James Richard Steinman (1947–2021) was more than just the genius behind Meat Loaf’s iconic Bat Out of Hell albums. A prolific composer, lyricist, and producer, Steinman’s reach extended far beyond those rock anthems. From power ballads to theatrical rock, he lent his unique storytelling and grandiose style to a wide range of artists and genres. Let’s dive into some of the unforgettable songs Steinman wrote that you might not have realized bear his signature flair.
Yvonne Elliman – Food of Love (1973): “Happy Ending” is a lesser-known gem from early in Steinman’s career. With lush arrangements and Elliman’s soulful delivery, it hints at the epic drama Steinman would become known for.
Barry Manilow – Greatest Hits, Vol. II (1983): “Read ‘Em and Weep” showcases Steinman’s knack for soaring melodies and emotional storytelling, fitting seamlessly into Manilow’s repertoire of heartfelt classics.
Air Supply – Greatest Hits (1983): The powerhouse ballad “Making Love Out of Nothing at All” has Steinman’s fingerprints all over it—dramatic, romantic, and impossibly catchy, it became a defining moment for the duo.
Bonnie Tyler – Footloose Soundtrack (1984): “Holding Out for a Hero” has become an anthem for strength and urgency, perfectly marrying Tyler’s raspy voice with Steinman’s high-octane writing. A timeless track that still gets adrenaline pumping.
Fire Inc. – Streets of Fire Soundtrack (1984): “Nowhere Fast” is pure Steinman theatrical rock—big, bold, and emotionally charged—offering a perfect soundtrack moment for the film’s edgy vibe.
Barbra Streisand – Emotion (1984): “Left in the Dark” and “Tonight Is What It Means to Be Young” bring Steinman’s grandiose style into the adult contemporary realm, with Streisand’s vocal power elevating the drama and intensity.
Meat Loaf – Bad Attitude (1985): “Nowhere Fast” gets a second life with Meat Loaf, maintaining Steinman’s signature bombast and emotional urgency.
Various Artists – The Wrestling Album (1985): Steinman wrote the “Hulk Hogan’s Theme,” blending rock energy with the larger-than-life persona of wrestling’s biggest star.
The Sisters of Mercy – Floodland (1987): “This Corrosion” is a gothic rock powerhouse that blends Steinman’s theatrical sensibilities with a darker edge, a unique but fitting chapter in his songwriting legacy.
The Mission – Carved in Sand (1990): “More” carries the emotional depth and epic scale that fans of Steinman’s work recognize, wrapped in a brooding rock package.
Taylor Dayne – The Shadow Soundtrack (1994): “Original Sin,” co-written with Steinman, fits perfectly with Dayne’s powerhouse vocals and the film’s mysterious mood.
Bonnie Tyler – Free Spirit (1995): Tyler revisits Steinman’s dramatic flair with a fresh take on “Making Love Out of Nothing at All,” proving the timelessness of their collaboration.
Celine Dion – Falling into You (1996): “It’s All Coming Back to Me Now” stands tall as one of the greatest power ballads of the ’90s, Steinman’s theatrical storytelling given new life by Dion’s unmatched vocal performance.
Boyzone – Where We Belong (1998): “No Matter What” became a huge hit, blending Steinman’s epic songwriting style with Boyzone’s pop sensibilities to create an unforgettable anthem of devotion.
Russell Watson – Reprise (2002): “Is Nothing Sacred” shows Steinman’s ability to craft songs that resonate in classical crossover, with Watson’s operatic vocals adding gravitas.
The Everly Brothers – On the Wings of a Nightingale: The Mercury Studio Recordings (2005): “A Kiss Is a Terrible Thing to Waste” highlights Steinman’s versatility, writing for legends in the pop and rock canon with his signature storytelling twist.
Meat Loaf – Bat Out of Hell III: The Monster Is Loose (2006): Songs like “Bad for Good,” “In the Land of the Pig, the Butcher is King,” and “Seize the Night” continue the epic saga Steinman created, full of dark fantasy and powerful emotion.
