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BEMF Revives Keiser’s Octavia With Lavish Staging and GRAMMY-Winning Ensemble

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The virtuous Empress Octavia is betrayed by her increasingly erratic husband, Nero, putting all of Rome on the brink of rebellion in the GRAMMY-winning Boston Early Music Festival’s fully staged production of Reinhard Keiser’s Octavia. Written for the famed Hamburg Opera in 1705, Octavia brings lavish spectacle and brilliant orchestration to a nuanced tale of the corruption of power and the resilience of love. The Centerpiece Opera of a weeklong Festival of Early Music, BEMF will offer four fully staged performances, June 8, 11, 13, and 15, 2025 at the Emerson Cutler Majestic Theatre (219 Tremont Street, Boston, MA).

GRAMMY-winning Musical Directors Paul O’Dette and Stephen Stubbs and acclaimed Stage Director Gilbert Blin lead the fully staged North American premiere in a production replete with opulent stagecraft and impeccable musicianship. As Rome breaks out in open rebellion, a fantastical parade of philosophers, clowns, ghosts, and despots comes alive on the stage as noble Octavia struggles to survive the turmoil and cruelty swirling around her. Breathtaking sets, sumptuous, period-inspired costumes, exquisite Baroque dance, and beautifully evocative music combine in an operatic feast sure to delight.

Joining the directorial team will be Orchestra Director Robert Mealy, Dance Director Marie-Nathalie Lacoursière, Choreographer Hubert Hazebroucq, Set Designer Alexander McCargar, Costume Designer Anna Kjellsdotter, Lighting Designer Kelly Martin, Assistant Stage Director Ellen Hargis, and Executive Producer Kathleen Fay. BEMF has assembled an outstanding cast of 11 singers, with GRAMMY-nominated soprano Emőke Baráth in the title role alongside BEMF favorites bass-baritone Douglas Ray Williams as Nero, sopranos Amanda Forsythe and Sherezade Panthaki, and GRAMMY-winning tenor Aaron Sheehan among others.

Tickets are priced at $30, $67, $87, $117, $153, and $250. Tickets and subscription packages are available through the BEMF Box Office at 617-661-1812 or BEMF.org.

EARPEACE Launches EVERYDAY Earplugs to Combat Noise Pollution in Style

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Today, high-fidelity earplug brand EARPEACE announced the release of EVERYDAY, its latest innovation in the lifestyle space. Designed for daily use, the new, stylish, barely-there earplug features EARPEACE’s triple-patented technology to protect users from everyday noise pollution, helping them to regain focus and take control. With lightweight travel-size cases in four fashionable neutral colors – including black, cream, navy and forest – EVERYDAY is the perfect on-the-go accessory for any lifestyle.

EARPEACE’s introduction of EVERYDAY advances the brand’s mission to prevent Noise Induced Hearing Loss (NIHL). The World Health Organization reports that by 2050, one in every 10 people will develop some degree of hearing loss. EARPEACE continues to provide a solution to this global health problem with the launch of earplugs intended for everyday use. With easily accessible and discreet earplugs, EVERYDAY will enhance the overall experience of traveling, attending live events, working out, commuting, meditating and other daily activities that result in exposure to noise pollution.

“Our events, commutes, workouts, and even our families (who we love) are sometimes just too loud. When people think about personal wellness, hearing health often is overlooked but, in fact, over 10% of the population will experience hearing loss. EARPEACE launched EVERYDAY to offer a discreet and comfortable solution to protect people from the noise that compromises our focus. EVERYDAY is intended to put you back in control,” said Jay Clark, EARPEACE Founder & CEO. “We put a lot of thought and intention into designing EVERYDAY – from the earplug’s innovative, triple-patented technology to its secure and stylish travel-size case – and we look forward to improving people’s lives by helping them combat day-to-day noise pollution and unwanted distractions.”

