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The Band Of Heathens Celebrate 20 Years With New Single “Take The Cake” And New Album ‘Country Sides’

Eric Alper
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The Band Of Heathens Celebrate 20 Years With New Single “Take The Cake” And New Album ‘Country Sides’

The Band of Heathens officially kick off their 20th anniversary celebration today with the release of their swampy and groovy new single “Take The Cake”. Premiered by Whiskey Riff, the track serves as a soulful preview of their upcoming landmark album ‘Country Sides’, which arrives February 20, 2026. Self-produced alongside longtime collaborator Jim Vollentine at the band’s own studio, The Finishing School, the record is a guitar-fueled collection that honors two decades of fierce independence and artistic integrity. Founding members Ed Jurdi and Gordy Quist have built a massive legacy outside the traditional label system, recently achieving platinum certification for their hit “Hurricane” and surpassing one billion total streams.

‘Country Sides’ Tracklist:

No Direction

High on Our Own Supply

She’s the Night

Lead Don’t Follow

Forever’s Not a Long Time

Finish Something I Started

Pleasing People

Good as I Can Be

Take the Cake

Just as Much

Letting Go

Country Sides Tour

Mar 06 Fri – Austin, TX+

Mar 12 Thu – El Dorado, AR

Mar 13 Fri – Jackson, MS

Mar 14 Sat – Huntingdon, TN

Mar 15 Sun – Indianapolis, IN

Mar 17 Tue – Madison, WI

Mar 18 Wed – Chicago, IL

Mar 19 Thu – Minneapolis, MN

Mar 20 Fri – Ottawa, KS

Mar 21 Sat – Tulsa, OK

Apr 10 Fri – Atlanta, GA

Apr 11 Sat – Walhalla, SC

Apr 12 Sun – Charleston, WV

Apr 14 Tue – Asheville, NC

Apr 15 Wed – Raleigh, NC

Apr 16 Thu – Charlotte, NC

Apr 17 Fri – Isle of Palms, SC

Apr 18 Sat – Pelham, TN #

Apr 19 Sun – Waverly, AL

Apr 22 Wed – New Orleans, LA

Apr 23 Thu – Baton Rouge, LA

Apr 24 Fri – Houston, TX

Apr 25 Sat – Helena, AL

+ – co-bill show with Jamestown Revival and special guest Sela Campbell

# – with very special guest Wilder Blue

The Travelin’ McCourys Pass The Torch With “The Young Guns Tour” This March And April

Eric Alper
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The Travelin’ McCourys Pass The Torch With “The Young Guns Tour” This March And April

The Travelin’ McCourys launch their highly anticipated “The Young Guns Tour” this spring to highlight the next generation of bluegrass talent across the East Coast. Led by mandolinist Ronnie McCoury and banjo player Rob McCoury, the reigning IBMA Instrumental Group of the Year continues a long-standing family tradition of mentorship and musicianship. The tour features an ever-evolving lineup of rising stars, including Ronnie’s son, Heaven McCoury, who has already made a name for himself through frequent collaborations with the Del McCoury Band. This run of shows honors the roots of the genre while providing a firsthand look at the exceptional pickers shaping the future of the music.

The band brings this lineage-driven experience to iconic venues like The Caverns in Pelham and the Carter Family Fold in Hiltons. This tour captures the same spirit found at the group’s signature festival, DelFest, by giving young musicians room on the bandstand to showcase their virtuosity. The McCourys have a massive track record for championing emerging artists such as Billy Strings and Sierra Hull long before they reached global stardom. Promoters and fans are encouraged to recommend local up-and-coming talent for select dates to ensure the music keeps moving forward the right way. This tour is a visceral reminder of why these musicians remain the most trusted stewards of the bluegrass tradition today.

