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Charlie and the Moonshine Unleash Debut Single “The Quest” From Legendary Mexican Rock Enclave

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The exciting new group Charlie and the Moonshine is blending the soulful grit of southern rock with the heartfelt storytelling of modern Americana, celebrating the release of their debut single, “The Quest,” today. This single, along with the rest of their forthcoming album, was recorded entirely live in Avándaro, a legendary rock enclave in Mexico famous for a 1970s counterculture music festival often compared to Woodstock. The band consciously embraced the raw energy and “blemishes” of this live setting, saying this warmth of imperfection led to a debut album they are truly proud of. They commented on their process: “We believe genres, such as the blues, are truly soul auditing tools, and so we wanted to transmit this by recording it live in a rough form, as it was originally intended.”

The resulting music is a sound that feels both human and timeless, featuring cinematic guitars, driving rhythm sections, and vocals that powerfully move between intimate moments and pure fire. Their lyrics dive deep into themes of love, loss, redemption, and humanity’s search for meaning. The band explained they intended to take listeners on a melodic road trip through the US, paying homage to music defining genres while exploring existential questions most people ask themselves, such as guilt’s role in life. With roots planted firmly in Mexico and their creative focus aimed at the international Americana scene, Charlie and the Moonshine are carving out an honest, soulful path.

Airbourne Unwraps A Rowdy “Christmas Bonus” Single That Is Pure Yuletide Mayhem

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Get ready to crank the volume on your holiday playlist because Airbourne has just dropped a cheerfully indecent, full throttle rock track called “Christmas Bonus.” The new single is a loud, trademark blast of pure holiday mischief that only the Australian four piece could deliver. The track was brought to life by a top notch team, produced by Brian Howes, tracked by Karl Dicaire, mixed by Zakk Cervini, and mastered by Ted Jensen, and it features a high energy animated video directed by Ryan Ortgiesen. The band had a clear goal: create a Christmas song that sounds exclusively like Airbourne.

The single is a classic mix of unrelenting rhythm and playful, tongue in cheek humor. Lead vocalist Joel O’Keeffe dives into the holiday spirit with irreverent lines like, “You’re so damn good you make Santa come twice,” planting the song firmly in a space where sleigh bells meet sweat drenched guitars. The production work emphasizes tight rhythm, huge choruses, and a raw edge, giving “Christmas Bonus” the momentum of a pub completely packed on Christmas Eve. The lyrics race through shots of Yuletide chaos, mentioning “the boys are drinkin’ and the girls are singin’,” with the snow “fallin’ all around” as the celebration intensifies.

The song even includes a salute to action cinema, with O’Keeffe signing off, “Yippee Ki Yah! motherfucker, Merry Christmas, everybody!” Airbourne has always embraced a nononsense approach, and this new song proudly celebrates their allergy to subtlety. The core group of Joel O’Keeffe, Ryan O’Keeffe, Justin Street, and Brett Tyrrell are carrying forward a sound forged in their Warrnambool family home in the early 2000s, reflecting a deep admiration for hard rock pioneers like AC/DC, The Angels, Billy Thorpe, and Rose Tattoo.

After building success in Melbourne and signing a major five album deal with Capitol Records and EMI Music Australia in 2005, Airbourne expanded their reputation by supporting icons such as Motörhead, Iron Maiden, Mötley Crüe, and The Rolling Stones, becoming one of Australia’s most successful hard rock exports. With “Christmas Bonus,” they offer a loud, rowdy seasonal anthem perfect for late nights and raised glasses.

Concerts 4 A Cause Raises Funds With Autographed Guitars For Charity

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Concerts 4 A Cause, the 501(c)3 that has helped raise money over the past several years in support of various events and charities, is offering up autographed guitars to raise money for charity. In 2023, Concerts 4 A Cause raised over $82,000 for two police officers ambushed in the line of duty in Huntsville, Alabama; in 2024, raised over $88,000 for the Daryle Singletary Memorial Fund; and over the past three years raised over $250,000 for law enforcement charities.

As the title sponsor of the 5th annual Mission:Possible Celebrity Classic Golf Tournament hosted by Tracy Lawrence, Concerts 4 A Cause helped raise funds that were invested in multiple partner organizations across Middle Tennessee who work tirelessly on the front lines to support both individuals and families facing hardship. These resources strengthen vital community programs, expand access to essential services, and help sustain the year-round efforts of local nonprofits. This support also helps fuel Tracy’s annual Mission:Possible Turkey Fry, which provides more than 32,000 meals through the Nashville Rescue Mission, surrounding county school systems, and community-based organizations across the region.