EVERYDAY prioritizes wellness, comfort and convenience through its new features:

  • Decibel reduction: Optimal for noise sensitivity, EVERYDAY helps users regain focus and take control with tailored decibel reduction. Whether at work, traveling or simply needing to find peace in a loud environment, EARPEACE’s custom noise filtration reduces noise without cutting off awareness.
  • Triple-patented design: Engineered with EARPEACE’s triple-patented technology, EVERYDAY earplugs conform to the natural shape of the ear for all-day comfort.
  • Four sleek color variations with matching cases: With four fashionable, neutral color options – black, cream, navy and forest – and lightweight, travel-sized cases that match any fit, EVERYDAY is an every-occasion essential. 

EVERYDAY earplugs are now available at $33.95 on EARPEACE.com, and at select retailers including Amazon.

Havas Elevates Sound Strategy With Expanded Creative Leadership

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Havas proudly introduces Art of Sound (AOS), a sonic marketing agency redefining brand storytelling through the emotional power of sound. AOS reinforces the network’s creative vision and strengthens its position as an industry disruptor. Rooted in the belief that sound is the most emotional and impactful way to connect with audiences, AOS partners with Havas brands and agencies to build distinctive sonic identities, drive cultural relevance, and resonate across generations.

As an extension of Havas’ integrated approach, AOS merges marketing innovation with deep expertise in sonic branding, audio production, and strategic sonic storytelling. The agency helps brands navigate an evolving and oversaturated media landscape by creating meaningful auditory experiences across multiple platforms — enabling them to break through the noise and leave a lasting impression.

AOS is already serving as the sonic agency of record (AOR) for several brands — an innovative model that brings strategy and consistency to how sound is used across the entire brand ecosystem. From advertising and digital to retail and product, AOS ensures that sound is more than a creative layer — it’s a core, unified expression of the brand itself.

“Sound has become essential to driving brand awareness and cultural relevance,” said Damien Escobar, CEO of Art of Sound. “As an agency that has been on the forefront of creating cutting edge service offerings for our clients, we built AOS to meet that demand and enable us to bring our capabilities to more brands across the network and globally.”

AOS has already made waves with its ‘OG WHO? OGX’ brand refresh campaign for OGX, the #1 hair repair brand – partnering with Demi Lovato. The campaign’s sonic-led strategy generated 1.2 billion impressions, and an earned media value of $4.2M to date.

Escobar, Havas’ first-ever Global Chief Music Officer, brings over two decades of experience as a two-time Emmy-winning musician and creative leader. Widely recognized as one of the most influential violinists of his generation, he’s built a career at the intersection of music, culture, and brand strategy. Before founding AOS, he served as SVP, Director of Music & Culture at Arnold Worldwide. His leadership and belief in music as a strategic brand asset led to his global appointment at Havas — all while continuing to top charts as an artist, including his #1 Billboard Jazz single “Taboo.” 

In his dual role, Escobar will continue to serve as Global Chief Music Officer for Havas while leading the future of Art of Sound — ensuring that music and sound remain central to how brands show up in culture across the entire network.

Most recently, Escobar was appointed to the Music & Entertainment Jury for the 2025 Cannes Lions International Festival of Creativity, a reflection of his creative leadership and further proof of AOS and Havas’ role in shaping the future of sonic marketing.

“With the rapid rise of new creators and influencers — and the meteoric advances in AI — the power of sound in all its forms has never been more apparent,” says Donna Murphy, Global CEO of Havas Creative and Health Networks. “Sound is a powerful emotional driver, and when approached innovatively, it enables brands to amplify their messaging in meaningful ways. We know Damien and his team of experts bring a unique perspective, passion, and experience to our clients, and we are thrilled to welcome them into these new and expanded roles within Havas.”

TILT Returns to Grace Cathedral for Summer Solstice Spectacle

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On the longest day of the year, Grace Cathedral invites you to experience TILT. This intimate and immersive concert event celebrates the summer solstice through light, sound, and community. On Friday, June 20, this extraordinary evening honors the joy of creative expression and the beauty of shared experiences.

Named for the tilt of the Earth’s axis that gives rise to the summer solstice, TILT transforms Grace Cathedral’s sacred space into a radiant celebration of light, artistry, and global unity.

Now in its sixth year, TILT continues to dazzle audiences with world-renowned talent in one of San Francisco’s most awe-inspiring settings—and this year is no different.

