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The Red Clay Strays Announce Madison Square Garden, Bridgestone Arena, and a First-Ever Fan Fest

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The Red Clay Strays, Drew Nix, Matthew Coleman, Matt Rife, Mariah Morse, The Revivalists, Haley Reinhart, Travis Tritt, Brent Cobb, Lukas Nelson, St. Paul & the Broken Bones, Sierra Ferrell, Merriweather Post Pavilion, TD Garden, Madison Square Garden, Bridgestone Arena, State Farm Arena, Abayance Bay Marina, Two Step Inn, Stagecoach, Bourbon & Beyond, RiverBeat Music Festival, Buckeye Country Superfest, Country Thunder Alberta, Country Thunder Wisconsin, Cheyenne Frontier Days, Iowa State Fair, Jazz Aspen Snowmass,

The Red Clay Strays are having a year, and the full scope of it is now on the table. The Mobile, AL-based band has announced a new series of headline dates that includes Madison Square Garden in New York City, a 2-night stand at Nashville’s Bridgestone Arena, and a closing run at Atlanta’s State Farm Arena, alongside festival appearances at Stagecoach, Bourbon & Beyond, and more. Special guests across select dates include The Revivalists, Haley Reinhart, Travis Tritt, Brent Cobb, and Sierra Ferrell.

The headline run sits inside a calendar that already establishes 2026 as their biggest year to date. Top-billed festival slots at Two Step Inn, Stagecoach, and Bourbon & Beyond frame a summer and fall that moves from 10,000-seat rooms to full arenas, a trajectory that reflects how fast this band has grown.

The most distinctive addition to the schedule is The Red Clay Strays Fan Fest 2026, the first-ever RCS fan festival, running June 24-28 at Abayance Bay Marina in Rexford, MT. The 5-night event features a headline set from The Red Clay Strays, the Strays with Stories intimate performance series, shows from Lukas Nelson and St. Paul & the Broken Bones, and more. It’s the kind of destination event that signals a band with a fanbase deep enough to build something that personal around.

The band also has new music out. “If I Didn’t Know You” is available now via HBYCO Records/RCA Records, written by Drew Nix and accompanied by an official music video directed by Matthew Coleman. The romantic Valentine’s Day release co-stars comedian Matt Rife and fitness influencer Mariah Morse, and it’s a tender ballad that shows a different dimension of the band’s range alongside their road-tested country rock.

Tickets for the new headline dates are on sale now.

The Red Clay Strays 2026 Upcoming Tour Dates:

May 24 – Norfolk, VA @ Patriotic Festival

June 13 – Columbus, OH @ Buckeye Country Superfest

June 24-28 – Rexford, MT @ The Red Clay Strays Fan Fest 2026 at Abayance Bay Marina

June 26 – Calgary, AB @ Country Thunder Alberta

July 11 – St. Paul, MN @ Minnesota Country Club

July 17 – Twin Lakes, WI @ Country Thunder Wisconsin

July 19 – Cheyenne, WY @ Cheyenne Frontier Days

July 30 – Columbia, MD @ Merriweather Post Pavilion

Aug 1 – Boston, MA @ TD Garden

Aug 9 – New York, NY @ Madison Square Garden

Aug 15 – Des Moines, IA @ Iowa State Fair Grandstand

Sept 6 – Aspen, CO @ Jazz Aspen Snowmass Labor Day Experience

Sept 26 – Louisville, KY @ Bourbon & Beyond

Oct 22 – Nashville, TN @ Bridgestone Arena

Oct 23 – Nashville, TN @ Bridgestone Arena

Nov 13 – Atlanta, GA @ State Farm Arena

Kygo, Gryffin, and Khalid Unite on “Save My Love,” Opening a New Era for All 3 Artists

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Kygo and Gryffin are back together, and they’ve brought Khalid with them. “Save My Love” is out now via Sony Sweden, the long-awaited follow-up to their 2022 collaboration “Woke Up in Love,” and it arrives as the opening move of a new creative era for all 3 artists.

