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Steinruck & Anet Unveil “Atmosphere” Holding Our Modern Chaos Up To The Light

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In a world gasping for clarity, STEINRUCK and ANET offer up something radical: a song that doesn’t try to fix things — but dares to feel them. Their new single, “Atmosphere,” now, is a brooding, cinematic meditation on what it means to be alive in a time that feels both heavy and wondrous. It’s a soul-deep collaboration between two of Canada’s most fascinating artists — rock lifer Tim Steinruck and multi-platinum songwriter and opera performer Annette Ducharme, known professionally as ANET.

The track begins with a whisper and expands like breath — “You are like the rain / And you wash away the pain…” From its haunting verses to its sky-bound chorus, “Atmosphere” lives in the tension between despair and transcendence. “This is why we’re here,” the pair sings in harmony. “Just open your eyes / Beautiful and clear / In the atmosphere / Alive.” It’s not a statement. It’s a revelation.

The song emerged from a simple social media connection in 2024, when Steinruck reached out to Ducharme after a kind comment. “It had always been my dream to write a song with her,” Steinruck shares. The duo quickly found a creative wavelength, bringing lyrics and melodies to life in a deeply intuitive session. Ducharme suggested the title — “Atmosphere” — and they ran with it, crafting a piece that holds a mirror to the present moment. “It questions us to ask: can we observe the dark forces at play in the world yet still be grateful for the opportunity to simply be alive?” they write in their press materials.

The lyrics tell a story of internal war and emotional reckoning:

“You’re like an accident / And I just can’t look away / Blood and bodies everywhere / We watch and pretend to care…”

It’s heavy. But the chorus doesn’t sink — it soars. With lush harmonies and sweeping production by legendary producer John Webster (whose credits include Bon Jovi, Aerosmith, and more), the track lives in the same neighborhood as Enya, Kate Bush, and even early Pink Floyd — sonically rich, emotionally raw, and deeply human.

ANET, born Annette Ducharme, is no stranger to capturing complexity. The Windsor native has written hits for Tom Cochrane (“Sinking Like a Sunset”), Boom Desjardins (“Ta Chanson”), and Larry Gowan (“Soul’s Road”), while maintaining a fierce solo career. Her catalogue spans seven studio albums, numerous Top 10 singles, a JUNO nomination, SOCAN awards, and a diamond certification — and in recent years, she’s added leading operatic roles to her repertoire. From La Traviata to Macbeth, her voice continues to break through genre and expectation alike.

Tim Steinruck, meanwhile, has built a life on stages and inside studios — from a major-label deal with KISS’s Paul Stanley in the ’80s, to licensing music for the NHL and MTV with his band The Mighty One, to launching a solo project focused on “high-vibe, consciousness-raising” collaborations. He’s a success coach and multimedia entrepreneur who has transformed his life more than once. “Life is ugly but beautiful,” he says — and that’s exactly what “Atmosphere” delivers.

Together, their voices don’t just harmonize — they collide, converse, and lift each other. There’s no ego here, just resonance. “Atmosphere” doesn’t pretend to offer easy answers. It’s a song that asks — and in asking, creates space for the listener to feel. To grieve. To be grateful. To be… alive.

“Maybe we’ll never agree / Or maybe one day we’ll see / It was not about you / It was not about me,” they sing in the bridge. It’s not just a lyric. It’s a reminder. That in the middle of the noise, confusion, and fire of modern life, there is music. There is atmosphere. And there is still room to breathe.

HuDost Breaks the Silence With “Broken Down in America” in a Haunting Defiant Call for Change + Announces Tour Dates

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There’s no metaphor. No abstraction. No retreat.

What does it mean to raise a child in a nation that won’t protect them? To send them off to school each morning with a silent prayer—because hope is all that’s left when policy fails?

HuDost isn’t asking these questions quietly.

Their latest single, “Broken Down in America,” co-written with Dan Haseltine of Jars of Clay and The Chosen, is a soul-piercing cry of grief, rage, and resilience. It’s a song for every parent rehearsing tragedy in their head. For every student taught to hide before they’re taught to dream. For every citizen too exhausted to shout—but too heartbroken to stay silent.

And it’s not a song that asks for permission.

“We cried a lot while making the video,” says Moksha Sommer, one half of the duo with husband and bandmate Jemal Wade Hines. “As parents and artists, we couldn’t look away. So, we turned the grief into music. That’s what we do.”