Leah Crocetto is a Grammy Award-winning opera virtuoso, celebrated for her radiant tone, vocal agility, and emotional depth. Praised by The New York Times for her “full, penetrating sound” and “agile coloratura technique,” Crocetto has appeared on many of the world’s most prestigious stages, including The Metropolitan Opera, San Francisco Opera, Washington National Opera, and Teatro Municipal de Santiago. Her concert performances include appearances at Carnegie Hall, alongside the Los Angeles Philharmonic, and on the Grammy-nominated Mahler 8 recording with Gustavo Dudamel and the LA Phil (Deutsche Grammophon). Her presence at TILT promises a performance of extraordinary artistry.

Ronny Michael Greenberg returns as the pianist and music director of TILT. He is an internationally acclaimed pianist, producer, founder of Taste of Talent, and musical visionary in the San Francisco Bay Area.

“TILT is more than a concert—it’s a multi-sensory experience that honors the power of music, light, and community to bring us closer together,” said Greenberg.

Event Highlights:

  • The Warm-Up (Reception):
    Begin your evening at sunset with summer spritzers and seasonal canapés, set to the vibrant global rhythms of Wobbly World, a musical collective of master artists worldwide.
  • Main Concert:
    As daylight filters through the cathedral’s stained glass, bask in a stunning performance by acclaimed soprano Leah Crocetto and pianist/director Ronny Michael Greenberg. Their genre-spanning program will stir the soul and elevate the spirit with unmatched artistry and depth.
  • Visual Light Immersion:
    The evening culminates in a mesmerizing indoor “sunset” courtesy of Mad Alchemy, San Francisco’s legendary analog liquid light show, illuminating the cathedral in dazzling, psychedelic light.

Event Details:

What: TILT – A Summer Solstice Concert
When: Friday, June 20, 2025 | Doors open at 7:30 pm for General, Sponsors at 6:30 pm
Where: Grace Cathedral, 1100 California Street, San Francisco
Tickets & Info: gracecathedral.org/tilt

Hurley Teams With Travis Barker for Global Capsule Drop

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 Hurley, the global apparel and lifestyle brand, and Travis Barker, the world-renowned drummer and producer, just lit the fuse on the most exciting collab of 2025! Get ready, because this isn’t your average surf brand capsule—it’s the counterculture spirit of Southern California.

As both the first brand ambassador and the creative force behind the capsule collection, Barker’s distinct influence is woven throughout every element of the limited-edition drop and innovative campaign. The collection includes tees and sweatshirts adorned with camo print, skull motifs, old English graphics, checker print, and more; while classic chino pants, shorts, and overalls evoke Barker’s wardrobe staples. Punk-inspired surf and swim featuring Hurley’s award-winning boardshort technology, as well as accessories including sunglasses, footwear, and headwear round out the collection.

An artist who needs no introduction, Barker’s connection with the Hurley brand spans decades and is rooted in a shared history of the Southern California pop-punk and surf scenes. When Blink-182 was blowing up stages on Warped Tour in the early 2000s, Travis wasn’t just wearing Hurley tees—he was living the California cool lifestyle that defined the era (and style) of the time. Now, over twenty years later, Hurley and Travis are making it official with the Hurley x Travis Barker collection.

“This collaboration is special for us as it showcases the synergy between the spirit and excitement of Hurley in its early days with who we are now as an internationally established brand with the power to do something really loud and exciting,” says Joey Gabbay, CEO at Bluestar Alliance, Hurley’s parent company. “Hurley has always believed that music and art are the common threads that bring us all together and having a legendary artist like Travis create custom designs and fits based on his own personal style sealed the deal for us. We strive for authenticity in everything we do, and this collaboration is a perfect symbol of that dedication.”

Shot at his recording studio and on the streets of California, the campaign captures the synergy and chemistry between Hurley and Barker. Photographed among the musical instruments that Barker has used to become the force he is today, mixed with his personal collectibles including cars, bikes, and motorcycles, these details highlight Barker’s storied career and rebellious personal style while emphasizing the enthusiasm both Barker and Hurley share for creativity and innovation.

“This collection represents everything I love about the lifestyle I’ve carved out for myself,” says Barker. “It’s tattooed and poetic, chaotic and precise—a beautiful contradiction that just works. It’s made for people like me, the punk kids, the surf community and the people who can’t help but create. I love the freedom I was given with this process and believe that really comes through in the product and designs.”

