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YES Announces “The Fragile Tour 2025, The Album Series” Celebrating Iconic Album with Fall U.S. Dates

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Influential and pioneering Rock and Roll Hall of Fame inductees YES—who are Steve Howe (guitars, vocals), Geoff Downes (keyboards), Jon Davison (vocals, acoustic guitar), Billy Sherwood (bass guitar, vocals), and Jay Schellen (drums)—have today (June 10) announced their “The Fragile Tour 2025, The Album Series” set for this fall in the U.S. This “evening with Yes” trek launches October 1 in Wallingford, CT, and wraps November 16 in Reno, NV. Tickets go on sale June 13. Go to www.yesworld.com/live for ticketing information.

At these shows, the progressive rock titans will perform their iconic Fragile album in its entirety along with classic cuts from their legendary body of work. The multi-platinum album features their signature songs “Roundabout,” “Long Distance Runaround,” and “Heart of the Sunrise.” Fragile, the band’s fourth studio album, was released in the UK in November 1971 and in the US in January 1972. The “Fragile Tour” is regarded as a key moment in YES’ history—it’s when the band became a headline act in the US.

“All the band’s albums had a unique feel and approach,” says Steve Howe. “After The Yes Album, so many things came together, with [co-producer] Eddie Offord steering the proceedings. While the band focused on only four main songs with full arrangements, each of us wrote and designed a solo piece, which was Bill [Bruford]’s great idea. It’s fairly ‘odd-ball,’ but we were at the height of our creativity, determined for success.” Howe adds: “It gave us confidence, further than our own in-stock belief, we’d crafted this unusual but noticeable musical twist to rock and what later became prog.”

Fragile also marks the band’s first album to be designed by Roger Dean. He would also design many of YES’ future album covers, the band’s logo, and live stage sets. This striking union of music and design is key in how YES’ sound and vision would be perceived; it also underlined how important artistic visuals were becoming in the rock world. On “The Fragile Tour 2025,” YES will perform in front of a video wall featuring AI treatment of Dean’s art, bringing YES’ art into the 2020s. Roger Dean art will be available in the merch area at all the shows.

“Roger was and is quintessential to the look of Yes,” notes Howe. “He’s still creating great paintings and design—he has no competition.”

See below for the full list of tour dates:
Date    City, State    Venue
10/1    Wallingford, CT    Toyota Oakdale Theatre
10/2    Morristown, NJ    Mayo Performing Arts Center
10/4    Atlantic City, NJ    Hard Rock Live at Etess Arena
10/5    Port Chester, NY    The Capitol Theatre
10/7    Huntington, NY    The Paramount
10/8    Glenside, PA    Keswick Theatre
10/9    Glenside, PA    Keswick Theatre
10/11    York, PA    Appell Center for the Performing Arts
10/12    Jim Thorpe, PA    Penn’s Peak
10/14    Washington, DC    Warner Theatre
10/16    Durham, NC    Carolina Theatre
10/18    Clearwater, FL    Ruth Eckerd Hall
10/19    Ft. Lauderdale, FL    Broward Center, Au-Rene Theater
10/21^    The Villages, FL    Sharon L. Morse Performing Arts Center
10/22    Charleston, SC    Charleston Music Hall
10/24    Atlanta, GA    Coca-Cola Roxy
10/25    Memphis, TN    Graceland Soundstage
10/27    Louisville, KY    The Louisville Palace
10/28    Cincinnati, OH    Taft Theatre
10/30    Indianapolis, IN    Murat Theatre at Old National Centre
10/31    Des Plaines, IL    Des Plaines Theatre
11/1    St. Charles, IL    The Arcada Theatre
11/3    Madison, WI    The Orpheum Theater
11/4*    Milwaukee, WI    The Riverside Theater
11/6    St. Louis, MO    Stifel Theatre
11/7    Omaha, NE    Steelhouse Omaha
11/9    Denver, CO    Paramount Theatre
11/11    Mesa, AZ    Mesa Arts Center
11/13    Inglewood, CA    YouTube Theater
11/14    Alpine, CA    Viejas Casino
11/16    Reno, NV    Grand Theatre at The Grand Sierra Resort

^On sale June 27
*On sale June 20

Hear How Sly Stone Spin Soul, Rock, And Revolution From KSOL FM In The 1960s

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Before Sly Stone became the psychedelic soul architect behind Sly and the Family Stone, he was already breaking barriers behind the mic and behind the boards. In the mid-1960s, Stone was a DJ at KSOL in San Francisco, curating playlists that blurred color lines—mixing The Beatles and The Rolling Stones into soul-heavy sets. At a time when radio was often segregated by genre and race, Stone spun unity. He dubbed the station “K-SOUL” and made it a beacon for music that moved the mind, body, and, yes, the soul.