Country stars Wynonna, Vince Gill, Zach Top, Travis Tritt, Tanya Tucker, LeeAnn Womack Jamey Johnson, Gary Allan, Mark Chesnutt, Riley Green, Dustin Lynch, Ronnie Dunn, Tracy Lawrence, Aaron Lewis, Jon Pardi, and more have all joined in the fundraising efforts.

“We are extremely thankful to the artists that have signed guitars and helped us raise the much-needed funds to continue to support so many charitable partners. Nashville is a big town, but a small community and, once again, the artist community showed up when needed,” says Josh Bleidt, founder of Concerts 4 A Cause.

Sada Sends Us Straight To 1950s Havana With Her Gorgeous New Single “Tu Pedacito de Cielo”

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The fantastic Indie Afro Cuban artist and producer Sada is back with her fourth release of the year, the beautiful new single “Tu Pedacito de Cielo.” The song is a loving nod to the vibrant energy of 1950s Havana and focuses on that rare kind of love that brings a profound sense of peace and ease to your life. Following the recent success of her single “Como Quiero Yo,” Sada continues her deep dive into what true love feels like, this time exploring themes of peace, gratitude, and that one person you simply cannot stop thinking about. The song lyrically follows someone walking through Havana early in the morning, observing the typical chaos of life happening all around, but none of the activity matters because their mind is entirely fixed on one person.

The feelings explored run deep, with lyrics like “yo solo pienso en ti” (“I only think of you”) and “solo quiero tus besos” (“I only want your kisses”) showing the intensity of the romance. Even when external challenges arise, represented by the line “la águila… persiguiendo” (“the eagle chasing me”), the strength of the love remains steady. The chorus, “Quiero tu pedacito de cielo… que tú me digas te quiero,” drives home the core message that the character just wants to experience a true love. Musically, the track is a wonderful blend, mixing old school Cuban vibes with soft bossa nova inspirations, creating a sound that is gentle, cozy, and easy to get completely lost in as a listener. After a sold out show in New York and rapidly growing love from her fans in Cuba, Sada is quickly establishing herself as an artist on the rise. Her debut album, arriving in 2026, promises to further blend her rich Afro Cuban roots with modern stories of feminine strength and contemporary romance, keeping the momentum going as she carves out her own exciting lane in Latin music.

Spin Doctors Return To Australia And New Zealand To Celebrate Landmark Debut Album

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Spin Doctors Celebrating 35 Years of Debut Album With Return To Australia And New Zealand

The Spin Doctors are marking a huge milestone in 2026, announcing they will celebrate the 35th anniversary of their classic debut album, Pocket Full Of Kryptonite, with a major eleven date tour. This run is especially meaningful because it is their first time performing in Australia in over three decades, and includes their very first show in New Zealand. This debut album defined the early 1990s, achieving number one status in Australia and New Zealand, driven by massive international hits like “Two Princes” and “Little Miss Can’t Be Wrong.” The band, which originated in Manhattan’s vibrant late 1980s live scene, became a globally recognized name based on that album’s success.

The tour holds a personal connection for lead vocalist Chris Barron, who actually lived in Australia as a child and has continued friendships with local musicians like Dave Gleeson of The Screaming Jets. Barron shared his excitement, saying he is “beside himself with anticipation” about playing the entire Pocket Full Of Kryptonite album for audiences in the region. Drummer Aaron Comess confirmed that sense of appreciation for the fans’ long standing connection with the album in that part of the world. The shows will feature the full album performance, favorites from their extensive song catalogue, and material from their upcoming album, Face Full Of Cake. Guitarist Eric Schenkman assures fans that the group is currently playing at its best and is delighted to return after such a long absence. The tour spans from Fremantle to Auckland, and fans can expect the high energy, tight musicianship, and vibrant stage presence the Spin Doctors have maintained across more than thirty years of performing, starting from their early club days where extended jams were a calling card. The current lineup features original members Chris Barron, Eric Schenkman, and Aaron Comess, joined by bassist Jack Daley, who became a full time member in 2024. Their new single “Still A Gorilla” was released in 2025 as a preview for their upcoming record.

