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The Frequency School Sets Guinness World Record with “195” Celebrating Global Voices

Eric Alper
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The Frequency School Sets Guinness World Record with “195” Celebrating Global Voices

  • The Frequency School set a new GUINNESS WORLD RECORDS title for “Most nationalities to contribute vocals to a musical recording (single song)” with the “195” song on Monday, in a bid to raise awareness about gender equality and to ignite a global movement uplifting people through the transformative power of soundhealing frequencies.

The record-breaking “195” is the first song in history featuring women from all of the world’s 195 countries and using sound healing frequencies and the 528 Hz ‘Love Frequency’.

The Frequency School co-founded by U.S. Grammy-nominated and multi-platinum music producer Maejor, Martina Fuchs, Kingsley M, Brandon Lee and Aaron Dawson produced this visionary, powerful and universal campaign and premiered it during the 55th Annual Meeting of the World Economic Forum (WEF) in Davos-Klosters, Switzerland, from January 20-24. 

Using the sounds of birds and the heartbeat as instrumental elements, the “195” aims to raise the world’s frequency, elevate humanity, and trigger a positive impact by uniting and empowering women worldwide.

One woman in every one of the world’s 195 countries recognized by the United Nations said one word: “EQUALITY” in her national language or native tongue and sent in her voice and video recording.

The number of women and nationalities participating in the song was officially verified by a Guinness World Records adjudicator. 

Martina Fuchs, Executive Producer of the “195” and Co-Founder of the Frequency School, said, “It has always been my dream to produce the first song in history featuring every country on the planet. Our vision was to unite 195 ordinary women from all walks of life in this pioneering and groundbreaking initiative to advocate for gender equality and the rights of women and girls, and to help people struggling with mental health issues. Breaking this record is only the beginning: we are on a global mission to make our world a more peaceful place.”

Maejor, Founder and CEO of the Frequency School who produced the song, said, “The world record is a testimony to our work and the universal language of music. This achievement is a call to every one of us to lift each other up and spread peace, love and harmony. We chose to use 528 Hz which is often referred to as the ‘love frequency’, or the frequency of transformation and miracles. We wanted to promote more respect and fairness for women, as well as deep inner healing and a state of peace. The transformative vibration of 528 Hz can inspire positive action and empathy and people to act more kindly and inclusively.”

According to scientific studies and music theory, Solfeggio frequencies, ranging from 174 Hz to 963 Hz, offer unique sound patterns that promote relaxation, stress relief, and overall well-being. These frequencies have been shown to positively impact mental, emotional, and physical health by generating vibrations that help achieve a state of calm and balance of the mind, body and spirit.

Kingsley Maduka, Co-Founder of the Frequency School, said, “We’re incredibly excited to set a new world record, and I am honored to have the youngest lady in my family, my 6 year-old daughter, to be apart of such an intentional women empowerment project, focused on wellness. Being a man, it’s important that we do our parts to support our better halfs for the sake of the mental health and wellness of humanity. The Frequency School is such an amazing platform for utilizing, implementing and amplifying wellness tools – working at the intersection of music, wellness, mental health and education is some of the most impactful work I’ve been able to be apart of.”

Brandon Lee, Co-Founder of the Frequency School, said, “Every one of us enters this world through a woman—women are the very heartbeat of humanity. I’m deeply honored to be part of this project and inspired by the future initiatives we’re building at Frequency School to uplift women’s wellness. Earning the GUINNESS WORLD RECORDS title will amplify our mission globally, allowing us to create an even greater impact.”

Aaron Dawson, Co-Founder and Creative Director of the Frequency School, said, “This project is much more than a world record, it’s a reflection of the immense gratitude I hold for women everywhere. I carry deep appreciation for every woman who have shaped me: my mother, grandmothers, aunts, cousins, godchildren, teachers, ancestors, and the many women whose love and existence have given me and the world such beautiful life. A better world exists when we honor women’s gifts, invest in them, and protect their well-being.”

Miriam Moriati, President of the Kiribati Rotaract Youth Club and a Women and Youth representative for OARS (Ocean Alliance for Resilience and Sustainability), said, “I’m from Kiribati, a small island nation in the Pacific, where our highest point is just 3 meters above sea level. Our women in Kiribati are vulnerable due to gender equality not being part of our culture and traditions. They are often the first to be affected by crises and the last to recover. Being part of this initiative to support women on an international stage is an incredible honor. Opportunities to represent our small country are rare, and I am grateful for this platform to amplify the voices of Kiribati women.”

Sawilanji Nachula, a middle school student representing Zambia, said, “I am a 13-year old Zambian and live on the ‘Mighty Zambezi’ near the Victoria Falls. I am currently a student at Falcon College in Esigodini, Zimbabwe, where I will start my grade 9 next month. I am both honoured and inspired to smash the world record with so many already successful and soon to be successful members. I doubt I will be able to contribute much myself for now. But I will be sure to promote gender equality as I get older.”

Inspired by the murmuration of birds and nature’s synchronicity, the visualizer of the song includes art elements evoking raw emotions and reflecting the power and harmony of women, and their aspiration for freedom and collective strength.

LIST OF “195” PARTICIPANTS: 

Fawzia Koofi, Afghanistan

Juxhina Sotiri Gjoni, Albania

Kahina Bouagache, Algeria      

Jimena Cierco Martinez and Júlia Carreras Salvadó, Andorra

Ester Nilsson, Angola

Abrianna Cooper, Antigua and Barbuda

Romina Sudack, Argentina

Sose Markosyan, Armenia

Anjali Nadaradjane, Australia

Delia Fischer, Austria

Bahar Balayeva, Azerbaijan

Amanda Darville, Bahamas

Ahdeya Ahmed Al-Sayed, Bahrain

Laiba Jannati Pritha, Bangladesh

Gloria Carter, Barbados

Kristina Lozinskaya, Belarus

Nyanchama Okemwa, Belgium

Julie Robinson, Belize

Adjalla Senami Naomy Campbell Mariela, Benin

Yangdon Sonam, Bhutan

Valentina Crespo Kuljis, Bolivia (Plurinational State of)

