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Lowell Summer Music Series Set To Kick Off The 35th Season

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The Lowell Summer Music Series is set to return to the heart of The Mill City for its 35th season, bringing 12 nationally touring acts to the stage all summer long. This year’s lineup features an eclectic mix of artists, including Los Lobos, Grace Potter, Galactic, KALEO, Josh Ritter, and more. From June 20 through mid-September, concerts will be held at the scenic, tree-lined Boarding House Park in downtown Lowell. Attendees can enjoy top-tier performances in an easygoing and intimate venue, relaxing on blankets and beach chairs in a beautiful outdoor setting. Tickets for all shows are available now at LowellSummerMusic.org.

2025 Season Lineup:

“This year’s lineup brings a little something for everyone—from rock legends and rootsy storytellers to high-energy funk and family-friendly fun,” said James Macdonald, Series Director. “Our goal is simple: to deliver memorable shows in a relaxed and welcoming setting. We want to help people experience this remarkable city and all it has to offer.”

The series will once again offer Free Fun For Kids, a long-running program that brings family-friendly performances and activities to young audiences on Wednesday and Thursday mornings in July and August. Each event features live entertainment—like music, dance, magic, and animal shows—along with free lunches provided by Lowell Public Schools, healthy snacks, free books from Project LEARN, creative activities and free trolley rides provided by the National Park Service. This program is completely free and serves thousands of children and families each summer.

This year also marks the 44th annual Banjo and Fiddle contest. Running from 10:00 AM – 6:00 PM on Saturday, September 6, the event is free for both contestants and spectators who can experience workshops, organized jam sessions and of course banjo and fiddle contests. Players can sign up now at LowellSummerMusic.org.

The Lowell Summer Music Series is produced by the Lowell Festival Foundation, a 501(c)(3) nonprofit, the series operates without taxpayer funding and is sustained by ticket sales, sponsorships, grants, and community support.

For tickets and more information, visit LowellSummerMusic.org. Boarding House Park is located at 40 French St, Lowell, MA 01852.

 

The Cast Of Buena Vista Social Club Brings Havana Heat To NPR’s Tiny Desk

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Before it was a Tony-nominated Broadway sensation, Buena Vista Social Club was a love letter to Cuban music’s golden age. Now, it’s making magic all over again—this time behind NPR’s Tiny Desk. With powerful harmonies, dazzling solos, and a deep reverence for rhythm, the cast scales it down without ever turning down the soul. From “El Cuarto de Tula” to “Candela,” this concert is a tribute, a time machine, and a total joy.

19 Collaborations That Made Rick Derringer a Studio Legend

Rick Derringer never just played guitar—he infiltrated nearly every genre you can think of. While the spotlight often stayed on his solo work or his time with The McCoys and Johnny Winter, his fingerprints are all over classic tracks from icons across rock, pop, jazz, and beyond. Want proof? Here are 19 collaborations that show how Derringer helped shape the sound of decades.