2026 Australia And New Zealand Tour Dates

  • Tuesday 12 May 2026, Metropolis, Fremantle, Perth
  • Wednesday 13 May 2026, The Gov, Adelaide
  • Friday 15 May 2026, The Story House, Geelong
  • Saturday 16 May 2026, Forum, Melbourne
  • Monday 18 May 2026, King Street, Newcastle
  • Tuesday 19 May 2026, Port Macquarie Race Club
  • Thursday 21 May 2026, Enmore Theatre, Sydney
  • Friday 22 May 2026, The Warehouse, Townsville
  • Sunday 24 May 2026, Tivoli, Brisbane
  • Monday 25 May 2026, Kings Beach, Sunshine Coast
  • Wednesday 27 May 2026, Powerstation, Auckland

25 Essential Albums for Understanding Afrobeat

In the annals of global music, few genres possess the seismic cultural impact and rhythmic complexity of Afrobeat. Born from the visionary mind of Fela Kuti, this electrifying fusion of traditional Nigerian music, Ghanaian highlife, jazz, funk, and revolutionary politics is more than just a sound—it’s a movement. But where do you start? How do you trace the roots, the branches, and the vibrant, ever-evolving leaves of this essential sound?

It’s about the journey, the discovery, and the undeniable groove that lives at the core of it all. You can read all the liner notes you want, but the real education comes from pressing play. Here are 25 Essential Albums for Understanding Afrobeat, from the masters who defined it to the new voices who are carrying its powerful legacy forward.

Africa 70

‘Shakara’ (1972) This album captures the raw, kinetic energy of Fela Kuti’s early sound before he officially changed the band’s name. The title track, “Shakara,” is an iconic example of Afrobeat’s signature call-and-response and deep rhythmic lock.

Amadou & Mariam

‘La Confusion’ (2017) The Malian duo blends their signature desert blues with modern, electronic-tinged Afrobeat rhythms. It’s a gorgeous, globe-trotting take on the genre’s expansive spirit, showing its reach far beyond Nigeria.

Angélique Kidjo

‘Mother Nature’ (2021) The Beninese superstar delivers a powerful, Grammy-winning exploration of her West African roots fused with global contemporary sounds, featuring collaborations with new-generation African artists. It’s a testament to Afrobeat’s enduring role as a musical foundation.

Antibalas

‘Who is This America?’ (2004) The Brooklyn-based band is arguably the most successful American proponent of the genre, serving as the bridge for many listeners outside of Africa. This album’s politically charged lyrics and tight arrangements perfectly honor the spirit of Fela Kuti.

Asake

‘Work of Art’ (2023) A vibrant example of the contemporary Afrobeats sound, blending Amapiano, Fuji, and hip-hop. This album shows how Afrobeat’s rhythmic DNA is shaping the new global Afropop landscape.

Ayra Starr

‘The Year I Turned 21’ (2024) This album showcases a fresh, powerful female voice in the Afrobeats scene, effortlessly blending R&B, pop, and the genre’s underlying rhythms. It’s a bold look at the future of African pop music.

Burna Boy

‘African Giant’ (2019) The album that cemented Burna Boy’s status as a global icon, merging the spirit of Fela Kuti’s politically aware Afrobeat with modern Afropop and dancehall. It is a stunning, sprawling portrait of African musical dominance.

Coldcut

‘Keleketla!’ (2020) British electronic duo Coldcut collaborated with musicians from Johannesburg to Lagos, creating a sprawling, genre-defying masterpiece. It demonstrates Afrobeat’s universal rhythmic language in a modern electronic context.

Davido

‘A Good Time’ (2019) One of the most essential Afrobeats albums of the era, showcasing the smooth, polished, and internationally marketable evolution of the sound. Its catchy hooks and star collaborations highlight Afrobeats’ pop appeal.

Ebo Taylor

‘Ebo Taylor’ (1977) The legendary Ghanaian guitarist’s self-titled record is a cornerstone of Afro-funk, sitting at the intersection of highlife, jazz, and the developing Nigerian Afrobeat sound. It’s pure, deep-pocket groove and intricate horn work.

Fela Aníkúlápó Kuti

‘Zombie’ (1976) A masterpiece of political Afrobeat, where Kuti famously used the metaphor of soldiers acting like zombies to satirize the Nigerian military. The relentless, hypnotic groove is the perfect foundation for his searing critique.

Femi Kuti

‘Shoki Shoki’ (1998) Fela’s eldest son stepped fully into his own with this album, modernizing the sound with a tighter, more funk-driven attack and maintaining the political edge. The title track became an international dancefloor anthem.

