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How the Music Industry Can Open Its Doors Wider and Unlock a New Era of Creative Talent

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In many corners of the music world, talent grows long before recognition arrives. Emerging creators often devote years to writing, producing, and performing without ever receiving the moment that signals they belong. That moment of legitimacy is powerful. It shapes confidence, professional identity, and the willingness to take creative risks. When the industry does not extend that moment, many artists remain in a threshold space where they are working at a high level but are not fully seen.

Across the sector, systemic challenges contribute to this stalled momentum. Gatekeeping often presents as selective curation, yet it quietly filters out artists who would thrive with the right opportunities. Application systems for showcases, grants, and mentorships frequently rely on formats that assume a narrow range of experiences, which keeps many creators from entering the spaces designed to support them. Inclusion is widely discussed in public messaging, although structural change within institutions often progresses slowly. The industry still carries long standing beliefs about who can succeed at scale, and these beliefs shape investment decisions long before the music is even heard. Without active support, many creators navigate internal doubts alone, unsure when they will finally be recognized as professionals who deserve to advance.

These challenges affect the entire musical landscape. When emerging artists wait for permission that never comes, the mainstream remains limited. Audiences miss the chance to experience a wider range of stories, sounds, and creative visions. The ecosystem becomes smaller, not because of a lack of talent, but because of the absence of pathways that make growth possible.

There are many ways the industry can create meaningful, lasting change. Mentorship pipelines would give emerging creators direct access to producers, bookers, publicists, and grant officers. Updated application systems that allow flexible formats would open doors for artists who communicate in different ways. Touring support that includes transportation, adaptive equipment, and accessibility planning would expand participation in one of the most important parts of the music economy. Media coverage that integrates diverse creators into everyday cultural conversations would normalize their presence in the mainstream. Training programs for gatekeepers would help remove unconscious bias from booking and curation decisions. Accessibility audits for venues and festivals would reduce barriers for both performers and audiences. Paid creative residencies would provide time, structure, and legitimacy at pivotal early stages. Broader recognition of digital performance formats would create new touring models that work for a wider range of artists. Clear and accessible communication systems would remove friction at every step of the process. And finally, award submissions and jury processes that actively welcome a broader range of creators would help reshape the understanding of who belongs in the highest levels of the industry.

A music world that embraces these changes becomes larger, more vibrant, and more reflective of the communities it serves. Growth happens when the industry decides that opportunity is not a scarce resource. Recognition becomes a doorway instead of a barrier. The path to legitimacy becomes clearer. The creative landscape becomes richer. And the future of music becomes a place with room for everyone who is ready to step forward.

Peaky Blinders Goes Into Theaters For New Feature Film ‘The Immortal Man’

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The Peaky Blinders are back with a new feature film, Peaky Blinders: The Immortal Man, which continues the story of Tommy Shelby and the Shelby clan. The film, which is available now, was written by series creator Steven Knight and directed by Tom Harper. Cillian Murphy, reprising his role as Tommy Shelby, told Netflix that it is “very gratifying to be re-collaborating” on the film version and that “This is one for the fans.”

The story is set in Birmingham in 1940, amidst the chaos of WWII. Tommy Shelby is driven back from a self-imposed exile to face his most destructive reckoning yet, where he must choose whether to confront his legacy or burn it to the ground. Steven Knight told Netflix that the country is at war, and “so, of course, are our Peaky Blinders,” promising an “explosive chapter.” The film’s cast includes Rebecca Ferguson, Tim Roth, Sophie Rundle, and Barry Keoghan.

‘Peaky Blinders: The Immortal Man’ will be available in theaters on March 6, 2026, and on Netflix on March 20, 2026.

15 of the Best Great American Songbook Albums

There’s something magical about the Great American Songbook. Maybe it’s the nostalgia. Maybe it’s the glamour. Or maybe it’s the thrill of hearing your favorite artist suddenly put on a tux, slow down the tempo, and croon like they’ve been living in a smoky jazz club since 1947.

Every generation eventually tries its hand at these classics. Some succeed beautifully. Some… well, let’s call them “historical curiosities.”

