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Adrian Quesada Signs Global Deal With Concord Music Publishing

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Adrian Quesada has signed a global publishing deal with Concord Music Publishing, covering upcoming projects and his full catalog. The agreement includes his work as co-founder, guitarist, and producer of seven-time Grammy-nominated psychedelic soul band Black Pumas, as well as his extensive output as a solo artist, producer, and collaborator across funk, soul, Latin music, and beyond.

Quesada’s catalog is genuinely wide. His solo albums ‘Boleros Psicodélicos’ and ‘Jaguar Sound’ arrived in 2022, and last year he released ‘Boleros Psicodélicos II,’ a deeply communal record featuring Cuco, Hermanos Gutiérrez, Monsieur Periné, iLe, Dayme Arocena, and more. Billboard called him “a sonic alchemist of unsurpassed vision,” and the record earned him an NPR Tiny Desk slot. In 2023 he won a Latin Grammy for Best Rock Song for his work with Diamante Eléctrico.

His film work is equally sharp. Quesada co-wrote and produced “Like a Bird” with singer-songwriter Abraham Alexander for the A24 film Sing Sing, earning him a 2025 Academy Award nomination for Best Original Song. His collaborators over the years include Prince, Los Lobos, and Wu-Tang Clan’s GZA, and he has been a member of Grammy-winning Grupo Fantasma, Brownout, and Ocote Soul Sounds.

Quesada is direct about why the deal made sense: “Concord has an unmatched ability to cast a big enough net to reach all the worlds I like to incorporate into my music, from soul to Latin to hip-hop, and beyond.” SVP A&R Jeremy Yohai and VP A&R Pablo Ahogado echoed that enthusiasm, calling Quesada exactly the type of writer they aspire to work with.

For an artist who runs his own studio, Electric Deluxe Recorders in Austin, and continues to push across genres with every project, this is a publishing home built to keep up.

Custom Software vs Off-the-Shelf: Which Is Right for Your Business in 2026?

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By Mitch Rice

If your team is forcing Salesforce, SAP, or another generic SaaS platform to do work it was never designed for, you are not really buying software anymore. You are funding workarounds.

That is usually the point where the build-vs-buy question becomes urgent.

Off-the-shelf software wins on speed. It is already built, already tested, and usually easier to deploy at the start. But that speed comes with trade-offs: recurring license costs, roadmap dependency, limited flexibility, and integration friction once your workflows stop looking like the market average. Salesforce, for example, prices CRM plans per user per month, and SAP positions many business products around modular packages and quote-based pricing rather than a single flat cost. That model works for many companies, but it can become expensive and operationally awkward as requirements become more specific.

Custom software is the opposite bet. You invest more upfront to get software aligned to your processes, data, users, and growth model. Aionys describes custom software in exactly those terms: software tailored to unique business processes, built to integrate with existing systems, and structured to support efficiency and scale.

For most businesses in 2026, this is not a philosophical decision. It is a capital allocation decision. The right question is not “Which option is better?” It is “Which option creates the best operational and financial outcome for our business over the next three to five years?”

What Is Custom Software Application Development?

Custom software application development is the process of designing and building software around a company’s specific workflows, roles, data structures, and operating constraints instead of adapting the business to fit a prebuilt product.

That can mean:

  • an internal operations platform
  • a custom ERP or CRM layer
  • a customer portal
  • a workflow automation system
  • a reporting and analytics dashboard
  • a field-service app
  • middleware that connects disconnected systems

The defining feature is fit. The system is built for your business model rather than the average requirements of thousands of customers.

Aionys positions its custom software offering around that exact value proposition: tailored functionality, system integration, compliance support, and flexibility for growing operations. Its site also frames custom development as a fit for companies dealing with outdated tools and disconnected systems that want to consolidate sales, CRM, inventory, and reporting into one operating environment.

That matters because many companies do not have a “software problem.” They have a process problem caused by software mismatch.

What Is Off-the-Shelf Software?

Off-the-shelf software is a ready-made product built for a broad market. It usually comes with standard workflows, standard feature sets, and a vendor-managed roadmap.

Examples include:

  • CRM platforms
  • ERP suites
  • accounting tools
  • project management tools
  • HR systems
  • help desk software
  • industry-specific SaaS platforms

The main benefit is obvious: speed. You can buy licenses, configure the basics, and go live much faster than you can with a full custom build.