Iman Daneya Zulum, Bosnia and Herzegovina

Kabelo Botlhe Dikobe, Botswana

Samanta Bullock, Brazil

Daphne Lai Teck Ching, Brunei Darussalam

Natalini Yordanova, Bulgaria

Audrey Korsaga, Burkina Faso

Jeanne Irakoze, Burundi

Zanu Alves, Cabo Verde

Savada Prom, Cambodia

Sabrina Love, Cameroon

Alyson Meister, Canada

Kessy Martine Ekomo-Soignet, Central African Republic

Mariam Abdoulaye Malloum, Chad

Bernardita Castillo Passi, Chile

Joyce Peng Peng, China

Karin Andrea Stephan, Colombia

Armel Azihar Sly-vania, Comoros

Gisèle Brice Mabiala, Republic of the Congo

Maria Jose Freer Murillo, Costa Rica

Noussoeu Bih, Côte D’Ivoire

Marijana Maros, Croatia

Lixandra Díaz Portuondo, Cuba

Louiza Nikolaou, Cyprus

Shelley Pleva, Czechia

Esther Eom, Democratic People’s Republic of Korea

Dodo Liwanga, Democratic Republic of the Congo

Heidi Bjerkan, Denmark

Intibah Ali Abdallah, Djibouti

Sapphire Vital, Dominica

María Eugenia del Castillo, Dominican Republic

Margarita Heredia Forster, Ecuador

Amena Bakr, Egypt

Fabiola Torres, El Salvador

Paulina Laurel Sami, Equatorial Guinea

Harena Amanuel, Eritrea

Anette Maria Rennit, Estonia

Zandisile Howe, Eswatini

Lina Getachew Ayenew, Ethiopia

Renita Reddy, Fiji

Julia Sulonen, Finland

Anino Emuwa, France

Rita Aboghe, Gabon

Sarjo M Jallo, Gambia (Republic of The)

Eka Khorbaladze, Georgia

Carolin Strunz, Germany

Michelle Nana Adwoa Agyakomah Yeboah, Ghana

Efi Pylarinou, Greece

Laureen Redhead, Grenada

Lilian Viviana Tzul Pérez, Guatemala

Fatoumata Diallo, Guinea

Waltemira Audilia Monteiro Eckert, Guinea Bissau

Amrita Naraine, Guyana

Stephanie Garçonvil, Haiti

Carmen Elisa Méndez Silva, Honduras

Aliz McLean, Hungary

Mardis Karlsdottir, Iceland

Asma Khan, India

Siti Suliatin Buechel, Indonesia

Sanam Shantyaei, Iran (Islamic Republic of)

Aya Al-Shakarchi, Iraq

Lisa Armstrong, Ireland

Dalith Steiger, Israel

Cristina Romelli Gervasoni, Italy

Heather Carrington, Jamaica

Meguri Fujisawa, Japan

Suad Musallam Hijazin, Jordan

Zhanna Kan, Kazakhstan

Shayoon, Kenya

Miriam Moriati Koae, Kiribati

Suad Al Sabah, Kuwait

Aigerim Sultanbekova, Kyrgyzstan

Duangtavanh Oudomchith, Lao People’s Democratic Republic

Laima Dimiševska, Latvia

Dia Audi, Lebanon

Reekelitsoe Molapo, Lesotho

Laymah E. Kollie, Liberia

Manal Aboujtila, Libya

Katrin Eggenberger, Liechtenstein

Deimile Soares, Lithuania

Sophie-Anne Schaul, Luxembourg

Mireille Ramampandrison, Madagascar

Jacqueline Nhlema, Malawi

Harpreet Bhal, Malaysia

Widhadh Waheed, Maldives

Binthily Youma Macalou, Mali

Michelle Muscat, Malta

Claret ChongGum, Marshall Islands

Habibata Cissé, Mauritania

Ameenah Gurib-Fakim, Mauritius

Yolanda Sánchez, Mexico

Drinnette James, Micronesia (Federated States of)

Annabelle Jaeger-Seydoux, Monaco

Amrita Gerelt-od, Mongolia

Milica Markovic, Montenegro

Touria El Glaoui, Morocco

Maria Honoria da Silva Mocambique, Mozambique

Ei Han, Myanmar

Tisha Haushona, Namibia

Angelina Waqa, Nauru

Sahana Vajracharya, Nepal

Andrea B. Maier, Netherlands (Kingdom of the)

Alexia Hilbertidou, New Zealand

Kathia Salazar, Nicaragua

Alassane Soumana Roukayatou, Niger

Eyitola St. Matthew-Daniel, Nigeria

Matea Kocevska, North Macedonia

Alliance Niyigena, Norway

Ruby Saharan, Oman

Mariam Zaidi, Pakistan

Dee Raya Antonio, Palau

Nadia Hazem, Palestine

Trishna Nagrani, Panama

Jenny Namana, Papua New Guinea

Emilie Seitz, Paraguay

Gigi Caballero, Peru

Andrea Mikaella Geronimo, Philippines

Elvira Eevr Djaltchinova-Malec, Poland

Sandra Fankhauser, Portugal

Dr. Asmaa Alfadala, Qatar

Sylvia Shin, Republic of Korea

Dana Muntean, Republic of Moldova

Carina Schuster, Romania

Ashley Dudarenok, Russian Federation

Bonita Mutoni, Rwanda

Vicia Woods, Saint Kitts and Nevis

Sheridin Jones, Saint Lucia

Rianka Chance, Saint Vincent and the Grenadines

Faauiga Maiava Onosai Sauiluma, Samoa

Martina Mattioli, San Marino

Katy Nascimento, Sao Tome and Principe

Asma Alsharif, Saudi Arabia

Korka Dieng, Senegal

Teodora Cosic, Serbia

Beverly Dick, Seychelles

Sylvia Conteh, Sierra Leone

Cheng Ying (Monica), Singapore

Lucia Kupcova, Slovakia

Ksenia Juvan, Slovenia

Sharon Inone, Solomon Islands

Amran Abocar, Somalia

Kim August, South Africa

Josephine Albino, South Sudan

Alejandra Costales Richards, Spain

Suba Umathevan, Sri Lanka

Tahani Karrar, Sudan

Radhiya Ebermann-Joval, Suriname

Sabinije von Gaffke, Sweden

Martina Fuchs, Switzerland

Stephanie Ghazi, Syrian Arab Republic

Zarina Khasanova, Tajikistan

Ratih Paramitha, Thailand

Dália Kiakilir, Timor-Leste

Isbath Esther Ali, Togo

Ofa Âgé, Tonga

Alexa Chin Pang, Trinidad and Tobago

Aya Chebbi, Tunisia

Guelistan Fuchs, Türkiye

Aylar Babayeva, Turkmenistan

Lilly Teafa, Tuvalu

Jovia Kisaakye, Uganda

Kateryna Krasnozhon, Ukraine

Suaad Al Shamsi, United Arab Emirates

Melissa Monique, United Kingdom of Great Britain and Northern Ireland

Flaviana Matata, United Republic of Tanzania

Kenzi Kachi Maduka, United States of America

Camila Bentancur, Uruguay

Muldir Khayitova, Uzbekistan

Adrina J L Abel, Vanuatu

Boglarka Sztancs, Vatican City

Sophia Santi Guevara, Venezuela, Bolivarian Republic of

Yip Thy Diep Ta, Viet Nam             

Wadha Abdullah Mohsin, Yemen

Suwilanji Nachula, Zambia

Rosheen Ngorima, Zimbabwe

ABOUT THE FREQUENCY SCHOOL:

The Frequency School is a pioneering global initiative designed to harness the transformative power of music for the holistic development of people around the world, focusing on the mind, body, and spirit.