15 Classic Rock Albums That Still Sound Fresh Today

Some records age like milk. Others, like fine wine. And then there are albums that somehow sound as vital now as they did the day they dropped the needle. These 15 classic rock albums don’t just hold up—they stand up, with energy, emotion, and craftsmanship that still hits hard decades later.


AC/DC – Back in Black (1980)
Straight-ahead rock with riffs like steel girders and grooves built to last. It’s one of the best-selling albums of all time for a reason—“You Shook Me All Night Long” is forever etched into party playlists.

Boston – Boston (1976)
Few debut albums explode like this. “More Than a Feeling” remains one of rock’s most perfect singles, and the whole album blends power and melody in a way that still feels fresh and polished.

Bruce Springsteen – Born to Run (1975)
Wall of sound? More like ocean of sound. “Thunder Road,” “Jungleland,” and the title track burst with cinematic energy. It captures youth, longing, and escape in a way that still makes you want to drive fast with the windows down.

David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
Ziggy never really left. This record still feels like a prophecy for outsider art and gender-fluid performance. It’s glam, it’s grounded, and it remains a beacon for the beautifully strange.

Eagles – Hotel California (1976)
From the ringing twin guitars of the title track to the lush harmonies throughout, this album defines California rock. The craftsmanship and mood still captivate late-night listeners.

Fleetwood Mac – Rumours (1977)
You can hear the tension, heartbreak, and harmony in every track. With layered harmonies, pristine production, and emotional songwriting, Rumours still sounds like lightning in a bottle. “Dreams” is a chart hit again for a reason.

Joni Mitchell – Court and Spark (1974)
Jazz, folk, pop, and poetry converge in Mitchell’s luminous production. Tracks like “Help Me” and “Free Man in Paris” offer rich layers and insight, still relevant to modern life.

Led Zeppelin – Led Zeppelin IV (1971)
There’s no expiration date on a record that opens with “Black Dog” and leads to “Stairway to Heaven.” The dynamics, riffs, and mystique continue to inspire rock bands and bedroom guitarists worldwide.

Neil Young – Harvest (1972)
“Heart of Gold” may be the hit, but this record’s quiet strength lies in its whole. Young’s mix of country, folk, and rock connects deeply with listeners today just as it did in the ‘70s.

Pink Floyd – The Dark Side of the Moon (1973)
This is the sound of ambition realized. With its blend of philosophy, sonic experimentation, and emotional resonance, this album continues to be discovered—and obsessed over—by every generation.

Queen – A Night at the Opera (1975)
Operatic one moment, hard-rocking the next. Freddie Mercury’s vision and the band’s boundless creativity turned this into an epic thrill ride. “Bohemian Rhapsody” alone still floors first-time listeners.

The Beatles – Abbey Road (1969)
From the first shimmer of “Come Together” to the legendary side-two medley, Abbey Road feels like a perfect balance of innovation and instinct. It’s polished without losing personality, and that Moog synth still sounds space-age.

The Rolling Stones – Exile on Main St. (1972)
This album is sweat, swagger, and Southern grit wrapped in rock-and-roll grit. The Stones dig deep into blues, gospel, and soul—raw, messy, and utterly alive.

The Who – Who’s Next (1971)
Synths meet smashing guitars, and Pete Townshend’s songwriting vision lands perfectly. “Baba O’Riley” and “Won’t Get Fooled Again” could headline festivals today. It still feels revolutionary.

Tom Petty and the Heartbreakers – Damn the Torpedoes (1979)
Heartland rock at its finest. These songs feel lived-in and effortless, from “Refugee” to “Here Comes My Girl.” Petty’s knack for melody and resolve makes this one eternal.

GRAMMY-Nominated Artist Sophie B. Hawkins Announces Canadian Tour Celebrating 30 Years of ‘Whaler’

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New York-born powerhouse SOPHIE B. HAWKINS will grace the legendary Saskatchewan Jazz Festival his summer, bringing her signature blend of raw emotion and musical virtuosity to one of the world’s most prestigious music events. This performance marks a triumphant return to the international stage for an artist who has maintained a devoted Canadian following throughout her three-decade career.