But the albums that work — the ones worth revisiting — are the ones where the artist doesn’t just sing the song. They find themselves inside it. These 15 albums do exactly that.

‘A Little Touch of Schmilsson in the Night’ – Harry Nilsson (1973)

Nilsson hires Sinatra’s arranger, goes full velvet-suit romantic, and somehow makes standards sound both dreamy and slyly unhinged.

‘Am I Not Your Girl?’ – Sinéad O’Connor (1992)

Sinéad at her boldest — heart, honesty, and a big band behind her. Her voice turns these classics into emotional gut punches.

‘Both Sides Now’ – Joni Mitchell (2000)

Joni transforms jazz standards into a late-night confession booth, anchored by her smoky, lived-in voice and Vince Mendoza’s lush arrangements.

‘Fallen Angels’ – Bob Dylan (2016)

Dylan bends Sinatra’s world into his own — ragged, intimate, and strangely tender. A saloon album for people who prefer dim lights and creaky barstools.

‘Fly Me to the Moon… The Great American Songbook, Vol. V’ – Rod Stewart (2010)

Stewart goes all-in on glamour and swing. It’s flashy, fun, and surprisingly charming — a reminder that rock stars sometimes make great crooners.

‘Long Wave’ – Jeff Lynne (2012)

ELO’s mastermind ditches bombast for warmth, creating a radio-dial love letter to the songs he grew up with. A cozy, analog-glow record.

‘Pop Pop’ – Rickie Lee Jones (1991)

Bare, strange, and beautiful — Jones turns standards inside out using only her elastic phrasing and a bassist who sounds like he’s levitating.

‘Sentimental Journey’ – Ringo Starr (1970)

Ringo’s mom asked for an album of standards. Ringo delivered — with George Martin turning the arrangements into whimsical little worlds.

‘Shadows in the Night’ – Bob Dylan (2015)

Dylan at his most vulnerable, singing Sinatra with the cracked beauty of a man sending postcards to his past selves.

‘Songs From the Last Century’ – George Michael (1999)

Stylish, smooth, and unexpectedly bold — Michael reinvents standards and even sneaks in a big-band ‘Roxanne’ because, well, why not?

‘Stardust’ – Willie Nelson (1978)

A landmark album. Willie bends melodies like they’re soft clay and turns the Songbook into a country-jazz masterpiece that stayed on the charts for a decade.

‘Thanks for the Memory… The Great American Songbook, Vol. IV’ – Rod Stewart (2005)

One of Stewart’s strongest entries — warm vocals, impeccable arrangements, and a surprising amount of emotional depth.

‘Triplicate’ – Bob Dylan (2017)

Three discs, three moods, and Dylan at his most reflective. It’s sprawling, delicate, and maybe his most committed dive into the Songbook.

‘Wee Small Hours’ – Frank Sinatra (1955)

The template. The standard of standards. Every late-night Songbook album owes a drink to this one.

‘What’s New’ – Linda Ronstadt (1983)

Ronstadt, backed by Nelson Riddle, goes full glamour and absolutely nails it. Her voice soars over arrangements that sparkle like vintage Hollywood.

10 Songs Perfect for Celebrating National Blue Jeans Day

Some holidays need no explanation. National Blue Jeans Day is one of them. Denim has been a cultural icon for decades — worn by rock stars, poets, rebels, pop queens, folk heroes, and all of us in between. Lucky for us, music has been singing about blue jeans for just as long.

So pull on your favorite pair, crank up the volume, and celebrate the greatest fabric ever stitched with these 10 denim-inspired classics.

“Blue Jean” – David Bowie

Bowie turns the simple act of wearing jeans into a stylish, swaggering pop moment — leave it to him to glamorize denim.

“Blue Jean Baby” – Fitz and The Tantrums

A bubbly, retro-tinged track that struts across the dance floor like your favorite perfectly worn-in pair.

“Blue Jeans” – Jessie James

Country-pop grit meets flirtatious charm in this ode to falling for the person who looks just right in denim.

“Blue Jeans” – Lana Del Rey

Moody, cinematic, and nostalgic, Lana transforms blue jeans into a symbol of heartbreak and California dreaming.

“Blue Jeans” – Meghan Trainor

A punchy, upbeat reminder that confidence — and a great pair of jeans — can change your whole day.