Jim Steinman’s catalogue stretches across decades and genres, his songs creating a dramatic, emotional landscape that few other songwriters have dared to explore. Whether with rock giants, pop divas, or gothic anthems, Steinman’s songs keep living on, proving his unmatched ability to turn music into a theatrical experience.
So next time you hear a soaring ballad or a theatrical rock epic, check the credits—you just might find Jim Steinman’s name, quietly shaping the soundtrack of our lives.
KIDZ BOP, the #1 music brand for kids, announce that several SiriusXM personalities will serve as the “Daddy Dance Off” hosts at the KIDZ BOP LIVE Certified BOP Tour. The energetic virtual hosts include Radio Andy’s Andy Cohen, 90s on 9’s Downtown Julie Brown, SiriusXM Hits 1 The Morning Mash Up’s Ryan Sampson, Nicole Ryan, and Stanley T and Pop2K’s Rich Davis.
Expanding on the long-lasting KIDZ BOP Radio channel, KIDZ BOP and SiriusXM are elevating the beloved and hilarious show segment–the “Daddy Dance Off”–where four dads from the audience take the stage to flaunt their best (and funniest) moves in the ultimate dance battle. Andy Cohen and the other hosts will appear in on-screen videos to introduce the dads and the iconic BOPS they will be dancing to. The collaboration also includes custom content from the hosts, a social campaign highlighting the best dads of the tour and laughs from moms, dads and kids in the audience.
The KIDZ BOP Kids are back in 2025 with their all new KIDZ BOP LIVE Certified BOP Tour, in partnership with Live Nation. Sing and dance along to today’s biggest BOPs live on the big stage including “espresso,” “HOT TO GO!,” & “Dance Monkey.” Join us for the ultimate pop concert experience for kids (and their grown-ups!) with eye-popping new stage design and interactive elements kids will love, the return of the popular (and hilarious!) “Daddy Dance Off”. Plus, special guest, Snoop Dogg’s “DOGGYLAND” will be the opening act for the first 28 dates of the summer tour. The colorful cast of dogs will sing, dance and rap their viral hits such as “Affirmations,” before the KIDZ BOP Kids take to the stage! Spin Master’s fantasy adventure children’s franchise, Unicorn Academy™, returns as an official sponsor of KIDZ BOP LIVE and will be providing prizes for the “Daddy Dance Off” winners.
Get ready for an unforgettable celebration of Caribbean music at the inaugural Montreal RISE Reggae Festival! The three-night festival, running from August 8 to 10 2025, at Bassin Peel quay in Griffintown, will feature electrifying performances from top artists in reggae, dancehall, and soca. The event is co-presented by Taste of the Caribbean (TOTC) and Nouvelle Vie, in co-production with The Mahaba Youth Alliance.
“Bringing RISE Reggae to Montréal is a dream come true,” says Orlando Newton, CEO of Nouvelle Vie. “We’ve watched this city’s appetite for authentic Caribbean culture grow, and Bassin Peel is the perfect stage to unite communities through music and create memories that last a lifetime.”
The festival will offer an intimate yet full-scale production featuring major international headliners, including:
Anthony B, Kranium, Gramps Morgan and Romain Virgo, all straight from Jamaica;
Soca queens Alison Hinds (Barbados) and Patrice Roberts (Trinidad & Tobago), and Skinny Fabulous (St. Vincent and the Grenadines), powered by Duracell;
Dancehall icons Demarco, the legendarySister (what a bam bam) Nancy, Lady G and Massive B.
Each evening will also spotlight special performances by Quebecois and Canadian artists, celebrating local talent alongside global stars.
Now on sale at montrealrisereggaefestival.ca and local outlets in Montréal, Ottawa & Toronto. Visit the website for the full schedule, official ticket vendors, parking details and more.