The track blends Kygo’s polished melodic touch with Gryffin’s expansive production sensibilities, building a layered soundscape that gives Khalid’s unmistakable vocal performance genuine room to move. Luminous instrumentation, a steady rhythmic pulse, and a dynamic arrangement make “Save My Love” equally at home on headphones and festival main stages, anchored by themes of devotion and emotional clarity that Khalid delivers with his signature effortless control.

For Kygo, the single signals a deliberate new chapter following a 2024 defined by his self-titled album and an extensive world tour. That record paired him with the Jonas Brothers, Zak Abel, Sasha Alex Sloan, Ava Max, and others, reinforcing his standing as one of electronic music’s most consistent crossover operators. His Palm Tree Music Festival brand continues expanding rapidly, with upcoming headline sets at the Aspen and Hamptons editions and a returning residency at Palm Tree Beach Club in Las Vegas.

For Gryffin, “Save My Love” is his first release of 2026, following a landmark year of collaborations with Kaskade, Excision, Griz, Lavern, and Chance Peña. The single arrives ahead of his biggest headline show announcement to date, a hometown show at Cow Palace on June 13th, alongside a packed international schedule that includes Tomorrowland in Belgium, Élysée-Montmartre in France, Toyosu Pit and Namba Hatch in Japan, Tecate Pal Norte in Mexico, and S20 Festival in Thailand. His returning residency at Wynn Las Vegas continues alongside all of it.

Khalid’s contribution to “Save My Love” is a reminder of why he remains one of the most sought-after vocal collaborators in pop and electronic music. His topline glides across the production with the kind of natural ease that makes complex arrangements feel immediate and personal.

“Save My Love” is out now via Sony Sweden.

Randall King Delivers the Slow-Burning “Thinkin’ ‘Bout Drinkin'” From His Upcoming New Project

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Randall King is back with new music and a new chapter. “Thinkin’ ‘Bout Drinkin'” is out now, a slow-burning honky tonk track written by Don Sampson, Monty Holmes, and Troy Cassar-Daley, produced by Jared Conrad, and built squarely in the classic country lane King has always called home. It’s the first preview of his follow-up project to 2024’s ‘Into The Neon.’

The song puts the narrator face to face with heartbreak and a bottle, delivered with the kind of lived-in restraint that makes that scenario feel genuinely heavy rather than performative. King frames it simply: “Thinkin’ ‘Bout Drinkin’ is country music delivered right to your ears, courtesy of the Tonk machine. There’s more like it coming soon.”

The release also marks King’s first single since signing with progressive artist development company Neon Coast for management, signaling a deliberate new push behind one of Texas country’s hardest-working road warriors. King plays close to 150 shows a year, is currently running his 2026 Big Deal Tour, has his A Long Way From Amarillo Europe 2026 Tour underway, and will support Luke Bryan on select dates of his upcoming Word On The Street Tour.

“Thinkin’ ‘Bout Drinkin'” is out now everywhere.

Randall King is back with new music and a new chapter. “Thinkin’ ‘Bout Drinkin'” is out now, a slow-burning honky tonk track written by Don Sampson, Monty Holmes, and Troy Cassar-Daley, produced by Jared Conrad, and built squarely in the classic country lane King has always called home. It’s the first preview of his follow-up project to 2024’s ‘Into The Neon.’

The song puts the narrator face to face with heartbreak and a bottle, delivered with the kind of lived-in restraint that makes that scenario feel genuinely heavy rather than performative. King frames it simply: “Thinkin’ ‘Bout Drinkin’ is country music delivered right to your ears, courtesy of the Tonk machine. There’s more like it coming soon.”

The release also marks King’s first single since signing with progressive artist development company Neon Coast for management, signaling a deliberate new push behind one of Texas country’s hardest-working road warriors. King plays close to 150 shows a year, is currently running his 2026 Big Deal Tour, has his A Long Way From Amarillo Europe 2026 Tour underway, and will support Luke Bryan on select dates of his upcoming Word On The Street Tour.