“Broken Down in America,” the latest single from HuDost’s upcoming album The Monkey in the Crown, to released on June 6, 2025, is a project born of urgency, activism, and an unwavering belief in the power of truth-telling through art. Written in the wake of gun violence, political polarization, and personal heartbreak, the track balances sorrow with strength.

From the aching opening lines—“Hey my son, it’s Monday morning / Use your teacher like a human shield”—to the soul-wrenching refrain, “The only arms I bear are here and open,” HuDost captures a fractured national psyche with surgical precision and poetic defiance.

Musically, the track is rich, raw, and intimate. Produced by HuDost’s own Jemal Wade Hines, it features lead vocals by Moksha Sommer, harmonium, programming, and backing vocals by Jemal Wade Hines, with the rhythm section from Chris Powell on drums and Dan Walters on bass, while Charlie Lowell adds depth on keys. Additional layers of harmony come from a talented group of backing vocalists, including Rachael Davis, Bethany Bordeaux, Liza Holbrook, Matt Odmark, Charlie Lowell, Moksha Sommer, and Jemal Wade Hines.

From shimmering ambient textures to visceral lyrical punches, every sound is designed to feel like a truth too long withheld.

But for HuDost, the personal is always political. As Canadians living in the American South, they walk the line between cultures, countries, and consciousness. Their activism through music isn’t new—it’s a legacy. They’ve advocated on Capitol Hill as part of the ONE Campaign, stood up for global aid programs like GAVI and PEPFAR, and challenged complacency at every turn. Their music is their megaphone.

But accolades aren’t the point.

“Music,” says Jemal, “isn’t a luxury. It’s a necessity. Especially now.”

And in 2025, they’re taking it to the streets.

HuDost’s 2025 “Monkey in the Crown” 20th Anniversary Tour Dates:
May 15-16 SERFA- Owensboro, KY
May 17-18- Kentucky Yoga Festival- Edmonton, KY
May 23-27- Ozark Sufi Camp- Lake of the Ozark State Park, MO
May 29- Greenwood Social Hall- Kansas City, MO

June 7- Duncan Hines Days- Bowling Green, KY
June 18- The Porcupine Theatre- Homer, AK

June 20-22- Seldovia Arts Council Summer Music Festival, AK

June 25- Levitt AMP Soldotna Music Series- AK

June 27- Denali Arts Council- Live at Five Summer Concert Series- AK
June 28-29 Tonglen Lake/Anchorage AK TBA 

July 4-6- Midsummer Music Festival- Smithers, BC

July 11-12- Oregon Country Fair- Eugene, OR
July 15- Oregon Shakespeare Festival- Ashland, OR
July 16- TBA- Corvallis, OR

July 19- TBA- Seattle, WA
July 30- Nathalie’s Grandview- Columbus, OH
August 9- Vermont Solar Fest- Brandon, VT
August 28-29- Wild Goose Festival- Harmony, NC

August 30-31- Floyd Yoga Jam- Floyd, VA
Oct 2- HuDost on WDVX- Knoxville, TN

Oct 4- ‘Ol Front Porch Music Festival- Oriental, NC

Oct 10-12- CaveFest at The Caverns- Pelham, TN
(More to be announced)

“Broken Down in America” is a reckoning. It’s HuDost standing in the fire with their arms open wide. And it’s a reminder that sometimes, the only way to rebuild is to bear witness to what’s broken.

This is not about party lines. This is about the people. This is about love.

And yes—love can stop the war.

Marie Minet Bridges Cultures with New Acoustic Single “Je Serais Tout Ce Que Tu Veux – High Life Edition”

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Marie Minet returns with a captivating new single, ” Je Serais Tout Ce Que Tu Veux – High Life Edition Acoustic”, from her revisited album Clair Obscur – High Life Edition Acoustic. A passionate fusion of Chanson Française and Highlife, this track showcases Marie’ s unique blend of African rhythms, evocative lyrics, and delicate melodies. Recorded live after an inspiring journey through West Africa, and featuring world- class musicians, Je Serais Tout Ce Que Tu Veux is a testament to her musical evolution and cultural exploration.

” Je Serais Tout Ce Que Tu Veux” transports listeners into a world of émotion, passion, and Identity. The song delves into the intensity and llusions of love, questioning how far one can go to f it into someone else’ s ideal. Wrapped in a melodic cloud, Marie’ s voice floats effortlessly, crossing the distances that the oceans unite. With its delicate acoustic arrangement and vibrant African influences, Je Serais Tout Ce Que Tu Veux embodies Marie’ s ability to weave together French chanson and West African musical traditions, creating a sound that is both intimate and universal.