That is why off-the-shelf software remains the right choice for many common business functions. Salesforce and SAP both structure their offerings as scalable product suites with modular add-ons and tiered pricing. That model gives buyers a quicker path to implementation, especially when the underlying need is common and the process does not create competitive differentiation.

The problem starts when the software becomes the boss. Teams end up changing internal processes to fit platform limits, buying extra add-ons to fill functional gaps, or exporting data into spreadsheets because the native workflow does not match reality.

Head-to-Head Comparison

Cost

Off-the-shelf software usually looks cheaper in year one. That is why many buyers default to it. You pay a subscription, onboard users, and avoid a larger upfront development budget.

But the visible subscription is rarely the full cost. Over time, businesses also pay for:

  • additional user seats
  • premium modules
  • API limits
  • implementation support
  • third-party integrations
  • training
  • admin overhead
  • reconfiguration when the vendor changes the product

Salesforce’s pricing structure shows how this expands as requirements mature: there are different plan tiers, user-based pricing, and additional paid products and add-ons beyond the base CRM. SAP similarly uses package-based pricing and quote-driven enterprise structures, which often reflects a more complex total spend than a headline “monthly plan” suggests.

Custom software is different. The upfront cost is higher because you are paying for discovery, architecture, design, development, QA, deployment, and support. But you are funding a business asset built around your exact requirements rather than renting access to generic functionality.

Scalability

Off-the-shelf software scales well when your growth follows the product’s intended use case. If you are adding more users to a standard process, SaaS can work extremely well.

Custom software scales better when your business model is evolving. That includes new workflows, unusual approval logic, nonstandard customer journeys, complex data relationships, or operational rules that generic tools cannot handle cleanly.

Aionys explicitly positions custom development and platform work around scalability, future modifications, and integrations. Its web development and platform pages also emphasize infrastructure, cloud deployment, and extendable architecture rather than fixed template constraints.

Ownership and control

With off-the-shelf software, the vendor owns the platform, the roadmap, and the pace of change. You license access. You do not control the product direction.

With custom software, ownership terms depend on the contract, but the business can often secure source-code access, architecture control, and a clearer say in future development priorities. That matters when software supports a core operating advantage.

This is one of the most overlooked differences in buyer research. If the software is central to how you deliver value, vendor dependency becomes a strategic issue, not just a technical one.

Integration

Integration is where many “cheaper” software decisions become expensive.

Most businesses do not run a single system. They run a stack: CRM, ERP, finance, support, email, BI, warehouse tools, e-commerce systems, and internal spreadsheets that refuse to die.

Off-the-shelf tools can integrate well when your stack is mainstream and your workflows are simple. But when systems, data models, or approval rules are more complex, integration can turn into a permanent patchwork.

Aionys repeatedly highlights integration as a core custom-development benefit, including custom software, IoT, ERP, and platform development pages. That aligns with a common real-world use case for custom software: not replacing everything, but creating the layer that makes the stack work as one system.

Timeline

Off-the-shelf software is faster to launch. That is its strongest commercial advantage.

If you need a solution in weeks, not months, buying usually wins.

Custom software takes longer because proper delivery includes:

  • discovery
  • requirements mapping
  • architecture decisions
  • UX design
  • development
  • QA
  • deployment
  • post-launch refinement

That longer timeline is justified when the software solves a meaningful operational constraint, supports a differentiating process, or replaces a growing pile of tools and manual work.

When You Should Choose Custom Software Development Services

Custom software development services make sense when the software needs to reflect the business rather than standardize it.

Choose custom when:

1. Your current tools force manual workarounds

If staff are copying data between systems, relying on spreadsheets to close process gaps, or building unofficial workflows around platform limitations, you have outgrown generic software.

2. Your process is a competitive advantage

If faster quoting, cleaner logistics, smarter approval logic, better reporting, or a better customer experience affects revenue or margin, that process should not be trapped inside software designed for the average buyer.

3. You need deep integration across multiple systems

Custom development solutions are often justified not because one tool is broken, but because the overall stack is fragmented.