Through services like music therapy, education, and performance, we empower individuals to lead balanced, healthy, and fulfilling lives. The approach integrates the latest in sound therapy with traditional wellness practices to support the whole person.

It was launched by Maejor, Martina Fuchs, Kingsley M, Brandon Lee, and Aaron Dawson at the renowned international boarding school Aiglon College in Switzerland in 2024.

Surprise! Albums That Were Released Out of Nowhere

Eric Alper
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Surprise! Albums That Were Released Out of Nowhere

In the fast-moving world of music, surprise albums have become a thrilling way for artists to drop new music with little or no warning. Unlike traditional album releases, which often come with months of teasing singles, videos, and promotions, a surprise album arrives suddenly—sometimes with just hours or days notice. This approach grew from the challenges of album leaks in the 2000s and quickly became a powerful way for artists to connect directly with fans, shaking up how music is shared and celebrated.

Radiohead – In Rainbows (2007)
Radiohead’s In Rainbows is widely credited as the first big surprise album. The band announced the album just ten days before release on their website, offering it with a pay-what-you-want model. This bold move challenged the music industry and gave fans a new way to experience and support music.

Nine Inch Nails – Ghosts I–IV and The Slip (2008)
Nine Inch Nails broke free from record label constraints by releasing two albums independently and for free. The surprise drop gave fans high-quality music immediately, with the added twist that they could remix and edit the tracks, fostering creativity and connection.

Jay-Z and Kanye West – Watch the Throne (2011)
Before the official surprise drop of Watch the Throne, Jay-Z and Kanye West used false release dates to keep fans guessing and beat leaks. This strategy kept anticipation high while protecting the album’s impact upon release.

Frank Ocean – Channel Orange (2012)
Frank Ocean took surprise releases a step further by releasing Channel Orange a week earlier than planned, catching listeners off guard in the best way. The album’s intimate sound and honest lyrics resonated deeply, establishing Ocean as a major voice in R&B.

David Bowie – The Next Day (2013)
After years of silence, Bowie returned with The Next Day, released in secret. The sudden arrival reminded the world of his enduring artistry and ability to command attention on his own terms, debuting high on charts worldwide.

Beyoncé – Beyoncé (2013)
Beyoncé’s self-titled visual album launched without any prior warning and instantly dominated iTunes. This move reset expectations for album releases, blending music, video, and surprise in a way that created a cultural moment.

U2 – Songs of Innocence (2014)
U2 partnered with Apple to release Songs of Innocence directly into millions of iTunes libraries without asking. The move sparked conversations about digital distribution and privacy while making the album instantly available to a huge audience.

Frank Ocean – Endless and Blonde (2016)
Ocean completed his contract with Def Jam by releasing the visual album Endless unexpectedly, then followed up with Blonde the very next day independently. This double surprise drop challenged industry norms and embraced digital exclusivity.

Eminem – Kamikaze (2018)
Following mixed reactions to his previous album, Eminem dropped Kamikaze without advance notice. The surprise release gave him space to respond to critics head-on with raw lyrics and energy, engaging fans in a direct way.

Taylor Swift – Folklore and Evermore (2020)
Swift surprised fans with Folklore during the pandemic, releasing it with less than a day’s notice. Just months later, she surprised everyone again with Evermore, showing how surprise releases can also convey intimacy and artistic evolution.

Kygo – Thrill of the Chase (2022)
Norwegian DJ Kygo quietly released his fourth studio album Thrill of the Chase, delivering smooth tropical vibes without any buildup, proving surprise drops work across genres.

Kendrick Lamar – GNX (2024)
Lamar’s unannounced release of GNX followed a high-profile feud, giving fans immediate access to new work and capturing attention without traditional hype.

Surprise albums continue to shake up the music industry, allowing artists to take control of their work and catch fans in moments of pure joy. Each of these releases shows how unpredictability can create connection, excitement, and lasting impact in the digital age.

50 Facts About “Weird Al” Yankovic That Will Make You Love Him Even More

Eric Alper
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50 Facts About “Weird Al” Yankovic That Will Make You Love Him Even More

If you think you know “Weird Al” Yankovic — the accordion-wielding king of comedy music — think again. Behind the mustache, quirky songs, and spot-on parodies lies a fascinating and heartfelt story filled with surprising facts, incredible dedication, and more than a little weirdness (the good kind). Here’s a list of 50 unknown or little-known facts about Al that will delight you, make you chuckle, and maybe even inspire you.

1. Al’s real name is Alfred Matthew Yankovic. The nickname “Weird Al” started as a friendly insult in college but stuck forever.

2. Born on October 23, 1959, in Downey, California, he’s been making us laugh for over four decades.

3. His first accordion lesson happened the day before his seventh birthday — a door-to-door salesman offered his parents a choice between guitar or accordion lessons. They picked accordion, hoping to keep the Yankovic accordion tradition alive (though he’s not related to famous polka player Frankie Yankovic).

4. Al’s parents were quite the inspiration: his dad, a decorated WWII medic, taught him the importance of doing what makes you happy.

5. His mother didn’t let him outside often, so he had plenty of time to practice the accordion.

6. He skipped second grade and graduated high school two years younger than his classmates — he was the class valedictorian!

7. In high school, he was part of a Volcano Worshippers club — which did absolutely nothing but got them a yearbook photo.

8. His first parody hit was “My Bologna,” a take on The Knack’s “My Sharona,” recorded in a bathroom for the echo effect.

9. Dr. Demento, the legendary comedy radio host, was the first to play Al’s homemade tapes on air — launching his career at just 16.

10. “Another One Rides the Bus,” a Queen parody, was recorded live on the Dr. Demento show, with drummer Jon “Bermuda” Schwartz banging on Al’s accordion case for percussion.

11. His first TV appearance was performing “Another One Rides the Bus” on The Tomorrow Show in 1981.

12. The single “Eat It” (parody of Michael Jackson’s “Beat It”) was his first major breakthrough, and MJ himself gave his blessing.