“Blue Jeans and White T-Shirts” – The Gaslight Anthem

A Springsteen-soaked love letter to youth, New Jersey nights, and the timeless denim-and-tee combo.

“Forever in Blue Jeans” – Neil Diamond

An unshakable feel-good anthem insisting that life is better — and simpler — in denim. Neil has spoken.

“I Guess That’s Why They Call It the Blues” – Elton John

Not strictly about pants, but its poetic reference to blue jeans earns it a rightful spot on any denim playlist.

“Real Gone” – Sheryl Crow

Crow channels Americana grit and road-trip energy, with denim imagery stitched into the song’s freewheeling spirit.

“Tight Fittin’ Jeans” – Conway Twitty

A classic country tale of a bar, a mysterious woman, and a pair of jeans that set an unforgettable night in motion.

Indie Rockers Tigers Jaw Shares Exhilarating Single “Head is Like a Sinking Stone”

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Tigers Jaw – the band of Ben Walsh (guitar, vocals), Brianna Collins (keys, vocals), Mark Lebiecki (guitar), Colin Gorman (bass), and Teddy Roberts (drums) – today announced their highly anticipated new album ‘Lost on You’ will be released 27th March, 2026 via Hopeless Records. Their seventh album and follow-up to their critically-acclaimed 2021 LP, ‘I Won’t Care How You Remember Me’, was produced/engineered by their longtime collaborator Will Yip (Turnstile, Movements) at his famed Studio 4 in Philadelphia and captures the energy and spirit of the quintet’s live show. Tigers Jaw today also shared the album’s exhilarating lead single ‘Head is Like a Sinking Stone’ alongside a video of tour footage shot by the band throughout the years and edited by Ricky Christian.

Originating as a guitar riff written by their newest member Lebiecki and later completed by the band, Walsh notes the lyrics of ‘Head is Like a Sinking Stone’ were inspired by a recurring dream from his childhood. “When I was a kid I had a strange recurring dream of jumping off the high dive at Nay Aug Park pool in Scranton, and after jumping in, time would just sort of freeze and I’d just be stuck there underwater,” says Walsh. “The premise was pretty terrifying but the visual of sunshine reflecting on the ripples of water from the perspective of being beneath the surface was always kind of hauntingly beautiful. The chorus lyric sprung from a recollection of that dream and the rest followed. It serves as a kind of reminder to myself that beauty can be found in unexpected situations.”

Tigers Jaw today also announced an album release show at Philadelphia’s Union Transfer on 16th April, 2026. ‘Lost on You’ is now available for pre-order HERE.

Despite our deepest desires, time only continues to move forward, slowly and incessantly. We attempt to understand the present through our conceptions of the past, and we hope to use that understanding to guide the future. These simple chronological divisions offer us a simple way to organise our lives: where we’ve been, where we are now, where we hope to be. Despite their connections, they feel disparate, always looking at one through the lens of another. On ‘Lost on You’, Tigers Jaw pose a much more holistic idea: we exist in all of these timelines at once.

With five years since their last release, Walsh noted that the band “wanted to feel confident in the material we have and let things progress naturally.” And so they took their time finding what felt right, even though, of course, life continued on all around them. The result is a Tigers Jaw record as great as you’d expect. Songs like ‘Primary Colors’ and ‘Baptized on a Redwood Drive’ find the band embracing a driving midtempo similar to alt rock heroes Jimmy Eat World or Weezer, with other tracks like ‘Head is Like a Sinking Stone’ and ‘BREEZER’ feeling so classic that the best reference is Tigers Jaw themselves. They sing about blades and knives, anxieties and intentions, and timeless TJ topics like two worlds and ghosts.

These songs are portals taking us between different parts of the band’s life and even our own lives, showing us how we can understand time not as a linear narrative but as something that is all real and knowable at once. They weren’t able to get here without starting somewhere else—somewhere we as fans can instantly recognize and relate to. And while where they are going may still be unknown to us, we can see traces of it here already. It’s uncertain but true, something we are constantly grappling with as time continues to inevitably pass. But there is beauty in it if we can accept it, finding contentment in just attempting to know ourselves. As Collins sings on ‘Primary Colors,’ “I understand it all now/It’s not supposed to make sense.”