4. Compliance or security requirements are specific

Aionys positions custom development around support for requirements such as GDPR, HIPAA, and industry-specific controls. That does not mean every company needs a custom build for compliance, but it does mean standard software is not always enough when policies, audit trails, permissions, or data-handling rules are unusually specific.

5. You want to own the roadmap

If software is central to operations, customer delivery, or future productization, controlling the roadmap can be more valuable than fast deployment.

How Much Does Custom Software Development Cost in 2026?

There is no single market price for custom software development because scope drives cost.

The total cost of custom software development usually depends on:

  • product complexity
  • number of user roles
  • integrations
  • security and compliance requirements
  • reporting and analytics depth
  • mobile requirements
  • infrastructure setup
  • QA complexity
  • support and maintenance model

For planning purposes, these are reasonable working ranges for 2026 buyer research:

Small internal tool or workflow app

Typical range: $25,000 to $60,000

Mid-size business platform or operational system

Typical range: $60,000 to $150,000

Complex multi-role platform with integrations, advanced permissions, analytics, and scale requirements

Typical range: $150,000 to $500,000+

These are directional planning bands, not fixed quotes. They assume a professional delivery process, not a freelance patchwork. The real number depends on scope quality, architecture choices, and how much business complexity the product has to absorb.

The more useful question is not “How much does custom software cost?” It is “What is the cost of staying on software that keeps creating friction?” If your team is paying ongoing license fees, admin overhead, integration costs, duplicate data cleanup, and process inefficiency, the comparison should be total cost of ownership, not just starting price. Vendor pricing structures from Salesforce and SAP illustrate why that matters: as usage expands, spend often grows through user-based pricing, package upgrades, and add-on products.

Why Companies Choose Aionys for Custom Application Software Development

Based on Aionys’s public positioning, the company presents itself as a European boutique IT firm focused on custom software development, custom platforms, web development, ERP-related solutions, and integration-led delivery. Its site emphasizes custom functionality, business-process fit, scalability, and system connectivity rather than template-driven implementation.

That is generally attractive to buyers who want more than coding capacity. They want a partner that can help turn operational friction into a scoped delivery plan.

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CoinKnow Review: The Smartest Coin Recognition App

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By Mitch Rice

CoinKnow is the smartest coin recognition app available for U.S. coins in 2026 — and smart here means something specific. It doesn’t just identify what a collector is holding. It grades to within 2 Sheldon points, prices against live market data, detects error coins that would otherwise go unnoticed, and reads copper color and proof designations that other apps pretend don’t exist. Muddy River News tested the full field and ranked CoinKnow #1 in their “8 Best Coin Identifier Apps Free for iPhone and Android.” The intelligence gap between CoinKnow and the competition is real, measurable, and worth understanding before downloading anything else.

What “Smart” Actually Means in a Coin Recognition App

The word gets used loosely. Every coin recognition app claims AI. Every app claims accuracy. The distinction that actually matters is not whether an app uses artificial intelligence — they all do — but what the AI has been trained to do and how deep it goes.

A shallow coin recognition app identifies a coin. Full stop. Year, denomination, maybe mint mark. It answers the surface question and stops there.

A smart coin recognition app keeps going. It recognizes that a coin’s identity is just the beginning of what a collector needs to know. Condition determines value. Variety determines rarity. Errors determine whether pocket change is actually treasure. Copper color and proof designations determine how the market prices a specific example against thousands of superficially identical ones.

CoinKnow goes all the way down. That is what makes it the smartest AI coin recognition app tested — not the technology for its own sake, but what the technology is actually pointed at and how much it surfaces on a single scan.

The Intelligence, Layer by Layer

Layer One: Identification

Year, mint mark, denomination, variety. CoinKnow’s AI returns complete identification on clear photos with accuracy exceeding 98% for common coins. Variety recognition is where many coin recognition apps reveal their limits — CoinKnow doesn’t. Wide AM vs. Close AM. Small Date vs. Large Date. VDB cents. 1909-S varieties. The distinctions that make a $2 coin worth $200 are treated as core identification output, not optional extras.

Layer Two: Grading

Sheldon Scale, 1 to 70, within a 2-point range — the tightest grading margin available in any mobile coin recognition app today. A PCGS-certified MS64 coin returns MS63–MS65. The professional grade lands inside that window, consistently, across independently tested certified coins.