13. Al’s iconic mustache has made several disappearances over the years — including shaving it off for the “Ricky” video and again after his LASIK eye surgery.

14. Speaking of LASIK, he had it done live on morning TV in 1998.

15. He earned a degree in architecture before fully committing to music, proving you can be both a nerd and an accordion genius.

16. “Smells Like Nirvana,” his Nirvana parody, was credited by Kurt Cobain as a sign they had “made it.”

17. He’s sold over 12 million albums and recorded over 150 songs, a testament to his relentless creativity.

18. “Mandatory Fun,” his 2014 album, was his first to debut at #1 on Billboard.

19. Al writes all his own songs — no fan submissions — maintaining tight control over his craft.

20. He’s famous for polka medleys, combining the hits of the day into one accordion-powered whirlwind.

21. Despite his comedic style, he spends weeks perfecting lyrics to match the rhythm and rhyme scheme of originals.

22. Al is a vegetarian since 1992, inspired by a book his girlfriend gave him.

23. He’s a devoted family man, married since 2001 with a daughter named Nina.

24. Al’s parents tragically died in 2004 from accidental carbon monoxide poisoning — yet he chose to continue performing concerts during that difficult time to find solace.

25. He’s directed many of his own music videos and even videos for other artists like Hanson and Ben Folds.

26. “Weird Al” is also an accomplished voice actor, appearing on shows like The Simpsons, My Little Pony, and Teen Titans Go!

27. His recurring jokes include the number 27, the names Bob and Frank, and a fascination with nostrils (yes, nostrils!).

28. He’s never released an album since 2014 but frequently drops singles online to keep up with the times.

29. Al’s not just about parodies — his original songs are style pastiches that cleverly mimic artists from Pixies to Rage Against the Machine.

30. He won five Grammys and has been nominated eleven more times — pretty serious honors for a comedy musician!

31. Many artists love being parodied by him, seeing it as a sign they’ve truly arrived.

32. Madonna once joked that Al should parody “Like a Virgin” as “Like a Surgeon” — and he did.

33. Despite his reputation, he’s polite, shy, and introverted in real life.

34. Al’s live shows are full-scale multimedia extravaganzas with costume changes, props, and video screens.

35. He’s toured the world over a thousand times — from the U.S. to Australia and Europe.

36. The famous Twinkie Wiener Sandwich — an overturned Twinkie as a bun, hot dog, and Easy Cheese, dipped in milk — was Al’s invention featured in his cult film UHF.

37. Al’s friends include legends like Lin-Manuel Miranda, who credits him as an influence.

38. He refused to do endorsements for beer, wanting to protect his younger fans.

39. His name is often misspelled online — “Yankovich” being a common mistake.

40. He’s been denied permission to parody some songs (looking at you, Prince!), but respects every artist’s wishes.

41. Al was the first guest editor for Mad magazine’s 533rd issue.

42. He’s appeared in films, TV shows, cartoons, and even web series — a true multimedia icon.

43. He once recorded a parody of “Black or White” called “Snack All Night,” but Michael Jackson denied permission because of the song’s serious message.

44. Al’s famous for borrowing $5 repeatedly in his interviews — and always getting turned down.

45. He even took part in political satire videos about U.S. presidential debates.

46. His recurring character, Harvey the Wonder Hamster, pops up in several songs and shows.

47. The number 27 is so important to him that he deliberately includes it in lyrics, album covers, and videos.

48. Al’s one of the few artists to have a Top 40 Billboard hit in every decade from the ’80s through the 2010s.

49. His parody of “White & Nerdy” was a surprise Top 10 hit and introduced a new generation to his work.

50. Despite all his fame, he remains humble, friendly, and grateful to his fans for four decades of support.

A master of laughter, music, and kindness, he’s proof that being yourself — no matter how weird — can lead to a truly extraordinary life. Stay weird, Al. We love you for it.

Spotify’s AI DJ Gets a Spanish Makeover: Meet Livi, Your New Personalized Music Guide

Eric Alper
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Spotify’s AI DJ Gets a Spanish Makeover: Meet Livi, Your New Personalized Music Guide

When they launched their AI DJ in English last year, it gave listeners a new way to connect with and discover music on Spotify. DJ is a personalized AI guide that knows you and your musical tastes so well it can choose what to play for you. It combines a curated lineup of songs with an AI-powered voice that provides commentary about those recommendations. This is all created through the powerful combination of Spotify’s personalization technology, generative AI in the hands of their expert music editors, and a real and relatable AI voice. 

Now it’s time to bring their AI DJ, in beta, to Spanish-speaking Spotify Premium users around the world.

Since the debut of the AI DJ, they’ve learned the importance of context for their users. When listeners hear commentary alongside personal music recommendations, they’re more likely to listen to a song they may have otherwise skipped. Premium users love DJ. The median DJ listener spends more time listening to DJ than listeners of any other recommended set. 

Whether you learn something new about your favorite artist or evoke a fond memory while listening to a nostalgic track, DJ brings playful moments to your listening experience that keep you coming back for more. Premium Users who listen to DJ listen to more Spotify. They see an increase in listenership the week after a user first listens to the DJ compared to the week before.

You may know Xavier Jernigan (his friends call him “X”) as the very first AI voice model of DJ, in English. 

X is Spotify’s Head of Cultural Partnerships and has hosted numerous podcasts on Spotify over the years. His personality and voice resonated with their listeners, so he was a natural first pick. X isn’t going anywhere, but listeners who know and love the voice now have the option to choose to hear another DJ voice in Spanish.

The impact of the Spanish language within music culture is undeniable—from the popularity of Latin artists on their platform to the power of music in breaking down language barriers. They have millions of Spanish-speaking listeners on Spotify, many of whom have been taking to social media to ask about DJ. In fact, over the last few months, they’ve seen an over 215% increase in social conversation around DJ in Spanish. Rolling out DJ in Spanish was a natural next step in the evolution of the product, and they’re excited for the world to meet Livi, the voice of DJ in Spanish.

Introducing DJ Livi

To create the voice model for the DJ in Spanish, they enlisted their own Senior Music Editor, Olivia “Livi” Quiroz Roa, a Spotify music editor based in Mexico City who has spent her entire career in the music industry.

In her day job, Livi curates popular playlists on platform and has played an instrumental role in the launch of their EQUAL program in Mexico. 

After an extensive international casting call, Livi’s voice resonated the most with users. Testers really felt it was relatable and like they were hearing music recommendations from a friend. 