The Hurley x Travis Barker Collection is now available globally at hurley.com and select retailers with prices ranging from $50 – $125. For more information, visit https://www.hurley.com/

RBW Inc. Partners With NetEase Cloud Music to Expand K-POP in China

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RBW Inc., a leading integrated content production company and home to top K-POP acts such as MAMAMOO, ONEUS, ONEWE, and PURPLE KISS, has entered into a strategic copyright partnership with NetEase Cloud Music, one of China’s most influential music streaming platforms. This collaboration is set to mark a new chapter in Korea-China music exchange and accelerate K-POP’s expansion into the Chinese market.

Under this partnership, RBW will provide access to its entire catalog on NetEase Cloud Music, including all group and solo releases from its artists—MAMAMOO’s Solar and Moon byul included. Future releases will also be rolled out as exclusives, offering earlier access to Chinese fans.

This alliance goes beyond conventional music distribution, aiming to foster deeper industry cooperation and cultural exchange between Korea and China. Built on mutual trust, the partnership reflects both parties’ commitment to long-term collaboration and shared strategic goals in the Asian music ecosystem.

With over 200 million monthly active users (MAU), NetEase Cloud Music stands as a dominant platform in China, particularly among the Gen-Z demographic born in the 1990s and 2000s. Through this partnership, RBW is expected to significantly enhance its connection with local fans and strengthen K-POP’s footprint in the region.

An RBW representative commented, “Our partnership with NetEase Cloud Music is a strategic collaboration built on trust—not just a copyright deal. We are committed to expanding the global competitiveness of K-POP through various forms of future cooperation.”

Robin Trower Announces 50th Anniversary Box Set for ‘For Earth Below’

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Chrysalis Records will mark the 50th anniversary of Robin Trower’s For Earth Below on 13 September with the album’s most ambitious reissue yet. Available digitally, as a four-CD set, and as a double-LP, the package contains a newly remastered version of the original 1975 mix, an extended 2025 stereo remix of the entire record, a trove of previously unheard outtakes, rarities, and BBC sessions, and—for the first time in full—a concert recorded at the Shrine Auditorium in Los Angeles on 16 March 1975. A 24-page booklet featuring fresh liner notes by veteran journalist David Sinclair rounds out the collection.

To whet appetites, Chrysalis has released “Alethea” in its 2025 stereo mix on all major streaming services, following last month’s teaser of “Shame the Devil” in the same format. These previews restore the expansive guitar tones, James Dewar’s soulful vocal nuances, and Bill Lordan’s newly recruited, funk-infused drumming that helped drive the album to No. 5 on the U.S. Billboard chart in 1975. Trower still cites the title track, “Gonna Be More Suspicious,” and “Shame the Devil” as personal highlights; Lordan recalls that the trio’s chemistry “felt instant, like we’d always played together.”

Disc three captures that chemistry in the studio with alternate vocals, a previously unreleased instrumental called “The Moody One,” and complete Top of the Pops and Live in Concert sessions from January 1975. Disc four transports listeners to the Shrine, where staples such as “Bridge of Sighs,” “Too Rolling Stoned,” and “Day of the Eagle” thundered alongside newer material. Altogether, the set offers 48 tracks, 34 of them never before issued.

Trower will support the release with a U.S. tour that opens 11 June at The National in Richmond, Virginia, winds through the Northeast and Midwest—including stops in Atlantic City, Boston, Buffalo, Detroit, and Chicago—and wraps 19 July at The Factory in Chesterfield, Missouri.

Pre-orders for all formats of For Earth Below—50th Anniversary Edition are live now, inviting both longtime devotees and new listeners to rediscover a blues-rock milestone in its most vivid form to date.