Ginger Baker

‘Live!’ (1971) Cream’s legendary drummer co-led a band in Nigeria that included Fela Kuti and Tony Allen, capturing the embryonic fire of the early Afrobeat sound in a live setting. It’s a vital historical document.

Ibibio Sound Machine

‘Uyai’ (2017) A brilliant modern UK band led by Nigerian-British vocalist Eno Williams, blending West African funk, disco, post-punk, and electronic elements. The album is a testament to Afrobeat’s influence on global dance music.

Obongjayar

‘Which Way is Forward?’ (2020) The Nigerian artist offers a unique, spoken-word-meets-Afrobeat sound, utilizing the genre’s rhythmic core for thoughtful, abstract social commentary. It’s Afrobeat in a new, introspective form.

Orlando Julius

‘Jaiyede Afro’ (2014) One of the originators of Afro-soul, this album saw Julius return to his classic sound alongside The Heliocentrics. It’s a bridge from 1960s highlife and funk directly to the deep grooves of modern Afrobeat.

Red Hot Org

‘Red Hot + Riot: The Music and Spirit of Fela Kuti’ (2002) A stunning tribute album featuring covers of Fela’s work by a diverse group of modern artists, including D’Angelo, Erykah Badu, and Kelis. It powerfully illustrates Fela’s massive influence across genres.

Seun Kuti & Fela’s Egypt 80

‘Black Times’ (2018) Fela’s youngest son leads his father’s original band, Egypt 80, maintaining the raw, politically charged, 20-minute-plus Afrobeat tradition. This album proves the original formula remains vital and uncompromising.

Tems

‘Born in the Wild’ (2024) The Nigerian singer’s debut album showcases her signature blend of Alt-R&B and Afrobeats, highlighting her vocal prowess and a more emotional, nuanced take on the rhythmic foundation. A defining record of the current Afrobeats era.

THEESatisfaction

‘Awe Naturale’ (2012) The now-defunct Seattle duo incorporated jazz, funk, and Afrobeat rhythms into their abstract, future-forward hip-hop sound. This album is a testament to the genre’s subtle, pervasive influence on experimental Black music in America.

Tony Allen

‘Secret Agent’ (2009) The undisputed co-creator of Afrobeat and the most influential drummer in the genre, this album is a masterclass in his signature “uncluttered” rhythmic approach. It’s complex, groovy, and a foundational lesson in the Afrobeat pulse.

Wizkid

‘Made in Lagos’ (2020) A definitive statement on the globalized Afrobeats sound, emphasizing smooth R&B and reggae influences over high-energy funk. It’s the ultimate chill soundtrack, showing the genre’s capacity for slow, seductive grooves.

Various Artists

‘Essential Afrobeat’ (2004) A fantastic compilation that serves as an excellent starting point for new listeners, featuring tracks from key artists and demonstrating the genre’s foundational sound and rhythmic diversity.

Various Artists

‘Nigeria 70: Lagos Jump’ (2008) This compilation is an essential journey back to the vibrant, experimental Lagos music scene of the 1970s, showcasing the highlife, funk, and juju that converged to create Afrobeat.

Various Artists

‘Introducing Hedzoleh Soundz’ (1973) This album captures the Ghanaian group Hedzoleh Soundz, who collaborated with Fela in the early 70s. It’s a great example of the deep connection and shared rhythmic heritage between Nigerian Afrobeat and Ghanaian highlife.

Gonzo Revisits a Tearjerker: Hear the Poignant New Take on “I’m Going to Go Back There Someday”

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Gonzo the Great is giving fans all the feels as he celebrates 70 years of The Muppets by revisiting the poignant gem “I’m Going to Go Back There Someday,” the deeply moving second song by Paul Williams and Kenny Ascher from The Muppet Movie that often stands in the shadow of “Rainbow Connection.” His new recording of this wishful tune promises to be so touching, you might just find yourself shedding a tear right there at your desk. This new version reminds us why this beautiful piece of cinema history is just as powerful as the movie’s biggest hit.

Three Days of Pure Country Bliss: Highways Festival Returns to the Royal Albert Hall

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Get ready for an absolutely sensational weekend because Live Nation, with the wonderful support of the Royal Albert Hall, is thrilled to announce the return of the Highways Festival for its fourth year! From Friday, May 15th through Sunday, May 17, 2026, this event will bring three incredible days of country and Americana music to one of the world’s most truly iconic stages. This year’s edition promises another unmissable weekend filled with heartfelt storytelling, soaring harmonies, and unforgettable live performances.