The Saskatoon appearance coincides with the 30th anniversary celebration of her groundbreaking album ‘WHALER’ and the upcoming release of ‘WHALER – RE-EMERGING’ in October 2025 – news that has particularly excited Canadian fans who have long championed Hawkins’ authentic artistry.

From her explosive debut with the platinum-selling ‘TONGUES AND TAILS’ and its provocative hit “Damn, I Wish I Was Your Lover” – which dominated Canadian radio in the ’90s – to setting Billboard AC history with “As I Lay Me Down,” Hawkins has consistently pushed musical boundaries while maintaining an authentic connection with audiences across North America. Her journey spans three decades of artistic evolution, including seven albums, with her latest release ‘FREE MYSELF’ (2023) proving her enduring relevance as “Love Yourself” reached #3 on the UK dance charts.

“Whaler was an incredibly adventurous time of my life,” Hawkins reflects. “Making my second record in London, meeting my teenage inspirations – it was living a dream I’d imagined since childhood. Bringing these songs to Canadian audiences feels like coming full circle, and I’m thrilled to be returning to Canada.”

The Saskatoon performance will showcase reimagined versions of ‘WHALER’ classics, including the chart-topping “Right Beside You” and the iconic “As I Lay Me Down” – songs that became staples on Canadian alternative and adult contemporary radio – alongside selections from her extensive catalogue. This rare festival appearance offers fans a unique opportunity to experience Hawkins’ powerful vocals and emotional depth in a setting that has hosted music’s most legendary performers.

Adding to the excitement, Sophie B. Hawkins will be making her first Canadian tour in years this Fall 2025, joining forces with fellow artist Paula Cole for what promises to be an unforgettable musical experience across Canada.

Beyond her musical achievements, Hawkins has left an indelible mark across multiple creative platforms – from memorable appearances on shows like ‘COMMUNITY’ to her acclaimed documentary ‘THE CREAM WILL RISE’ and her transformative portrayal of Janis Joplin in the touring production of ‘ROOM 105.’

Canadian fans will have multiple opportunities to see Hawkins perform, from the summer festival appearance to the highly anticipated fall tour with Paula Cole.

Don’t miss this historic performance as Sophie B. Hawkins brings her timeless artistry and the beloved songs of ‘WHALER’ to the Canadian stage, marking another milestone in an already remarkable career.

Canada Tour Dates 2025 

July 11 – Saskatoon, Saskatchewan @ Sasktel Saskatchewan Jazz Festival

October 16 – North Battleford, Saskatchewan @ Dekker Centre for the Performing Arts

October 17 – Camrose, Alberta @ Jeanne & Peter Lougheed Performing Arts Centre

October 18 – Fort Saskatchewan, Alberta @ Dow Centennial Centre – Shell Theatre

October 19 – Prince Albert, Saskatchewan @ E.A. Rawlinson Centre for The Arts

October 21 – Brandon, Manitoba @ Western Manitoba Centennial Auditorium

October 22 – Winnipeg, Manitoba @ Club Regent Event Centre

October 25 – St. Albert, Alberta @ Arden Theatre

October 26 – Red Deer, Alberta @ Red Deer Memorial Centre

October 27 – Calgary, Alberta @ Bella Concert Theatre

October 29 – Vancouver, British Columbia @ Vancouver Playhouse

October 30 – Victoria, British Columbia @ McPherson Playhouse

Michael Gutierrez-May Shines Light on History and Hope with “Light Still Shines The Same”

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Singer-songwriter and storyteller Michael Gutierrez-May continues to share music rooted in the land, lived experience, and enduring truths — including his latest single and album centerpiece, “Light Still Shines The Same.”

Released in December 2024 as part of the album of the same name, “Light Still Shines The Same” is a lyrical and meditative reckoning with the legacy of colonization in North America. The song reflects on the European settlement of Indigenous lands and the generations of struggle that followed. Yet it doesn’t stop at despair — instead, it calls attention to resilience, unity, and the unchanging light of the Great Spirit that shines on all people.

“You build a town in the wilderness… / Took the wood from the trees / Water for the factories / And they attributed this to progress,” Gutierrez-May sings with quiet urgency. But the refrain offers hope: “The light still shines the same on everyone.”

The track was produced by Stephen B. Martin and recorded at Ultrasound Studios in Hanover, MA by engineer Joe Clapp. A key contributor to the song is guitarist Cliff Goodwin, best known for his work as music director for Joe Cocker. Goodwin’s expressive lead guitar anchors the track in both tradition and originality, a hallmark of the entire album.