Barbra Streisand – Played guitar on “Emotion” from Emotion (1984)
Bette Midler – Played pedal steel guitar on “Let Me Just Follow Behind” from Songs for the New Depression (1976)
Bonnie Tyler – Played guitar on tracks from Faster Than the Speed of Night (1983)
Cyndi Lauper – Played guitar on “Calm Inside the Storm” and “The Faraway Nearby” from True Colors (1986), and on tracks from A Night to Remember (1989)
Dan Hartman – Played rhythm guitar and a guitar solo on “Thank You for the Good Times” from Images (1976)
Donald Fagen – Played guitar on tracks from The Nightfly (1982)
Eddie Schwartz – Played guitar on Schwartz (1980) and solo guitar on tracks from Public Life (1984)
Edgar Winter – Played rhythm guitar on “New Millennium” and “On the Tip of My Tongue,” and guitar on “White Man’s Blues” from Winter Blues (2009); played guitar on “Love Is An Art” with Ronnie Montrose on 10×10 (2017)
Eye to Eye – Played guitar on tracks from Eye to Eye (1982)
Grayson Hugh – Played electric guitar on “Romantic Heart,” “Tears of Love,” and “Empty as the Wind” from Blind to Reason (1988)
Joe Bonamassa – Provided vocals and a guitar solo on “Nuthin’ I Wouldn’t Do (For a Woman Like You)” from A New Day Yesterday (2000)
Jon Anderson – Played guitar on tracks from 1000 Hands: Chapter One (2019)
Johnny Winter – Played guitar on “Cheap Tequila” and “Still Alive and Well,” slide guitar on “Silver Train,” and pedal steel on “Ain’t Nothing to Me” from Still Alive and Well (1973)
Kiss – Played a guitar solo on “Exciter” from Lick It Up (1983)
Neil Sedaka – Played guitar on “Cathy’s Clown” from Come See About Me (1984)
Richie Havens – Played guitar on tracks from Alarm Clock (1970) and Connections (1980)
Rosie Vela – Played guitar on tracks from Zazu (1986)
Steely Dan – Played slide guitar on “Show Biz Kids” from Countdown to Ecstasy (1973), a solo on “Chain Lightning” from Katy Lied (1975), and guitar on “My Rival” from Gaucho (1980)
Thomas Jefferson Kaye – Played acoustic and electric guitar on Thomas Jefferson Kaye (1973), and acoustic, electric, and slide guitar on First Grade (1974)

5 Surprising Facts About Rick Derringer

Rick Derringer, who passed away on May 26, 2025 at the age of 77, was more than just the guy behind “Rock and Roll, Hoochie Koo.” He was a guitarist’s guitarist, a prolific collaborator, and a musical chameleon who left fingerprints on rock, pop, jazz, metal, wrestling, and even “Weird Al” Yankovic’s greatest hits. While many knew him from his days with The McCoys or his work with Edgar and Johnny Winter, here are 5 lesser-known stories that show just how deep Derringer’s legacy runs.

He Played Guitar on Steely Dan’s Most Intricate Tracks
Derringer’s guitar work helped shape some of Steely Dan’s most memorable moments. He played slide guitar on “Show Biz Kids” and contributed a solo to “Chain Lightning” on Katy Lied. His style blended seamlessly with the group’s layered, jazz-influenced sound. He later worked with Donald Fagen on The Nightfly, adding his touch to the elegant production.

He Helped Launch “Weird Al” Yankovic’s Career
Derringer produced “Weird Al” Yankovic’s first six albums between 1983 and 1989. These included fan-favorite parodies like “Eat It” and “Fat,” both of which earned Grammy recognition. Derringer’s production helped give the songs punch and polish. Yankovic has often credited Derringer as a major part of his early success.

He Wrote Hulk Hogan’s Theme Song, “Real American”
In the 1980s, Derringer stepped into the world of pro wrestling. He co-wrote and recorded “Real American,” which became Hulk Hogan’s entrance music. The song became an anthem for fans across generations. Decades later, it still plays during patriotic tributes and nostalgic wrestling montages.

He Played the Solo on One of Air Supply’s Biggest Hits
In 1983, Derringer recorded the soaring guitar solo for “Making Love Out of Nothing at All,” written by Jim Steinman and performed by Air Supply. The song became a massive hit, and Derringer later said it was his favorite solo he ever recorded. His emotional phrasing helped elevate the ballad into something unforgettable.

He Kept Creating Music with Family and Friends
Later in life, Derringer recorded several Christian and jazz albums with his wife Jenda and daughter Mallory. Together, they released Aiming 4 Heaven, Winter Wonderland, and We Live, blending faith, harmony, and a shared love of music. He also continued to collaborate with longtime friends like Edgar Winter and Todd Rundgren, showing that connection stayed at the heart of his work.

Rick Derringer lived a life filled with music, curiosity, and community. From stadium stages to studio sessions, his guitar carried stories wherever it went. He leaves behind a legacy filled with sound, soul, and sincere joy.