Country Superstar Dwight Yoakam Headlines Official Nashville New Year’s Eve Watch Party

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This year’s NEW YEAR’S EVE LIVE: NASHVILLE’S BIG BASH official watch party will take place at Luke Combs’ Category 10, kicking off at 6PM on Wednesday, December 31. Grammy-award winning country superstar Dwight Yoakam will take the stage to perform his biggest hits, with special appearances by Cody Alan and Caylee Hammack to ring in 2025. 

The official watch party is free and open to fans 21 and older on a first-come, first-served basis. Doors open at 6 PM. Guaranteed entry tickets and VIP upgrade options can be purchased in advance HERE.

For those unable to make it to Category 10 or the main show at Bicentennial Park, NEW YEAR’S EVE LIVE: NASHVILLE’S BIG BASH will air live on Wednesday, Dec. 31 (8:00-10:00 PM, ET/PT, 10:30 PM-1:30 AM, ET/PT) on the CBS Television Network, and streaming on Paramount+*.

As previously announced, the star-studded entertainment special will feature high-energy performances from country music’s hottest superstars live from Bicentennial Park in Nashville, including Jason Aldean, Lainey Wilson and Bailey Zimmerman, as well as special guests CeCe Winans and the Fisk Jubilee Singers. The five-hour event will air across multiple time zones, with the traditional countdown at midnight Eastern time as well as the renowned Nashville Music Note Drop and celebratory firework display at midnight Central time. Additional performers will be announced at a later date. 

NEW YEAR’S EVE LIVE: NASHVILLE’S BIG BASH is executive produced by Robert Deaton and Mary Hilliard Harrington in partnership with Music City Inc., the foundation of the Nashville Convention & Visitors Corp. The special will be directed by Sandra Restrepo.

*Paramount+ Premium plan subscribers will have access to stream live via the live feed of their local CBS affiliate on the service, as well as on-demand. Paramount+ Essential subscribers will not have the option to stream live, but will have access to on-demand the day after the special airs.

Dwight Yoakam is one of the most influential and innovative voices in American music, celebrated for a career that has reshaped the sound of modern country while extending far beyond its boundaries. With more than 25 million albums sold worldwide, Yoakam is a 21-time GRAMMY nominee and multiple GRAMMY® Award winner. His catalog includes 12 gold albums and 9 platinum or multi-platinum releases, with five reaching No. 1 on the Billboard Country Albums chart and 14 placing in the Top 10. Nearly 40 of his singles have charted on Billboard, including 14 Top 10 hits. He is a recipient of the Americana Music Association’s Artist of the Year Award and BMI Country Music’s President’s Award, and in 2019 was inducted into the Nashville Songwriters Hall of Fame, further cementing his standing as a defining voice in American songwriting. Yoakam’s most recent release, Brighter Days (Via Records/Thirty Tigers), arrived in November 2024 and marked his first album of new material in nine years. Written and recorded over a multi-year period, the collection includes twelve original songs written or co-written by Yoakam, along with covers of “Keep On the Sunny Side,” “Bound Away,” and Chris Hillman’s “Time Between,” all rendered in his unmistakable, genre-blending style that spans honky-tonk, Bakersfield country, bluegrass, rock & roll, and Americana traditions. A dedicated steward of musical heritage, Yoakam launched his SiriusXM channel, Dwight Yoakam and The Bakersfield Beat: Where Country Went Mod, in 2018. The channel celebrates the Bakersfield sound and its lasting influence, featuring music, interviews, archival recordings, and guest appearances from artists such as Post Malone, Lukas Nelson, Beck, Chris Hillman, Jakob Dylan, and Jackie DeShannon. Yoakam’s versatility extends to film and television, with more than 40 appearances to his credit. From his iconic feature debut in Sling Blade, Yoakam has gone on to deliver standout performances in Steven Soderbergh’s Logan Lucky, Clint Eastwood’s Cry Macho, and David Fincher’s Panic Room. Whether on stage or screen, Dwight Yoakam is a singular force in American culture, whose work has reshaped country music and inspired generations of artists.