How to get started with DJ in Spanish

The Spanish-speaking voice will be available for Premium listeners in markets where DJ is currently available. It is expanding to Premium users in Spain and across select markets in Latin America, including Argentina, Bolivia, Chile, Colombia, Costa Rica, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela.

As long as you’re using Spotify Premium in a market where DJ is available, here’s how you can find it:

  • Head to the Search tab on Spotify.
  • Search “DJ.”
  • Press play and let your personalized DJ do the rest.
  • To switch languages, simply tap the three-dot menu within the DJ card and choose between English or Spanish.

At its core, DJ is about discovery and connection. By providing context around your music recommendations, they’re creating even deeper connections between artists and fans. With Livi as the voice of DJ in Spanish, they now have the opportunity to reach millions of Spanish listeners on their platform and bring them an entirely new way to listen to Spotify.

50 Surprising Facts About MTV Unplugged

Eric Alper
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50 Surprising Facts About MTV Unplugged

MTV Unplugged was cultural milestone that transformed how we experience music. Stripped down, raw, and heartfelt, Unplugged sessions brought artists closer to their fans in ways electrified performances often can’t. From legendary debuts to surprise collaborations, here are 50 reasons why MTV Unplugged remains a beloved chapter in music history.

Eric Clapton’s 1992 Unplugged album sold over 26 million copies worldwide and earned him six Grammys, making it the best-selling live acoustic album ever.

Nirvana’s 1993 Unplugged session featured haunting covers, including Lead Belly’s “Where Did You Sleep Last Night?” and was one of Kurt Cobain’s last performances.

Mariah Carey’s Unplugged album included her No. 1 cover of “I’ll Be There,” which helped showcase her vocal range in a stripped-down setting.

Rod Stewart charmed audiences with his 1993 Unplugged show, blending his signature raspy voice with acoustic warmth, resulting in a platinum album.

Lauryn Hill’s 2002 Unplugged No. 2.0 stripped away the polish, revealing a raw, emotional, and deeply personal side that earned critical acclaim.

Shakira’s 1999 Unplugged performance won a Grammy and was pivotal in introducing her to English-speaking audiences.

The Eagles’ 1994 “Hell Freezes Over” Unplugged reunion showcased acoustic versions of their biggest hits and marked a historic comeback.

Alice in Chains’ 1996 performance revealed Layne Staley’s fragile yet powerful vocals, creating one of the most emotional Unplugged sessions.

The Cure’s 1991 Unplugged session featured a mix of classics and new songs, highlighting Robert Smith’s haunting voice and the band’s versatility.

K-OS brought a unique hip-hop and live instrumentation fusion to his 2011 Unplugged session, showcasing his diverse talents.

Joe Walsh impressed on the first Unplugged season in 1989, teaming up with Dr. John for a spontaneous and soulful performance.

Don Henley performed his own solo Unplugged episode in 1990, delivering stripped-back versions of Eagles classics.

Phil Collins’ 1994 Unplugged session, though aired mainly in Europe, revealed his knack for heartfelt, intimate performances beyond the stadium.

LL Cool J’s 1991 Unplugged appearance helped pioneer acoustic hip-hop on the platform, blending beats with live instruments.

Paul McCartney’s 1991 Unplugged performance was so influential that it helped cement the show’s cult status.

Sting performed a memorable 1991 Unplugged set focusing on Police hits and solo material, which he later revisited in smaller venues.

Adele’s 2009 Unplugged performance won widespread praise and introduced her voice to a wider audience early in her career.

Katy Perry and All Time Low brought pop and alternative flair to the 2009 MTV Unplugged reboot.

Ten Thousand Maniacs’ 1993 Unplugged show was the last with Natalie Merchant and featured a beautiful cover of “Because the Night.”

Duran Duran’s 1993 Unplugged appearance came after a tour hiatus and included hits like “Serious,” reaffirming their classic sound.

Bruce Springsteen’s 1993 Unplugged included amplified instruments but delivered heartfelt performances capturing his storytelling essence.

Bjork’s 1994 Unplugged special was accompanied by a diverse group of musicians and highlighted her unique, ethereal style.

Neil Young returned for a second Unplugged session in 1993 after being unsatisfied with his first, delivering one of his best performances.

Roxette’s 1993 Unplugged show featured covers of legends like Aretha Franklin and Neil Young, showing their range beyond pop hits.

Soul Asylum’s 1993 session included a duet with Lulu and featured songs before their breakthrough “Runaway Train” video.

Chris Isaak’s 1995 Unplugged performance featured his haunting hit “Wicked Game” in a stunning acoustic setting.

Kiss’ 1995 Unplugged led to the reunion of their original lineup, rekindling their legendary rock chemistry.

Lenny Kravitz performed with an orchestra on his 1994 Unplugged episode, merging rock and symphonic elements.

Björk’s 1994 performance brought acoustic textures to her avant-garde sound, accompanied by diverse instrumentalists.

George Michael’s 1996 Unplugged performance featured a small, intimate crowd and included heartfelt renditions from his solo career.

Hole’s 1995 Unplugged featured string arrangements and debuted unreleased songs, showcasing Courtney Love’s powerful presence.

Cranberries’ 1995 performance offered a delicate, acoustic take on their alt-rock hits, backed by a string quartet.

Dashboard Confessional’s 2002 Unplugged marked the first band without a platinum record to appear, highlighting emo’s rise.

Jay-Z’s 2001 Unplugged with The Roots combined rap with live instrumentation, expanding the possibilities of hip-hop on the show.

Queens of the Stone Age performed their first Unplugged special in 2005, bringing hard rock into the acoustic fold.

Alicia Keys’ 2005 Unplugged featured guests like Mos Def and Adam Levine, highlighting her soulful, piano-driven sound.

Ricky Martin’s 2006 MTV Unplugged won multiple Latin Grammys and went double platinum, spotlighting his Latin pop mastery.

Korn’s 2006 Unplugged included collaborations with Robert Smith and Amy Lee, blending metal with haunting melodies.

Florence and the Machine’s 2012 Unplugged showed Florence Welch’s powerful vocals in a raw, emotional acoustic setting.

Shawn Mendes returned to MTV Unplugged in 2017, captivating fans with heartfelt acoustic renditions of his hits.

Biffy Clyro’s 2017 Unplugged featured stripped-down versions of their rock anthems, showcasing their songwriting depth.

Bleachers’ 2017 Unplugged album included guest vocals from Carly Rae Jepsen and Lorde, mixing indie pop talents.

Miley Cyrus’ 2014 Unplugged featured a duet with Madonna and reimagined tracks from her “Bangerz” era.