The intelligence here is in what the AI has learned to see: surface preservation, luster quality, strike sharpness, contact marks, hairlines on proof coins. Features that trained human graders evaluate deliberately, and that CoinKnow’s AI evaluates in seconds from a photo. The 2-point range is not a marketing claim — it’s the result of AI trained on enough certified coins to read condition the way experienced eyes do.

Layer Three: Automatic Error Detection

This is where CoinKnow’s intelligence pulls most decisively ahead of the field. CoinKnow and CoinHix are the only two coin recognition apps in the world that automatically scan every photo for error coins — Doubled Die Obverse, Doubled Die Reverse, missing mint marks, rare varieties — without requiring the collector to suspect anything first.

Every other app is reactive. A question comes in; an answer goes out. CoinKnow is proactive. It asks the question on the collector’s behalf, on every scan, and surfaces the answer before anyone knew to wonder.

A 1972 DDO Lincoln cent worth $500+ looks exactly like a common 1972 cent. A 1955 doubled die, a missing S proof, a Wide AM reverse — coins like these leave collections and estate sale boxes every week, unidentified, because their owners had no specific reason to look closer. CoinKnow’s automatic detection is the AI intelligence that catches them. That’s not a feature. It’s a fundamentally different relationship between the app and the collector.

Layer Four: Market Pricing

Heritage Auctions realized prices. PCGS price guides. Recent eBay sold listings. Three live sources aggregated simultaneously, updated monthly. The intelligence in CoinKnow’s pricing is not just the data sources — it’s that the pricing is attached to the grade, which is tight, which makes the valuation meaningful rather than approximate.

A coin identifier app that gives a 10-point grade range and then prices across that range produces a spread of hundreds of dollars on a desirable coin. Useful for nothing. CoinKnow gives a 2-point grade range attached to current market data. That’s a number a collector can actually make a decision from.

Layer Five: Copper Color and Proof Designations

Red (RD), Red-Brown (RB), Brown (BN) copper classification. Cameo (CAM) and Deep Cameo (DCAM) proof detection at approximately 92% accuracy. These are the designations that experienced collectors know move value, that the market prices differently, and that virtually every other free coin recognition app ignores because they require a more sophisticated AI to read reliably.

CoinKnow captures them automatically. The RD designation on a high-grade Lincoln cent commands a premium over BN. DCAM brings meaningfully more collector interest than CAM. The intelligence that reads these distinctions from a photo is what separates a deep coin recognition app from a shallow one.

The Competition: Intelligent in Different Ways

CoinHix (formerly CoinValueChecker)

The closest competitor in terms of AI capability, and the only other coin recognition app with automatic error detection. Muddy River News placed CoinHix second in their ranking — an accurate reflection. Its intelligence is deployed differently: market analytics that track how specific coin values move over time, auction alerts, portfolio management tools that monitor total collection value. CoinHix’s AI is particularly well-suited to investment-oriented collectors who want to understand market trends as much as individual coin values.

For identification depth, grading precision, copper designation, and CAM/DCAM detection, CoinKnow’s AI is more numismatically detailed. For market trend analysis and portfolio intelligence, CoinHix is the stronger tool. The two apps complement each other naturally.

CoinSnap

Fast and genuinely accessible — the right coin recognition app for someone who wants an answer quickly and simply. The AI handles common coin identification reliably and returns results with minimum friction. Where the intelligence thins out: grading that returns broad condition categories rather than Sheldon precision, pricing from general estimates rather than live multi-source data, no automatic error detection, no copper color or proof designation analysis. CoinSnap’s AI is trained for breadth and speed. CoinKnow’s is trained for depth and accuracy. Different tools for different moments.

Coinoscope

Operates on visual similarity search rather than trained AI identification — it finds coins in its database that look like the one being scanned and presents them for comparison. The intelligence is in its database depth, particularly for world coins and international material. It handles worn, damaged pieces that challenge automated systems and works offline. A legitimate tool for its audience and a useful complement for collectors who work with non-U.S. material.

PCGS CoinFacts

The most authoritative numismatic reference available on mobile — but not a coin recognition app in the active sense. Research depth after identification is unmatched. As a first-scan tool, it isn’t designed to function that way. The natural workflow: CoinKnow first, PCGS CoinFacts second.