South Korea’s immersive content specialist dotmill participated in the content direction and production for the world’s largest spherical LED display, the Sphere, located in Las Vegas, USA. This project was carried out in partnership with Galaxy Corporation, making dotmill the first Korean company to directly produce content for the Sphere.
The Sphere is an ultra-large spherical media façade measuring 157 meters in diameter and 111 meters in height. It stands as the world’s only immersive LED screen capable of a full 360-degree panoramic display. Due to its enveloping structure and curved surface, the platform demands sophisticated graphic design and spatial analysis, making it an iconic stage accessible to only a few global content producers.
dotmill collaborated closely with Galaxy Corporation across the entire project spectrum—from planning and direction to production—crafting a new form of immersive content optimized for the Sphere’s structural characteristics and immersive environment.
The final content serves as part of a major Korean financial group’s brand campaign. It opens with a scene where the “Daisy” motif and logo, symbolic of the brand’s model, visually converge in outer space. Viewers are then immersed in the brand message through expressive digital artwork and cinematic production techniques.
“The Sphere is not merely a colossal screen but a platform that requires an entirely new approach to content, both in terms of its physical structure and viewing environment. This project demanded technical interpretation and visual strategies vastly different from traditional video production processes, and we believe it is highly meaningful that we were able to meet those challenges successfully. Through our collaboration with Galaxy Corporation, we were able to demonstrate that dotmill’s technological prowess and creativity are truly competitive on the global stage,” a dotmill spokesperson commented.
dotmill is a South Korean media-tech firm specializing in immersive content, including extended reality (XR), interactive media, and production and operations of theme attractions powered by digital twin technology. With a strong portfolio spanning major exhibition halls, urban content, and multi-purpose cultural spaces, the company plans to further solidify its global market position following the Sphere project.
Founded in 2015, dotmill is a leading South Korean immersive content specialist that plans, produces, and operates content based on extended reality (XR), interactive media, and digital twin technologies. With a unique blend of technical expertise and creative storytelling, dotmill is driving innovation in the global immersive content industry.
The company has built a strong global reputation through a diverse portfolio of high-profile projects. These include content production for BLACKPINK’s debut stage in 2016, holographic stage direction for BTS at the 2017 Mnet Asian Music Awards (MAMA), immersive content production for the opening and closing ceremonies of the 2018 PyeongChang Winter Olympics, and the planning and production of the BTS exhibition series from 2023 to 2024. More recently, dotmill directed content for Samsung Electronics’ THE WALL showcased at ISE 2025 and participated in the Las Vegas Sphere content project in 2025—further cementing its position as a pioneer in immersive media on the global stage.
In addition to commissioned works, dotmill develops and operates its own immersive attraction IPs, including Lunafall, OPCI, Glow Safari, and Waterworld, offering innovative experiences that seamlessly blend physical spaces with digital content.
Few rock icons have shaped music history quite like Mick Jagger. Beyond his legendary work with The Rolling Stones, Mick’s magnetic presence has graced an eclectic array of artists and genres, making each collaboration a gem. Here’s a fun and wholesome journey through all of Mick’s notable guest appearances — a testament to his restless creativity and timeless charm.
1966 – The Art of Chris Farlowe Early on, Mick lent his unmistakable voice to Chris Farlowe’s album, providing backing vocals and even stepping into the producer’s shoes. A youthful glimpse of his burgeoning talent.
1967 – Magical Mystery Tour by The Beatles On the iconic track “All You Need Is Love,” Mick joined forces with Keith Richards, Marianne Faithfull, Eric Clapton, and others for backing vocals — a true meeting of musical legends at the heart of the Summer of Love.
1972 – No Secrets by Carly Simon Mick subtly enriched Carly Simon’s “You’re So Vain” with his backing vocals on the second chorus, adding a layer of cool mystique to one of pop’s most enduring hits.
1984 – Victory by The Jacksons The collaboration took a thrilling turn when Mick shared co-lead vocals with Michael Jackson on “State of Shock,” blending rock swagger and pop royalty in an explosive duet.