    “Alethea” (2025 Stereo Mix) – LISTEN HERE

    “Shame the Devil” (2025 Stereo Mix) – LISTEN HERE

US Tour 2025

    June 11 – The National, Richmond, VA

    June 13 – Penn’s Peak, Jim Thorpe, PA

    June 14 – Music Box at the Borgata, Atlantic City, NJ

    June 15 – Keswick Theatre, Glenside, PA

    June 17 – Hackensack Meridian Health Theatre at Count Basie Center for the Arts, Red Bank, NJ

    June 18 – The Wellmont Theater, Montclair, NJ

    June 20 – The Paramount, Huntington, NY

    June 21 – Bardavon, Poughkeepsie, NY

    June 24 – Tupelo Music Hall, Derry, NH

    June 25 – The Wilbur, Boston, MA

    June 27 – Aura, Portland, ME

    June 28 – Blue Ocean Music Hall, Salisbury, MA

    July 1 – Center for the Arts of Homer, Homer, NY

    July 2 – Babeville, Buffalo, NY

    July 3 – Palace Theatre, Greensburg, PA

    July 5 – MGM Northfield Park – Center Stage, Northfield, OH

    July 6 – Taft Theatre, Cincinnati, OH

    July 8 – Royal Oak Music Theatre, Royal Oak, MI

    July 10 – Brown County Music Center, Nashville, IN

    July 11 – Copernicus Center, Chicago, IL

    July 12 – Pabst Theater, Milwaukee, WI

    July 14 – Hoyt Sherman Place, Des Moines, IA

    July 16 – Uptown Theater, Kansas City, MO

    July 17 – Gillioz Theatre, Springfield, MO

    July 19 – The Factory, Chesterfield, MO

* Previously unreleased

Springsteen Unveils “Adelita” From Border-Themed Lost Album ‘Inyo’

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Bruce Springsteen’s latest preview of “Tracks II: The Lost Albums” arrives today with “Adelita,” an ode to Mexico’s female “soldaderas” — who played a major role in the country’s fight for independence. Inspired to explore themes of this nature in the 1990s, during a series of motorcycle trips across the Southwest, Springsteen’s years in California saw him diving into both the history of the region (including “La Adelita,” the “corrido” that serves as this song’s namesake) and its contemporary events. “There was constant border reporting in the Los Angeles Times, so it was a big part of your life,” he remembered. The results appear for the first time on “Tracks II” as “Inyo” — a previously-unheard, ten-song thematic collection set throughout the border states of California and Texas (plus one detour to New Jersey). 

“‘Inyo’ was a record I wrote in California during long drives along the California aqueduct, up through Inyo County on my way to Yosemite or Death Valley,” recalled Springsteen. “I was enjoying that kind of writing so much. [On ‘The Ghost Of Tom Joad’ tour] I would go home to the hotel room at night and continue to write in that style because I thought I was going to follow up ‘The Ghost of Tom Joad’ with a similar record, but I didn’t. That’s where ‘Inyo’ came from. It’s one of my favorites.”

While primarily tracked as a solo record, “Inyo” does notably find Springsteen collaborating with mariachi musicians throughout — as heard on “Adelita.” These musicians include Luis Villalobos, Alberto Villalobos, Angel Ramos, Humberto Manuel Flores Gutierrez, David Glukh, Jorge Espinosa and Miguel Ponce. Thematically, several songs on the record examine the Mexican diaspora, how border crossing between Mexico and the U.S. has affected generations and the cultural losses endured as a result. It’s a musical thread that Springsteen first began to examine by covering Ry Cooder’s “Across the Borderline” on his 1988 Tunnel of Love Express tour. 

Listen to “Adelita”: https://brucespringsteen.lnk.to/Adelita

Pre-order “Tracks II: The Lost Albums”: https://brucespringsteen.lnk.to/TheLostAlbumsPR

“The Lost Albums” will feature seven previously-unheard Bruce Springsteen records in full: “Inyo” as well as “Perfect World” (listen to “Rain in the River”), “Streets of Philadelphia Sessions” (listen to “Blind Spot”), “Faithless” (listen to the title track), “Somewhere North of Nashville” (listen to “Repo Man”), “Twilight Hours” and “LA Garage Sessions ’83.” The set will arrive in limited-edition nine LP, seven CD and digital formats — including distinctive packaging for each previously-unreleased record, with a 100-page cloth-bound, hardcover book featuring rare archival photos, liner notes on each lost album from essayist Erik Flannigan and a personal introduction on the project from Springsteen himself. 