Three Publications, One Conclusion

Muddy River News evaluated eight free options and ranked CoinKnow first. CU Independent’s “7 Best Free Coin Value Apps for Identification” placed it at number one, describing it as the gold standard for results collectors can trust. The Emory Wheel’s “Top 10 Free Coin Identifier and Value Apps” reached the same conclusion independently.

Three editorial evaluations. Three independent testing processes. Three identical results. What makes that convergence meaningful is not just the agreement — it’s that all three publications arrived there by testing the same things CoinKnow is actually built to do: identify accurately, grade precisely, detect errors automatically, and price against the current market.

Pricing

Free daily scans on iOS and Android. No credit card required to begin. Annual unlimited subscription at approximately $38.99 — less than a single professional grading submission from PCGS or NGC.

The intelligence CoinKnow applies to pre-screening coins before professional certification changes the economics of submitting. Knowing which coins genuinely warrant the cost of certification pays for the annual subscription faster than most collectors expect. One automatically detected error coin covers the full cost immediately.

The Verdict

Intelligence in a coin recognition app is not about the technology. It’s about what the technology is trained to see and how deep it goes on a single scan.

CoinKnow goes deep. Five layers of intelligence — identification, grading, error detection, pricing, and copper color and proof designations — deployed on every scan, automatically, without requiring the collector to know what questions to ask. Three independent publications independently concluded it’s the best free coin recognition app available. For U.S. coins, nothing currently comes close.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Death Cab for Cutie Announce New Album ‘I Built You A Tower’ and World Tour

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Today, indie rock titans and eight-time GRAMMY nominees Death Cab for Cutie – Benjamin Gibbard, Nicholas Harmer, Jason McGerr, Dave Depper and Zac Rae – announce their 11th studio album. I Built You A Tower, will be released on June 5 via ANTI- Records. The move marks the band’s return to their independent roots after 20 years on Atlantic Records. Produced and engineered by John Congleton and assembled from a mere three weeks of sessions, I Built You A Tower was recorded at Animal Rites in Los Angeles, as well as the band members’ homes in Seattle, Bellingham, Los Angeles and Portland. 

Alongside today’s album announcement, Death Cab for Cutie share the album’s propulsive first single, “Riptides.” “’Riptides’ is about the challenge of dealing with personal struggles as the world around us experiences tragedy and loss on an unfathomable scale,” says Gibbard. “And how when these two elements intertwine themselves in our psyches, it feels utterly paralyzing.” Listen to the song and watch its Jason Lester-directed video HERE.  

In recent years, Death Cab celebrated several historic milestones, including massive sold-out tours celebrating the 20th anniversaries of seminal releases Transatlanticism and Plans. Those tours were pivotal to the creation of I Built You A Tower, as behind the scenes, Gibbard weathered the greatest pressure of his professional life — fronting both Death Cab and the Postal Service on arena stages for hours a night — while struggling with the collapse of his personal life in the background. The strain felt too much for one person to bear, and the “tower” originated as a way to protect himself. “There’s this need to find a place in ourselves to put loss and grief,” he explains. “A place that can hold it so we can move on with our lives. But there are these moments where the trauma breaks out of that shell we created for it.”  

I Built You A Tower is an album of reconciling with past selves in order to locate a new future. “The anniversary tours exorcised any nostalgia in our systems,” Depper observes. “We felt part of this powerful force greater than all of us and went into the studio with a sense of, how can we capture that feeling and put it into something new?” Harmer continues, “The whole experience of this record got us back to the earliest versions of this band: If the musicians in the room like what we’re working on, that’s enough. We reconnected with the confidence that comes with that.” As such, this is not the dreaded “return to form” narrative, but a reclamation of a core ethos that has run through Death Cab’s 30-year history.

The band recently announced a North American summer tour, which is on sale now. Today the band also announces a Fall UK/EU tour, with tickets going on sale this Friday at 10 am locally. These performances come on the heels of a historic, sold-out global tour in marking the 20th anniversary of Transatlanticism plus their universally acclaimed 10th studio effort, 2022’s Asphalt Meadows. See below to find a show near you. 