Gutierrez-May’s music blends folk, indie rock, and subtle world music influences. The album includes collaborations with Carley Baer, Elizabeth Gray, and Sean Ryder, all of whom helped shape the musical and emotional landscape of the project. Additional musical guests include Raianne Richards, Pete Nelson, Suzanne McNeil, and bassist Elizabeth Gray, a punk-era veteran now part of the duo Box of Kittens.

Michael’s lyrics walk a line between the personal and political, weaving themes of loss, resilience, reconciliation, and even humor. “Destiny” tells the story of a young woman’s defiance in the face of social expectations, while “She Was My Angel” is a moving ballad about grief and long-term love. “Apology Song” and “Five Twenty Four” show Gutierrez-May’s ability to move seamlessly between reflection, contrition, and compassion.

The album was inspired by the loss of three close friends and mentors in 2023 — David Rumpler, Andy Holiner, and Eric “Snake” Gulliksen. “This album is dedicated to their memory,” Gutierrez-May shares. “Their encouragement made all the difference.”

Michael Gutierrez-May’s path to music has been anything but conventional. A longtime community-based psychotherapist by day and concert organizer by night, he is now known for his heartfelt songs, grounded in history and humanity. He has released three previous studio albums and performs throughout New England, often in support of community and benefit events.

This release is both a celebration of song and a reminder of what folk music does best: tell stories that matter. As Gutierrez-May puts it, “We stand on our connectedness, through the present time and through the ages.”

Dane Bateman Delivers Honest, Heartfelt Country With New Single ‘Whiskey Promises’

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Penticton, BC’s country up-and-comer Dane Bateman is raising a glass — and the bar — with the release of his new single, “Whiskey Promises,” out now on all streaming platforms. Featuring his breakout title track and a collection of songs that channel the grit of Texas red dirt and the heart of ’90s country, “Whiskey Promises” cements Bateman as one of the genre’s rising voices to watch.

“Now that it’s morning, I forget what we said,” Bateman sings on the anthemic title track. “Did we make up, or was it all in my head?” With lyrics soaked in memory and hundred-proof regret, “Whiskey Promises” is a relatable, hook-filled anthem that captures a universal moment: waking up unsure if the words said the night before were real or just soaked in bourbon.

In Dane’s own words: “When people hear ‘Whiskey Promises,’ I want them to feel like they’re walking down Broadway in Nashville. That was one of the coolest experiences of my life, and I really tried to capture that energy and unpredictability.”

Originally from the small mountain town of Nakusp, BC, and now based in Penticton, Bateman’s roots run deep — in small-town living, bonfire jam sessions, and long road trips chasing live music. His sound bridges generations: a modern country edge inspired by artists like Luke Combs, Morgan Wallen, and Koe Wetzel, layered over storytelling traditions passed down from legends like Garth Brooks and Waylon Jennings.

Dane has already carved out an impressive path on the live circuit, sharing stages with Canadian country royalty including Dallas Smith, Dean Brody, The Reklaws, Meghan Patrick, and The Road Hammers. And it’s paying off — Dane is currently sitting at over 23,500 streams on Spotify, a number that’s growing by the day and was just named 93.7 JR Country radio’s “One To Watch” for the month of May.

Bateman credits a lot of his musical inspiration to the time he spent in Nashville, especially during the writing and recording of “Whiskey Promises.” “I was in a studio with three other writers, and when Brandon Samsons started playing guitar and the title ‘Whiskey Promises’ came up, we just ran with it. It wasn’t written from one specific experience, but I think almost everyone’s had a night like that — one drink too many, one truth too blurred.”

That honesty and edge show up throughout the album. Produced in part by collaborators who shared Bateman’s vision of something “edgier, sort of rock and roll, red dirt Texas style,” the album features bold instrumentation, including what Bateman calls one of the coolest elements: an aggressive kick drum that “isn’t used enough in Canadian country.”

Thematically, “Whiskey Promises explores the highs and lows of love, life on the road, and growing up blue-collar in a tight-knit, rough-around-the-edges world. “I like to write music that makes people want to have a good time,” he says. “It’s for small towners, oil riggers, weekend warriors — people like me who grew up with guitars by the fire, beer in hand.”

Before music took center stage, Dane played junior hockey across Canada and worked on oil rigs in the north. In true country fashion, he eventually packed up his truck and drove through 32 states in 58 days, a road trip that would deepen his love for country music and, eventually, inspire the journey toward his first record.

With a growing social media presence and live shows that are turning heads, Dane Bateman is poised to bring “Whiskey Promises” to stages across the country.