Out now, Je Serais Tout Ce Que Tu Veux will be one of the lead singles from Marie Minet’ s revisited album Clair Obscur – High Life Edition Acoustic. The album promises to bring together the best of Chanson Française and Highlife, featuring contributions from renowned West African artists such as Gyedu- Blay Ambolley, Seyi Shay, and Joshua Moszi. 
“Je Serais Tout Ce Que Tu Veux” is a deeply introspective track that blends Marie Minet’ s poetic lyricism with an acoustic arrangement infused with the essence of Highlife music. The minimalist instrumentation highlights a delicate guitar melody, weaving together the emotional depth of French chanson with the vibrant energy of African rhythms.

The song captures the intensity and contradictions of love — a story of passion and illusion, where one tries to f it an ideal image. Je Serais Tout Ce Que Tu Veux is a song of desire, adaptation, and vulnerability, where Marie’ s voice floats effortlessly, embracing a melodic balance between French chanson and Highlife music.

With its timeless and universal essence, Je Serais Tout Ce Que Tu Veux speaks directly to the heart, creating a deep and intimate connection between the artist and the listener, transcending language and geography.

Marie Minet’ s musical career began with her debut album Clair Obscur, which fused French chanson with influences from Portugal and Cape Verde. Now, with “ Je serais tout ce que tu veux – High Life Edition – Acoustic”, Marie embarks on a new chapter of her journey, one that dives deeper into the rhythms of West Africa and celebrates her strong connection to Ghana.

Her recent time spent in Ghana, experiencing the raw energy of Highlife and Afrobeat, profoundly influenced her music, inspiring her to continue her exploration of African sounds. This collaboration with Joshua Moszi is a direct result of that connection and marks just the beginning of her ongoing partnership with West African artists. Marie has plans for future collaborations with artists such as Gyedu- Blay Ambolley, Seyi Shay, Kill Beatz, and Kel- P, bringing more Afro- fusion and Highlife- inspired tracks to her growing audience.

Through her music, Marie Minet continues to break cultural boundaries, blending the sounds of Europe and Africa, while creating songs that resonate on a global scale. She is proud to be part of the growing movement of artists merging African influences with global genres.

Meridian Audio and United Airlines Elevate In-Flight Sound Experience

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Meridian Audio, the award-winning British audio pioneer, is proud to announce a new partnership with United Airlines, setting a new standard for passenger wellbeing in the skies. The collaboration introduces a new Meridian-engineered headset, designed specifically to address the acoustic challenges of air travel and deliver a more comfortable, immersive, and wellness-focused inflight experience.

Drawing on decades of research into how people perceive sound, Meridian has developed a solution that helps reduce listening fatigue and promotes relaxation on board. The new headset features advanced noise cancellation, allowing passengers to enjoy in-flight entertainment at lower volumes with improved clarity—supporting a calmer, more restful travel experience.

Authentic, natural audio reproduction ensures passengers can fully enjoy the detail and emotion of complex soundtracks and performances, even within the ambient noise of the cabin. Enhanced vocal clarity makes dialogue and announcements easier to hear without strain, while rich, controlled bass creates a deeper sense of immersion—helping passengers feel more relaxed and connected throughout their journey.

“At Meridian, innovation has always been at the heart of who we are,” says John Buchanan, CEO of Meridian Audio. “This Meridian for United Airlines partnership embodies our vision for the future of sound – where advanced engineering meets human experience. By combining decades of acoustic research with a deep understanding of how people experience audio, we are transforming in-flight listening into an elevated, more immersive experience.”

Queens of the Stone Age Unveil ‘Alive in the Catacombs’ Concert Film

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Queens of the Stone Age will unveil the cinematic realization of a dream with the June 5 premiere of Alive in the Catacombs, an audiovisual document of the band’s long-rumored performance in the tunnels of the famed Catacombs of Paris.

Filmed and recorded in July 2024, Queens of the Stone Age: Alive in the Catacombs captures QOTSA as you’ve never seen or heard them before. This utterly unique once in a lifetime experience features a carefully selected setlist spanning the QOTSA catalog, each song chosen and epically reimagined for the Catacombs. The result is an unprecedented incarnation of QOTSA at their most intimate, yet surrounded by literally millions of human remains—“the biggest audience we’ve ever played for,” says Joshua Homme.

