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Janet Jackson Celebrates Viral Revival of “Someone to Call My Lover” in New Vevo Footnotes

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Vevo and Janet Jackson premiered a new episode of Footnotes celebrating her beloved hit “Someone to Call My Lover,” the second single from her seventh studio album, All For You. The episode arrives amid the song’s viral resurgence and ahead of Jackson being honored with the Icon Award at the 2025 American Music Awards.

The episode gives fans a behind-the-scenes look at the creation of the track and the creative choices that shaped its timeless sound, which blends two iconic samples: the guitar riff from America’s 1972 classic “Ventura Highway” and a sped-up melody from Erik Satie’s “Gymnopedie No.1.”

Initially, Janet didn’t recognize “Ventura Highway” when producer Jimmy Jam played it in the studio. However, she recalled hearing “Gymnopedie No.1” in a commercial during her childhood. The episode also reveals that her son now loves the song and sometimes falls asleep to it. Janet first sang the vocal melody over the phone to Jimmy Jam. Reflecting on the lyrics, Jackson says the song is “really about the next person you want to be with and call yours.”

More than two decades after its release, “Someone to Call My Lover” has found new life online, leading to a 600% surge in daily streams and earning a spot in the encore section of her 2024 tour, marking a rare return of the track to her live set.

Suwannee Roots Revival Returns With Oteil & Friends, Yonder Mountain String Band, and More

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The 9th Suwannee Roots Revival takes place Thursday, October 9 through Sunday, October 12 at the renowned Spirit of the Suwannee Music Park (SOSMP) in Live Oak, Florida. Fostering the longtime tradition of hosting some of the most prominent names in American roots music and beyond, this four-day camping family-friendly music festival includes camping, music workshops, kids’ activities, arts & crafts, and daily yoga.

Nestled in 800 acres of gorgeous Spanish moss-draped oak and cypress trees along the Suwannee River in northern Florida, Suwannee Roots Revival celebrates community-based fun, growing friendships, laughing families, and the joy you get from making memories with friends old and new.

The festival has announced the 2025 lineup, which includes Oteil & Friends (featuring Melvin Seals, Steve Kimock, Jason Crosby, Johnny Kimock, Tom Guarna & Lamar Williams Jr.), Yonder Mountain String Band, Donna the Buffalo (all 4 days), Peter Rowan & The Walls of Time Band, Jim Lauderdale & The Game Changers, Della Mae, Seth Walker, Henhouse Prowlers, Walter Parks & The Unlawful Assembly, Ain’t Sisters, Jon Stickley Trio, The Lee Boys, John Mailander’s Forecast (as well as Mailander being Artist at Large), and more!

Suwannee Roots Revival focuses on showcasing established and emerging roots musicians throughout the weekend. The lineup includes performers with long histories of epic Suwannee performances along with a history of showcasing some surprise one-of-a-kind collaborations—you never know who will give a surprise sit-in on stage (or in the campgrounds for that matter). There is an open call to play in the many campground pickin’ party sites throughout the weekend, including at Slopryland, hosted by Sloppy Joe, and the Bill Monroe Shrine, hosted by Quartermoon.

With many acts playing multiple times, music will be staged in a variety of areas, including the newly renamed Big Cosmo’s Amphitheater, Dance Tent, Music Hall, and the Music Farmers Stage at The Back Porch.

Big Cosmo’s Amphitheater is nestled in a tree-filled natural amphitheater, adding to the magic through the beautiful setting. The Dance Tent is a fantastic spot to immerse yourself in the music and, new to this year, has been relocated a bit closer to the Vendor Village for added convenience! The Music Hall remains an excellent spot for special indoor listening experiences with stage lighting, air conditioning, and a cafe.

Suwannee Roots Revival is excited about the new Music Farmers Stage at The Back Porch—a “VIP section for everyone.” This new music area debuted at Roots’s sister festival, Suwannee Spring Reunion, which takes place in March. The Back Porch (formerly backstage of The Porch Stage) will be open from the start of the music until the end of each night’s performances, providing plenty of seating options for relaxation, food from delicious vendors nearby, and live video feeds from Big Cosmo’s Amphitheater to ensure you don’t miss any of the action. It will have a full bar set up, and many interesting vending selections nearby.

