Country-Infused Reimagining Of “Just Be Friends”

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California-based multi-instrumentalist SASAMI has collaborated with Soccer Mommy to release a new version of her single “Just Be Friends,” titled “Just Be Friends (Soccer Mommy Version).” This reimagining of the standout track from her recent album Blood On The Silver Screen introduces pedal steel and a southern-tinged production that leans into the artist’s burgeoning interest in modern country storytelling. SASAMI, a conservatory-trained composer and producer, described the collaboration as an effort to bring authentic “country magic” to the song, which was originally inspired by the wit and drama found in the works of Dolly Parton and Merle Haggard. Soccer Mommy’s vocals provide a steady anchor to the track, enhancing the relatable and catchy melodies that characterized the original pop-driven release on Domino Records.

The collaboration surfaces as SASAMI prepares for a series of high-profile live dates supporting King Princess, following a successful run of shows with acts like Wednesday and Mannequin Pussy. Blood On The Silver Screen, co-produced by Jenn Decilveo and Rostam, serves as SASAMI’s most realized pop statement, drawing influence from late-aughts icons like Britney Spears and Lady Gaga. The record navigates complex themes of sex, power, and embodiment, blending stadium-sized rock iconography with the precise arrangements of Japanese city pop. This new version of “Just Be Friends” highlights the artist’s versatility and her ability to synthesize disparate genres into a cohesive, high-energy sound. The instrumentation across the project remains fearless, reflecting SASAMI’s transition from an experimental rock player to a self-defined pop polymath.

Drexl Bowie Examines Artistic Futility On The Intense New Single “Jester”

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Metal artist Drexl Bowie has unveiled his latest solo single, “Jester,” marking a significant step in his career after a decade-long tenure as a guitarist for the band Secular Era. Released via Violet Light Records, the track serves as a visceral exploration of the fears surrounding artistic relevance and the feeling of being misunderstood as a mere performer in a volatile world. Bowie draws on a wide array of sonic influences—blending the aggressive energy of Slipknot and the anthemic punk-rock sensibilities of Green Day with the raw emotional delivery of My Chemical Romance. This record functions as an intellectual and emotional document that bridges the gap between metalcore intensity and post-hardcore vulnerability.

The production of “Jester” highlights Bowie’s versatility as a vocalist, moving seamlessly between clean, melodic passages and high-octane screams. Beyond the music, the track is informed by the philosophical works of Friedrich Nietzsche and the stark literary landscapes of Cormac McCarthy, lending a unique intellectual weight to the lyrics. Bowie describes the song as a reflection of his own struggle with the futility of social commentary, questioning whether an artist’s voice can truly impact deeper societal issues. The instrumentation relies on thick, hard-hitting guitar patterns and a driving rhythm section that underscores the song’s themes of frustration and resilience. This single provides a powerful and unflinching look at the modern human condition through the lens of a veteran musician.

Ronnie Wood Unveils Career-Spanning Archive In ‘Fearless: The Anthology’

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Rock icon Ronnie Wood has announced the upcoming release of his official signed limited edition book, Fearless: The Anthology, scheduled for shipping in spring 2026 via Genesis Publications. This exhaustive “musicography” documents Wood’s six-decade journey through the British rock landscape, beginning with the mid-Sixties R&B of The Birds alongside Ali McKenzie and Tony Munroe. The narrative follows his pivotal years as the bassist for the Jeff Beck Group—performing alongside Rod Stewart and Micky Waller—and his role as a co-founder of the Faces with Kenney Jones and Ian McLagan. The anthology culminates in a detailed record of his fifty-year tenure with the Rolling Stones, offering an unprecedented look at the guitars and gear that defined the band’s historic sound.