Alanis Morissette’s 1999 Unplugged captured her in a reflective, acoustic light that complemented her iconic ’90s hits.

Placebo’s 2015 Unplugged revealed a darker, intimate side of the band’s alternative rock sound.

Tony Bennett and Lady Gaga’s 2021 Unplugged showcased an unforgettable blend of jazz standards and modern flair.

Twenty One Pilots’ 2022 Unplugged featured fresh acoustic takes on their genre-blending hits.

BTS’ 2021 performance made them the first South Korean band featured on Unplugged, showcasing K-pop on a global stage.

Liam Gallagher’s 2019 Unplugged in the UK gave fans raw, stripped-back versions of Oasis classics.

Maxwell’s 1997 Unplugged session included powerful covers like Kate Bush’s “This Woman’s Work,” blending neo-soul with heartfelt emotion.

How to Trade RUST Skins: A Complete & Updated Guide

Eric Alper
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0

By Mitch Rice

In the world of Rust, cosmetics like weapon skins, armor designs, and tool wraps aren’t just about style – they’re a form of virtual currency. Trading RUST skins has grown into a full-blown economy, with players around the world buying, selling, and swapping items across multiple platforms. Whether you’re a newcomer or a veteran survivalist, knowing how and where to trade your RUST skins can make a huge difference in value, speed, and safety.

What Are RUST Skins?

RUST skins are cosmetic items that players use to personalize their in-game weapons, tools, and outfits. These items don’t affect gameplay but are highly sought after, especially rare or limited-edition releases. Skins can be obtained through:

  • In-game purchases
  • Drops from Twitch events or Rust Twitch Rivals
  • Trading with other players
  • Purchasing from third-party marketplaces

Unlike the Steam Community Market, which locks your money inside Steam Wallet, third-party platforms offer more flexibility – including real money cashouts, crypto payments, and broader item selection.

Main Ways to Trade RUST Skins

There are several legitimate ways to trade RUST skins, depending on your goals: swapping, selling for money, or investing in item upgrades.

1. Steam Community Market

The official marketplace powered by Valve. Here you can:

  • List skins for Steam Wallet credit
  • Buy skins for use or resale
  • Avoid third-party risk

Limitations:

  • You can’t withdraw Steam Wallet funds
  • 15% transaction fee
  • Trade delays due to Steam’s escrow system
  • Limited availability of some rare skins

Best for players who want to reinvest their balance into other Steam games.

2. Peer-to-Peer Trades via Steam

A classic approach where you directly trade with another user using Steam’s built-in trading tool. This allows:

  • Zero fees
  • Full control of item-for-item swaps
  • Creative deal-making in Discord or forums

Risks:

  • High potential for scams
  • No cashout option unless working with trusted buyers
  • No refund system if something goes wrong

Only recommended if you’re trading with a known person or verified trader.

3. Trading Sites Like SkinSwap (Best for Instant & Safe Trades)

In 2025, third-party platforms like SkinSwap dominate the RUST trading ecosystem. These sites are designed to facilitate secure and fast trades using automated bots, fair market prices, and cashout options.

🔄 Trading RUST Skins with SkinSwap

SkinSwap is one of the most advanced RUST trading sites available today. With an interface tailored for gamers and traders, it allows you to instantly swap, sell, or buy skins with minimal effort.

Why Choose SkinSwap?

  • ⚡ Instant Trades: Swap your items instantly via trade bots with no waiting time.
  • 💰 Real Cashouts: Get paid in cryptocurrency or other supported payment methods.
  • 🎮 Multi-game Support: Trade items from RUST, CS2, TF2, and other titles.
  • 🛡️ Secure: End-to-end encryption, Steam Guard login, and secure bots.
  • 🎁 Bonuses: Seasonal giveaways, promo codes, and free item promotions.

How to Trade on SkinSwap (Step-by-Step)

  1. Visit SkinSwap.com
  2. Log in with your Steam account
  3. Connect your Steam Trade URL
  4. Select the RUST skins you want to trade or sell
  5. Review the offer generated by the system
  6. Accept the Steam trade and receive your new item or cash instantly

Whether you’re looking to upgrade your gear or convert your inventory into cash, SkinSwap offers one of the best user experiences available.

Other Trusted Sites for RUST Skin Trading

While SkinSwap is highly recommended, several other platforms also offer secure trading:

PlatformBest ForNotes
SkinsMonkeyBeginner-friendly tradingOffers a welcome bonus and supports CS2/RUST
ShadowPaySelling RUST skins for cashSupports PayPal, crypto, and gift cards
LootFarmStraightforward swapsGood selection but no cashout support
Rust.tmRust-only tradingBuilt specifically for RUST players
CS.TRADEMulti-game tradingAutomated bot trades but fewer RUST skins

When choosing a platform, always compare fees, item liquidity, payment methods, and trade limits.

Tips for Safe & Successful RUST Trading

  • ✅ Enable Steam Guard Mobile Authenticator to avoid trade holds
  • ✅ Only trade via official platforms or verified bots
  • ❌ Never click suspicious trade links in Discord or forums
  • ✅ Use market pricing tools (like CSMoney or Pricempire) to verify values
  • 🧠 Think long-term: investing in rare or discontinued skins can pay off

Final Thoughts

Trading RUST skins has never been more efficient or accessible. From secure instant-trade platforms like SkinSwap to niche RUST-focused marketplaces, players now have real control over their in-game inventory. Whether your goal is profit, prestige, or just a new look for your LR-300, knowing the right tools and platforms gives you a major edge.

If you’re looking for the fastest, safest, and most rewarding way to trade – SkinSwap should be your first stop. Its support for RUST, instant trades, and low fees make it a top-tier choice in the skin trading community.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

June 7 Hugh’s Room Live: Former Nylons Member Micah Barnes Returns With ‘Up On The Roof,’ Honouring Claude Morrison

Eric Alper
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June 7 Hugh’s Room Live: Former Nylons Member Micah Barnes Returns With ‘Up On The Roof,’ Honouring Claude Morrison

It will be more than just a concert when beloved Canadian jazz vocalist and former member of The Nylons, Micah Barnes, takes the stage for his upcoming solo performance Up On The Roof at Toronto’s Hugh’s Room on June 7. Tickets are now available here. It will be a homecoming of spirit, sound, and song. With just a piano, his voice, and a storied past that spans continents and genres, Micah is preparing to offer something truly rare — a musical journey through a life shaped by doo wop, cabaret, soul, and jazz, rooted in the clubs of Toronto and further developed in Los Angeles, New York, and around the world.