Bluesy R&B Unfiltered: Tribz Bring Southern Heat & Indigenous Power With “Long Black Cadillac”

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Sometimes the funkiest, fiercest music comes from the most unexpected places — like a garage jam during COVID that led to Long Black Cadillac, the newest release from Indigenous Bluesy Rockcollective TRIBZ. This tight four-piece unit is more than just a band — they’re a genre-melting powerhouse of lived history, raw groove, and unshakable heart. And in an industry that still doesn’t know where to place bands like them, TRIBZ is carving out their own lane — with whitewall tires and a V8 engine.

Composed of Errol Starr Francis (vocals), Earl Johnson (guitar), Donny Hill (bass), and Dave Davidson (drums), TRIBZ blends their deep roots in Six Nations and Hamilton with decades of blues, Motown, southern rock, reggae, and R&B lineage. Juno winners and nominees, Indigenous trailblazers, and genre-defiers — they’ve shared stages with everyone from King Biscuit Boy to AC/DC, Big Sugar to Blue Rodeo. But their most important legacy is the one they’re building together, now.

The single Long Black Cadillac is as much a statement of intent as it is a sonic ride. “We want the listener to come for a ride in our Long Black Cadillac,” the band says. It all started with Earl’s riff in Dave’s garage. “We jumped into the groove,” they recall. From there, the lyrics took shape — fun, soulful, and drenched in southern imagery. Lines like “Silky black stockings be lookin’ so fine, I can’t hide what’s on my mind” and “Since the day you came around, my bad boy image came crashing down” marry cheeky nostalgia with heartfelt confessions.

The track pulses with sweat and swagger, pulling listeners into a world where moss hangs from trees, stilettos click down humid streets, and love rides shotgun in a long black Cadillac. Errol’s smooth-as-honey vocals glide across the beat, channeling his Juno-winning soul/R&B chops with a gospel-tinged grit. “Errol takes us to places where Georgia peaches grow and that Southern Belle is waiting for us to get back to where we used to be,” they explain.

Each member brings their own fire:


Errol Starr Francis (Adopted ASMINTI Metis member) is best known for the Soul/R&B hit “Angel,” and delivers every note like it’s a sermon.
Earl Johnson (Six Nations Tuscarora) cut his teeth with King Biscuit Boy and Moxy, and his blues-rock attack is fierce and fluid.
Dave Davidson (Hamilton native) toured globally with The American Rogues, anchoring every beat with the depth of four decades.
Donny Hill (Six Nations Mohawk) has played with Murray Porter and the cast of RUMBLE, his fretless bass laying down seismic soul.

TRIBZ is fiercely proud of their Indigenous heritage. “Earl and Donny are Six Nations tribe members. Errol is an adopted member of ASMINTI,” they affirm. “We were all born on Turtle Island.” Their work doesn’t just entertain — it uplifts the power of Indigenous music in the present, outside the boxes and expectations.

Why are people falling in love with TRIBZ? Because their sound defies categories. Because their funk is raw, their stories are real, and their spirit is unstoppable. And it’s catching on — one groove at a time. As they put it: “Take me home, Long Black Cadillac.” This band is on the move — and the world is along for the ride.

Leon Thomas Announces ‘MUTTS DON’T HEEL’ World Tour Supporting Deluxe Album ‘HEEL’

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GRAMMY Award-winning artist Leon Thomas announces his MUTTS DON’T HEEL World Tour, produced by Live Nation, in support of HEEL, the deluxe edition of his critically acclaimed sophomore album MUTT, out now via EZMNY/Motown Records. The North American leg kicks off October 30 iDallasTX, with stops in AustinNashvilleAtlantaBrooklynTorontoChicago, and Los Angeles. Rising R&B standout Ambré will join as support across the U.S. and Canada. Tickets will be available starting with an artist presale beginning Wednesday, June 11. Additional presales will run throughout the week ahead of the general on sale beginning FridayJune 13 at 10am local time at https://laylo.com/leonthomas/m/muttsdontheel.

In 2026, the tour heads abroad with a run of European dates including London’s Eventim ApolloParis’ Élysée MontmartreBerlin’s Huxleys Neue Welt, and Dublin’s 3Olympia Theatre. From there, Leon brings the show to Australia with performances in SydneyMelbourneBrisbaneAdelaide, and Perth.