AVKRVST Share New Single “The Trauma” from Upcoming Album ‘Waving at the Sky’ Out Soon

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After the announcement and pre-order start of their sophomore album “Waving at the Sky” and the release of their first single “The Malevolent” featuring Ross Jennings from Haken, Norwegian prog rockers AVKRVST reveal their second offering – “The Trauma”.

Simon Bergseth, vocalist, shares “‘The Trauma’ is the heart of the story— the origin of everything. A harrowing act triggered a wound that never should have been inflicted. This is where it all begins.“

The single comes with a brand-new music video in established AVKRVST aesthetics – a continuation of the story of the lonely, bleak soul in the cabin. Watch the video here:

“The Approbation” was praised by critics for its ambitious, immersive storytelling and its musical complexity. It was regarded as one of the best genre debuts in years, and it showcased AVKRVST as a top-tier newcomer in progressive music. Now, “Waving at the Sky” takes everything that was compelling about “The Approbation” and pushes it further towards progressive perfection. A dark and devastating concept record about real life events, it is a spiritual successor to its predecessor, and a huge leap forward on every conceivable level.

Story-wise, “Waving at the Sky” is the prequel to “The Approbation”. The 7 news tracks are inspired by a gruesome family tragedy and the bleak soul from the debut, showcased as the lonely man in the cabin in previous music videos, is one of the characters in the new album.

Tracklist “Waving at the Sky”:
1. Preceding (03:14)
2. The Trauma (05:17)
3. Families are Forever (07:49)
4. Conflating Memories (06:59)
5. The Malevolent (feat. Ross Jennings) (03:25)
6. Ghosts of Yesteryear (06:17)
7. Waving at the Sky (12:19)

 

Katatonia Unveil “Temporal” from New Album ‘Nightmares as Extensions of the Waking State’ Out June 6

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Swedish masters of melancholic metal, KATATONIA, have unveiled the second new single from their upcoming album, Nightmares as Extensions of the Waking State, out June 6, 2025 via Napalm Records! ”Temporal” balances fragility and strength – its intense verses culminating in a soaring, emotionally charged chorus. The track arrives with a beautiful lyric video.

Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of the genre, effortlessly shifting between haunting vulnerability and commanding artistry. KATATONIA’s music is pure and heartfelt from the northern wilderness; cast in mournful dirges for a world that needs a renaissance. Secure your copy of Nightmares as Extensions of the Waking State now and check out the lyric video for ”Temporal” below.

Jonas Renkse comments, ”Temporal, when the enchantment is gone. When riffing is on, the combination offers no solace other than the pleasure of the vicious circle & the colours of the night. Enjoy.”

On Nightmares as Extensions of the Waking State, crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like “Thrice” and “Warden” pulse with dynamic energy, a near-ceremonial piece, “Wind of No Change”, merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while “Temporal” balances fragility and strength – its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking “Efter Solen” (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.

Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.

Nightmares as Extensions of the Waking State tracklist:
1. Thrice
2. The Liquid Eye
3. Wind of no Change
4. Lilac
5. Temporal
6. Departure Trails
7. Warden
8. The Light Which I Bleed
9. Efter Solen
10. In the Event of

A-Z Share New Single “I Am Numb” Ahead of Sophomore Album ‘A2Z2’ Out June 6

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Hard rock band A-Z recently announced their return and sophomore album ‘A2Z2‘ with the powerful single “Nothing Is Over.” Now, the band are pleased to share the track “I Am Numb,” the second single from the forthcoming full-length release, which is due out on June 6th, 2025 via Metal Blade Records.

“I am Numb’ is an aggressive, in-your-face exploration of the emotional detachment most humans experience in life. The somber moniker is highlighted with an undeniable chorus hook and is balanced with hope and the promise tomorrow holds. Sonically, the track features energy like Rainbow’s “Kill the King” with full-throttle riffs and post-rock effected long notes, which allow the drums to be exceptionally creative. The counter rhythms bring the listener on a whirlwind journey.