The Catacombs of Paris is a sprawling 320km (200 miles) ossuary beneath the surface of Paris. With a foundation of several million bodies buried in the 1700s, skeletal remains are largely exposed, with much of the walls built of skulls and bones.

Homme had dreamt of staging a QOTSA performance in the Catacombs since his first visit nearly 20 years ago. The city of Paris, however, had never granted permission to any artist to play within the sacred tunnels. QOTSA, being law-abiding citizens, waited until their vision was sanctioned.

Hélène Furminieux (Les Catacombes de Paris) said, “The Catacombs of Paris are a fertile ground for the imagination. It is important to us that artists take hold of this universe and offer a sensitive interpretation of it. Going underground and confronting reflections on death can be a deeply intense experience. Josh seems to have felt in his body and soul the full potential of this place. The recordings resonate perfectly with the mystery, history, and a certain introspection, notably perceptible in the subtle use of the silence within the Catacombs.”

Every aesthetic decision, every choice of song, every configuration of instruments… absolutely everything was planned and played with deference to the Catacombs—from the acoustics and ambient sounds — dripping water, echoes and natural resonance — to the darkly atmospheric lighting tones that enhance the music. Far from the sound-insulated confines of the studio or the comfort of onstage monitors, Alive in the Catacombs sees the band not only rise to this challenge, but embrace it.

Homme recalls, “We’re so stripped down because that place is so stripped down, which makes the music so stripped down, which makes the words so stripped down… It would be ridiculous to try to rock there. All those decisions were made by that space. That space dictates everything, it’s in charge. You do what you’re told when you’re in there.”

The result is QOTSA distilled down to their most elemental form—Homme, Troy Van Leeuwen, Michael Shuman, Dean Fertita and Jon Theodore augmented by a three-piece string section, employing chains and chopsticks as makeshift percussion instruments. Alive in the Catacombs is Queens of the Stone Age stripped to their barest essence by necessity (you can’t call it “unplugged” if there are no actual electrical outlets to plug into), McGyver-ing a car battery to power an electric piano. And unfiltered, as every song was recorded live in a complete take with no overdubs or edits.

Words fail to convey the magnificence of Queens of the Stone Age: Alive in the Catacombs. Its truly stunning balance of subtlety and grandeur must be experienced to be appreciated. The beauty is in the struggle (both internal and external). This is Joshua Homme at his most physically vulnerable yet ultimately his most triumphant.

Queens of the Stone Age: Alive in the Catacombs was produced by La Blogothèque and directed by Thomas Rames, and is being released by Queens of the Stone Age and Matador Records. The film will be available to rent or purchase via qotsa.com where pre-orders are currently available. Fans who purchase Alive In the Catacombs by June 7th will receive exclusive access to behind the scenes footage in addition to full streaming and download access. An audio only version will be announced in the coming weeks.

Nothing More Expand World Tour, Announce Deluxe Edition of ‘Carnal’

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Nothing More have announced new headlining shows throughout the U.S., Canada and Europe. The dates in Europe, with support by Catch Your Breath, Solence, and Ankor, launch November 7 in Tampere, Finland, while the U.S. and Canada shows, with support by Catch Your Breath, Archers, and Doobie, begin January 14, 2026 in Silver Spring, MD.

Fan presale will begin Tuesday, May 13 at 12pm ET for North America and Wednesday, May 14 at 10am local time for Europe on their official website along with VIP Meet and Greet packages. General tickets will be available Friday, May 16 at 10am local time on the band’s official website.

This touring news from one of rock’s most electrifying bands comes as the deluxe edition of CARNAL (DELUXE) will physically be available on CD and vinyl this Friday, May 16. It was originally released across all digital outlets on March 28 via Better Noise Music.

CARNAL (DELUXE) adds on five bonus tracks, including a new version of the bracing “FREEFALL,” featuring 6x Platinum-certified rock artist Chris Daughtry, available now on all digital outlets, while the moving video can be seen on Better Noise Music’s official YouTube page. In connection with the song and video release, the band is featuring pet-related merchandise on its official website, with a portion of proceeds supporting organizations like K9s For Warriors. Additionally, a donation link is included in the video, allowing for donations to be made directly to the organization’s website.

Nothing More’s fan presale will begin today, Tuesday, May 13, at 12 PM, ET for North America and Wednesday, May 14 at 10 AM, local time for Europe on their official website along with VIP Meet and Greet packages. General tickets will be available Friday, May 16 at 10 AM, local time on the band’s official website.