Tracks II: The Lost Albums 

LA Garage Sessions ’83

1. Follow That Dream

2. Don’t Back Down On Our Love

3. Little Girl Like You

4. Johnny Bye Bye

5. Sugarland

6. Seven Tears

7. Fugitive’s Dream

8. Black Mountain Ballad

9. Jim Deer

10. County Fair

11. My Hometown

12. One Love

13. Don’t Back Down

14. Richfield Whistle

15. The Klansman

16. Unsatisfied Heart

17. Shut Out The Light

18. Fugitive’s Dream (Ballad)

 Streets of Philadelphia Sessions

1. Blind Spot

2. Maybe I Don’t Know You

3. Something In The Well

4. Waiting On The End Of The World

5. The Little Things

6. We Fell Down

7. One Beautiful Morning

8. Between Heaven and Earth

9. Secret Garden

10. The Farewell Party

 Faithless

1. The Desert (Instrumental)

2. Where You Goin’, Where You From

3. Faithless

4. All God’s Children

5. A Prayer By The River (Instrumental)

6. God Sent You

7. Goin’ To California

8. The Western Sea (Instrumental)

9. My Master’s Hand

10. Let Me Ride

11. My Master’s Hand (Theme)

 Somewhere North of Nashville

1. Repo Man

2. Tiger Rose

3. Poor Side of Town

4. Delivery Man

5. Under A Big Sky

6. Detail Man

7. Silver Mountain

8. Janey Don’t You Lose Heart

9. You’re Gonna Miss Me When I’m Gone

10. Stand On It

11. Blue Highway

12. Somewhere North of Nashville

Inyo

1. Inyo

2. Indian Town

3. Adelita

4. The Aztec Dance

5. The Lost Charro

6. Our Lady of Monroe

7. El Jardinero (Upon the Death of Ramona)

8. One False Move

9. Ciudad Juarez

10. When I Build My Beautiful House

 Twilight Hours

1. Sunday Love

2. Late in the Evening

3. Two of Us

4. Lonely Town

5. September Kisses

6. Twilight Hours

7. I’ll Stand By You

8. High Sierra

9. Sunliner

10. Another You

11. Dinner at Eight

12. Follow The Sun

Perfect World

1. I’m Not Sleeping

2. Idiot’s Delight

3. Another Thin Line

4. The Great Depression

5. Blind Man

6. Rain In The River

7. If I Could Only Be Your Lover

8. Cutting Knife

9. You Lifted Me Up

10. Perfect World

Doc Pomus Celebrated With 6-CD Demo Box Set ‘You Can’t Hip A Square’

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Marking the centennial of his birth, Omnivore Recordings will release an expansive collection celebrating the genius of Doc Pomus, the legendary songwriter behind classic hit records that shaped rock n’ roll including Elvis Presley’s “Viva Las Vegas,” Ray Charles’ “Lonely Avenue” and The Drifters’ “This Magic Moment.”

The 6-CD box set, You Can’t Hip A Square: The Doc Pomus Songwriting Demos, compiling a treasure trove of never-before-heard Doc Pomus demos will be released on August 15. The set includes performances from Pomus himself, longtime writing partner Mort Shuman, and a who’s who of legendary figures key to the development of rock n’ roll including Ellie Greenwich, Scott Fagan, Peter Anders, Mickey Baker, Phil Spector, King Curtis, Titus Turner, Toni Wine, Bobby Andriani, and many more.

To accompany today’s announcement, Omnivore Recordings has released a first glimpse of the collection with “Viva Las Vegas (demo),” performed by Mort Shuman.

Listen to “Viva Las Vegas (demo)”

A larger-than-life almost mythic figure in rock ‘n’ roll lore, Jerome Solon Felder—better known as Doc Pomus—was born June 27, 1925, in Brooklyn, growing up crippled by childhood polio. After buying Big Joe Turner’s “Piney Brown Blues” at a local record shop, his world was irrevocably altered, starting a lifelong obsession with blues music and writing songs. Adopting the alias Doc Pomus—a nod to St. Louis bluesman Doctor Clayton—he performed at Greenwich Village clubs from the mid-‘40s to mid-‘50s, then transitioned to songwriting. His first hit as a writer came in 1956 with Ray Charles’ “Lonely Avenue.”