Check out the track here:

The band known as A-Z began when Zonder started working on material in early 2020 with a clear vision for the band he wanted to put together: “I was thinking beer commercials, car commercials and Cobra Kai. I wanted a very accessible band that would appeal to the masses,” he says. The band’s name—standing for Alder thru Zonder—was an easy choice that would never pigeonhole the lineup’s sound. “What I liked is that it did not limit what someone would think of the band,” says Zonder. “If we named the band Scary Serpent it would give a certain direction and didn’t want people to prejudge us.”

The band members are legendarily prolific, which allows for an amazing dynamic where, as Zonder explains, “when you find the right guys, you just let them do whatever they want. Everybody’s a seasoned pro and all the different ingredients come together, make it what it is. That live and recording experience allows A-Z to instinctively know how not to step on each other musically.”

“We’re all about the songs, the band, not what each of us does in it. It’s simple,” they all agree. “It’s about the music as a whole,” says Zonder, “I guarantee you everybody’s into something completely different musically, and that’s where the magic to me comes from, taking different influences and everybody doing what they do to create A-Z. We’re not 20-year-old kids. We’re at the point where if you’re gonna go, just go big. And that’s what we’ve done on A2Z2.”

A2Z2 Tracklist:

1. Fire Away 4:37
2. Running in Place 4:58
3. Nothing is Over 4:18
4. A Wordless Prison 6:04
5. Reaching Out 4:16
6. The Remedy 5:06
7. I Am Numb 4:03
8. This Chaotic Symphony 5:10
9. Learning to Fly 4:38
10. Now I Walk Away 5:39

From Koi Ponds to Color-Coordinated Confetti: 30 Fascinating Tour Rider Requests in Music History

Before the lights go up and the crowd roars to life, there’s one backstage tradition that quietly sets the tone for the night: the tour rider. Think of it as the artist’s comfort blueprint—a list of personal requests that help performers feel at home, focused, and ready to give their all. Some riders include practical needs like specific lighting or food for dietary reasons, while others serve a deeper purpose. Van Halen’s famously strict “no brown M&Ms” clause, for example, wasn’t just a quirky demand—it was a clever way to ensure the venue was paying attention to every detail, including the critical ones related to stage safety.

But tour riders aren’t always about practicality. Sometimes they’re about vibe. They give artists a bit of familiarity in a different city every night, or even a sense of play. And occasionally, they offer fans a peek into the wonderful, weird worlds of their favorite stars. Here are 30 of the most fascinating, creative, and memorable rider requests from music history:

AC/DC
Known for their wild rock image, AC/DC’s rider asked for no alcohol in their dressing rooms during their 2008 U.S. tour. Instead, they preferred an assortment of English cheeses, crackers, and fun-sized candy bars.

Beyoncé
Beyoncé asks for her dressing room to be kept at a comfortable 78 degrees and that she be provided with hand-carved ice balls for her drinks. Her crew must wear only cotton clothing to avoid allergic reactions.

Britney Spears
When performing at the O2 in London in 2011, Britney requested a framed photo of Princess Diana, McDonald’s cheeseburgers without the buns, and a fish and chips dinner.

Bruce Springsteen
Bruce’s tour rider includes two bags of Rold Gold pretzels and chicken soup with lots of broth. He also asks for a massage therapist and a manicurist capable of doing acrylic nails.

Cher
Cher’s rider includes a dedicated wig room, black solo cups, fresh lilies, and a very specific request that her pizza be perfectly hot and served exactly on time.

Deadmau5
The electronic music producer asks for one inflatable animal of at least 5 feet in height to be fully inflated and waiting in his dressing room.

Drake
Drake’s rider includes Dr. Bronner’s peppermint soap, Pinot Grigio, pork-free meals, Dutch Master cigars, and Andis T-Outliner trimmers. He also brings his own speakers to make sure he gets the right vibe.

Eminem
At a festival in Northern Ireland, Eminem requested that a wooden koi pond be built backstage and stocked with exotic fish. He also asked for seedless watermelon and pickles.

Foo Fighters
Their rider has included jokes and drawings, such as a coloring book theme with a word search. They also requested ice recipes and asked that leftover food be donated to local shelters.