The collection features over 200 items from Wood’s personal archive, including legendary instruments like his Birds-era Op Art Fender Telecaster and the iconic Zemaitis “Stay With Me” guitar. Captured through specially commissioned photography, the book also showcases his extensive stage wardrobe, ranging from his 1975 debut with the Stones to the recent Hackney Diamonds world tour. A significant highlight includes a recreation of his complete stage setup from his 2025 Glastonbury Legends Slot appearance, where he reunited with Rod Stewart on the Pyramid Stage. This limited edition, which includes hand-signed Deluxe copies, serves as a factual and visually stunning document of one of rock’s most enduring legacies.

Wolfgang Van Halen Returns To Normalcy In The “Same Old Song” Video From New Album ‘The End’

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Grammy-nominated multi-instrumentalist Wolfgang Van Halen has released his third studio album, The End, through BMG. Recorded at the historic 5150 Studio, the ten-track project marks a definitive evolution for the artist, who continues his tradition of performing every instrument and vocal part himself. To celebrate the release, Wolfgang shared the music video for “Same Old Song,” directed by JT Ibanez. The visual picks up immediately after the chaotic events of his previous video for the title track—a Robert Rodriguez-directed horror piece—revealing those supernatural encounters to be a dream as the band returns to a standard rehearsal setting. This latest installment of the “Mammoth-verse” showcases the high-energy live performance style that has become a hallmark of the project.

Produced by longtime collaborator Michael “Elvis” Baskette, the 39-minute album demonstrates a significant growth in songwriting and sonic confidence. The record moves from the hypnotic textures of the opener “One Of A Kind” to the driving, infectious rhythms of the closer “All In Good Time.” Leading up to the full release, the title track “The End” secured a No. 1 position on active rock radio, supported by a cinematic video featuring cameos from industry icons like Slash, Danny Trejo, and Myles Kennedy. Other singles such as the top-20 hit “The Spell” and the aggressive “I Really Wanna” have further established the record’s commercial momentum. This collection represents a technically ambitious and deeply personal step forward for Wolfgang as a solo creator.

Isabel Rumble Finds Strength In Vulnerability On The Gentle New Album ‘Hold Everything Lightly’

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Regional New South Wales indie-folk artist Isabel Rumble has released her second studio album, ‘Hold Everything Lightly’, a ten-track collection that explores the intersection of change and acceptance. Recorded at the Windsong Pavilion on the Sapphire Coast and produced by Heath Cullen, the record utilizes a textured palette of fingerpicked guitars, bowed strings, and piano to support Rumble’s weightless vocal delivery. The songwriting emerged from a period of significant life transition, serving as a raw and honest processing of internal landscapes. Tracks like “Soften” and “Digesting History” highlight a shift toward more reflective and vulnerable compositions than those found on her 2023 debut. This album stands as a grounded yet ethereal meditation on resilience through softness.

To support the release, Rumble embarked on a national headline tour that featured intimate performances in unique spaces such as the Little Lost Bookshop and candlelit town halls. The run included a significant full-band launch at Melbourne’s Brunswick Ballroom alongside a rotating cast of special guests including Kris Mizzi and Robyn Martin. These live sets were designed for deep listening, mirroring the slow-river current of the album’s arrangements. With recent international showcases in the UK and Ireland already under her belt, this latest project reinforces Rumble’s reputation as a captivating voice in the Australian folk community. The instrumentation, featuring subtle slide guitar and brushed percussion, creates a sonically expansive world that invites the listener to find stillness.

Herb Alpert Commemorates Six Decades Of ‘Whipped Cream’ With A Massive 2026 World Tour

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Legendary musician and A&M Records co-founder Herb Alpert has extended his global tour into 2026, marking his first run with the reformed Tijuana Brass in over four decades. The current itinerary features an all-new lineup performing under the banner “Herb Alpert & The Tijuana Brass & Other Delights,” a production that commemorates the 60th anniversary of the historic 1965 album Whipped Cream & Other Delights. These 90-minute performances function as a multi-media experience, utilizing a giant video screen to display rare photos and memorabilia from Alpert’s 64-year career. The setlist features a sequence of definitive hits including “The Lonely Bull,” “Spanish Flea,” and “A Taste of Honey,” alongside Alpert’s iconic vocal performance of “This Guy’s In Love With You.”