“The Young Guns Tour” Spring 2026 Dates:

March 6 – Hinman Auditorium – Bonita Springs, FL

March 7 – Bier Hall at Intuition Ale Works – Jacksonville, FL

March 8 – The Radio Room – Greenville, SC

March 17 – Buffalo Iron Works – Buffalo, NY

March 18 – Iron Horse Music Hall – Northampton, MA

March 19 – Ardmore Music Hall – Ardmore, PA

March 20 – Center for the Arts – Homer, NY

March 21 – The Kate – Old Saybrook, CT

March 22 – Colony Woodstock – Woodstock, NY

March 24 – Thunderbird Cafe – Pittsburgh, PA

March 26 – The Tin Pan – Richmond, VA

March 27 – Back Seat Event Center – Winchester, VA

March 29 – The Caverns – Pelham, TN (with Sister Sadie)

April 9 – The Bijou Theater – Knoxville, TN

April 10 – Community Church Concerts – Chapel Hill, NC

April 11 – Carter Family Fold – Hiltons, VA

May 21-24 – DelFest – Cumberland, MD

The Browning Unleashes “Dominator” [EVOLVED] And Opens Pre-Orders For Reimagined Album ‘Burn This World [EVOLVED]’

Eric Alper
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The Browning Unleashes “Dominator” [EVOLVED] And Opens Pre-Orders For Reimagined Album ‘Burn This World [EVOLVED]’

Electronicore pioneers The Browning have launched the digital pre-order for their upcoming record ‘Burn This World [EVOLVED]’ alongside the release of the crushing new single “Dominator” [EVOLVED]. This project serves as a complete, ground-up recreation of the band’s 2011 breakout debut, featuring sharpened tracks and modern production power that elevate their signature blend of deathcore and electronic dance music. Founding member Jonny McBee describes this release as the ultimate form of the album, boasting heavier breakdowns and higher energy techno elements. The digital version is set to drop on February 11, 2026, with a physical vinyl release following on February 27, 2026.

To support the release, the duo consisting of McBee and Hardcore Keem will embark on the massive “Burn This World [EVOLVED] Tour” across the United States and Europe. The North American leg runs from February 12 to March 22 with support from Within Destruction, Convictions, and Dead Eyes, while the European dates feature Stain The Canvas, THE DEFECT, and Heaven.exe from April 3 to April 18. This new chapter follows an incredibly busy 2025 for the band, which saw them touring continuously behind their sixth full-length album ‘OMNI’. Fans can currently secure vinyl, CD, and merchandise bundles through the FiXT Store as the band prepares for this high-octane celebration of their fifteen-year evolution.

Priyanka Chopra Jonas Stars In Adrenaline-Fueled Action-Adventure ‘The Bluff’ Arriving On Prime Video

Eric Alper
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Priyanka Chopra Jonas Stars In Adrenaline-Fueled Action-Adventure ‘The Bluff’ Arriving On Prime Video

Priyanka Chopra Jonas delivers an unflinching and physical performance as Ercell “Bloody Mary” Bodden in the high-stakes period thriller ‘The Bluff’, which arrives globally on Prime Video February 25, 2026. Directed by Frank E. Flowers and produced by the cinematic powerhouses Anthony and Joe Russo through AGBO, this non-stop thrill ride follows a skilled ex-pirate whose peaceful life in the Cayman Islands is shattered by the return of her vengeful former captain, Connor, played by Karl Urban. Set against the historically rich backdrop of the Skull Cave and towering bluffs, the film explores the indomitable strength of a mother’s love as Ercell utilizes lethal swordsmanship and cunning traps to wage a brutal war against a merciless crew. This gritty adventure provides a fierce journey of redemption and a visceral look at the lengths one will go to for survival and family protection.

Why Crazy Time Feels Like a Dance Floor, Not a Casino Game

Eric Alper
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0

By Mitch Rice

Live casino games have transformed online gambling, but few titles manage to merge entertainment and gaming as seamlessly as Crazy Time. For players exploring Crazy Time, the game offers more than traditional betting — it creates an atmosphere that feels like a vibrant, interactive performance. Bright colors, energetic music, dynamic hosts, and fast-paced rounds turn what could be a standard casino experience into something akin to a lively dance floor. Players also enjoy tracking Crazy Time results, which adds an extra layer of anticipation and engagement, allowing them to follow patterns, celebrate big wins, and feel connected to the game’s ongoing narrative. The game captivates players not just through chance and payouts, but through its immersive audiovisual design and participatory excitement.