Tour Dates 

May 29 – Denver, CO – Outside Days 
July 10 – Minneapolis, MN – Armory * 
July 11 – Milwaukee, WI – Miller High Life Theatre * 
July 12 – Indianapolis, IN – Everwise Amphitheater at White River State Park * 
July 14 – Cincinnati, OH – MegaCorp Pavilion * 
July 15 – Cleveland, OH – Jacobs Pavilion * 
July 17 – Philadelphia, PA – Highmark Mann Center for the Performing Arts ^ 
July 18 – Canandaigua, NY – CMAC ^ 
July 19 – Toronto, ON – RBC Amphitheatre ^ 
July 21 – Columbia, MD – Merriweather Post Pavilion ^ 
July 22 – Raleigh, NC – Coastal Credit Union Music Park at Walnut Creek ^ 
July 24 – St. Louis, MO – Stifel Theatre # 
July 25 – Bentonville, AR – The Momentary # 
July 26 – Council Bluffs, IA – Harrah’s Stir Cove # 
July 28 – Sandy, UT – Sandy Amphitheater # 
July 29 – Sandy, UT – Sandy Amphitheater # 
July 31 – Phoenix, AZ – Arizona Financial Theatre # 
August 2 – Los Angeles, CA – The Greek Theatre # 
August 3 – Los Angeles, CA – The Greek Theatre # 
August 4 – San Diego, CA – Gallagher Square at Petco Park # 
August 6 – Las Vegas, NV – The Theater at Virgin Hotels Las Vegas & 
August 7 – Paso Robles, CA – Vina Robles Amphitheatre & 
August 9 – San Francisco, CA – Outside Lands 
September 16 – Dublin, Ireland – 3Olympia Theatre 
September 19 – Manchester, UK – O2 Victoria Warehouse 
September 20 – Edinburgh, UK – Corn Exchange 
September 21 – Gateshead, UK – The Glasshouse  
September 23 – Bristol, UK – The Prospect Building 
September 25 – London, UK – Troxy 
September 29 – Utrecht, Netherlands – TivoliVredenburg 
September 30 – Brussels, Belgium – Cirque Royal 
October 1 – Berlin, Germany – Columbiahalle 
October 3 – Paris, France – Elysée Montmartre 

*with Jay Som 
^with Japanese Breakfast 
#with Nation of Language 
&with Lala Lala 

Post-Punkers The New Cut Release Razor-Sharp Debut EP ‘Sleepers, Mourners’

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The New Cut have released their debut EP ‘Sleepers, Mourners’ via Modern Sky, and it is a focused, six-track statement from a Bristol post-punk quartet with a sharp ear for tension and a sharper eye for modern life. The EP is out now, and a headline UK tour runs through April and into May.

The record covers serious ground without losing its edge. Opener “Oversight” dives into darkwave territory with Nick Cave and Molchat Doma hovering nearby, while “London, Out There” pulls the band into more reflective, brooding terrain. “And As Always” uses retro sonics to dissect parasocial relationships, and “Valuable Customer” turns the commodification of the consumer into a wry, pointed provocation. These are songs with something to say, delivered with the coiled energy of The Fall, Wire, and The Monochrome Set.

The band describe ‘Sleepers, Mourners’ as a transitional record, almost anthology-like in feel, written across a couple of years and capturing a band actively working things out. “These are the influences, this is where we were, this is where we’re going,” they said. That self-awareness gives the EP a texture most debuts lack.

The New Cut have earned their momentum the right way, supporting SPRINTS, Buzzcocks, and The Bug Club, and playing tastemaker festivals including The Great Escape, Dot To Dot, and Left Of The Dial. DIY called the EP a record with “a melancholic pull that recalls modern post-punk’s more introspective side, where tension simmers instead of explodes.” That description nails it.

The tour kicks off April 11 in Blackpool. Get there early.

‘Sleepers, Mourners’ Tracklisting:

  1. Oversight
  2. And As Always
  3. Valuable Customer
  4. CHRS PCKHM
  5. London, Out There
  6. Arnos Vale

Headline Tour Dates:

April 11 — Blackpool — Bootleg Social

April 12 — Manchester — YES

April 13 — Leeds — Oporto

April 14 — Kingston upon Hull — Polar Bear Music Club

April 15 — Glasgow — McChuills

April 22 — Bedford — Bedford Esquires

April 23 — London — The Grace

May 2 — Bristol — The Croft

Indie-Folk Songsmith Harry Fennell Unveils Darkly Brilliant New Single “MAD”

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Harry Fennell has released his new single “MAD,” out now via Rubarb Music. The Dublin-born, Galway-based singer-songwriter delivers a cinematic and psychedelic folk track that narrates a descent into madness through love, frustration, and sharp-edged irony. It is a bold, immersive piece of work from one of Ireland’s most compelling emerging voices.