Special performances will take place at The Back Porch during the evening. The Music Farmers Stage’s new location inside the former Porch Stage building, is a bigger and more comfortable location to host a wide range of hand-on workshops.

The Vendor Village will feature a diverse range of arts and crafts, as well as culinary delights ranging from healthy to decadent. The park itself is a place where children of all ages can rediscover (or discover for the first time) why they fell in love with the Spirit of the Suwannee Music Park’s magical mixture of sights, sounds, and sensations that make for a weekend of paradise.

Tickets are on sale now. Suwannee Roots Revival offers a multi-day Weekend Ticket that includes festival admission for four days of music, as well as primitive camping on Thursday-Sunday nights. Military and Student discounts are available. Children 12 and under are free if accompanied by a parent or legal guardian. For complete ticket information, visit suwanneerootsrevival.com/tickets.

Chapel Hart and Home Free Go All-In With Country-Fried “Texas Hold ’Em” Cover

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Acclaimed country trio Chapel Hart-known for their joyous vocal blend and proudly independent point of view-are rolling into summer with a just-released new collaborative single/video, tour dates, and two CMA Fest shows, plus an Opry at the Ryman – Opry 100 performance. Sisters Danica and Devynn Hart, along with their cousin Trea Swindle, have earned national and global attention with their three albums-Out The Mud, The Girls Are Back In Town, and most recently, Glory Days-and they’re now excitingly building a new momentum.

Chapel Hart joined forces with country’s only all-vocal band Home Free to go all-in for a good-time new collab, sharing a jackpot cover of Beyonce’s “Texas Hold ‘Em.”

“Texas Hold ‘Em” is built around a royal flush of vocal mastery; the energetic cover highlights a playful back and forth between two fan-favorite groups. HOME FREE give the track a hard-to-beat mix of snappy rhythm and bright harmony, while CHAPEL HART raise the stakes, showing off their delightful three-of-a-kind blend. And no one is bluffing about their talent.

The dream-team collaboration was inspired after CHAPEL HART shared a CMA red carpet with Home Free and witnessed the band’s impromptu “Texas Hold ‘Em” rendition.

“From the very first time we met Home Free at the Alabama June Jam, we insisted that we do a project together one day, AND THE DAY HAS COME!” says CHAPEL HART’s Danica Hart. “We saw them sing this song on [the CMA] red carpet and thought ‘What a cool a cappella rendition!’ And when they said, ‘Chapel Hart…Let’s make this BIGGER,’ we said ‘Yes!’

“We didn’t know what to expect shuffling eight voices and personalities on one song, but WOW!” she goes on. “Adding a little spice to the flour and oil Home Free already had in the pan, it’s safe to say we cooked up a country-fried cover we know y’all will love as much as we do!”

Meanwhile, an official music video ups the fun-loving ante, showing fast friends ready to throw (the chips) down. Directed by Jimmy Bates, the dive-bar romper captures a rowdy night of harmony and howling at the moon, living it up in the song’s go-for-broke style. Full of singing, dancing and getting the party started, both bands celebrate feeling lucky to be alive in a clip praised by the Queen B’s mom herself, Tina Knowles.

The Kentucky Gentlemen Release Soulful Farewell Ballad “To The Moon” Ahead of Debut Album

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Twin-brother country duo The Kentucky Gentlemen share “To The Moon,” a soulful country ballad with background vocals from their friend Brittney Spencer. Accompanied by a music video with footage of all three vocalists recording in the studio, this is the final single released ahead of the pair’s full-length debut album Rhinestone Revolution (out June 6 on River House Artists).

The Kentucky Gentlemen on their new song: “‘To The Moon’ reflects the bittersweet emotions you feel when nearing the end of your relationship. It’s a farewell drenched in nostalgia, love, and reflection, but most importantly acceptance. Within those emotions you often get the desire to make that last night together feel like something extraordinary – one last time to relive the beautiful moments and show each other what could’ve been before the inevitable goodbye. This song carries both a sense of closure and the aching recognition that this love has reached its final chapter…and that’s okay.”