Unlike standard roulette or blackjack tables, Crazy Time relies on constant motion, visual spectacle, and audience engagement. Players are encouraged to interact with hosts, watch wheel spins, celebrate bonus rounds, and immerse themselves in a multi-sensory experience. This combination of rhythm, visual stimulation, and communal energy makes it feel less like gambling and more like attending a live entertainment event. This article explores why Crazy Time stands out as a casino game that feels more like a dance floor, analyzing its design, interactivity, and psychological impact on players.

The Pulse of the Game: Rhythm and Music

One of the first things players notice about Crazy Time is its soundtrack. Unlike traditional casino games, which often have minimal sound design, Crazy Time employs upbeat, rhythmic music that drives the pace of gameplay. Each spin and bonus round is accentuated by musical cues, creating a sense of anticipation and excitement.

Music functions like a heartbeat for the game. Faster beats increase tension, while celebratory tones highlight wins. This continuous rhythmic engagement mirrors the experience of being on a dance floor, where music guides emotion and movement. Players find themselves reacting instinctively to the beats, clapping, cheering, or leaning forward in anticipation, similar to how dancers sync to a song.

Visual Spectacle and Color Dynamics

Crazy Time’s visual design further enhances its dance-floor feel. Neon lights, rotating wheels, spinning bonus icons, and animated characters provide constant motion and visual stimuli. The bright, engaging colors stimulate the senses, making players feel like they are part of a lively, immersive environment rather than a static gambling interface.

High-quality graphics also serve a practical purpose: they draw attention to key elements, such as multipliers, bonus games, and special spins. These visual cues function like spotlights on a stage, guiding the player’s focus while maintaining a sense of excitement and unpredictability.

Interactive Hosts as Performers

Unlike automated casino games, Crazy Time features live hosts who act as performers and facilitators. These hosts interact with players, guide bonus rounds, and create emotional peaks through reactions, commentary, and engagement. Their energy is infectious, often motivating players to participate more actively.

Hosts play a role similar to DJs or dance floor performers — they set the tempo, amplify the mood, and engage the audience directly. Their presence transforms the game from a simple gambling experience into a communal entertainment event, where excitement is both seen and felt.

Bonus Rounds as Choreographed Peaks

Bonus rounds in Crazy Time, such as Coin Flip, Pachinko, Cash Hunt, and Crazy Time wheel spins, function like choreographed dance sequences. Each has unique visual and auditory elements, creating peaks in the game’s rhythm that keep players engaged.

These rounds break the monotony of standard betting and provide interactive, high-energy moments that mirror the climactic sequences of a dance performance. Players are encouraged to anticipate outcomes, react emotionally, and celebrate victories in real time, reinforcing the sense of entertainment over mere gambling.

Pacing and Momentum

Like a well-composed dance track, Crazy Time relies on momentum and pacing. Regular spins establish a baseline rhythm, while bonus rounds, multipliers, and host interactions create bursts of intensity. This ebb and flow keeps players emotionally engaged, providing peaks of excitement followed by moments of anticipation.

The careful balance between tension and release mirrors the structure of a dynamic dance performance. Players respond subconsciously to these cues, resulting in heightened immersion and sustained engagement.

Social Energy and Community Feel

Even when playing online, Crazy Time fosters a sense of community. Chat features, shared reactions, and visible player activity make the game feel collective. Players celebrate wins, anticipate multipliers, and cheer for others in real time, similar to the shared energy on a crowded dance floor.

This social aspect enhances the entertainment value, as excitement is amplified when experienced together. The communal energy makes the game feel less like solitary gambling and more like a group event.