Micah’s voice has long been described as “swoonworthy” by LA Weekly and “unrivalled” by Canadian Musician, and in this intimate performance, he invites audiences not only to hear him sing, but to experience his story. Up On The Roof will explore pivotal moments from his youth in Toronto, through his time with The Nylons, and into his richly textured solo career. This is Micah at his most personal — reflective, joyful, and generous in spirit.

The concert holds special meaning as Micah pays tribute to the legacy of The Nylons and to founding member Claude Morrison, whose recent passing left a deep mark on the Canadian music community. Claude’s voice was a cornerstone of the group’s sound, and his spirit will be celebrated with warmth and gratitude during the evening. This homage to friendship, brotherhood, and shared harmony adds another layer of emotional resonance to an already powerful show.

Micah’s solo work, including chart-topping albums New York Stories and Vegas Breeze, has earned him national acclaim. Now an Alma Records/Universal Music recording artist, his music draws from the golden age of jazz, sophisticated cabaret, classic soul all with a little bit of rock n roll edge from his Queen Street days. In his new concert evening Up On The Roof, Micah will perform songs from his popular recordings alongside beloved Nylons classics like “Two Silhouettes On The Shade” , “Happy Together” and “Up The Ladder To The Roof,” inviting audiences to sing along to the soundtrack of their own memories.

With a unique blend of charisma, musical mastery, and heartfelt storytelling, Micah Barnes has long existed in a space between timeless elegance and bold innovation. His return to the solo stage marks a moment of gratitude for the path behind him and excitement for the road ahead. Each note promises to carry the weight of experience and the lightness of joy.

There are few artists who can hold a room with just a piano and their presence — Micah Barnes is one of them. Up On The Roof will not just be a performance; it will be a gathering of souls, joined in song, remembering where we’ve been and dreaming of where we’re going. For longtime fans and new listeners alike, this is a concert that will live in the heart long after the final note fades.

Tickets for this very special event are expected to move quickly. For full details, please visit www.micahbarnes.com. Come ready to be moved, uplifted, and reminded of the power of music to connect us all.

Canadian Icons Lighthouse to Headline South Coast Jazz 2025 in Brantford and Port Dover August 8-10

Eric Alper
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Canadian Icons Lighthouse to Headline South Coast Jazz 2025 in Brantford and Port Dover August 8-10

— From jazz giants to rock legends, South Coast Jazz is back — bigger, bolder, and brassier than ever. The 12th Annual South Coast Jazz Festival returns August 8–10, 2025, for a three-day celebration of music, culture, and community in Brantford and Port Dover — and it’s bringing one of Canada’s most iconic bands to headline the weekend.

On Saturday, August 9 at 7:00 p.m., the legendary Lighthouse will light up the Sanderson Centre in Brantford for a one-night-only performance. But this isn’t just a concert — it’s your key to the entire festival. For just $40, every Lighthouse ticket buyer also receives a South Coast Jazz Festival Pass, unlocking guaranteed access to all other ticketed events across the weekend while supplies last. Buy now at https://www.southcoastjazz.com/  and claim your spot at the summer’s most soulful weekend. Local favourites Dave Griffin and Avery Raquel will open the show, with a short appearance by Queen Mary The Artist and other surprise guests joining the celebration.

“Now more than ever, it’s important to support Canadian,” says Juliann Kuchocki, South Coast Jazz Director and Founder. “Your participation is instrumental in sustaining live music, creating jobs, and enriching the cultural fabric of our communities. We’re proud to say this festival has generated more than a million dollars in tourism-related economic growth to date — and this year, we’re aiming even higher.”

Lighthouse changed the game when they burst onto the scene in 1969, fusing rock, jazz, and classical into a sound that turned heads and filled stadiums. With four Juno Awards, four gold albums, and Canada’s first platinum album, their hits like “One Fine Morning”, “Sunny Days”, and “Pretty Lady” remain Canadian classics. This will be a rare chance to see them perform live with an all-star lineup including co-founder Paul Hoffert, original member Russ Little, and a powerhouse ensemble of veteran musicians.

“This concert is going to be recorded, so every voice in the audience becomes part of our shared musical history,” says Kuchocki. “Come for the hit songs, stay for the magic of being part of something timeless.”

And the music doesn’t stop there. The festival kicks off on August 8 at Harmony Square in Brantford with a free performance by Queen Mary The Artist, a jazz-soul powerhouse who’s performed across Canada, the U.S., and South America. The following day, Lighthouse takes the stage. Then, on August 10, the scene shifts to Glenhyrst Gardens and Gallery Brantford 1–3 PM showcase featuring Jesse Murphy, Mya Chappell, Gail Fuller, Michael Bell, and more — topped off with an intimate jazz session at Schofield Bistro featuring Kateryna Khon and returning artists.

Each artist brings a powerful story and sound. From Mya Chappell’s soulful blend of healing and song to Kateryna Khon, a Ukrainian pianist whose journey to Canada infuses every note with emotion — this festival doesn’t just highlight great music, it tells the stories behind it.

Add to that Gail Fuller, whose decades-long return to music was sparked by South Coast Jazz itself, and Michael Bell, an award-winning singer-songwriter staging a jazz comeback — and you have a lineup that celebrates resilience, talent, and the power of song to connect.

The festival’s emcee this year is none other than Laura Fernandez — celebrated jazz singer, pianist, and host of Café Latino on JazzFM91. Born in Spain, raised in Calgary, and currently based in Toronto, Fernandez brings global flair to the local stage. “There’s no better feeling than bringing people together through music,” says Fernandez. “And South Coast Jazz does exactly that.”

Founded in 2014, South Coast Jazz began on the shores of Norfolk County and quickly grew into a cultural force. Past headliners have included David Sanborn, Holly Cole, Jully Black, Liona Boyd, and many more. Even during the pandemic, South Coast Jazz made waves — pivoting to a groundbreaking TV-style digital festival in 2020 that earned praise from the Wall Street Journal. Since then, the festival has continued to innovate, partnering with Stingray DJazz and expanding into Brantford and beyond.

Thanks to local, regional, and federal support — and an ever-growing list of sponsors — the South Coast Jazz Festival has become a vital part of Ontario’s summer music scene, delivering live music experiences and creating opportunities for artists at every stage of their career.

With a mission to celebrate Canadian talent and build lasting cultural experiences, South Coast Jazz invites you to join the movement. Whether you’re a lifelong fan of jazz and roots music or just discovering it, this festival offers an unforgettable way to connect, groove, and give back.

Tickets are going fast — buy yours now at southcoastjazz.com. No taxes. No service fees. Just great music, great people, and an unforgettable Canadian summer.