The Kentucky Gentlemen have been making their way in Nashville’s country music scene as independent artists for the last decade while simultaneously embracing, defying, and expanding the constructs of genre. Recorded with producer David “Messy” Mescon (Megan Moroney, Nicki Minaj and Ariana Grande, Reyna Roberts), Rhinestone Revolution encapsulates the infectious blend of authenticity, self-acceptance and joy that has led them to quickly become one of Nashville’s most exciting new acts. The album is already garnering early praise for its singles, including “Made for Movin’ On,” which Rolling Stone called “a catchy mid-tempo country-rocker that contains layers of depth,” and “Country Hymn,” which prompted MusicRow to declare “These guys always know how to bring the party.” “To The Moon” follows their latest single, “Whiskey Does” a boot-scootin’ drinkin’ song that Wide Open Country called “fun, upbeat, and an overall banger.”

Rhinestone Revolution further expands on the eclectic sound that has been at the open-hearted center of The Kentucky Gentlemen’s music, which Billboard described as a “potent blend of pop, country and R&B, built around tightly-fused, unmistakable blood harmonies.” Recently featured at Ebony Magazine, the duo has taken their act across some of the biggest stages in country music, from Bourbon & Beyond to the Newport Folk Festival, toured with The War & Treaty, and collaborated with artists like Fancy Hagood (“Better Man”) and Will Hoge (“Can I Be Country, Too?”). They have been named one of GLAAD’s “New Voices in Country Music,” and “Artists to Watch” by NPR, BET and Nashville Scene. Rhinestone Revolution follows the pair’s 2022 debut EP The Kentucky Gentlemen: Vol. 1, featuring the breakout song “Whatever You’re Up For” which Rolling Stone called “the most compelling commercial-country slow jam of the year.”

Later this month, the duo will perform a Songwriter Session at the Country Music Hall of Fame and Museum on May 31. They have also announced a special album release party on June 6 at The Blue Room in Nashville, TN.

The Kentucky Gentlemen 2025 Tour Dates:
May 31 – Nashville, TN @ Country Music Hall of Fame Songwriter Session
June 2 – Nashville, TN @ Concert For Love + Acceptance
June 6 – Nashville, TN @ Rhinestone Revolution Album Release Party
June 19 – Lexington, KY @ Soulfeast Week
June 25 – Louisville, KY @ Waterfront Wednesday
July 5 – Decatur, GA @ Eddie’s Attic
August 1 – Chicago, IL @ Navy Pier
August 2 – Appleton, WI @ Mile of Music 2025
August 4 – Milwaukee, WI @ Lake Park Musical Mondays
August 29 – Greensburg, PA @ Summersounds Concert Series
October 18 – McKinney, TX @ Rooted in Rhythm

Think: X Reimagines Pink Floyd on Genre-Bending Fall Tour

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Think:X, the genre-defying musical collective that reimagines the work of Pink Floyd through a darker, heavier lens, is happy to announce their fall U.S. tour run. Presented by Anatomy of Sound, the tour begins in Washington, DC on October 5th. Tickets go on sale at 10am eastern on Friday May 23rd.

More than a band, Think: X is an experience—blending electrifying live performances with deep improvisation and a bold reinterpretation of one of rock’s most iconic catalogs.

At the core of Think: X is Scott Page, renowned saxophonist and guitarist best known for his work with Pink Floyd, Supertramp, and Toto. With a career steeped in groundbreaking live production and multimedia innovation, Page brings both sonic mastery and visionary leadership to the project.

Joining him is Grammy-winning powerhouse vocalist Roberta Freeman, whose career spans collaborations with Pink Floyd (The Wall tour), Guns N’ Roses, and a wide range of legendary acts. Freeman’s soulful, expansive voice lends the music new emotional dimensions, capable of both raw power and delicate nuance.

The band features a powerhouse lineup of rock heavyweights:

    Kenny Olson, original guitarist for Kid Rock, known for his fiery blues-rock style and commanding stage presence, was in the first line up of Experience Hendrix
Norwood Fisher, founding member of Fishbone, brings a deep, genre-bending groove rooted in funk, punk, and jazz traditions.
Stephen Perkins, drummer for Jane’s Addiction and Porno for Pyros, delivers polyrhythmic intensity and a rhythmic storytelling sensibility that drives the band’s dynamic energy.
Will Champlin, Grammy-winning songwriter and multi-instrumentalist, adds rich melodic textures and soaring vocals. Son of Chicago’s Bill Champlin, and known for his work with One Direction, Will blends pop sensibility with a rock foundation.
Derek Day, an explosive young guitarist and vocalist, infuses the group with theatrical flair and modern edge, bridging the gap between classic and contemporary rock. Day’s debut album is out this summer via Label 51/Flatiron Recordings.