The 2026 dates follow a year of significant milestones for the trumpeter, who celebrated his 90th birthday with a sold-out stand at New York’s Jazz at Lincoln Center in 2025. In addition to the anniversary tour, Alpert recently released his 50th studio album, 50, which commemorates his golden wedding anniversary with Grammy-winning vocalist Lani Hall. The record features reimagined classics such as “Sh-Boom” and “Baubles, Bangles And Beads,” delivered in his signature melodic style. Beyond the music, the live show includes informal Q&A segments where Alpert shares insights into the founding of A&M Records and his work with artists like The Carpenters and Sergio Mendes. This tour is a polished and intimate master class from one of the most successful instrumentalists in music history.

TOUR DATES:

Jan 12 – West Palm Beach, FL @ Kravis Center
Jan 13 – Clearwater, FL @ Ruth Eckerd Hall
Jan 14 – Jacksonville, FL @ Florida Theatre
Jan 16 – New Orleans, LA @ Orpheum Theater
Jan 17 – Sugarland, TX @ Smart Financial Centre
Jan 18 – Austin, TX @ Long Center
Mar 25 – Brookville, NY @ Tilles Center
Mar 26 – New Haven, CT @ College Street Music Hall
Mar 27 – Baltimore, MD @ The Lyric Baltimore
Mar 28 – Charlotte, NC @ Belk Theater
Mar 30 – Atlanta, GA @ Atlanta Symphony Hall
Mar 31 – Nashville, TN @ Ryman Auditorium
May 10 – Providence, RI @ The Vets
May 11 – Portland, ME @ Merrill Auditorium
May 12 – Rochester, NY @ Kodak Center
May 14 – Montreal, QC @ Theatre Maisonneuve
May 15 – Toronto, ON @ Massey Hall
May 16 – Toledo, OH @ Peristyle Theater
Jun 15 – Reno, NV @ Pioneer Center
Jun 16 – San Francisco, CA @ Davies Symphony Hall
Jun 17 – San Diego, CA @ Jacobs Music Center
Jun 19 – Albuquerque, NM @ Kiva Auditorium
Jun 20 – El Paso, TX @ Plaza Theatre
Jun 21 – Tucson, AZ @ Linda Ronstadt Music Hall

Ecce Shnak And Eskei83 Ignite Dance Floors With “Jeremy, Utilitarian Sadboy (Kill Em Mix)”

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NYC alt-rockers Ecce Shnak teamed up with German DJ-producer Eskei83 to deliver the high-octane “Jeremy, Utilitarian Sadboy (Kill Em Mix)”. This adrenalized reimagining of the band’s original track serves as a bridge toward their upcoming full-length album ‘Dandy Variances’ scheduled for a spring arrival on Records Man, Records. Eskei83 recently featured the remix during his high-energy performances at Tomorrowland in Belgium, where the track functioned as a primary weapon in his set. The collaboration replaces the math-metal guitar riffs of the source material with throbbing dubstep synth-basslines and a straightforward dance beat. This record provides a thrilling and ecstatic experience for festival crowds and club goers alike.

The release follows a successful year for Ecce Shnak which included a U.S. tour alongside platinum-selling legends Spacehog and EMF. The band consists of composer David Roush, vocalist Bella Komodromos, guitarists Chris Krasnow and Gannon Ferrell, and drummer Henry Buchanan-Vaughn. Their previous EP ‘Shadows Grow Fangs’ earned critical acclaim for its technical musicality and production quality, having been mixed by Nicholas Vernhes and mastered by Joe LaPorta. The group also appears on the recent EMF single “LGBTQ+ Lover,” a track that established a safe space for marginalized communities during their joint tour. Every note on this remix vibrates with a cinematic energy reminiscent of modern action-thriller soundscapes. This specific mix highlights the band’s ability to transition their intricate art-rock into a legitimate club anthem.