“Thinkin’ ‘Bout Drinkin'” is out now everywhere.

Skip Ewing and Mae Estes Deliver the Uplifting “Stronger Where You’re Broken” From Forthcoming Album

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Skip Ewing has released “Stronger Where You’re Broken,” the third preview of his forthcoming ‘Dragonfly’ album, out now via Write! Records. The upbeat, encouraging love song features rising country star Mae Estes and was written solely by Ewing, exploring how the hardest experiences in relationships build the strength needed to move forward and show up fully for others.

“This song is a way to explore how the journey that ends up breaking us often gives us the strength we need to go on,” Ewing says. “Going through what we have to go through in relationships to grow helps us to become the person we need to be for others, and often ourselves.” On the decision to bring Estes in, Ewing is direct: “Her voice is beautiful, and what a heart. That shines through when she sings.”

Estes connects to the material personally. “This song speaks to me directly. I’ve had to work hard for everything I have. I’ve had a lot of obstacles in the way and reasons to give up. So when I first heard this song, I was like, wow, this is my story.” She also frames the collaboration in terms of Ewing’s standing in the songwriting community: “Skip has a reputation way bigger than Nashville for his lyricism. He is so much of the fabric of the songwriting community.”

The release arrives on the back of renewed attention for Ewing’s catalog. “Would If I Could,” co-written with Dean Dillon in the 90s, was recently recorded by Ernest and Lainey Wilson and introduced his writing to a new generation of country fans. ‘Dragonfly’ singles “I Want It All” and “Say Yes” are already out, with “I Want It All” climbing country radio charts. “Stronger Where You’re Broken” adds another strong piece to what’s shaping up as one of the more anticipated veteran returns in country music.

“Stronger Where You’re Broken” is out now via Write! Records.

The Neighbourhood Drop ‘(((((ultraSOUND)))))+’ Deluxe Edition and Expand World Tour With 20 New Dates

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The Neighbourhood have released ‘(((((ultraSOUND)))))+,’ the deluxe edition of their recent album ‘(((((ultraSOUND))))),’ out now via Warner Records. The expanded version adds 5 new tracks, “Start,” “Good Grief,” “Lulu,” “Red Flag,” and “Bed,” deepening a record that has already accumulated over 150 million global streams since its original November release. The deluxe edition is available digitally and on CD and vinyl, with track order varying by format.

The band has simultaneously announced more than 20 additional dates for The World Tour, added after nearly every show from the initial November on-sale sold out within minutes. The expansion brings the tour into Scandinavia, Malaysia, and additional U.S. markets, with marquee stops at Barclays Center in Brooklyn, OVO Arena Wembley in London, and an additional hometown date at the Kia Forum in Inglewood. The full run spans North America, Europe, Asia, and Australia across the rest of 2026.

‘(((((ultraSOUND)))))’ has been building steadily since its release, charting across North America, Europe, and Asia with breakout single “Hula Girl” currently sitting in the Top 20 at U.S. alternative radio. Produced by Justyn Pilbrow and Jono Dorr, the record marks a confident return to The Neighbourhood’s signature West Coast alt-rock sound, and the commercial and streaming response has validated that direction clearly.

The scale of the tour reflects where the band stands right now. Arenas across 4 continents, sold-out initial dates, and demand strong enough to add 20 more shows. The Neighbourhood are operating at a level that makes this one of the bigger alt-rock touring stories of 2026.