Think: X does not merely perform—they transform. With a focus on bluesy arrangements, jazz-inflected improvisation, and a deeply collaborative spirit, the group pushes the boundaries of live performance. It’s an invitation to explore the shadowy, soul-stirring corners of Pink Floyd’s legacy—reborn through the voices and visions of some of rock’s most compelling artists.

THINK:X – THE COMFORTABLY KNOWN TOUR (PRESENTED BY ANATOMY OF SOUND):

October:

5 – Washington, DC               Jamming Java
6 – Philadelphia, PA               City Winery
7 – Boston, MA                      City Winery
8 – New York, NY                   Cafe Wha (two sets)
9 – Asbury Park, NJ               Wonder Bar
11 – Rochester, NY                Montage Music Hall
12 – Detroit, MI                       The Token Lounge
13 – Pittsburgh, PA                City Winery
14 – Cleveland, OH                The Music Box
15 – Chicago, IL                      Martyrs
19 – Asheville, NC                  Orange Peel
20 – Atlanta, GA                     City Winery

Gen X Icon Evan Dando to Release Candid Memoir on Fame, Music, and Mayhem

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Evan Dando, front man of The Lemonheads and “poster boy—and prettiest boy—of Gen X” (The New York Times), spills the true story of his band’s tumultuous history and what it was like to be famous in the pre-internet days in this candid, colorful, and unputdownable memoir.

After Kurt Cobain’s passing in 1994, everyone expected Evan Dando to be next. The Lemonheads front man, songwriter and actor started in the ’80s hardcore scene and went on to become a ’90s icon. Think of Evan Dando, and you think of heroin chic, grunge, and celebrity burnout. Perhaps known as much for his partying and boyish good looks, after two gold records and the kind of fame that you just can’t enjoy anymore, the Lemonheads cooled off and life went on.

Dando grew up in Boston, the son of a lawyer and a model, and attended the prestigious Commonwealth School. Fame was never what motivated him but the lure of the wild life proved trickier to refuse. From sneaking into concerts as a child, to sleeping on floors in the punk rock days, to crashing at Johnny Depp’s place in Hollywood, he was right there in the thick of it. So much so, that social media once reported his death.

Now, very much alive, sober, and enjoying a life in South America when he’s not on the road, Evan Dando is going to tell his own story. His memoir will remind readers what was so great about the pre-internet ’90s: the innocence, the access, and the anonymity. Reclaiming the purity and exuberance of his early days and encapsulating the spirit of the era, this candid autobiography presents a portrait of an artist who lives wholly for his music, and one that makes no apologies for doing so.

Colombian Psych-Funk Trio BALTHVS Return With Introspective Grooves on ‘Flesh and Soul’

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Colombian psych-funk trio BALTHVS return with “Flesh and Soul,” the new single dropping on June 13th, 2025 via Mixto Records.  “Flesh and Soul” explores the delicate balance between youthful ambition and the sobering weight of adulthood. Pre-save here

“The song is a spiritual continuation of ‘Year of the Snake’,” the band shares. “It reflects a year of deep transformation—for us as a group, and individually. It also signals a new beginning.”

The “Flesh and Soul” is a four-track collection of introspective grooves and hypnotic rhythms. The title track moves with a melancholic pulse, intimate yet cinematic in scope. Also featured is “Mood Swing (Principles of Rhythm),” a track that kicked off the year for BALTHVS with a signature fusion of laid-back psych textures and disco-tinged momentum.

“I feel the future is shrouded in uncertainty,” says Balthazar, the band’s founding guitarist and creative lead. “But I cope through the discipline of work. Music remains our sanctuary – a place of resilience, escape, and hope.”