1995 – The Long Black Veil by The Chieftains Showing off his versatility, Mick took the lead vocals on the title track, embracing Irish folk roots and proving his knack for heartfelt storytelling.
2002 – Sleepless by Peter Wolf A soulful duet on “Nothing But The Wheel” with Peter Wolf saw Mick explore bluesy textures, reminding us why his voice fits just about any mood.
2004 – Alfie (film soundtrack) Mick teamed up with Sheryl Crow and David A. Stewart for the evocative “Old Habits Die Hard,” blending their voices in a song as timeless as the film itself.
2006 – The Essential Chieftains Compilation The Stones joined The Chieftains once again on “The Rocky Road to Dublin,” fusing rock and traditional Irish sounds into a rollicking celebration of musical camaraderie.
2006 – Last Man Standing by Jerry Lee Lewis On “Evening Gown,” Mick shared co-lead vocals with the legendary Jerry Lee Lewis, with Ron Wood’s steel guitar weaving a honky-tonk magic all its own.
2006 – Paint It Black by the London Symphony Orchestra This symphonic reinterpretation featured Mick alongside Michael Hutchence and Marianne Faithfull, a sweeping homage that blended orchestral grandeur with rock edge.
2007 – Putamayo Presents World Hits In a vibrant twist, Mick duetted with reggae legend Peter Tosh on a cover of Smokey Robinson’s “(You Gotta Walk And) Don’t Look Back,” bridging genres with effortless style.
2010 – Mean Old Man by Jerry Lee Lewis Mick returned to Jerry Lee Lewis’s world with co-lead vocals on the haunting “Dead Flowers,” delivering a raw and emotional performance that lingered long after the last note.
2015 – Cass County by Don Henley Taking to the country blues lane, Mick played harmonica and led vocals on “Bramble Rose,” showcasing a different shade of his musical persona alongside the Eagles’ co-founder.
2017 – All the Best by Chris Jagger Joining his brother Chris, Mick added backing vocals to “DJ Blues,” a family affair that highlights the Jagger legacy’s rich musical tapestry.
2018 – The Blues Is Alive and Well by Buddy Guy On “You Did The Crime,” Mick’s gritty vocals paired perfectly with Buddy Guy’s legendary blues guitar. Keith Richards and Jeff Beck also contributed, making this a blues-rock summit of the highest order.
From rock royalty to blues legends, folk ensembles to pop icons, Mick Jagger’s collaborative spirit shines as brightly as ever. His voice, charisma, and musical curiosity have enriched countless tracks across decades and styles. Every partnership tells a story — of friendship, respect, and pure love for the craft.
Here’s to Mick, the ultimate collaborator, reminding us all that music is, above all, a shared journey.
Music lovers in Mumbai were treated to an unforgettable evening as Jameson Connects brought its signature global experience, Distilled Sounds, to India’s cultural capital with an electrifying night of rhythm, soul, and connection. Headlining the showcase was none other than Grammy Award-winning artist Anderson .Paak as DJ Pee .Wee, who took over Famous Studios, Mumbai, for a high-voltage, electrifying up-close performance that brought unmatched energy to this thrilling chapter of Jameson Connects.
DJ Pee .Wee, the dynamic alter ego of Anderson .Paak, delivered a high-energy DJ set that showcased his impeccable taste and versatility behind the console. Known for his genre-blending sound that merges hip-hop, soul, funk, and R&B, Anderson .Paak additionally treated audiences to an intimate live performance towards the end, captivating them with his rich musicality and vibrant presence.
Adding to the evening’s vibrant soundscape was a duo who need little introduction — Seedhe Maut. Fresh off the release of their eighth project DL91 FM, the genre-defying Delhi-based icons brought their razor-sharp lyrics and explosive live energy. Joining them was South African powerhouse Shekhinah, celebrated for her soulful vocals and signature fusion of R&B and pop. Together, they formed a thrilling trifecta of artistry that embodies Jameson’s spirit of fearless creativity and community.