The Neighbourhood 2026 World Tour Upcoming Dates:

May 15 – London, UK @ The O2

May 17 – Dublin, Ireland @ 3Arena

June 13 – Manchester, TN @ Bonnaroo

June 30 – Honolulu, HI @ Blaisdell Arena

July 4 – Auckland, NZ @ Spark Arena

July 7 – Sydney, Australia @ The Hordern Pavilion

July 10 – Melbourne, Australia @ Margaret Court Arena

July 14 – Singapore @ The Star Theatre

July 16 – Kuala Lumpur, Malaysia @ Mega Star Arena

July 18 – Jakarta, Indonesia @ Istora Senayan

July 20 – Seoul, South Korea @ YES24 Live Hall

Aug 24 – Stockholm, Sweden @ Avicii Arena

Aug 25 – Oslo, Norway @ Unity Arena

Aug 27 – Copenhagen, Denmark @ Royal Arena

Aug 29 – Hamburg, Germany @ Barclays Arena

Aug 30 – Cologne, Germany @ Lanxess Arena

Sep 1 – Manchester, UK @ Co-op Live

Sep 2 – Glasgow, UK @ OVO Hydro

Sep 4 – London, UK @ OVO Arena Wembley

Sep 8 – Paris, France @ Accor Arena

Sep 10 – Madrid, Spain @ Palacio Vistalegre

Sep 12 – Lisbon, Portugal @ MEO Arena

Sep 21 – Guadalajara, Mexico @ Auditorio Telmex

Sep 23 – Monterrey, Mexico @ Auditorio Banamex

Sep 25 – Mexico City, Mexico @ Palacio de los Deportes

Oct 2 – Vancouver, BC @ Rogers Arena

Oct 3 – Seattle, WA @ WAMU Theater

Oct 5 – Portland, OR @ Moda Center

Oct 7 – San Francisco, CA @ Bill Graham Civic Auditorium

Oct 9 – Inglewood, CA @ Kia Forum

Nov 10 – Atlanta, GA @ State Farm Arena

Nov 11 – Orlando, FL @ Kia Center

Nov 12 – Miami, FL @ Kaseya Center

Nov 16 – Kansas City, MO @ T-Mobile Center

Nov 19 – Detroit, MI @ Little Caesars Arena

Nov 21 – Brooklyn, NY @ Barclays Center

Nov 30 – Phoenix, AZ @ Mortgage Matchup Center

Dec 2 – San Francisco, CA @ Bill Graham Civic Auditorium

Dec 4 – Los Angeles, CA @ Kia Forum

Gregg Allman Documentary ‘The Music of My Soul’ Gets North American Distribution, Due This Summer

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Gregg Allman: The Music of My Soul has secured North American distribution through Subtext, the independent film production and distribution company launched in January 2026 by Danielle DiGiacomo, Brian Levy, and Teddy Liouliakis. The documentary marks Subtext’s inaugural release, and the company plans to bring it to theaters this summer.

Directed by James Keach, whose credits include the Academy Award-winning Walk The Line, Glen Campbell: I’ll Be Me, David Crosby: Remember My Name, and the Grammy Award-winning Linda Ronstadt: The Sound of My Voice, the film was produced alongside longtime Gregg Allman manager Michael Lehman and Alex Komisaruk of PCH Films. Executive producers include Emmy, Golden Globe, and Grammy Award-winning Justin Falvey and Darryl Frank of Amblin Documentaries, whose recent credits include Music by John Williams, Faye, and Laurel Canyon. The film was made in association with Rolling Stone Films, with Rolling Stone’s Head of Film and Premium Content Alexandra Dale serving as executive producer.

The documentary traces Allman’s journey through profound personal tragedy and hard-won redemption, built around never-before-seen interviews and rare performance archives. Allman speaks candidly about the death of his brother and bandmate Duane, his battles with addiction, and the personal demons that shaped both his life and his music. Rarely seen concert footage captures the Allman Brothers at their creative peak, delivering what the film promises as an immersive, front-row view of one of rock and roll’s most powerful live bands.

The scope extends well beyond musical biography. Gregg Allman: The Music of My Soul examines what the Allman Brothers Band came to represent in American culture, specifically their rejection of the racial divisions that defined much of the American South at the time. Rooted in deep respect for Black musical traditions and built on collaboration with Black musicians when integrated rock groups were genuinely rare, the band’s cultural significance goes far beyond their catalog. The film positions that legacy clearly and directly.