Other highlights include “Year of the Snake,” a swirling, synth-laced meditation on growth, aligning with the Chinese zodiac’s symbol of transformation, and “Kilig” – a bright, euphoric track written in just three days between tour dates, inspired by the Tagalog word for joyful excitement that demands to be danced.

“Flesh and Soul” arrives at a pivotal moment for the band. Following five years of non-stop touring and standout festival appearances – including Outside Lands, Electric Forest, Lollapalooza Chile & Argentina, and SXSW – BALTHVS are set to expand their live presence across North America this summer.

They’ll join genre-blending funk pioneers Lettuce for a run of U.S. dates, followed by select autumn shows supporting My Morning Jacket. Festival highlights include BottleRock Napa (23 May), Lightning In A Bottle (25 May), Electric Forest (19 June), Nelsonville Festival (20 June), Green River Festival (22 June), and Montreal Jazz Festival (26 June).

Photo Credit: BALTHVSPhoto Credit: BALTHVS

In just five years, BALTHVS has become one of indie music’s most vital and globally resonant voices. With over 45 million streams, 10,000 vinyls sold, and performances in 56 cities across 19 countries, they’ve earned spots on stages from Austin City Limits to SXSW Sydney, while garnering praise from KEXP, BBC Radio, and Gilles Peterson’s Worldwide FM.

Hailing from Colombia, BALTHVS is a three-piece psychedelic funk rock band creating groove-driven, atmospheric music that draws from global influences. Their sound fuses the spirit of 70s psychedelia with funk, Latin rhythms, and ambient texture. Inspired by artists like Santana, Khruangbin, Thievery Corporation, and The Grateful Dead, BALTHVS create music that feels both nostalgic and forward-thinking — a guitar-driven psychedelic funk rock experience that is unmistakably their own.

At the heart of the group is Balthazar Aguirre, a self-taught guitarist who started down his musical path after a near death rock climbing accident. The incident opened his eyes to his true passion – music – driving him to leave behind his life as a lawyer and form Balthvs. He is joined by fellow musicians and funk enthusiasts Vanessa Muñoz, the bassist, and Santiago Lizcano, the drummer.

Known for their prolific output and ever changing setlists, BALTHVS maintains a steady release schedule – often recording full tracks in single takes. Their fourth studio album, Harvest, marked a shift from solo production to a fully collaborative process, recorded during a month-long residency on a farm in Colombia.

In a landscape dominated by trends, BALTHVS offers something timeless. With a clear artistic identity, a loyal and growing fanbase, and a relentless commitment to creativity, they are carving out a unique space in the global psychedelic and indie funk scenes – one track, and one show, at a time.

The “Flesh and Soul” release drops June 13th on all major platforms. Pre-save here.

Full Tour Dates:

5/23 – Napa, CA @ Bottlerock Festival

5/25 – Bakersfield, CA @ Lightning In A Bottle

6/19 – Rothbury, MI @ Electric Forest

6/20 – Nelsonville, OH @ Nelsonville Festival

6/22 – Greenfield, MA @ Green River Festival

6/25 – Portland, ME @ Oxbow Live Presents: BALTHVS

6/26 – Montreal, QC @ Festival International de Jazz de Montreal

6/27 – Toronto, Canada @ Adelaide Hall

6/28 – New York, NY @ Sony Hall

8/2 – Bristol, United Kingdom @ Strange Brew

8/3 – London, United Kingdom @ Jazz Cafe Festival 2025

8/7 – Denver, CO @ Levitt Pavilion Denver w/ Parlor Greens

8/8 – Telluride, CO @ Telluride Jazz Festival 2025

8/15 – Indianapolis, IN @ HI-FI^

8/16 – Detroit, MI @ Saint Andrew’s Hall^

8/17 – Milwaukee, WI @ Turner Hall Ballroom^

8/20 – Minneapolis, MN @ First Avenue^

8/21 – Lincoln, NE @ Bourbon Theatre^

8/22 – Lawrence, KS @ Liberty Hall^

8/23 – Clive, IA @ Horizon Events Center^

9/19 – Redmond, OR @ Cascade Equinox Festival 2025

9/27 – Las Vegas, NV @ Paradice Festival

10/8 – Washington, DC @ The Anthem*

10/10 – Philadelphia, PA @ The Met *

10/11 – Philadelphia, PA @ The Met *

10/13 – Boston, MA @ MGM at Fenway *

10/14 – Portland, ME @ State Theatre *

10/16-18 – Huntington, NY @ The Paramount *

10/20 – Newport, KY @ MegaCorp Pavilion *

10/22 – Madison, WI @ The Sylvee *

10/24-26 – Chicago, IL @ The Salt Shed *

10/29 – Nashville, TN @ The Pinnacle *

10/31 – Atlanta, GA @ Fox Theatre *

* With My Morning Jacket

^ With Lettuce

Emmylou Harris Leads All-Star Americana Lineup in Heartfelt Tribute for Hardly Strictly’s 25th Anniversary

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Hardly Strictly Bluegrass will kick off its landmark 25th anniversary celebration this year with a very special festival eve benefit concert honoring legendary singer and songwriter Emmylou Harris – the only artist to perform at each and every edition of the much beloved San Francisco free music festival. Set for Thursday, October 2 at San Francisco, CA’s The Masonic, “A Tribute to Emmylou Harris & 25 Years of Hardly Strictly Bluegrass” will see the 14x GRAMMY Award-winner joined by some of her closest friends and collaborators including Allison Russell, Albert Lee, Margo Price, Patty Griffin, Rodney Crowell, Rosanne Cash, Sam Bush, Shawn Colvin, Steve Earle and other guests. Buddy Miller will serve as the show’s musical director, backed by The Red Hot Dirt Ramblers.  The all-star lineup features some of Emmylou Harris’ current and recent bandmates, including Albert Lee, Bryan Owings, Chris Donohue, Eamon McLoughlin, Glen D Hardin, Phil Madeira, Sam Bush & Steve Fishell.

All proceeds will benefit the foster-based, 501(c)3 nonprofit dog rescue organization Bonaparte’s Retreat. Tickets for “A Tribute to Emmylou Harris & 25 Years of Hardly Strictly Bluegrass” go on sale to the public on May 22. For more information, view tickets HERE.

Hardly Strictly Bluegrass will once again take place at San Francisco, CA’s iconic Golden Gate Park on October 3-5. As always, the 25th edition of the three-day, multi-stage free concert will showcase an extensive lineup of eclectic performers spanning a wide array of musical genres and styles. Complete details will be unveiled in the months to come. For updates and additional information, please see hardlystrictlybluegrass.com.

Founded by Warren Hellman in 2001, Hardly Strictly Bluegrass marked the late financier/philanthropist’s gift to the City of San Francisco, offering a free outdoor festival in the historic Golden Gate Park to serve as an annual celebration of American music. Over the last quarter-century, Hardly Strictly Bluegrass has grown from a one-day local attraction to a world-renowned three-day festival. The one-of-a-kind, annual free event proudly presents a diverse assortment of artists spanning roots and Americana, funk, rock, soul, and more, highlighted by new and unexpected acts alongside annual favorites such as Emmylou Harris and Steve Earle.

Founded by Emmylou Harris in 2004 following the passing of one of her own beloved dogs, Bonaparte’s Retreat focuses on the neglected and forgotten – senior dogs, large dogs, or dogs in need of imminent medical care or surgery – with a mission to love and care for these animals for as long as it takes to find their forever homes. To learn more, or to make a donation, please visit www.bonapartesretreat.org.

Gary Graff’s ‘501 Essential Albums Of The ’80s’ Celebrates the Decade That Changed Everything

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The 1980s were a sound. A vibe. A revolution wrapped in cassette tape and neon leg warmers. And now, thanks to veteran music journalist Gary Graff, we’ve got a definitive guide to the era that gave us Thriller, Purple Rain, and London Calling. 501 Essential Albums of the ’80s: The Music Fan’s Definitive Guide is a backstage pass to the most diverse and game-changing decade in music history.

From the chart-busting giants to the underground legends, Graff and a crew of fellow scribes offer year-by-year rundowns, juicy backstories, and full-color album art for every record featured. Whether you’re reliving the heartbreak of Like a Virgin, the fury of Damaged, or the bliss of Songs from the Big Chair, this book has the power to pull you right back into your teenage bedroom—complete with posters on the wall and vinyl spinning on the turntable.