With each edition, Jameson Connects continues to raise the bar in crafting immersive cultural experiences that merge music, community, and creativity. Known for spotlighting boundary-breaking talent from around the world while championing local voices, the platform has become a space where global artistry meets homegrown expression. The upcoming Mumbai showcase is set to be no different-an intimate yet high-impact gathering that celebrates the spirit of connection, the power of live performance, and the magic that unfolds when diverse creative energies come together under one roof.
More than just a music event, Jameson Connects delivered a curated celebration of culture, community, and connection. From eclectic pop-ups by homegrown brands to vibrant F&B experiences and the thoughtfully curated zones, every element is designed to spark conversations and camaraderie.
Strade Base is a pioneering platform at the intersection of fintech and music, revolutionising how artists, fans, and investors engage with streaming royalties.
UK Grime icon JME is the first artist to launch on Strade Base and within seconds of dropping, fans snapped up his offer of 100 shares to his track Integrity for £1 a share to celebrate the song’s 10 year anniversary.
At its core, Strade Base is about empowerment—giving artists greater control over their earnings, while inviting fans and supporters to participate directly in their success.
While similar concepts have been teased by global music moguls like Jay Z, Strade Base proudly leads the charge from the UK, bringing innovation and opportunity to the forefront of our homegrown music scene. Jay Z’s platform with Musicow received lots of hype earlier this year but doesn’t appear to have actually made it to market.
The team behind the platform include entrepreneur Dwight Okechukwu- British Grime royalty Skepta’s business partner, and UK grime icon JME as an advisor.
While fractional ownership is not a new concept, Strade Base is the first to offer it in an accessible, user-friendly format tailored for everyday fans, where the music artist is directly in control- not the labels.
Unlike traditional distribution model Strade Base provides artists with a new way to monetise their catalogue—immediately and transparently—while fostering a direct and meaningful connection with their audience. Each purchase comes with a digital, tradable ‘card’ representing royalty ownership, and users can trade these cards within the community, much like collectible items. Cards can be physical or virtual and may include unique artist rewards like concert access or exclusive merchandise, deepening fan engagement and support.
With over £3 million in investment and 3.5 years in development, Strade Base is built on passion and purpose.
For advisor and first artist on the platform JME, this isn’t just about innovation—it’s about justice. He is passionate about returning ownership to the hands of creators and sees Strade Base as a lifeline for emerging artists. With traditional industry models often delaying earnings for years, many talented musicians are forced to abandon their dreams or fall into debt. Strade Base offers a real alternative: a platform where new artists can share music and begin earning from day one.
JME is of course brother of famed MC, Skepta and between them and their record label ‘Boy Better Know’, they steered grime’s second wave, helping to build the success of British rap. They have played huge stages at Glastonbury and Wireless and are legends in the British grime and rap scene.
Strade Base will be announcing big artist drops monthly.
Dos Equis is proud to announce its latest campaign, ‘Ni Perdón Ni Permiso’ a bold celebration of unapologetic self-expression through music, art, and style. Inspired by those who live fearlessly, ‘Ni Perdón Ni Permiso’ (‘neither forgiveness, nor permission’) is a cultural expression rooted in Hispanic tradition that honors and applauds the act of authentically expressing oneself; where Dos Equis has adopted through the lens of music, celebrating artists who ‘own the stage’ by showcasing their fearless originality without needing permission.
Embracing its Mexican roots, Dos Equis adopts this familiar phrase through the inspiring power of music, in partnership with the influential Southern California-based musical group Fuerza Regida. The campaign encourages individuals to boldly embrace their unique stories, chase experiences beyond the ordinary, and pursue their passions fearlessly, without apology or the need for validation.