Psychological Engagement

Crazy Time engages players psychologically by combining visual, auditory, and social stimuli. The colorful interface, rhythmic music, and host interaction create a multi-sensory experience that is highly engaging. This design encourages continuous attention, emotional investment, and positive reinforcement through wins and celebratory cues.

The game’s unpredictability also contributes to excitement. Random multipliers and bonus outcomes keep players on edge, creating a thrilling emotional rollercoaster that mirrors the highs and lows of a live dance or music performance.

Accessibility and Inclusivity

Part of Crazy Time’s appeal is its accessibility. Players of various experience levels can enjoy the game without extensive knowledge of casino mechanics. This inclusivity is similar to how dance floors welcome participants of all skill levels: the environment is enjoyable whether one is deeply familiar with the steps or simply reacting to rhythm and energy.

By lowering the barrier to entry, Crazy Time broadens its audience and emphasizes entertainment over gambling proficiency.

Live Streaming and Immersion

High-quality live streaming enhances the dance-floor feel of Crazy Time. Camera angles, close-ups of hosts, and dynamic views of the spinning wheel make players feel present in the studio environment. The immersive production mirrors live entertainment shows, where audience engagement and visual spectacle are key.

This immersive experience contrasts sharply with traditional digital casino interfaces, which often lack dynamic interaction and sensory stimulation.

Why Crazy Time Feels Different from Traditional Casino Games

Traditional casino games focus on strategy, odds, and repetition. While engaging, these elements often prioritize rational thinking over emotional immersion. Crazy Time, in contrast:

  • Emphasizes rhythm and sensory stimulation
  • Encourages emotional engagement through hosts and visuals
  • Creates a communal, social experience
  • Uses unpredictable bonus rounds to sustain attention

These factors combine to make players feel like they are participating in an entertainment event rather than a standard game of chance.

Conclusion

Crazy Time redefines the online casino experience by blending gaming with performance, creating an atmosphere that feels more like a dance floor than a traditional casino. Its rhythmic music, colorful visuals, live hosts, interactive bonus rounds, and social energy combine to form a multi-sensory spectacle that captivates players from start to finish.

For those exploring Crazy Time, the game offers an immersive escape that prioritizes entertainment, community, and excitement over mere gambling mechanics. For more information or to experience the game firsthand, visit https://crazytimebd.net/bn/. By integrating performance elements with gameplay, Crazy Time stands out as a unique example of how casino games can transcend traditional formats and become interactive experiences that feel alive. Whether engaging with the game for the thrill of multipliers or the excitement of live interaction, players enjoy an experience where every spin resonates like a beat on the dance floor, proving that online casino games can be as much about showmanship as they are about chance.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Sam Levinson Skips Ahead Five Years As ‘Euphoria’ Returns To HBO Max On April 12

Eric Alper
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Sam Levinson Skips Ahead Five Years As ‘Euphoria’ Returns To HBO Max On April 12

The cultural phenomenon ‘Euphoria’ officially returns to HBO Max on April 12 with a high-octane season that thrusts its core characters into young adulthood. Show creator Sam Levinson revealed that the narrative skips forward five years from the intense finale of the second season. This time jump finds Rue, played by Zendaya, struggling south of the border in Mexico while facing a dangerous debt to the drug dealer Laurie. A recently released two-minute first look provides a nail-biting preview of the challenges awaiting the group as they navigate life beyond high school.

20 Unsung Musical Geniuses Who Secretly Shaped The Sound Of Your Favorite Iconic Bands

Eric Alper
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20 Unsung Musical Geniuses Who Secretly Shaped The Sound Of Your Favorite Iconic Bands

The history of rock and roll is often written by the frontmen and the guitar heroes who stand in the brightest spotlights. Yet the true architecture of the most legendary songs usually belongs to the quiet architects working in the shadows of the stage. These are the players who provided the essential DNA for the world’s most famous catalogs while the singers took the credit. From the basement of Motown to the sprawling synth textures of the eighties, these musicians built the foundations that allowed their bands to reach legendary status.