The documentary also examines Allman’s complicated relationship with fame, including his highly publicized marriage to Cher, and how life in the public eye collided with his restless pursuit of authenticity. These threads combine to present Allman not simply as one of rock’s greatest voices but as a lasting cultural force whose influence reached well beyond the stage.

Gregg Allman co-founded the Allman Brothers Band and, as its frontman, helped architect Southern rock as a genre. His blues-soaked voice and raw emotional honesty set a standard that shaped American music for decades and continues to resonate. For a figure of that magnitude, this documentary arrives with the right team and the right creative pedigree behind it.

Gregg Allman: The Music of My Soul opens theatrically this summer. Distribution is handled by Subtext.

Tiësto Drops “Beautiful Places” and Announces His Biggest Ibiza Residency Yet This Summer

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Tiësto has a new single out and a landmark summer ahead. “Beautiful Places” is available now via Atlantic Records, arriving alongside the announcement of his return to Ibiza for the first time in 3 years. Beginning August 31st, he headlines a weekly residency at UNVRS, the world’s first hyperclub, for 5 performances. It’s his third residency on the island since 2013 and his biggest Ibiza run to date.

The single follows “Bring Me To Life,” which launched a new creative era for Tiësto after a deliberately mysterious social media blackout sparked a viral countdown and global speculation across the dance music community. That new direction was on full display at his headlining concert at the Great Pyramids of Giza in December 2025, a 3-hour Prismatic DJ set in front of one of the world’s most iconic backdrops that drew 1.7 million live viewers in just 3 hours.

“Beautiful Places” continues building that momentum, adding another piece to what is shaping up as one of the most active and creatively focused periods of Tiësto’s career. With the Ibiza residency on the horizon and new music arriving ahead of it, the summer picture is coming into focus quickly.

“Beautiful Places” is out now via Atlantic Records. The UNVRS residency begins August 31st.

Coleman Jennings Channels Buck Owens Twang on Dave Cobb-Produced Single “Flyin'”

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Coleman Jennings has a new song out and it moves fast. “Flyin'” is available now via Big Loud Texas/Mercury Records, produced by Grammy-winning veteran Dave Cobb, whose studio in Savannah, GA has become one of the most trusted rooms in American roots music. The track follows Jennings’ debut label EP ‘Ride On,’ released earlier this year.

Solo-penned like most of his catalog, “Flyin'” taps the hard twang of a Buck Owens classic for a song born from endless open-plain drives, built around a simple, propulsive longing to get somewhere and get back to living. It sits comfortably in the outlaw and honky tonk lane while keeping the looseness of a track captured in the moment, which is exactly how much of ‘Ride On’ came together, recorded in a stream of creative consciousness on the spot at Cobb’s studio.

Jennings operates across Western, folk, honky tonk, outlaw, Americana, old-time, and bluegrass without planting a flag in any single one. His debut EP introduced that range through “Head Spinning” and the 70s-style harmony-rich “Jamie,” and “Flyin'” continues building the picture of a modern-day troubadour with genuine instincts and a clear sense of where he comes from musically.

“Flyin'” is out now via Big Loud Texas/Mercury Records.

Blackpink Becomes the First Artist in History to Hit 100 Million YouTube Subscribers

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Blackpink has made history. The K-pop supergroup became the first artist in the world to surpass 100 million YouTube subscribers, crossing the milestone at approximately 7:31 pm KST, roughly 9 years and 8 months after their channel launched on June 28, 2016. No artist has ever reached this number before.

The timing is significant. Subscriber growth accelerated sharply after promotions began for ‘Deadline,’ their third mini album, which is out now. Since the album announcement video dropped, the channel gained an average of 10,000 new subscribers per day, reflecting the scale of global anticipation the group continues to generate even years into their dominance.