Leon recently released MUTT Deluxe: HEEL, a natural continuation of the original, digging deeper into his sonic universe and fetching a bold blend of psychedelic R&B, rock textures, soul, and boundary-pushing production. New collaborations with Kehlani, Big Sean, and Halle elevate the project’s emotional and musical scope, as Leon hones his reflections on singlehood, connection, and self-exposure. With tightly crafted compositions and distinct creative clarity, Thomas delivers a fearless extension of his signature sound–unleashing bite where MUTT once explored duality. HEELdoesn’t just follow; it bares its teeth. Listen HERE.

MUTT Deluxe: HEEL’s focus track, “NOT FAIR,” is a sultry confessional that captures the disarming power of desire. With piano-laced production and hypnotic harmonies, Leon unpacks the emotional whiplash of loving someone who knows exactly how to pull you in and push you away – a devoted mutt chasing a love that refuses to heel. “NOT FAIR”  lingers in a space of elusive, intoxicating intimacy and mysticism.

Last month, Leon released his single “RATHER BE ALONE” featuring multi Grammy-nominated artist and actress, Halle. A hypnotic blend of R&B infused with smoky soul and rock influences, the track is a soulful reckoning about walking away when love no longer serves you, and choosing personal peace over the chaos of what once was. Unfolding like a slow-burning confession, wrapped in hazy guitar and swelling strings, Leon’s smooth vocals intertwine seamlessly with Halle’s airy delivery, adding a subtle, psychedelic touch. Listen HERE.

Leon’s boldly introspective and highly acclaimed second studio album, MUTT, continues to push the boundaries of modern R&B, blending soulful melodies with rock influences and experimental production. Amassing over 1.1 billion streams, the album’s title track originally entered the Billboard Hot 100 in February 2025 and is steadily climbing, recently jumping from #15 to #13 – marking Leon’s first Top 40 hit and his debut entry on the Hot 100. The track also reached No. 1 on Billboard’s Hot R&B Songs chart, as well as the R&B Digital Song Sales and R&B Streaming Songs charts. A high-impact remix featuring Chris Brown helped introduce the record to an even broader audience, fueling its rise to No. 1 on Billboard’s Adult R&B Airplay chart and the UK R&B Singles Chart.

Leon is currently the digital cover star of GAFFER Magazine and performed “NOT FAIR” on Jimmy Kimmel Live! on June 3. Leon has also been nominated for Best New Artist and Best Male R&B/Pop Artist and will be performing on the mainstage at the upcoming 2025 BET Awards.  “MUTT” has also been certified platinum, highlighting its widespread acclaim. Featuring collaborations with Ty Dolla $ignFreddie GibbsWale, and more, MUTT vividly explores the multifaceted nature of love – from the exhilarating rush of singlehood to the nuanced depths of emotional intimacy. Thomas weaves a narrative that fearlessly peels back layers of vulnerability, grappling with themes of fame, emotional detachment, and the quest for genuine connection.

Leon Thomas continues to redefine modern R&B, becoming an emblem of the genre and shaping its cultural landscape. MUTT has garnered widespread critical acclaim, named the #1 R&B Album of 2024 by Billboard and VIBE. It has also earned spots on several other Best of 2024 lists, further solidifying its status as one of the year’s standout releases. Billboard describes him as “one of the hottest names in R&B,” with MUTT being hailed as “the most stunning R&B album of 2024.” VIBE called it “one of the best R&B albums of the year,” while Essence celebrated it for pushing the boundaries of Black music, cementing Leon as “one of R&B’s most exciting voices.”

Leon continues to cement himself as a generational star. His NPR Tiny Desk performance went viral, peaking at #2 on YouTube and #5 on X, further iconizing his influence in music and culture. This year, he was named Billboard’s Chartbreaker and MTV PUSH’s Artist of the Month, in addition to making his TV debut on The Late Show with Stephen Colbert, an appearance on The Jennifer Hudson Show, and first cover with GUAP Magazine.

Last year, Leon Thomas took MUTT on the road for his completely sold-out 13-stop North American headline tour. He also joined BLXST’s I Will Always Come Find You tour as a special guest, bringing their collaboration on the “Crash & Burn” remix from Thomas’s 2023 debut album Electric Dusk to life on stage. With back-to-back sold-out shows and high-profile tour appearances, Thomas continues to cement himself as one of R&B’s most dynamic live performers.

From a viral Tiny Desk to BET nods and Hot 100 climbs, Leon Thomas has spent the last year rewriting R&B’s rulebook. With MUTT Deluxe: HEEL, Leon pushes his momentum further–fiercer, bolder, and taking his vision even further.