The lineup is stellar and showcases the full spectrum of modern and classic country, from Nashville chart toppers to Americana icons redefining the genre for a new generation. We have Jon Pardi, Carly Pearce, and the legendary Emmylou Harris headlining across the weekend, promising something special for every fan. Guiding the festival through this incredible musical journey in the main auditorium is the vibrant voice of Absolute Radio Country’s Americana and Roots show, The Front Porch, Baylen Leonard. As a two time CMA International Broadcaster of the Year, Baylen is the perfect host to celebrate the vibrant world of country music.

Beyond the main stage, Highways offers a whole weekend of special moments throughout every corner of the Hall. The Songwriter’s Round, hosted by Absolute Radio Country, brings audiences right up close to some of the genre’s finest writers as they share the stories behind their songs in an intimate, acoustic setting. On Sunday morning, families can kick off their day at Country for Kids, a lively event filled with interactive music and fun for all ages. Plus, when the curtain falls in the main auditorium on Friday and Saturday night, the Official After Party takes over the Elgar Room, keeping the music and fun going into the small hours. Due to capacity restrictions, tickets to all additional events are sold separately and are subject to availability, so make sure you secure your spot for the specific event outside of your main auditorium ticket. Dining, VIP, and hospitality packages are also available for purchase, and please remember that kids 14 and under must be accompanied by an adult 18 or over.

Remy Bond’s Stunning New Visual For “Skin Tight Jeans” Lands From Her Project ‘Backstage At The Tropicana’

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Singer, songwriter, and truly creative visionary Remy Bond is making waves as an entrancing pop presence and a bona fide artist to watch. She just released the striking new music video for “Skin Tight Jeans,” a standout track from her exciting new project, Backstage At The Tropicana, which became available earlier this month. Remy envisioned this project as a Hawaiian vacation, all while beautifully glamorizing her own nostalgia for the ’50s, ’60s, ’70s, and ’80s, successfully setting a completely unique tone for the music. The visual for “Skin Tight Jeans” perfectly captures that spirit with its vibrant, retro infused energy.

The video is set entirely in Tokyo and moves through wonderful, dreamlike scenes featuring cherry blossoms and dancers as Remy embraces a surreal baby doll aesthetic, fully leaning into the song’s key line: “Dress me like a baby doll.” Discussing the project, Remy shared, “When piecing this project together, I wanted it to feel like a good bunch of songs that reflects on everything I’ve released so far while adding songs that set the tone of this new era. I’ve always felt nostalgia was the strongest emotion. I had a magical childhood, and I think I glamorize that nostalgia in the same way I think of the 50s, 60s, 70s, and 80s.” She perfectly explains her deeply personal approach to creating music that connects with history.

Remy continued this thought by adding, “Though the past slowly fades, I try to write each song like a reminder of those disappearing worlds. One song might take you to a 50s diner, another on a Hawaiian honeymoon.” Backstage At The Tropicana follows a series of excellent releases, including the surprise live recordings of “Summer Song” and “Goodbye Stranger” from her sold out show at the El Rey Theatre. These came right after the successful single “No One” this summer, a track that quickly became a fan favorite after being teased on TikTok. Remy is consistently building a magnificent catalog, and “No One” arrived right on the heels of her hit “Moviestar” and her dreamy major label debut, “Simple Girl.”

🎸 Get Ready to Rev Up! Velocity Girl’s ¡Simpatico! Is Back and Bigger Than Ever

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On Friday, February 13th, 2026, Sub Pop will release Velocity Girl’s ¡Simpatico! (Remastered and Expanded), a new reissue of the long out-of-print 1994 sophomore album by the beloved indie-rock band, a few months ahead of its 32nd Anniversary.
 
On¡Simpatico! (Remastered and Expanded),the album gets an overdue sonic refresh with mastering by Golden, updated artwork by Ed Fotheringham, and a treasure trove of bonus tracks from the¡Simpatico!era. Today, you can hear the band’s cover of New Order’s “Your Silent Face (2025 Remaster)” from the bonus material associated with the release.
 
Velocity Girl’s¡Simpatico! (Remastered and Expanded)will be available on CD/2xLP/DSPs from Sub Pop. LP preorders in North America at the Sub Pop Mega Mart, in the UK and Europe at Mega Mart 2, and at your local record store will receive the limited Loser edition on opaque jade blue and opaque violet vinyl (North America), or petrol and magenta vinyl (UK/EU). (All vinyl colors whilst stock lasts!)
 