Four other bonus tracks on CARNAL (DELUXE) include a live version of the “ANGEL SONG” recorded from the band’s set at Aftershock Festival 2024 where NOTHING MORE was joined onstage by guest vocalist David Draiman of Disturbed; two remixed songs from Matt Good (Hollywood Undead, Asking Alexandria) and Justin “JD” Deblieck (Ice Nine Kills, Motionless In White); plus a new song that was released February 7, “WE’RE ALL GONNA DIE.”

Check out NOTHING MORE at any of the following stops, with more to be announced in the coming weeks:

Tue 5/13 Inglewood, CA – Kia Forum #
Thu 5/15 Phoenix, AZ – Footprint Center #
Sat 5/17 Las Vegas, NV – MGM Grand Garden Arena #
Wed 6/4 Soelvesborg, SE – Sweden Rock Festival *
Fri 6/6 Nurbrgring, DE – Rock Im Park *
Sat 6/7 Nurbrgring, DE – Rock Am Ring *
Thu 6/12 Nickelsdorf, AT – Novarock *
Fri 6/13 Hradec Kralove, CZ – Rock For People *
Sun 6/15 Derby, U.K. – Download*
Sun 6/22 Dessel, BE – Graspop Metal Meeting*
Fri 6/27 Ysselsteyn, NL – Jero On Air *
Sun 6/29 Helsinki, FI – Tuska Festival *
# with Disturbed and Daughtry
* festival date

Headlining with Catch Your Breath, Solence, and Ankor:
Fri 11/7 Tampere, Finland – Tavara-Asema
Sat 11/8 Lahti, Finland – Tavastia
Mon 11/10 Stockholm, Sweden – Gota Lejon
Tue 11/11 Oslo, Norway – Vulkan Arena
Wed 11/12 Copenhagen, Denmark – Amager Bio
Fri 11/14 Hamburg, Germany – Docks
Sat 11/15 Berlin, Germany – Astra Kulturhaus
Sun 11/16 Warsaw, Poland – Progresja
Tue 11/18 Prague, Czeck – Roxy
Fri 11/21 Munich, Germany – Backstage
Sat 11/22 Stuttgart, Germany – Lka Longhorn
Sun 11/23 Zurich, Switzerland – Komplex 457
Wed 11/26 Paris, France – Elysee Montmarte
Fri 11/28 Frankfurt Am Main, Germany – Batschkapp
Sat 11/29 Cologne, Germany – Essigfabrik
Sun 11/30 Antwerp, Belgium – Trix
Tue 12/2 Glasgow, Scotland – SWG3 Galvanizers
Thu 12/4 Manchester, U.K. – O2 Ritz
Fri 12/5 London, U.K. – O2 Forum Kentish Town
Sat 12/6 Bristol, U.K. – O2 Academy

Headlining with Catch Your Breath, Archers, and Doobie:
Wed 1/14 Silver Spring, MD – The Fillmore
Fri 1/16 Raleigh, NC – The Ritz
Sat 1/17 Charlotte, NC – The Fillmore
Mon 1/19 Lake Buena Vista, FL – House of Blues
Tue 1/20 Tampa, FL – Jannus Live
Wed 1/21 Atlanta, GA – Buckhead
Fri 1/23 Dallas, TX – South Side Ballroom
Sat 1/24 Austin, TX – ACL Live
Mon 2/2 Albuquerque, NM – REVEL
Tue 2/3 Oklahoma City, OK – Criterion
Fri 2/6 Nashville, TN – Marathon Music Works
Sat 2/7 Indianapolis, IN – Egyptian Room
Thu 2/19 Montclair, NJ – The Wellmont
Fri 2/20 Boston, MA – House of Blues
Sat 2/21 Bethlehem, PA – Wind Creek
Mon 2/23 Montreal, QC. – L’Olympia
Tue 2/24 Toronto, ON. – History
Wed 2/25 Detroit, MI – The Fillmore
Fri 2/27 Grand Rapids, MI – 20 Monroe
Sat 2/28 Chicago, IL – Riviera Theatre
Sun 3/1 Madison, WI – The Sylvee
Tue 3/3 Minneapolis, MN – The Fillmore
Wed 3/4 Winnipeg, MB. – Burton Cummings
Fri 3/6 Edmonton, AB. – Midway
Sat 3/7 Calgary, AB. – Grey Eagle Casino
Mon 3/9 Vancouver, BC. – Commodore
Tue 3/10 Seattle, WA – Moore Theater
Wed 3/11 Portland, OR – Crystal Ballroom
Fri 3/13 Salt Lake City, UT – Union Event Center
Sat 3/14 Denver, CO – Fillmore Auditorium
Mon 3/16 St. Louis, MO – The Pageant

The Melvins Announce ‘Stop Your Whining’ Tour With Redd Kross

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The Melvins cap off 2025 with the “Stop Your Whining Tour,” a six-week outing with special guests Redd Kross for a double shot of underground rock royalty.