The numbers behind Blackpink’s YouTube presence are staggering across every metric. Their official channel has accumulated 41.1 billion cumulative views. They’ve produced 50 videos with over 100 million views each. Guinness World Records has officially recognized them as the “Most Viewed Band on YouTube,” a title that now sits alongside this new subscriber record.

The trajectory to 100 million is worth noting. In July 2020, Blackpink became the first non-English-speaking artist to enter the Top 5 in YouTube subscriber rankings. They subsequently surpassed Ariana Grande, Eminem, Ed Sheeran, Marshmello, and Justin Bieber before reaching No. 1 among all artists worldwide in September 2021, a position they’ve held ever since.

‘Deadline,’ their third mini album, is out now and contains 5 tracks: title track “Go,” pre-release single “Jump,” “Me and My,” “Champion,” and “Fxxxboy.” The album’s arrival alongside this historic milestone marks one of the most significant moments in Blackpink’s already record-breaking career.

100 million subscribers. First ever. The record belongs to Blackpink.

KEELEY’s Third Album ‘Girl On The Edge of the World’ Is a Cinematic Portrait of an Unsolved Murder

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KEELEY’s third studio album ‘Girl On The Edge of the World’ is out now via Definitive Gaze, and it arrives as one of the more singular releases in contemporary indie rock. The Anglo-Irish trio, fronted by Dublin songwriter Keeley Moss with Lukey Foxtrot on bass and Andrew Paresi on drums, have built a 12-track record around one of the most haunting unsolved cases in Irish and British history, the 1988 murder of German teenager Inga Maria Hauser in Northern Ireland.

Inga was 18 years old and on her first solo trip abroad when she was killed. The case remains unsolved to this day. Moss has followed Inga’s story for over a decade through her blog The Keeley Chronicles, BBC’s Spotlight coverage, and the BBC/Netflix documentary Murder in the Badlands. ‘Girl On The Edge of the World’ is the culmination of that research and emotional investment, shaped into a musical portrait of Inga’s desire to see the world, drawing in places directly from her diary entries and postcards.

The album was produced in Dublin by long-time collaborator Alan Maguire and marks the first time KEELEY have featured guest vocalists. Miki Berenyi of Lush, Piroshka, and MB3 contributes to one track, and Sice of The Boo Radleys appears on another, two additions that deepen the record’s sonic range without pulling it away from its emotional center. Andrew Paresi brings additional weight to the rhythm section, having previously appeared on Morrissey’s first 3 solo albums.

Musically, the record draws on indie rock, shoegaze, dream pop, post-punk, and ambient electronics, built to function as a continuous listening experience rather than a collection of separate songs. Recurring themes of travel, youth, and loss move through vivid scenes set in cities and landscapes tracing Inga’s journey, evoking mood and movement rather than retelling events directly. Moss has described the approach as capturing the “sonic swirl” of the band’s sound, and across 12 tracks it builds something genuinely cinematic.

The physical release includes a limited sky-blue vinyl edition accompanied by a bonus 6-track 12-inch EP titled ‘Lost Magic,’ which explores further aspects of Inga Maria Hauser’s short life. It’s an extraordinary level of care and detail for a subject that Moss has treated with consistent respect and dedication.

A new documentary focusing on Moss and her involvement with the case is currently in production by the makers of the 2014 film From Scotland With Love, examining both her research into Inga’s story and its influence on KEELEY’s music. The album and the documentary together represent a genuinely significant body of work centered on keeping Inga’s story alive.

KEELEY have been building their live profile through recent support shows with Babyshambles and The Primitives, and the UK tour continues through May with upcoming dates remaining across England.

Upcoming KEELEY Live Dates:

Apr 30 – Todmorden @ The Golden Lion

May 1 – Wolverhampton @ The Giffard Arms (co-headline with TV Pins)

May 2 – Lyme Regis @ Marine Theatre (supporting The Smyths)

May 8 – Nuneaton @ Queens Hall (supporting The Smyths)