Fuerza Regida, known for their genre-bending sound and fearless authenticity, brings their influence to the forefront of the campaign. As pioneers of the evolving Música Mexicana category, their powerful voices and barrier-breaking artistry perfectly embody the ‘Ni Perdón Ni Permiso’ spirit. Fuerza Regida recently debuted at No. 1 on both the Apple Music All-Genre and Latin Albums charts, while making Billboard history with a No. 2 debut on the Billboard 200—before quickly rising to No. 1 on the Top Latin Albums chart a few days after. This popularity demonstrates their powerful connection with fans which is deeply rooted in Mexican-American identity, perfectly reflecting the campaign’s core message: authentic self expression isn’t just a choice – it’s the only real way to live.
“‘Ni Perdón Ni Permiso’ is more than a campaign – it’s a movement rooted in the spirit of embracing individuality,” said Alison Payne, Chief Marketing Officer for HEINEKEN USA, importer of Dos Equis. “It’s about championing the power of owning your truth and owning the stage, especially through the universal language of music. Fuerza Regida’s fearless authenticity embodies this movement, and we couldn’t ask for better partners to bring that vision to life as Dos Equis makes its mark on the vibrant world of Música Mexicana.”
“‘Ni Perdón Ni Permiso’ is all about unapologetic authenticity,” says JOP of Fuerza Regida. “We believe in the power of music to break boundaries and connect with people on a real level. This campaign with Dos Equis is our call to everyone to step up, own their voice, and live without hesitation.”
At the heart of the campaign is an exciting opportunity to co-create the ‘Ni Perdón Ni Permiso’ anthem through the Jam Session. Starting June 9, Dos Equis and Fuerza Regida are inviting fans to submit their vocal or instrumental tracks via social media for a chance to win an incredible experience: a trip to an exclusive Fuerza Regida performance and a signed vinyl featuring their bold musical creation alongside the band.
To participate in the Jam Session, fans must first visit the Dos Equis’ Instagram (@DosEquis) and follow these steps:
Locate the designated Jam Session reel.
Tap the three dots on the bottom right of the screen and select the ‘sequence’ option.
Record your vocal or instrumental contribution while being stitched next to the original video.
Edit your content in-app as desired and post using the hashtags #NiPerdonNiPermisoJam and #Contest
Stay connected with the ‘Ni Perdón Ni Permiso’ movement by following @DosEquis on Instagram for exclusive behind-the-scenes content, updates on the Jam Session, and opportunities to engage with this powerful celebration of authentic self-expression.
Many consumers have experienced ordering an iced tea at a café, expecting the familiar taste of Lipton Ice Tea, only to be served something entirely different. To address this common mix-up, the brand has partnered with iconic rapper and actor Ice-T to introduce ‘Ice Tea Insurance’ in the Netherlands and Belgium. The lighthearted initiative is designed to ensure iced tea drinkers receive the original they expect.
The initiative stems from a revealing consumer insight. According to a recent YouGov study conducted in the Netherlands, 44 percent of consumers say they have been served a different beverage than expected when ordering out. The numbers are even more striking when it comes to iced tea: 81 percent of frequent iced tea drinkers say they automatically associate the term ‘ice tea’ with Lipton Ice Tea.
Despite Lipton Ice Tea’s status as a category leader in Europe and a household name in the U.S., the brand recognized that mistaken drink orders were leaving some consumers disappointed. The ‘Ice Tea Insurance’ campaign aims to change that by allowing customers who receive the wrong brand of iced tea to submit a claim for a free Lipton Ice Tea.
The campaign is fronted by Ice-T, and it’s not just because his name echoes the drink. He rose to fame as the ‘Original Gangster’ with his 1991 album and became a cultural icon across both music and film. With a legacy rooted in originality, Ice-T is now teaming up with Lipton Ice Tea, the brand that introduced iced tea to millions, to remind people that there is only one original.
“Ordering iced tea doesn’t always mean you’ll get the original. With Lipton Ice Tea Insurance, we’re backing fans who expect the best, because the original always matters,” said Manon Lanckneus, Senior Brand Manager of Lipton Ice Tea Benelux.