Alan Wilder

The sonic landscape of Depeche Mode changed forever when this arrangement wizard took over the studio duties. He transformed simple pop melodies into the dark and industrial masterpieces found on ‘Violator’.

Andy Summers

The Police would have been a standard punk trio without the jazz-influenced textures and ethereal chorus pedals of this guitar innovator. His atmospheric layering on “Every Breath You Take” defines the entire aesthetic of the eighties.

Benmont Tench

As the cornerstone of The Heartbreakers, his tasteful piano trills and organ swells provided the soulful glue for every Tom Petty anthem. His ability to play exactly what the song requires remains a benchmark for session players everywhere.

Bernie Worrell

The futuristic funk of Parliament-Funkadelic owes its existence to the Moog synthesizer explorations of this keyboard pioneer. He essentially rewrote the rules of the bass line and paved the way for the digital era of music.

Billy Strayhorn

Often working in the shadow of Duke Ellington, this composer was the secret weapon behind “Take the ‘A’ Train” and countless other standards. His sophisticated harmonic language elevated jazz to a higher art form during his decades of collaboration.

Carol Kaye

As a member of The Wrecking Crew, she provided the melodic bass movement for hundreds of hits ranging from The Beach Boys to Ray Charles. Her picking technique and rhythmic precision created the heartbeat of the American pop charts.

Chris Frantz

The steady and danceable pulse of Talking Heads came from this drummer who understood the power of the groove. He successfully merged art-rock with world music rhythms to create a sound that felt both intellectual and physical.

Chuck Leavell

After shaping the southern rock sound of The Allman Brothers Band, he became the primary keyboardist for The Rolling Stones for over forty years. His piano work brings a necessary boogie-woogie grit to the world’s greatest rock and roll band.

Colin Greenwood

While the world focuses on the guitar histrionics of Radiohead, his melodic bass lines provide the emotional anchor for ‘OK Computer’. He navigates complex time signatures with a fluid grace that keeps the experimental music accessible.

George Harrison

Being the third songwriter in The Beatles meant his contributions were often overlooked until the release of ‘All Things Must Pass’. His slide guitar work and Eastern influences gave the band a spiritual depth that transformed popular culture.

James Jamerson

The Motown sound was built on the fingers of this bass legend who played on more number one hits than The Beatles and Elvis combined. His syncopated lines on “What’s Going On” changed the way the instrument was perceived forever.

John Deacon

The silent member of Queen wrote some of the biggest global hits including “Another One Bites The Dust” and “I Want To Break Free”. His rhythmic pocket and understated brilliance provided the steady heartbeat behind the flamboyant genius of Freddie Mercury.

John Entwistle

Nicknamed The Ox, he revolutionized the bass by playing it like a lead instrument for The Who. His thunderous tone and lightning-fast runs on “My Generation” proved the rhythm section could be just as loud as the singer.

John Paul Jones

The secret engine of Led Zeppelin was a world-class arranger and multi-instrumentalist who handled everything from bass to mandolin. His keyboard work on ‘Physical Graffiti’ provided the heavy blues-rock unit with a symphonic scale.

Krist Novoselic

The massive low end of Nirvana provided the heavy foundation that allowed the melodies to cut through the grunge distortion. His simple and driving bass parts are the essential pulse of the entire Generation X soundtrack.

Mick Ronson

David Bowie found his perfect foil in this guitarist and arranger who helped create the Ziggy Stardust persona. His glam rock riffs and sophisticated string arrangements on ‘Hunky Dory’ defined the sound of the early seventies.

Mike Campbell

He is the ultimate co-captain who co-wrote “Refugee” and provided the signature guitar hooks for The Heartbreakers. His economical playing style is a lesson in how to serve the song without ever overplaying.

Ray Manzarek

The Doors lacked a traditional bass player, so he filled the gap with his left hand on the organ while playing lead melodies with his right. His hypnotic Vox Continental swirls created the psychedelic atmosphere of the 1960s.