LISTEN TO MUTT DELUXE: HEEL HERE

LISTEN TO MUTT HERE

WATCH THE VIDEO FOR “MUTT (REMIX)” FT. FREDDIE GIBBS HERE

WATCH THE VIDEO FOR “FAR FETCHED” FT. TY DOLLA $IGN HERE

LISTEN TO “MUTT (CB REMIX)” HERE

MUTTS DON’T HEEL NORTH AMERICA TOUR DATES

Artist Pre-Sale: Wed, 6/11 (10am local) – Fri, 6/13 (9am local)

Spotify Pre-Sale: Thurs, 6/12 (10am local – Fri, 6/13 (9am local)

On-Sale: Fri, 6/13 (10am local)

OCTOBER 30 – Dallas, TX | House of Blues

NOVEMBER 3 – Austin, TX | Emo’s

NOVEMBER 4 – Houston, TX | House of Blues

NOVEMBER 5 – New Orleans, LA | House of Blues

NOVEMBER 7 – Nashville, TN | Brooklyn Bowl

NOVEMBER 9 – Atlanta, GA | Tabernacle

NOVEMBER 12 – Ft Lauderdale, FL | Revolution

NOVEMBER 14 – Charlotte, NC | The Fillmore

NOVEMBER 15 – Raleigh, NC | The Ritz

NOVEMBER 16 – Silver Spring, MD | The Fillmore

NOVEMBER 19 – Philadelphia, PA | The Fillmore

NOVEMBER 20 – Boston, MA | House of Blues

NOVEMBER 23 – Brooklyn, NY | Brooklyn Paramount

NOVEMBER 26 – Toronto, ON | Danforth Music Hall

NOVEMBER 28 – Detroit, MI | The Fillmore

NOVEMBER 29 – Cincinnati, OH | Bogart’s

DECEMBER 2 – Cleveland, OH | House of Blues

DECEMBER 3 – Chicago, IL | House of Blues

DECEMBER 6 – Minneapolis, MN | First Avenue

DECEMBER 9 – Denver, CO | Summit

DECEMBER 11 – Salt Lake City, UT | The Depot

DECEMBER 14 – Seattle, WA | The Showbox

DECEMBER 16 – Vancouver, BC | Commodore Ballroom

DECEMBER 17 – Portland, OR | Roseland Theater

DECEMBER 19 – Oakland, CA | Fox Theater

DECEMBER 21 – Phoenix, AZ | The Van Buren

DECEMBER 22 – Los Angeles, CA | The Wiltern

MUTTS DON’T HEEL EUROPEAN/UK TOUR DATES

MARCH 5 – Helsinki, FI | House of Culture

MARCH 7 – Stockholm, SE | Fållan

MARCH 8 – Oslo, NO | Sentrum Scene

MARCH 10 – Copenhagen, DK | Vega

MARCH 12 – Warsaw, PL | Klub Stodoła

MARCH 15 – Berlin, DE | Huxleys Neue Welt

MARCH 16 – Cologne, DE | Live Music Hall

MARCH 17 – Brussels, BE | La Madeleine

MARCH 20 – Tilburg, NL |  Poppodium 013

MARCH 21 – Paris, FR | Elysée Montmartre

MARCH 24 – Bristol, UK | O2 Academy

MARCH 26 – Birmingham, UK | O2 Academy

MARCH 27 – Manchester, UK | Academy

MARCH 29 – Glasgow, UK | SWG3 Galvanizers

MARCH 31 – Dublin, IE | 3Olympia Theatre

APRIL 3 – London, UK | Eventim Apollo

MUTTS DON’T HEEL AUSTRALIA TOUR DATES

APRIL 10 – Brisbane, QLD | Fortitude Music Hall

APRIL 11 – Melbourne, VIC | Forum

APRIL 14 – Sydney, NSW | Enmore Theatre

APRIL 17 – Adelaide, SA | Hindley Street Music Hall

APRIL 19 – Perth, WA | Metro City

HEEL TRACKLIST

SIDE A

  1. How Fast
  2. Safe Place
  3. Dancing With Demons
  4. Vibes Don’t Lie
  5. Lucid Dreams ft. Masego
  6. Feelings On Silent ft. Wale
  7. Answer Your Phone

SIDE B

  1. Yes It Is
  2. Far Fetched ft. Ty Dolla $ign
  3. Sooner or Later ft. Axlfolie
  4. MUTT
  5. I Do
  6. I Used To ft. Baby Rose
  7. MUTT (Remix) ft. Freddie Gibbs