The song was born out of a chaotic period, written with close friend Lughaidh Armstrong Mayock of Basht. in a session Fennell describes as “a dangerously effective place for the two of us songwriting-wise.” That chemistry is all over the track. Built around a travis-picked earworm guitar melody, “MAD” weaves silky folk vocals through experimental woodwinds and swelling strings, moving from something that feels like a tender love song into something far darker and more unsettling.

Hot Press called Fennell “one of the most compelling singer-songwriters in the city,” noting his 60s lodestars and a Dylan-esque eye for the absurd. Those instincts are fully present here. The track lands somewhere between Dove Ellis and Madison Cunningham, drawing nods to Tra Phaidín and The Bonk while remaining entirely its own thing.

Fennell has built his reputation performing at Electric Picnic, All Together Now, Whelan’s, and The Ruby Sessions, earning strong support from RTÉ Radio 1 and Red FM along the way. Raised on Bob Dylan and shaped by Leonard Cohen, Shakey Graves, and Father John Misty, his roots run deep and his instincts run sharp.

“MAD” is the first taste of his debut EP, arriving later this year. If this single is the opening move, the rest of that record is going to be worth the wait.

Billie Eilish Brings “Hit Me Hard and Soft: The Tour” to the Big Screen in 3D

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Billie Eilish is taking her sold-out world tour to movie theatres this spring. BILLIE EILISH: HIT ME HARD AND SOFT: THE TOUR (LIVE IN 3D) arrives exclusively in theatres May 8, 2026, presented in immersive RealD 3D and Premium Large Formats. This is not a standard concert film.

The project is co-directed by Eilish herself alongside James Cameron, two Academy Award winners bringing their full creative weight to a live music document. Cameron’s command of immersive 3D filmmaking, combined with Eilish’s own artistic vision for her world, makes this a genuinely unusual collaboration. The result is built to be experienced on the largest screen possible.

The film captures Eilish at the peak of her touring powers, drawing from one of the most successful concert runs of her career. Her album ‘Hit Me Hard and Soft’ cemented her standing as one of the most critically and commercially dominant artists of her generation, and this film extends that moment into a full theatrical event.

Paramount Pictures presents the production under the Lightstorm Earth, Darkroom Records, and Interscope Films banner. With Cameron’s technical ambition behind the lens and Eilish’s singular performance style at the center, this is a concert film with a scope most artists would never attempt.

May 8 in theatres. Plan accordingly.

Rising Country Hitmaker Chayce Beckham Hits the Road on the “Old Fashioned Tour”

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Chayce Beckham kicked off his “Old Fashioned Tour” this past weekend with shows in Garland, Texas and Miami, Oklahoma. The tour continues with nine more shows around the country. Called “the poster child for impactful and meaningful country music,” (Entertainment Focus), Beckham is also in the studio making the next wave of music. With this latest tour, Beckham continues his reign as “one of the genre’s most exciting rising stars” (Entertainment Focus).

Upcoming tour dates include:

4/9 St. Augustine, FL The St. Augustine Amphitheatre*
4/10 Ft. Lauderdale, FL Rock The Ocean’s Tortuga Music Festival
4/11 Clearwater, FL The BayCare Sound*
4/24 Virginia Beach, VA Beach Events
4/25 Leesburg, VA Tally Ho Theater
5/29 Atlantic City, NJ Music Box at Borgata
7/10 Independence, IA Buchanan County Fair
7/11 Ham Lake, MN Summer Sounds at Willow Tree Winery
7/24 Chillicothe, IL Chillicothe River & Rails Fest
*Supporting Dwight Yoakam