Canada’s Teen Jam Heads To Vancouver’s Clutch Theatre October 2 For Nation’s Rising Musical Superstars

Eric Alper
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Canada’s Teen Jam Heads To Vancouver’s Clutch Theatre October 2 For Nation’s Rising Musical Superstars

Canada’s Teen Jam, the country’s premier showcase for teen music talent, is heading west for an unforgettable night in Vancouver. Following two electric, sold-out shows in Toronto, the spotlight now shifts to the historic Cultch Theatre on October 2, 2025, where the next generation of Canadian musical superstars will take center stage.

Created and produced by legendary live music producer Mark Higgins—whose résumé includes live shows for Aerosmith, Bryan Adams, Soundgarden, The Tragically Hip, ZZ Top, Slash and more—Canada’s Teen Jam is more than a concert. It’s a national movement designed to amplify homegrown teen talent and give young artists the stage, support, and spotlight they deserve.

“This isn’t just a show,” says Higgins. “This is a movement. When you believe in musical teens, you believe in Canada.”

Fans can expect an evening of original music performed by Canada’s boldest and brightest teen artists. The Cultch Theatre—a legendary venue known for its rich history and vibrant creative energy—will provide the perfect backdrop for a showcase brimming with passion, originality, and star power.

“We should not have to go to America to make it,” Higgins says. “Canada should create the next global sound wave. That starts here. That starts now.”

This next stop on the tour promises more breakout moments and surprises as Canada’s Teen Jam continues building a coast-to-coast platform for young musicians.

Submissions are now open for Vancouver performers. Teens with original music are encouraged to apply online at canadasteenjam.com. The submission fee is just $10, and all entries will be reviewed by a panel of music professionals.

Tickets for the Vancouver showcase are available now at canadasteenjam.com and are priced at $18 for students and $25 for adults.

Supported by United Van Lines Canada, Canada’s Teen Jam is committed to nurturing teens, families, and communities nationwide. Through high-profile live shows, digital content, and international promotion, the program is redefining how young artists break through.

Don’t miss your chance to be part of the movement that’s shaping the future of Canadian music. Come see it. Come feel it. Come support the next wave of stars.

EVENT DETAILS:
What: Canada’s Teen Jam – Vancouver Showcase
When: October 2, 2025
Where: The Cultch Theatre
Tickets: Available now at canadasteenjam.com

One of Music’s Lost Boys No More, Wolfgang Webb Returns with a Second Album of Obsidian Nighttime Musings

Eric Alper
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One of Music’s Lost Boys No More, Wolfgang Webb Returns with a Second Album of Obsidian Nighttime Musings

Wolfgang Webb creates music during the hours when most of the world lies dormant, harnessing the quiet darkness that fuels his soul. The half-Austrian, Canadian artist—who stepped away from the music industry decades ago to craft anonymous compositions for film and television—has once again channeled his insomnia into art with his sophomore album, ‘The Lost Boy’, out now.

His debut, ‘The Insomniacs’ Lullaby’, introduced listeners to his haunting sonic landscape—brooding compositions that confront mortality, loss, and the ghostly echoes of trauma. With this new record, Webb plunges even further into these emotional depths, though he insists that darkness is not the destination but merely the path. ‘The Lost Boy’ explores the fragile act of reconnecting with one’s inner child and navigating the shadows of relationships that leave indelible marks on the psyche. It’s music born from sleepless nights—an echo of midnight fears and silent reflections—that paradoxically offers solace, reminding us that we are not alone in our darkest hours.

‘The Lost Boy’ defies easy categorization within modern genre labels. Kraftwerk-inspired electronics blend seamlessly with trip-hop rhythms and classical instrumentation, creating atmospheres that feel both contemporary and timeless. The ten-track collection reflects a unique artistic vision shaped through recording sessions across France, Los Angeles, the UK, and Toronto. The result is a unified musical journey that rewards attentive listening, with each track serving as a crucial part of a broader narrative about confrontation, healing, and transformation.

The album’s lead single, “March,” is a hypnotic duet featuring Esthero, whose celestial vocals weave a shimmering counterpoint to Webb’s earthbound delivery. Mixed by Bruno Ellingham—whose credits include Massive Attack, New Order, and Spiritualized—this track exemplifies Webb’s knack for collaboration, carefully selecting artists whose textures enrich his cinematic soundscape. The accompanying video, shot across three countries, weaves ancient ruins and electric towers into what Webb calls “a tapestry of decayed beauty”—visual metaphors that deepen the song’s meditation on impermanence.

The second single, “The Ride,” continues this cinematic journey, showcasing Ellingham’s mastery of atmosphere with vintage ARP synthesizers reminiscent of Brian Eno’s ’70s innovations, fused with a contemporary edge. The visuals explore abandoned spaces—silent theaters and deserted amusement parks—where nature gradually reclaims what was once human territory. This haunting meditation on endurance and decay complements Webb’s lyrical reflection: “What do you say when all is gone, the history won’t play along…”

Webb has gathered an impressive roster of collaborators for this project. Mark Gemini Thwaite—renowned for his work with Peter Murphy and Gary Numan—contributes guitar textures that subtly echo the atmospheric depths of The Cure, especially on “Is It OK To Fall?” Toronto multi-instrumentalist Derek Downham brings earthy, desolate guitar tones to “Rough Road To Climb” and “It All Goes Away.”

Following that, “Clap” unfolds as an ethereal, moody lullaby—like a whispered nursery rhyme from a dreamscape of forgotten wonder—soothing and delicate, offering a fragile thread of hope and gentle companionship amid the shadows. Meanwhile, return collaborator and cellist Yann Marc’s haunting improvisations on “Roads” form the emotional core of Webb’s tribute to a friend lost to suicide.

What truly sets ‘The Lost Boy’ apart is Webb’s refusal to linger in despair. His compositions acknowledge pain but refuse to be defined by it, offering glimpses of light that feel genuine rather than manufactured. These songs trace the arduous path toward healing, suggesting that facing our darkest thoughts can be more freeing than suppressing them. The music doesn’t offer easy solutions but provides companionship through its complexity—a soundtrack for those navigating life’s most intense emotional depths.

Webb’s unconventional songwriting process—where many tracks emerge fully formed in spontaneous bursts of inspiration—imbues these compositions with an authenticity that’s hard to fake. They feel less like meticulously crafted pop songs and more like raw emotional states captured in their purest form, later refined through production without losing their essential truth. This spontaneous approach creates music that resonates on a visceral level, bypassing intellect to speak directly to the listener’s emotional core.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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