Richard Wright

The lush and panoramic textures of Pink Floyd were born from his Hammond organ and Farfisa layers. His vocal harmonies and jazz-inflected chords on ‘The Dark Side of the Moon’ provided the soul behind the spectacle.

Tina Weymouth

Her bouncy and infectious bass lines turned Talking Heads into a global dance phenomenon with tracks like “Psycho Killer”. She proved that a minimalist approach could produce some of the most memorable rhythms in rock history.

Chris Stapleton’s “Tennessee Whiskey” Becomes First Country Song Certified RIAA Double Diamond

Eric Alper
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Chris Stapleton’s “Tennessee Whiskey” Becomes First Country Song Certified RIAA Double Diamond

Chris Stapleton’s “Tennessee Whiskey” has been certified RIAA double diamond with over 20 million units sold, becoming the first country song ever to reach this milestone. RIAA Chairman and CEO Mitch Glazier says, “Chris Stapleton’s undeniable vocal grit and storytelling have connected deeply – driving chart successes, earning major awards, and most importantly, resonating with fans. RIAA is proud to celebrate him alongside MCA as ‘Tennessee Whiskey’ today makes history, becoming the first Country single ever to earn a double diamond certification with two million units in the U.S. alone. It’s a remarkable achievement and another defining moment in Stapleton’s career.” The accomplishment arrives as Stapleton continues his All-American Road Show through fall 2026, including stops at Nashville’s Nissan Stadium, Detroit’s Ford Field, Atlanta’s Mercedes-Benz Stadium, Toronto’s Rogers Stadium, and Boston’s Fenway Park, with Allen Stone, Ashley McBryde, Carter Faith, Grace Potter, Maggie Rose, Mike Campbell & The Dirty Knobs, Molly Tuttle, Nikki Lane, and The Teskey Brothers on various dates.

Stapleton celebrated the tenth anniversary of his groundbreaking debut album ‘Traveller’ last year, recorded at Nashville’s historic RCA Studio A with producer Dave Cobb. ‘Traveller’ won Best Country Album at the 58th Grammy Awards, Album of the Year at both the CMAs and ACMs, and became one of the best-selling country albums of the 2010s. Following a historic turn on the 2015 CMA Awards where Stapleton became the first artist ever to win Album of the Year, Male Vocalist of the Year, and New Artist of the Year in the same year, ‘Traveller’ became the first album in history to re-enter the Billboard 200 all-genre album chart at No. 1, staying there for two straight weeks. With global sales over 11 million, the album is certified RIAA seven-times platinum in the U.S., has been streamed over 11 billion times globally, and has spent over 500 weeks on the Billboard 200 chart, the first country album to do so.

Dutch-British Artist Tessa Rose Jackson Releases “Built To Collide” Ahead Of Album ‘The Lighthouse’

Eric Alper
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Dutch-British Artist Tessa Rose Jackson Releases “Built To Collide” Ahead Of Album ‘The Lighthouse’

Dutch-British artist Tessa Rose Jackson releases new single “Built To Collide” following last year’s tracks “Fear Bangs The Drum” and “By Morning” as another glimpse of her upcoming studio album ‘The Lighthouse’. The dynamic indie-pop track progressively intensifies with dreamy guitar, playful strings, and culminates in a fast-paced drum finale, serving as a gentle reminder that while life deserves to be taken seriously, there’s joy in knowing when not to. Jackson says, “This is my rant song. A song about accepting that sometimes you live and you don’t learn. It’s human nature to mess up, to sometimes fall into the old mistakes you thought you’d grown out of. This song is my celebration of this and an invitation to slightly poke fun at yourself. Thought you’d know better by now? Well guess what, you don’t! Dust yourself off, have a little laugh and move on.” The 33-year-old artist, who achieved success with 2013’s ‘(Songs From) The Sandbox’ at age 19, spent the next decade retreating behind the moniker Someone, pushing the boundaries of art and music with experimental visuals, augmented reality, and immersive live shows influenced by Air, Charlotte Gainsbourg, Carole King, Feist, and Tame Impala through releases including 2019’s ‘Orbit’ EP, 2020’s ‘Orbit II’ EP, 2021’s ‘Shapeshifter’, and 2023’s ‘Owls’.