The only artist to win American Idol singing his own songs, rising country artist Chayce Beckham scored his first #1 at country radio with the platinum hit single “23.” A California native schooled on tough times and a mix of country, rock, hip hop and beyond, the fiery songwriter with his own creative compass started a habit of heart-on-his-sleeve lyricism after a hard season of life left him feeling empty. Yet, his warm, rough rasp and steadfast drive charmed the nation on Idol’s 19th season. With more than 536 million global on-demand streams and counting, the bluesy and brutally honest anthem “23” debuted at #1 on both iTunes All Genre and Country singles charts, and led his first album, Bad for Me. The breakout star co-wrote nine of 13 songs (three solo), showcasing Beckham opening his soul like most would never dare and embracing a timeless country-rock sound fueled by fiddles, steel guitar, and plenty of against-the-grain attitude. With dusky shades of heroes like Johnny Cash, Waylon Jennings, and Kris Kristofferson, the set aims to reinforce next-big-thing and artist to watch predictions from the Grand Ole Opry, CMT, Amazon Music, MusicRow and more. Beckham joined Warren Zeiders on his 2025 Relapse, Lies & Betrayal Tour and followed his critically acclaimed debut with the fiddle-driven heartbreaker “Ocean Blue” and romantic ballad “Holdin’ You, Lovin’ You.”

Maren Morris Announces the “dreamGIRL Tour” This Summer

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Maren Morris is extending her 2026 road run in a significant way. Following her spring “Dreamsicle Tour,” the Grammy-winning singer-songwriter has announced the “dreamGIRL Tour,” a summer run of intimate North American dates kicking off June 13 at Spruce Meadows in Calgary. The tour wraps July 25 at KettleHouse Amphitheater in Bonner, Montana. Tickets go on sale March 20 at 10 a.m. local time, with a Lunatics presale starting March 18 at MarenMorris.com.

The summer run pulls from all four of Morris’s albums, and the routing is sharp, hitting Northern California wine country, the Las Vegas Strip, and the Pacific Northwest before closing out in Montana. Scout Willis supports on select dates. The routing is built for connection, smaller rooms and outdoor stages where Morris’s voice lands with full impact.

The standout date is July 19 at Red Rocks Amphitheatre, where Morris performs with the Colorado Symphony, joined by The Highwomen and Brittney Spencer opening. That is a stacked bill at one of the greatest outdoor venues in North America, and it is the kind of night that sells itself.

The spring “Dreamsicle Tour” continues through May 3, with upcoming stops in Nashville, Greenville, Miami, Orlando, Austin, Houston, and Dallas among others. Morris has already demonstrated strong box office pull this year, with her Rooftop at Pier 17 show in New York grossing over $205,000.

Morris is one of country music’s most consistent live draws, and both tours together paint a picture of an artist fully in her stride.

2026 Dreamsicle Tour (Spring):

April 15 — Nashville, IN — Brown County Music Center

April 17 — Greenville, SC — Peace Center

April 18 — North Charleston, SC — High Water Festival

April 21 — Tampa, FL — Hard Rock Event Center at Seminole Hard Rock Hotel & Casino Tampa

April 23 — Miami, FL — The Fillmore Miami Beach

April 24 — Orlando, FL — House of Blues Orlando

April 25 — Fort Myers, FL — Barbara B. Mann Performing Arts Hall at FSW

April 27 — Ponte Vedra Beach, FL — Ponte Vedra Concert Hall

April 28 — Ponte Vedra Beach, FL — Ponte Vedra Concert Hall

April 30 — Austin, TX — ACL Live at The Moody Theater

May 2 — Houston, TX — 713 Music Hall

May 3 — Dallas, TX — Majestic Theatre

2026 dreamGIRL Tour (Summer):

June 13 — Calgary, AB — Spruce Meadows

June 26 — Del Mar, CA — San Diego County Fair

July 11 — Napa, CA — Uptown Theatre Napa

July 12 — Saratoga, CA — The Mountain Winery

July 14 — Highland, CA — Yaamava’ Theater

July 15 — Las Vegas, NV — The Chelsea at The Cosmopolitan of Las Vegas

July 17 — Beaver Creek, CO — Vilar Performing Arts Center

July 19 — Morrison, CO — Red Rocks Amphitheatre With the Colorado Symphony, joined by The Highwomen plus Brittney Spencer opening

July 20 — Salt Lake City, UT — TBA

July 22 — Forest Grove, OR — McMenamins Grand Lodge

July 23 — Seattle, WA — Woodland Park Zoo

July 25 — Bonner, MT — KettleHouse Amphitheater