SIDE C

  1. Heel
  2. MUTT (Remix) [CB Remix]
  3. Party Favors ft. Big Sean
  4. Not Fair

SIDE D

  1. Prize
  2. Rather Be Alone ft. Halle
  3. Dirt On My Shoes ft. Kehlani
  4. Catch A Stray

Marco Antonio Solís Announces ‘MAS CERCA DE TI WORLD TOUR 2025’ Across North America

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One of the most influential figures in Latin music, Marco Antonio Solís, has announced his brand new MAS CERCA DE TI WORLD TOUR 2025, set to bring his timeless hits and heartfelt performances to fans across the globe. Promoted by Live Nation, the North American leg of the tour will kick off August 1 in Denver, CO, and includes stops in major cities such as San Jose, El Paso, Las Vegas, and Newark before wrapping up in San Juan, PR.

With a career spanning more than four decades, multiple Latin Grammy® Awards, and a place in the Billboard Latin Music Hall of Fame, Solís continues to captivate audiences worldwide with his poetic lyrics, magnetic stage presence, and iconic voice. The MAS CERCA DE TI WORLD TOUR promises a nostalgic musical journey featuring classics and fan favorites from his legendary catalog.

The tour, which was a spectacular success in South America earlier this year and concluded masterfully a few weeks ago in Mexico with a grand concert in Mexico City attended by over 60,000 people, will arrive in the United States to evoke sighs, memories, dancing, and many more emotions.

“El Buki,” the legend of romantic music in Spanish who conquers every stage he performs on, has toured a large part of the continent during the first half of this year, taking his songs to the hearts of hundreds of thousands of fans and lovers who have enjoyed and reveled in the almost three-hour show that each of his presentations has lasted. During the tour through the Southern Cone, with grand performances in Santiago, Chile; Buenos Aires; Cartagena; Asunción; and Santo Domingo, to name a few, South Americans were able to delight in concerts packed with people singing along to the most emblematic songs of the Mexican idol.

During his time in Mexico, the eleven concerts in different parts of the country were magnificent sold-out shows where songs like “Tu Cárcel,” “La Venia Bendita,” “Más Que Tu Amigo,” “¿A Dónde Vamos a Parar?” and “Si No Te Hubieras Ido,” which is an anthem in several parts of the world, were heard and sung at the top of everyone’s lungs by all attendees. With previous experiences, it is expected that the 18 dates announced for the tour in the United States will be an absolute success and, at the same time, an intimate encounter through music where Marco Antonio can interact and be closer to his audience than ever to share and enjoy together.

TICKETS: Tickets will be available starting with Citi presales (details below) beginning Tuesday, June 10. Additional presales will run throughout the week ahead of the general onsale beginning Friday, June 13 at 10am local time at LiveNation.com.

VIP: The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, group photo op with Marco Antonio Solís, access to a VIP bar throughout the night, exclusive Marco Antonio Solís gift item & more. VIP package contents vary based on the offer selected. For more information, visit vipnation.com.

CITI PRESALE: Citi is the official card of the Mas Cerca De Ti World Tour. Citi cardmembers will have access to presale tickets beginning Tuesday, June 10 at 10am EST until Thursday June 12 at 11:59pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

MAS CERCA DE TI WORLD TOUR DATES:

Fri Aug 01 | Denver, CO | Bellco Theatre

Sat Aug 02 | Denver, CO | Bellco Theatre

Sat Aug 09 | Sugarland, TX | Smart Financial Centre at Sugar Land

Sat Aug 16 | Durant, OK | Choctaw Grand Theater*

Sun Aug 17 | Durant, OK | Choctaw Grand Theater*

Fri Aug 22 | San Jose, CA | SAP Center

Sat Aug 23 | Reno, NV | Reno Events Center*

Fri Aug 29 | Albuquerque, NM | Rio Rancho Events Center

Sat Aug 30 | El Paso, TX | UTEP Don Haskins Center

Fri Sep 05 | Ontario, CA | Toyota Arena

Sun Sep 14 | Las Vegas, NV | The Colosseum at Caesars Palace

Mon Sep 15 | Las Vegas, NV | The Colosseum at Caesars Palace

Fri Sep 19 | Newark, NJ | Prudential Center

Fri Sep 26 | New Orleans, LA | Smoothie King Center

Sun Sep 28 | Raleigh, NC | Coastal Credit Union Music Park at Walnut Creek

Fri Oct 03 | Sunrise, FL | Amerant Bank Arena

Sat Oct 04 | Tampa, FL | Amalie Arena

Sat Oct 11 | San Juan, PR | Coliseo de Puerto Rico

*Not a Live Nation Date