Known for their crushing riffs, genre-defying experiments, and off-kilter sense of humor, the Melvins continue to defy expectations four decades into their career. The band, currently featuring Buzz Osborne, Dale Crover, Steven McDonald (also of Redd Kross), and Coady Willis, remains one of the most influential and unpredictable forces in heavy music. Their recently released album, Thunderball, delivers the “most irresistible, huge-sounding tunes” (Kerrang!) and as AllMusic said, is as “utterly uncompromised and full of swampy vigor” as ever.

Joining them for the full tour are L.A. icons Redd Kross, whose kaleidoscopic blend of punk, retro glam, and garage rock has earned them a cult following since the early ’80s. Redd Kross were recently the subject of both a book (“Now You’re One Of Us: The Incredible Story of Redd Kross”) and documentary (Born Innocent: The Redd Kross Story).

The Melvins are one of modern music’s most influential bands. Having formed in 1983 Montesano, Washington, the group — founded by vocalist/guitarist Buzz Osborne, with drummer Dale Crover joining a year later — has been credited with merging the worlds of punk rock and heavy music, forming a new subgenre all their own. Over their 40-plus-year career, they’ve released more than 30 original albums, numerous live records, and far too many to count singles and rarities. Recent releases include “Thunderball”, a MELVINS 1983 release that sees Osborne reunite with the band’s original drummer, Mike Dillard, 2024’s “Tarantula Heart”, an album that Osborne wrote songs based on a series of improvisational live sessions, the six-song 2022 “Bad Mood Rising” and “Five Legged Dog” (2021),an ambitious 36-track acoustic collection that reimagines their heaviest songs alongside covers of their favorite artists.

Tickets are on-sale this Friday, May 16 at 10 a.m. local time, with an exclusive artist pre-sale beginning Wednesday, May 14 at 10 a.m. local time (code: VENUS). Tickets are available via Ipecac.com/tours.

Stop Your Whining Tour:
September 9 Flagstaff, AZ Yucca North
September 10 Santa Fe, NM Meow Wolf
September 12 Boulder, CO Fox Theatre
September 13 Fort Collins, CO Aggie Theatre
September 15 Sioux Falls, SD Bigs Bar
September 16 Moorhead, MN Harold’s On Main
September 18 Madison, WI High Noon Saloon
September 19 Davenport, IA The Raccoon Motel
September 20 Indianapolis, IN The Vogue
September 22 Columbus, OH A&R Music Bar
September 23 Huntington, WV The Loud
September 24 Morgantown, WV 123 Pleasant Street
September 25 Toledo, OH Frankie’s
September 26 Buffalo, NY Electric City
September 27 Brooklyn, NY CBGB Festival
September 29 Providence, RI Fete Music Hall
September 30 Hamden, CT Space Ballroom
October 1 Asbury Park, NJ The Stone Pony
October 2 Bethlehem, PA Musikfest Cafe at the ArtsQuest
October 3 Lancaster, PA Tellus 360
October 4 Washington, DC Black Cat
October 6 Raleigh, NC Lincoln Theatre
October 7 Asheville, NC The Orange Peel
October 8 Knoxville, TN Bijou Theatre
October 10 Pensacola, FL Vinyl Music Hall
October 11 Jackson, MS Duling Hall
October 12 Memphis, TN Minglewood Hall
October 13 Little Rock, AR Revolution! Music Room
October 14 Tulsa, OK Cain’s Ballroom
October 15 Oklahoma City, OK Beer City Music Hall
October 17 San Antonio, TX Paper Tiger
October 19 Roswell, NM The Liberty
October 21 Tucson, AZ Club Congress

A European leg precedes the U.S. dates with performances slated at the ArcTanGent, Rock Im Wald, and the Blue Moon Festival:

July 18 Brighton, UK Chalk
July 20 Liege, BE Reflektor
July 21 Frankfurt, DE Batschkapp
July 23 Athens, GR Technopolis
July 25 Michelau, DE Rock Im Wald
July 26 Cottbus, DE Blue Moon Festival
July 27 Munchen, DE Technikum
July 30 Rome, IT EUR Social Park
July 31 Milan, IT Magnolia Estate
August 1 Feldkirch, AT Poolbar Festival
August 2 Bagnes, CH Palp Festival
August 5 Lokeren, BE Lokerse Fessten
August 6 Koln, DE Live Music Hall
August 7 Berlin, DE Huxleys Neue Welt
August 8 Hamburg, DE Große Freiheit 36
August 9 Utrecht, NL Tivoli/Vredenburg
August 11 Norwich, UK Waterfront
August 12 London, UK Electric Ballroom
August 13 Manchester, UK Manchester Club Academy
August 14 Bristol, UK ArcTanGent Festival
August 15 Birmingham, UK XOYO
August 16 Sheffield, UK Leadmill
August 18 Dublin, IE Vicar Street

The Melvins are currently on the road with Napalm Death, co-headlining the “Savage Imperial Death March II” tour:

May 13 Grand Rapids, MI The Intersection
May 15 Cincinnati, OH Bogart’s
May 16 Louisville, KY Mercury Ballroom
May 17 Nashville, TN Brooklyn Bowl Nashville
May 18 St. Louis, MO Red Flag
May 19 Chicago, IL Metro
May 20 Milwaukee, WI The Rave II
May 22 Minneapolis, MN First Avenue – Main room
May 23 Des Moines, IA Wooly’s
May 24 Kansas City, MO Madrid Theatre
May 25 Omaha, NE The Waiting Room
May 27 Denver, CO Summit
May 29 Salt Lake City, UT Metro Music Hall
May 31 Bozeman, MT The ELM
June 1 Spokane, WA Knitting Factory Spokane
June 2 Seattle, WA The Showbox
June 3 Portland, OR Revolution Hall
June 4 Eugene, OR McDonald Theatre
June 6 Reno, NV Virginia Street Brewhouse
June 7 Berkeley, CA Cornerstone Berkeley

Tonic Breed Taps Chris Adler for Crushing New Single “Anew,” Out June 19

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Tonic Breed, the metal project led by Norwegian musician Patrik K. Svendsen, is gearing up to release “Anew” on June 19, a crushing new single featuring none other than legendary drummer Chris Adler (Lamb Of God, Megadeth).

“I was quite curious when I got an email – and some riffs – from Patrik,” says Adler. “Clearly he’s done some cool shit and I was flattered to be on his radar… I researched it for a minute and agreed.”

Patrik originally sent over a rough demo of the song, a storm of riffs strung together with placeholder drums and a suggested structure. “Chris was actually on board right away,” Patrik explains. “We worked together on a new structure for the song, and Chris took the lead on shaping it into something far more unique and effective than my original draft.”

“His riffs are fucking sick,” Adler continues. “We did have to take a minute to both feel good about what this would be – meaning I beat up his song like a fucking Rocky movie – but I knew it had the parts and strength.”

The final version of “Anew” is a precision-crafted, high-energy track that fuses Patrik’s Norwegian riff work with Adler’s unmistakable rhythmic drive. “To me, this is the most Lamb Of God-style drumming I’ve heard from Chris since he was in Lamb Of God,” Patrik says. “I’m sure some metal guitarists would kill to hear Chris Adler’s drumming behind their riffs – I’ve been lucky enough to experience that firsthand.”

By the end of the collaboration, Adler described the finished product as “sounding like an action movie that’s fun to watch,” a nod to the song’s explosive dynamics and cinematic flow.

“It’s been a privilege to work with Patrik,” Adler says. “Humbling. You’ll know what I mean when you hear it.”

The track was mixed and mastered by acclaimed producer Machine, who also handled Lamb Of God’s Ashes Of The Wake and Sacrament. “The sound is brilliant,” says Patrik. “Machine absolutely nailed it.”

“Anew” will drop June 19 as a stand-alone single and is also set to appear on the next full-length Tonic Breed album. The new release continues the project’s series of high-profile collaborations, which already include Dirk Verbeuren (Megadeth), Michael Gilbert (Flotsam And Jetsam), and Björn Strid (Soilwork).

Until “Anew” is released, check out Tonic Breed’s latest collaboration with Flotsam and Jetsam guitarist Michael Gilbert for a guest solo on the new single “The Die Is Cast”.

Straight to the point. No fluff, no filler, “The Die Is Cast” is pure, hard-hitting thrash from start to finish, with a touch of melody woven in. The song is about a powerful war machine that lies broken and abandoned, surrounded by the wreckage of others like it. Its silence feels heavy, as if it’s aware of the destruction it once brought and the emptiness that followed.