Velocity Girl formed in 1989 or so at the University of Maryland outside Washington, DC with guitarist Archie Moore (Black Tambourine), guitarist Brian Nelson (Black Tambourine), drummer Jim Spellman (Starry Eyes, Foxhall Stacks, High Back Chairs, Julie Ocean, Piper Club), bassist Kelly Riles (Starry Eyes), and singer Sarah Shannon (Starry Eyes, The Not Its). The band combined English-inspired noisy shoegaze fuzz with scrappy US indie rock and classic ‘60s-style pop songwriting. A killer single on Slumberland and non-stop touring grabbed the attention of the indie-rock cognoscenti, and soon after Velocity Girl signed a contract with Sub Pop on a car hood in Hoboken, New Jersey.
 
After touring in support of their 1993 debut,Copacetic, the band spent the better part of a year coming up with a batch of songs for a second album. They had never worked that way before – having focused time, and a budget (from a label!), to make an album that wasn’t a self-produced, punk-rock studio thing was a fresh experience. After playing their new material for months in the noisy style of Copacetic, the band found themselves excited about the tunes, but trying to move away from the scrappy, amateur vibe of their previous records. And their influences were a bit different this time around: less My Bloody Valentine and Wedding Present, more New Order.
 
Somebody at Sub Pop connected the band with John Porter, the one-time Roxy Music member who had produced The Smiths, Billy Bragg, The Alarm, and a bunch of other 80’s stuff. They met up on a tour stop in Los Angeles, at a Hamburger Hamlet. He agreed to produce the album in a three-week session at Cue Studios in Falls Church, VA. He was exactly what the band needed: an editor, arranger, and taskmaster. As he mercilessly excised every unnecessarily repeated bar, the band realized they’d gravitated to a sound with cleaner lines, and almost entirely ditched the noisy guitar, no doubt influenced by Porter’s presence. Velocity Girl was extremely happy with the results, and¡Simpatico!came out in June of 1994.
 
This expanded reissue adds eight songs recorded at Inner Ear Studios in Arlington, VA, a few months after the album sessions. These sessions provided playfully experimental B-sides to the album’s singles, two cover songs (the New Order cover “Your Silent Face,” and a Beach Boys cover) for a single on Merge Records, and a compilation track.
 
Upon¡Simpatico!’s release,Rolling Stonegave the album a 4-star review, and said,“The very first guitar shriek on Simpatico! slices through any residue left over from the hazierCopacetic, revealing crisp, gleaming pop. On the new album, Velocity Girl add vocal harmonies, courtesy of guitarist Archie Moore, who joins singer Sarah Shannon on several tracks, thickening the weave of spinning guitars and cursive rhythms. As on Copacetic, the textures are heaped on, but the musical lines are less runny, the riffs are sharpened, the hooks grab tighter, and the vocals skate out front. With the help of producer John Porter (Roxy Music, the Smiths – bands famed for their own brand of alterna-sheen), the group manages to mop up the garage-band spills to reveal simple melodic constructions without washing away the music’s defining layers. This record should help Velocity Girl transcend the Lush and My Bloody Valentine comparisons that flogged them afterCopacetic.”

Velocity Girl
¡Simpatico! (Remastered and Expanded)

 
1. Sorry Again (2025 Remaster)
2. There’s Only One Thing Left To Say (2025 Remaster)
3. Tripping Wires (2025 Remaster)
4. I Can’t Stop Smiling (2025 Remaster)
5. The All-Consumer (2025 Remaster)
6. Drug Girls (2025 Remaster)
7. Rubble (2025 Remaster)
8. Labrador (2025 Remaster)
9. Hey You, Get Off My Moon (2025 Remaster)
10. Medio Core (2025 Remaster)
11. What You Left Behind (2025 Remaster)
12. Wake Up, I’m Leaving (2025 Remaster)
13. Marzipan – from Sorry Again EP (2025 Remaster)
14. Labrador (Drum Machine Version) – from Sorry Again EP
(2025 Remaster)
15. Diamond Jubilee – from Sorry Again EP (2025 Remaster)
16. What You Left Behind (Reprise) – from Echoes of the Nation’s Capitol #2 compilation (2025 Remaster)
17. Your Silent Face – from Your Silent Face single (2025 Remaster)
18. You’re So Good to Me – from Your Silent Face single (2025 Remaster)
19. Seven Seas – from Seven Seas single (2025 Remaster)
20. Breaking Lines – from Seven Seas single (2025 Remaster)