J.I.D Shares Personal Story Behind The Track “Glory”

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Hip-hop artist J.I.D is sharing the powerful, personal meaning behind his track “Glory” in a new episode of Soundcheck. The single is not just a song, but a compelling story where J.I.D opens up about his family, faith, and roots in Atlanta and Tuskegee. He reveals the lessons passed down from his grandmother and discusses his brother’s struggles, explaining that these stories shaped “Glory.”

Comedy Musician Weird Al Announces Massive ‘Bigger and Weirder Tour’

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Weird Al is taking his show back on the road in 2026 with the massive “Bigger and Weirder Tour.” This exciting run features a full multimedia show, a super-sized eight-piece band, and special guest Puddles Pity Party. A new comedy-packed clip shows the musician facing shocking conditions as assistants scramble, making fans wonder if the show will go on.

Thomas Rhett Captures Sold-Out Debut With Live Album ‘THOMAS RHETT LIVE FROM FENWAY PARK’

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Multi-Platinum country superstar Thomas Rhett has delivered the electrifying experience of his sold-out headlining debut with the release of the live EP, ‘THOMAS RHETT LIVE FROM FENWAY PARK’. Recorded before over 35,000 fans at Boston’s iconic ballpark, the EP captures the unparalleled energy, stadium roar, and sing-alongs of the unforgettable night. The RIAA certified the track “Somethin’ ‘Bout A Woman,” featuring Teddy Swims, as Platinum, cementing its hit status. The release of this live collection caps off a major year for the superstar, whose seventh studio album was recently expanded into ‘ABOUT A WOMAN (Deluxe)’.

The expansive 25-song collection showcases a slate of standout collaborations, including “Small Town Girls” with Tucker Wetmore, “Ain’t A Bad Life” featuring Jordan Davis, and “Old Tricks” featuring Blake Shelton. Thomas Rhett’s momentum carried onto the charts with “After All the Bars Are Closed” spending three weeks at No. One, marking his 24th career chart-topper. In a milestone moment at Fenway, RIAA Chairman & CEO Mitch Glazier surprised him with a Diamond award for “Die A Happy Man,” making it one of only 15 country songs in history to reach the coveted 10-million-unit mark.

Thomas Rhett shares his deep history with the town in his heartfelt “Letter to Boston,” recalling opening for Toby Keith and Kenny Chesney, eating his weight in lobster rolls, and attending his fair share of Red Sox games. Next summer, he will join Morgan Wallen for four dates on the Still The Problem Tour and make a highly anticipated return to the UK, appearing with Luke Combs for a three-night run at Wembley Stadium.

‘THOMAS RHETT LIVE FROM FENWAY PARK’ Track List:

  • Make Me Wanna
  • Somethin’ ‘Bout A Woman (featuring Teddy Swims)
  • She Had Me At Heads Carolina
  • Letter To Boston
  • Beautiful As You
  • T-Shirt
  • Die A Happy Man

Netflix Acquires Warner Bros. Discovery In Massive $82.7 Billion Deal

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Today, Netflix and Warner Bros. Discovery announced they have entered into a definitive agreement under which Netflix will acquire Warner Bros., including its film and television studios, HBO Max and HBO.

The cash and stock transaction is valued at $27.75 per WBD share (subject to a collar as detailed below), with a total enterprise value of approximately $82.7 billion (equity value of $72.0 billion). The transaction is expected to close after the previously announced separation of WBD’s Global Networks division, Discovery Global, into a new publicly-traded company, which is now expected to be completed in Q3 2026.

This acquisition brings together two pioneering entertainment businesses, combining Netflix’s innovation, global reach and best-in-class streaming service with Warner Bros.’ century-long legacy of world-class storytelling. Beloved franchises, shows and movies such as The Big Bang Theory, The Sopranos, Game of Thrones, The Wizard of Oz and the DC Universe will join Netflix’s extensive portfolio including Wednesday, Money Heist, Bridgerton, Adolescenceand Extraction, creating an extraordinary entertainment offering for audiences worldwide.