The message of defending the original is one that resonates far beyond Europe, including in the U.S. The Ice Tea Insurance initiative runs throughout the summer of 2025 in the Netherlands and Belgium. Consumers who receive a different iced tea can visit www.liptoniceteainsurance.com to submit a claim and receive a complimentary Lipton Ice Tea.
The Frequency School set a new GUINNESS WORLD RECORDS title for “Most nationalities to contribute vocals to a musical recording (single song)” with the “195” song on Monday, in a bid to raise awareness about gender equality and to ignite a global movement uplifting people through the transformative power of soundhealing frequencies.
The record-breaking “195” is the first song in history featuring women from all of the world’s 195 countries and using sound healing frequencies and the 528 Hz ‘Love Frequency’.
The Frequency School co-founded by U.S. Grammy-nominated and multi-platinum music producer Maejor, Martina Fuchs, Kingsley M, Brandon Lee and Aaron Dawson produced this visionary, powerful and universal campaign and premiered it during the 55th Annual Meeting of the World Economic Forum (WEF) in Davos-Klosters, Switzerland, from January 20-24.
Using the sounds of birds and the heartbeat as instrumental elements, the “195” aims to raise the world’s frequency, elevate humanity, and trigger a positive impact by uniting and empowering women worldwide.
One woman in every one of the world’s 195 countries recognized by the United Nations said one word: “EQUALITY” in her national language or native tongue and sent in her voice and video recording.
The number of women and nationalities participating in the song was officially verified by a Guinness World Records adjudicator.
Martina Fuchs, Executive Producer of the “195” and Co-Founder of the Frequency School, said, “It has always been my dream to produce the first song in history featuring every country on the planet. Our vision was to unite 195 ordinary women from all walks of life in this pioneering and groundbreaking initiative to advocate for gender equality and the rights of women and girls, and to help people struggling with mental health issues. Breaking this record is only the beginning: we are on a global mission to make our world a more peaceful place.”
Maejor, Founder and CEO of the Frequency School who produced the song, said, “The world record is a testimony to our work and the universal language of music. This achievement is a call to every one of us to lift each other up and spread peace, love and harmony. We chose to use 528 Hz which is often referred to as the ‘love frequency’, or the frequency of transformation and miracles. We wanted to promote more respect and fairness for women, as well as deep inner healing and a state of peace. The transformative vibration of 528 Hz can inspire positive action and empathy and people to act more kindly and inclusively.”
According to scientific studies and music theory, Solfeggio frequencies, ranging from 174 Hz to 963 Hz, offer unique sound patterns that promote relaxation, stress relief, and overall well-being. These frequencies have been shown to positively impact mental, emotional, and physical health by generating vibrations that help achieve a state of calm and balance of the mind, body and spirit.
Kingsley Maduka, Co-Founder of the Frequency School, said, “We’re incredibly excited to set a new world record, and I am honored to have the youngest lady in my family, my 6 year-old daughter, to be apart of such an intentional women empowerment project, focused on wellness. Being a man, it’s important that we do our parts to support our better halfs for the sake of the mental health and wellness of humanity. The Frequency School is such an amazing platform for utilizing, implementing and amplifying wellness tools – working at the intersection of music, wellness, mental health and education is some of the most impactful work I’ve been able to be apart of.”
Brandon Lee, Co-Founder of the Frequency School, said, “Every one of us enters this world through a woman—women are the very heartbeat of humanity. I’m deeply honored to be part of this project and inspired by the future initiatives we’re building at Frequency School to uplift women’s wellness. Earning the GUINNESS WORLD RECORDS title will amplify our mission globally, allowing us to create an even greater impact.”
Aaron Dawson, Co-Founder and Creative Director of the Frequency School, said, “This project is much more than a world record, it’s a reflection of the immense gratitude I hold for women everywhere. I carry deep appreciation for every woman who have shaped me: my mother, grandmothers, aunts, cousins, godchildren, teachers, ancestors, and the many women whose love and existence have given me and the world such beautiful life. A better world exists when we honor women’s gifts, invest in them, and protect their well-being.”