Gnarls Barkley
Their list included Swisher Sweets, Hennessy, Grey Goose, and athletic socks.

Hank Williams III
His rider once asked for a monkey, a half-gallon of milk, mustard and ketchup in squeezable bottles, cereal, Oreos, and a great white shark.

Iggy Pop
Iggy’s rider famously asked for a Bob Hope impersonator, 12 bottles of nice beer, enormous pizzas, playing cards, and “a USA Today article about obese people.”

Jack White
Jack once provided a guacamole recipe with specific slicing instructions. His rider included no bananas, a vintage-style couch, and specific temperature controls.

James Brown
At one point, the Godfather of Soul requested a ladies’ hair dryer.

Jay-Z
Jay-Z’s rider included a late model Maybach with tinted windows, peanut butter and jelly, and a selection of wines from the Bolgheri region of Italy.

Kanye West
Kanye asked for a barber’s chair, Carmex lip balm, and a driver who wears only 100% cotton. He’s also been known to request Versace towels.

Katy Perry
She requires that drivers do not talk to her and keep their eyes on the road. Her flowers must include no carnations, and her room must have pink or beige drapes.

Led Zeppelin
Zeppelin reportedly asked for ironing boards and irons at every venue. Whether they were for clothes or something else remains a mystery.

Lil Wayne
Weezy asked for a private jet, a police escort, and a hotel within a short distance from the venue. His snacks of choice include potato chips and Gatorade.

Mariah Carey
Mariah requested 20 white kittens and 100 doves for a London appearance. She also likes her dressing rooms to be decorated in pink and her toilet paper to match.

Metallica
The band loves bacon—so much that it must be available at every meal. They also require private bathrooms with dimmable lights and ask for their vegetarian crew members to be accommodated too.

Mick Jagger
Mick requests a brand-new mattress in every hotel room, but it must be slept on by someone else first—while the plastic wrapping stays on—to “break it in.”

M.I.A.
She requested female extras at every stop, who would join her onstage wearing burkas. She also asked for dried blueberries, olives, and Ketel One vodka.

Morrissey
Morrissey asked for a sapling between four and six feet tall in his dressing room on tour, reflecting his commitment to greenery and his vegan lifestyle.

Motley Crue
The Crue has asked for a boa constrictor, a sub-machine gun, creamy peanut butter, and a list of local Alcoholics Anonymous meetings in case the night took a turn.

Ozzy Osbourne
Ozzy once requested a nose, ear, and throat doctor, as well as three tanks of oxygen backstage. His focus was on staying healthy during the show.

Paul McCartney
Paul’s rider requires no leather or faux leather furniture, and all backstage food must be vegetarian. He also requests leafy plants of specific heights.

Pharrell Williams
Pharrell once asked for belly dancers and crates of vodka and champagne. His rider included Perrier Jouet Belle Epoque and Bacardi rum for his guests.

Prince
Prince demanded that all items in his dressing room be covered in clear plastic wrap until he arrived. It was “absolutely necessary.”

Slayer
They once requested 100 goats for halal slaughter, yoga ball chairs, Go-Gurt, scented markers, and blood-proof umbrellas.

Steve Aoki
Aoki’s rider includes two medium cakes labeled “DIM MAK,” confetti cannons, and a dinghy boat. He’s also asked for coconut water, Cristal, and inflatable rafts.

Van Halen
They famously asked for M&Ms with all the brown ones removed—not out of vanity, but to make sure the promoter had read the full safety and stage specs in the contract.

Phase Transition Set to Release Debut Album ‘In Search of Being’ on June 6

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With a number of singles released over the past few months, progressive metal trio Phase Transition, are finally closer to releasing their forthcoming debut album, In Search of Being, on June 6th, 2025.

Prior to the album’s release, the band has one more song to share, “The Other Side,”, a song about the mysteries of death and the perception of mortality.