“The Die Is Cast” was performed, written, and produced by Patrik K. Svendsen with mixing by Adrian Bjerketvedt in Sarpsborg, Norway, and mastered by Steve Kitch.

Venamoris Unleash Haunting New Single “Contrapasso” With Cinematic Video Directed by Displaced/Replaced

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Venamoris unveil “Contrapasso“, a gripping new standalone single accompanied by a shadow-drenched video directed by Displaced/Replaced. The track follows the February release of their album “To Cross Or To Burn” (Ipecac Recordings) and is available on all streaming platforms.

With “Contrapasso,” Venamoris deliver a cinematic descent into emotional and psychological ruin. Paula Lombardo explains: “As we move forward on our musical trek, phenomenology continues to scorch the way. ‘Contrapasso’ is the story of an antagonist’s eventual ruin… an offering created for a specific cycle to end.”

Displaced/Replaced’s video mirrors the track’s intensity, using evocative imagery and a stark black and white aesthetic that echoes Venamoris’ previous clips and reinforces the song’s themes of reckoning.

“Contrapasso” follows the band’s critically-praised To Cross or To Burn’s arrival. Treble described the album as “gripping,” adding it sounds as “if Jarboe had gone even darker.” Ghost Cult said the collection embodies “the spirit of Dorothy Vallens from David Lynch’s surrealist, noir classic Blue Velvet” while Kerrang! dubbed it “beguiling.”

The indefatigable Dave Lombardo’s bona fides as a world-class drummer are well-known. While he drafted the blueprint that would define thrash-metal drumming, he’s also applied his finesse to solo percussion (2023’s “Rites Of Percussion”), hip hop and classical music, as well as boundary-pushing recordings and performances with everyone from John Zorn’s ensembles to punk icons Misfits and Mr. Bungle. “To Cross Or To Burn” is another milestone in his storied career, where he’s added guitar, bass and considerable production techniques to his sonic skill-set.

Canadian-born Paula Lombardo began her musical career at 18 as a backing singer for Las Vegas icon Wayne Newton, performing multiple shows in the demanding Vegas circuit before relocating to Nashville to further her musical career. A dynamic musical force, she combines impressive vocal prowess, a deftness on piano and synthesizers with a natural instinct for crafting alluring lyrics, melodies and arrangements.

To Cross or To Burn is available digitally, on CD, and on both white and limited-edition red vinyl.

OK Go Unveil “Once More With Feeling” Lyric Video Featuring Mesmerizing Visuals by Zach Lieberman

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GRAMMY-Award-winning rock band OK Go have unveiled an official lyric video for “Once More With Feeling.” Created in collaboration with acclaimed visual artist Zach Lieberman, the stunning clip is available now. “Once More With Feeling” appears on OK Go’s new studio album And the Adjacent Possible, which was released last month. The album is available now HERE.”Obviously, we love making music videos. But our style is so distinct that only a small subset of the artists and designers we admire make sense to collaborate with. With our new album, we’ve invited a broader range of inspiring artists to make lyric videos and visualizers – to take our songs and run with them. It’s been really gratifying to see how the songs take visual form when they travel this very different path,” share OK Go frontman Damian Kulash. “I’ve been a fan of Zach’s for years – his inventive blend of scientific rigor and aesthetic exploration feel tailor made to my taste. I want to live in some of his visual sketches.”

“For this project, I worked closely with Tim Gfrerer to translate my animation, basically swirling lines that form and reform words to the song and his phenomenal brush simulation. We loved the idea of this kind of painterly form, almost like a stop motion animation, that dances and moves with the music,” adds Zach Lieberman. “Everything was created in custom software — the line animations were programmed in openFrameworks, an open source C++ tool I helped make, and the ink brush simulation was created by Tim in Island, an open source C++ creative coding tool he created. We both like to build quirky custom tools rather than rely on standard run of the mill software in order to make poetic, expressive works. We had so much fun bringing this song to life this way.”

OK Go are currently on the road for their largely sold out And the Adjacent Possible Tour of North America. The band will also appear at Chicago, IL’s Taste of Randolph 2025 and Niigata, Japan’s Fuji Rock Festival this summer. Additionally, OK Go just announced a headline performance at Indie 102.3’s Indieverse in Denver, CO and headline show in Salt Lake City, UT this September. A complete list of live dates and ticket information can be found HERE.