Miriam Moriati, President of the Kiribati Rotaract Youth Club and a Women and Youth representative for OARS (Ocean Alliance for Resilience and Sustainability), said, “I’m from Kiribati, a small island nation in the Pacific, where our highest point is just 3 meters above sea level. Our women in Kiribati are vulnerable due to gender equality not being part of our culture and traditions. They are often the first to be affected by crises and the last to recover. Being part of this initiative to support women on an international stage is an incredible honor. Opportunities to represent our small country are rare, and I am grateful for this platform to amplify the voices of Kiribati women.”
Sawilanji Nachula, a middle school student representing Zambia, said, “I am a 13-year old Zambian and live on the ‘Mighty Zambezi’ near the Victoria Falls. I am currently a student at Falcon College in Esigodini, Zimbabwe, where I will start my grade 9 next month. I am both honoured and inspired to smash the world record with so many already successful and soon to be successful members. I doubt I will be able to contribute much myself for now. But I will be sure to promote gender equality as I get older.”
Inspired by the murmuration of birds and nature’s synchronicity, the visualizer of the song includes art elements evoking raw emotions and reflecting the power and harmony of women, and their aspiration for freedom and collective strength.
LIST OF “195” PARTICIPANTS:
Fawzia Koofi, Afghanistan
Juxhina Sotiri Gjoni, Albania
Kahina Bouagache, Algeria
Jimena Cierco Martinez and Júlia Carreras Salvadó, Andorra
Ester Nilsson, Angola
Abrianna Cooper, Antigua and Barbuda
Romina Sudack, Argentina
Sose Markosyan, Armenia
Anjali Nadaradjane, Australia
Delia Fischer, Austria
Bahar Balayeva, Azerbaijan
Amanda Darville, Bahamas
Ahdeya Ahmed Al-Sayed, Bahrain
Laiba Jannati Pritha, Bangladesh
Gloria Carter, Barbados
Kristina Lozinskaya, Belarus
Nyanchama Okemwa, Belgium
Julie Robinson, Belize
Adjalla Senami Naomy Campbell Mariela, Benin
Yangdon Sonam, Bhutan
Valentina Crespo Kuljis, Bolivia (Plurinational State of)
Iman Daneya Zulum, Bosnia and Herzegovina
Kabelo Botlhe Dikobe, Botswana
Samanta Bullock, Brazil
Daphne Lai Teck Ching, Brunei Darussalam
Natalini Yordanova, Bulgaria
Audrey Korsaga, Burkina Faso
Jeanne Irakoze, Burundi
Zanu Alves, Cabo Verde
Savada Prom, Cambodia
Sabrina Love, Cameroon
Alyson Meister, Canada
Kessy Martine Ekomo-Soignet, Central African Republic
Melissa Monique, United Kingdom of Great Britain and Northern Ireland
Flaviana Matata, United Republic of Tanzania
Kenzi Kachi Maduka, United States of America
Camila Bentancur, Uruguay
Muldir Khayitova, Uzbekistan
Adrina J L Abel, Vanuatu
Boglarka Sztancs, Vatican City
Sophia Santi Guevara, Venezuela, Bolivarian Republic of
Yip Thy Diep Ta, Viet Nam
Wadha Abdullah Mohsin, Yemen
Suwilanji Nachula, Zambia
Rosheen Ngorima, Zimbabwe
ABOUT THE FREQUENCY SCHOOL:
The Frequency School is a pioneering global initiative designed to harness the transformative power of music for the holistic development of people around the world, focusing on the mind, body, and spirit.
Through services like music therapy, education, and performance, we empower individuals to lead balanced, healthy, and fulfilling lives. The approach integrates the latest in sound therapy with traditional wellness practices to support the whole person.
It was launched by Maejor, Martina Fuchs, Kingsley M, Brandon Lee, and Aaron Dawson at the renowned international boarding school Aiglon College in Switzerland in 2024.