The track features Ricardo Pereira from the melodic death metal band Moonshade and offers a perfect blend of melodic female vocals and guttural male vocals, along with powerful guitar, violin, and drum solos. It all comes together in an epic, catchy chorus and delivers a densely melodic yet heavy and groovy take on progressive metal.

You can listen to the song here:

Tracklisting:
1. Dichotomy
2. Becoming, (R)evolution
3.Veil of Illusions
4.Shadows of Grief
5.The Other Side

Pre-order here: https://phasetransitionofficial.com/product/1071961-in-search-of-being-cd-pre-order

Writing for the album started in 2023 when guitarist Luís Dias was in Barcelona for a while. The band worked on the music remotely which took about a year and a half to lay down, then another six months to produce and record everything. The final production, mixing, and mastering was done with the help of former Anathema member Daniel Cardoso, at Öhme Studio.

Sofia Beco, Luís Dias, and Fernando Maia began playing while at university, in the middle of their studies for exams, with Dream Theater covers. While trying to pass their courses, they managed to release their first EP called “Relatively Speaking”, in 2020. Since then, they have been playing in several venues like HardClub and festivals such as Comendatio Music Fest. The band combines influences ranging from classical music to technical progressive metal, as a result of the eclectic backgrounds of the members.

Big Big Train Announce New Live Album ‘Are We Nearly There Yet?’ Out September 19

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Big Big Train will issue a new live album Are We Nearly There Yet? on September 19th, 2025. Sub-titled Live Around The World, the album collects together a series of performances recorded in 2024 and 2025 on the band’s tours, which visited the UK, USA, Canada, The Netherlands, Belgium, Germany, Norway, Denmark and Portugal as well as co-headlining Cruise To The Edge in both years. The album has been compiled by bassist Gregory Spawton and lead vocalist Alberto Bravin.

“Apart from Summer Shall Not Fade, which captured our show headlining the 2018 Night Of The Prog festival in Germany, our previous live albums have been based around shows in London,” drummer Nick D’Virgilio explains. “Having spread our touring wings internationally much more in the last few years, we wanted to mix it up and release a live album drawn from the almost 40 shows we’ve played around the world since March 2024.”

“While our engineer Rob Aubrey will be spending the coming months taking the lead mixing our next studio album, mixing has fallen to me for Are We Nearly There Yet?“, Alberto Bravin comments. “It’s been really interesting to go back through all the performances and choose what we thought were the most appropriate ones to include on this live release. That doesn’t always mean the best technical performance – sometimes a song had a unique vibe on a particular night which we wanted to celebrate.”

The first song to be made available from Are We Nearly There Yet? is Black With Ink, recorded in London in October 2024. “Black With Ink didn’t get massive attention when we originally released it on the Common Ground album in 2021,” guitarist/keyboardist Rikard Sjöblom says. “I always thought it could be a kick ass tune live and that’s exactly how it turned out. Back when we originally recorded the song, it was David Longdon’s idea that the lead vocals should be shared around the band and on tour it has been real fun for me, Nick, Clare Lindley and Oskar Holldorff each to get to sing a verse.”

Are We Nearly There Yet? will be released via Big Big Train’s own label English Electric Recordings on 2CD and 3LP housed in a gatefold sleeve, via Bandcamp high resolution download and streaming. The 3LP version of the album will be available as limited edition 180 gram transparent violet vinyl (exclusive to Burning Shed and The Bandwagon USA) and 180 gram black vinyl. Pre-orders will be accompanied by a signed Are We Nearly There Yet? art card.

BIG BIG TRAIN – ARE WE NEARLY THERE YET?

Part One – The Lives Of Us

Light Left In The Day
Oblivion
Beneath The Masts
Skates On
Miramare
Love Is The Light*
Last Eleven

Part Two – The Lives Of Others

The First Rebreather
Black With Ink
A Mead Hall In Winter
Snowfalls
The Florentine*
The Transit Of Venus Across The Sun
Apollo

(* Not on 3LP version)

ARE WE NEARLY THERE YET? WILL BE RELEASED ON 19TH SEPTEMBER 2025
(Streaming from 3rd November 2025)