Inducted posthumously into the Rock and Roll Hall of Fame in 1992, Pomus, alongside his most trusted collaborator Mort Shuman, created one of the most enduring catalogs of the Brill Building era, including “Save the Last Dance for Me,” “A Teenager in Love,” and “This Magic Moment,” along with a number of songs specifically written for Elvis Presley, among them “Viva Las Vegas,” “Little Sister,” and “Surrender.”

The six CD set contains 165 individual demos, many featuring Doc’s partner Mort Shuman on vocals and piano. The project began when Doc’s daughter Sharyn Felder discovered a closetful of demos while organizing her father’s archives. “I didn’t want them to end up in some dusty closet, never to see the light of day,” explains Sharyn, who contacted Cheryl Pawelski, co-founder of Omnivore.

“A project like this doesn’t come along very often,” says Pawelski. “I’m always grateful when someone like Sharyn entrusts me to help shape the legacy of a great figure like Doc Pomus. He had to overcome so much in his life just to get to the place where he could be the great writer he was, expressing that heartbreak and yearning.”

The CD-set package also includes a hardbound book which features a track-by-track analysis by Felder and Pawelski, along with essays by Felder, critics Geoffrey Himes and Peter Guralnick (one of Doc’s closest buddies), as well as TV producer/writer/historian Eddie Gorodetsky.

“What’s so impressive is the depth and breadth of Doc’s catalog,” Pawelski exclaims. “The demos he made with Mort were open to interpretation in any number of styles, which they had to be. The most fascinating, to me, are the ones that got left behind, the what-ifs, the songs that never saw the light of day… We want to bring those hidden gems to light.”

“Doc often claimed to have written more than 1,000 songs,” adds Felder. “Now I think he might have been underestimating. In the past few years, I’ve discovered demos for hundreds of songs I never even knew existed. He was the consummate songwriter in that he could write for any occasion or artist.”

After Alex Halberstadt’s critically acclaimed 2007 biography, Lonely Avenue: The Unlikely Life and Times of Doc Pomus and the Sharyn Felder-produced 2012 documentary A.K.A. Doc Pomus, there are further plans for a feature biopic as well as a planned box set sequel covering his later collaborations in the ‘70s and ‘80s with Dr. John, Willy DeVille, B.B. King and Lou Reed.

“The hope is my dad’s songs will be rediscovered, that people will get turned on to some they never knew,” Felder concludes.

Doc himself describes his thoughts on songwriting in a recorded interview, which appears on Disc Six in the collection. “There are always ideas deep inside me,” he says. “To me, it’s always a question of bringing them out. Sometimes a little event might be the catalyst, or a word might be the catalyst.  I have an amazing ability to meet women and get very crazy, and that’ll stimulate me into writing a couple of songs.”

For both long-time Doc Pomus fans and those about to discover him for the first time, “This Magic Moment” is here.

Jeremy Garrett Sets “Slow Train” in Motion Ahead of ‘Storm Mountain’ Release

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Jeremy Garrett, fiddle player & vocalist of The Infamous Stringdusters continues the rollout of Storm Mountain, the seventh solo release of his career and first album release off of the band’s imprint Americana Vibes. With the release set for June 27th, Garrett gives listeners his third offering off of the new album today with the release new single “Slow Train.” Fans can get an early listen with the track streaming exclusively on YouTube HERE, incentivizing his audience to subscribe for exclusive content and videos surrounding the release.

“Slow Train” will be available on all digital streaming platforms on May 30. Pre-save & listen HERE.

Storm Mountain follows Garrett’s well-received 2022 release River Wild and is an ode to his current life living “off the grid” in a cabin on 12 acres with his wife and eight-year-old daughter in a remote section of Theodore Roosevelt National Forest outside of Drake, Colorado. The collection of songs was inspired by the mountains he lives in and the idea that holds—whether it be living in joyous nature or the more pointed feeling one can have being surrounded by such intensity. Living in the mountains can be free and easy, yet an unforgiving place for those that aren’t prepared for the elements (and even if you are, it’s never completely easy). It was a metaphor he couldn’t resist when making the record.