Each entry is a mini time capsule: who produced it, what label dropped it, and why it still matters today. It covers all corners of the musical map—pop, rock, hip-hop, metal, R&B, country, and college radio staples—because the ’80s weren’t about sticking to one sound. They were about genre collisions, sonic risks, and the rise of icons who still tower over the charts today.

Whether you’re Team Bruce or Team Black Flag, 501 Essential Albums of the ’80s will remind you why this decade refuses to fade away. It was shoulder pads and synths, sure, and also a creative explosion, and this book is your front-row seat. So cue up your mixtape and dive in. This is one history lesson that comes with a killer soundtrack.

Terry Riley’s Groundbreaking Sony Box Set ‘The Columbia Recordings’ Arrives August 22

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One of the most consequential musicians of the 20th century – the visionary American composer Terry Riley – is celebrated with the Sony Classical release of Terry Riley – The Columbia Recordings.  Set for release on August 22 and available for preorder now, the four-disc box set includes Terry Riley’s unique recordings for Columbia Masterworks between 1968 and 1980 that changed the direction and expanded the range of late 20th-century music.

Terry Riley – The Columbia Recordings box set includes the albums In C (1968); A Rainbow in Curved Air (1969); Church of Anthrax (1971, in collaboration with John Cale of the Velvet Underground); and Shri Camel (1980), all made for Columbia Masterworks at a time when the label was boldly embracing new directions in American music. This collection offers an essential document of Riley’s most transformative period when the pulse of innovation met the possibilities of high-fidelity sound.

In addition to all four complete recordings and rarely seen archival photographs from recording sessions in Columbia’s fabled 30th Street Studios in Manhattan, Terry Riley – The Columbia Recordings includes a 50-page booklet featuring first-hand reflections from David Behrman, the original producer of In C and A Rainbow in Curved Air; and an essay by Thomas M. Welsh, Terry Riley’s longtime manager and archivist; and reprints of all essays and notes from the original vinyl releases.

“The magic of Terry Riley’s music derives from many worlds, among them the minimalist world, the indeterminate world, and the music of the world,” Grammy-nominated producer and former Sony Masterworks executive Tom Laskey wrote in his essay for Terry Riley – The Columbia Recordings. “And the way it all fuses together creates its own world. And like going to a new world, maybe it’s awkward at first. And then, maybe, it’s like you’ve lived there all your life. Or maybe your experience of listening to Terry’s music is like mine: it’s not the world I live in, but when I visit, I don’t want to leave.”

Terry Riley, a Californian who celebrates his 90th birthday in June, is widely regarded as the father of minimalist music, particularly because of the electrifying, global impact that In C had when the recording was released in 1968 as a part of Columbia’s Music of Our Time series.

The composer’s ideas had an immediate impact on other innovators in the 1960s, a group that included Steve Reich, Philip Glass, and La Monte Young, all eventually recognized as key figures in the minimalist movement. (Young was an early friend and collaborator of Riley’s, and Reich was among the performers in the original concert performance of In C.) Modern jazz and Indian classical music were basic influences on Riley’s work, as well as the potential in improvisation and the expressive possibilities in tape and electronic music.

It was the impact of the recording of In C – perhaps because it revealed to a mass audience such an epic, indescribable but mesmerizing new musical expression – signaled a turning point in 20th-century music, a rare instance when the avant garde and a liberated audience converged in a popular commercial success for a musical visionary with a major American record label.

Terry Riley’s rich musical life has continued through the decades to explore the potential of his musical ideas, building on the early success and his four seminal recordings for Columbia Masterworks.

TERRY RILEY – THE COLUMBIA RECORDINGS – SET CONTENTS:

DISC 1 – CD
1 In C (2009 Remastered)

DISC 2 – CD
1 A Rainbow in Curved Air
2 Poppy Nogood and the Phantom Band
3 A Rainbow in the Curved Air (Radio Spot) (Bonus Track)

DISC 3 – CD
1 Church of Anthrax
2 The Hall of Mirrors in the Palace of Versailles
3 The Soul of Patrick Lee
4 Ides of March
5 The Protégé

DISC 4 – CD
1 Anthem of the Trinity
2 Celestial Valley
3 Across the Lake of the Ancient World
4 Desert of Ice