“Our mission has always been to entertain the world,” said Ted Sarandos, co-CEO of Netflix. “By combining Warner Bros.’ incredible library of shows and movies—from timeless classics like Casablancaand Citizen Kaneto modern favorites like Harry Potter and Friends—with our culture-defining titles like Stranger ThingsKPop Demon Hunters and Squid Game, we’ll be able to do that even better. Together, we can give audiences more of what they love and help define the next century of storytelling.”

“This acquisition will improve our offering and accelerate our business for decades to come,” continued Greg Peters, co-CEO of Netflix. “Warner Bros. has helped define entertainment for more than a century and continues to do so with phenomenal creative executives and production capabilities. With our global reach and proven business model, we can introduce a broader audience to the worlds they create—giving our members more options, attracting more fans to our best-in-class streaming service, strengthening the entire entertainment industry and creating more value for shareholders.”

“Today’s announcement combines two of the greatest storytelling companies in the world to bring to even more people the entertainment they love to watch the most,” said David Zaslav, President and CEO of Warner Bros. Discovery. “For more than a century, Warner Bros. has thrilled audiences, captured the world’s attention, and shaped our culture. By coming together with Netflix, we will ensure people everywhere will continue to enjoy the world’s most resonant stories for generations to come.”

Combination Will Offer More Choice, More Opportunities, More Value

  • Complementary strengths and assets: Warner Bros.’ studios are world-class, with Warner Bros. recognized as a leading supplier of television titles and filmed entertainment. HBO and HBO Max also provide a compelling, complementary offering for consumers. Netflix expects to maintain Warner Bros.’ current operations and build on its strengths, including theatrical releases for films.
  • More choice and greater value for consumers: By adding the deep film and TV libraries and HBO and HBO Max programming, Netflix members will have even more high-quality titles from which to choose. This also allows Netflix to optimize its plans for consumers, enhancing viewing options and expanding access to content. 
  • A stronger entertainment industry: This acquisition will enhance Netflix’s studio capabilities, allowing the Company to significantly expand U.S. production capacity and continue to grow investment in original content over the long term which will create jobs and strengthen the entertainment industry.
  • More opportunities for the creative community: By uniting Netflix’s member experience and global reach with Warner Bros.’ renowned franchises and extensive library, the Company will create greater value for talent—offering more opportunities to work with beloved intellectual property, tell new stories and connect with a wider audience than ever before.
  • More value for shareholders: By offering members a wider selection of quality series and films, Netflix expects to attract and retain more members, drive more engagement and generate incremental revenue and operating income. The Company also expects to realize at least $2-3 billion of cost savings per year by the third year and expects the transaction to be accretive to GAAP earnings per share by year two.

Transaction Details and Timing

Under the terms of the agreement, each WBD shareholder will receive $23.25 in cash and $4.501 in shares of Netflix common stock for each share of WBD common stock outstanding at the closing of the transaction. The transaction values Warner Bros. Discovery at $27.75 per share, implying a total equity value of approximately $72.0 billion and an enterprise value of approximately $82.7 billion.

In June 2025, WBD announced plans to separate(opens in a new window) its Streaming & Studios and Global Networks divisions into two separate publicly traded companies. This separation is now expected to be completed in Q3 2026, prior to the closing of this transaction. The newly separated publicly traded company holding the Global Networks division, Discovery Global, will include premier entertainment, sports and news television brands around the world including CNN, TNT Sports in the U.S., and Discovery, free-to-air channels across Europe, and digital products such as Discovery+ and Bleacher Report. 

The stock component is subject to a collar under which WBD shareholders will receive Netflix stock valued at $4.50 per share, provided the 15-day volume weighted average price (“VWAP”) of Netflix stock price (measured three trading days prior to closing) falls between $97.91 and $119.67. If the VWAP is below $97.91, WBD shareholders will receive 0.0460 Netflix shares for each WBD share. If the VWAP is above $119.67, WBD shareholders will receive 0.0376 Netflix shares for each WBD share.

The transaction was unanimously approved by the Boards of Directors of both Netflix and WBD. In addition to the completion of the separation of Discovery Global (WBD’s Global Networks business), completion of the transaction is subject to required regulatory approvals, approval of WBD shareholders and other customary closing conditions. The transaction is expected to close in 12-18 months.