‘The Lighthouse’ arrives later this month as a haunting yet life-affirming reflection on ancestry and belonging, written during a secluded period in rural France. Jackson reflects, “The Lighthouse felt like a beacon. It’s an album that talks about death, but not in a purely dark sense. For me, it’s also about the celebration of life – embracing fears, identity, and the stories we inherit.” Raised in Amsterdam to two lesbian mothers, Jackson lost one of her parents at a young age, learning to think about death and loss as something inescapable and vast very early on. Rich with ghostly folklore, spectral folk, and cinematic alt-pop textures, the record explores themes of mortality, memory, and gratitude. Following the album release, Jackson embarks on European tour dates:

Thu 29 Jan 2026 Glasgow – The Glad Cafe

Wed 11 March 2026 Brighton – Folklore

Thu 12 March 2026 London – SJQ

Fri 13 March 2026 Bristol – The Louisiana

Sat 14 March 2026 Manchester – The Castle

Sun 15 March 2026 Tynemouth – ALTR

Wed 18 March 2026 Edinburgh – Leith Depot

Fri 20 March 2026 Paris – l’Archipel

Sat 21 March 2026 Amsterdam – Paradiso Tolhuistuin

Mon 23 March 2026 Berlin – LARK

Tue 24 March 2026 Hamburg – Nochtwache

Wed 25 March 2026 Cologne – Theater der Wohngemeinschaft

Pop Icon Robyn Announces Ninth Studio Album ‘Sexistential’ Out March 27th, 2026

Eric Alper
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Pop Icon Robyn Announces Ninth Studio Album ‘Sexistential’ Out March 27th, 2026

Robyn announces her ninth studio album ‘Sexistential’, releasing March 27th, 2026 globally via Young, alongside new singles “Talk To Me” and “Sexistential” to accompany previously released track “Dopamine.” The album marks her most ecstatic record to date, featuring nine deeply playful pop songs that tie back to her era-defining ‘Body Talk’ trilogy after the club music meditations of 2018’s ‘Honey’. Co-produced mainly with longtime collaborator Klas Åhlund, ‘Sexistential’ arrives emphatic and punchy, defiant about both emotional and biological pleasure, need, and softness. Robyn describes the album saying it should feel “like a spaceship coming through the atmosphere at a really high speed and crash landing. That’s how I felt, like I’d had all these experiences searching too far out into space, and now I’m crashing back into myself.” The album’s title started as an in-joke before she realized it captured everything she wanted to express, adding, “Exploring my sensual life is the same feeling as when I make a good song. It’s such a beautiful kind of sensitive vibration that takes so much work to keep afloat. I feel like the purpose of my life is to stay horny; it doesn’t even have to be about sex, but it’s feeling sensual and attracted to things that I enjoy, and not letting anything take over that.”

“Talk To Me,” produced by Klas Åhlund and Oscar Holter and featuring Max Martin as a co-writer (their first collaboration since 2010’s “Time Machine”), delivers pure, unadulterated fun like Robyn trying to write a Prince or Gap Band song underpinned with uber-contemporary production. Robyn says, “I wrote it during the pandemic when there was no way to be physical. I like talkers, that turns me on.” Meanwhile, “Sexistential,” co-written and co-produced with Åhlund, presents possibly the world’s first rap about having one-night stands while 10 weeks pregnant after IVF. Conceived as a riposte to Andre 3000 saying no one would want to hear him rap about his colonoscopy, Robyn decided to put it all on the line, stating, “It was my cue. I have to do this, I have to write a rap about IVF.” A lyric video for “Sexistential” and a music video for “Talk To Me” directed by Casper Sejersen arrive today.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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