“Slow Train” is a fiery tribute to one of Garrett’s personal bluegrass heroes, Larry Sparks. “This is pretty much a total tribute to one of my favorite bluegrass stars,” says Garrett. “Chris Luquette along with everyone plays the heck out of this track and sets it on fire! The bluegrass way!” 

The song opens with classic heartbreak with lyrics declaring, “I’m heartbroken and I’m feelin’ low-down / I’m sick and tired of the life I live around this old town.” It quickly shifts into a foot-stomping anthem about leaving the past behind and forging a new path. Featuring Garrett’s searing fiddle work alongside Ray Cardwell’s powerful tenor vocals and Josh Shilling’s robust baritone timbre, “Slow Train” is the antithesis of slow and is a buoyant ride through the a vulnerable terrain of lost love and new beginnings.

While bluegrass is often associated with light-hearted festival sets and late night picking sessions, Garrett aims to dig deeper with more serious, introspective subject matters and musical stylings that veer back into his more traditional lineage in gospel, country, and roots, “This is not a light-hearted record,” he explains, “Bluegrass is a lonesome music. I wanted this album to be more sophisticated than songs about trains and biscuits, to bring out the deeper content.”

Storm Mountain deals with such serious topics as a fall from grace (“Son of Perdition”), the bitterness of fate (“The Cold Hard Truth”), lost love (“Fly Away”), the meaning of life (“Anchor in the Deep”) and hopes for his daughter (“You’re Gonna Fly”). In addition, there are playful stabs at modern phenomena from social conventions (“Don’t Ask’) to UFOs (“Rosewell”).

“I love weird stuff like that,” he laughed. “I study quantum physics, too.”

Other highlights include surprising, idiosyncratic covers of songs by Mr. Mister’s Richard Page (“The Border”) and U.K. classic rock band Free (“Fire and Water”).

“I wanted to draw on something a little different than what I do with the ‘Dusters. These are songs that don’t quite fit in with the crowds we usually play for. When I go back to the band, I’m way better and more fulfilled for having done these solo records.”

Garrettt’s collaborators on the record include banjo player Ryan Cavanagh (“a picker’s picker”), guitarist Chris Luquette, singer Lindsay Lou (“The Border,” “You’re Gonna Fly,” “Son of Perdition”), songwriting partner Josh Shilling, fiddle players Luke Bulla and Casey Driessen (“Rosewell”), bassist Travis Anderson, tenor vocalist Ray Cardwell (“Slow Train”) and Stringdusters colleague Andy Hall on Resophonic guitar/dobro (“You’re Gonna Fly”). He recorded the album in a one-room studio outside of Fort Collins, CO, at the foothills of the mountains, before he added his parts at his own Storm Mountain home studio.

With groups like Yonder Mountain String Band, Leftover Salmon, String Cheese Incident and current phenom Billy Strings updating bluegrass for a new generation of listeners as “jamgrass,” the genre has exploded. Jeremy Garrett, known to the Infamous Stringdusters’ loyal fan base as either G-Grass or Freedom Cobra for his dynamic stage presence, has been at the forefront of the revival.

“Bluegrass is a durable music,” he said.” It’s been around for a long time. It’s down home and hardy and you can play it anywhere. You don’t even need electricity. The Dusters are a traditional bluegrass band that brought in the elements of extended soloing into the mix.”

At 48 years old, Garrett is relatively young for a bluegrass veteran and looks forward to performing his music live for audiences.  “When I write songs now, it’s from the standpoint of someone who’s been through some life experiences over the past 20 years. My goal is for this record to be uplifting at the same time as it’s more reflective in terms of healing.

“You need to have the music serve the song first and foremost, but I still throw down the fiddle because that’s what people expect.”

With the Dusters about to celebrate their 20th anniversary next year with a new album, Garrett looks forward to finding time for the occasional solo performance along with his “day job.”

His ultimate inspiration are guys like Larry Sparks (as portrayed in “Slow Train”), Del McCoury and the late Ralph Stanley, who have performed into their 70s, 80s and 90s.

“I want to play this music forever,” said Jeremy.  With Storm Mountain, he continues on that path.