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Sam Levinson Skips Ahead Five Years As ‘Euphoria’ Returns To HBO Max On April 12

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The cultural phenomenon ‘Euphoria’ officially returns to HBO Max on April 12 with a high-octane season that thrusts its core characters into young adulthood. Show creator Sam Levinson revealed that the narrative skips forward five years from the intense finale of the second season. This time jump finds Rue, played by Zendaya, struggling south of the border in Mexico while facing a dangerous debt to the drug dealer Laurie. A recently released two-minute first look provides a nail-biting preview of the challenges awaiting the group as they navigate life beyond high school.

20 Unsung Musical Geniuses Who Secretly Shaped The Sound Of Your Favorite Iconic Bands

The history of rock and roll is often written by the frontmen and the guitar heroes who stand in the brightest spotlights. Yet the true architecture of the most legendary songs usually belongs to the quiet architects working in the shadows of the stage. These are the players who provided the essential DNA for the world’s most famous catalogs while the singers took the credit. From the basement of Motown to the sprawling synth textures of the eighties, these musicians built the foundations that allowed their bands to reach legendary status.

Alan Wilder

The sonic landscape of Depeche Mode changed forever when this arrangement wizard took over the studio duties. He transformed simple pop melodies into the dark and industrial masterpieces found on ‘Violator’.

Andy Summers

The Police would have been a standard punk trio without the jazz-influenced textures and ethereal chorus pedals of this guitar innovator. His atmospheric layering on “Every Breath You Take” defines the entire aesthetic of the eighties.

Benmont Tench

As the cornerstone of The Heartbreakers, his tasteful piano trills and organ swells provided the soulful glue for every Tom Petty anthem. His ability to play exactly what the song requires remains a benchmark for session players everywhere.

Bernie Worrell

The futuristic funk of Parliament-Funkadelic owes its existence to the Moog synthesizer explorations of this keyboard pioneer. He essentially rewrote the rules of the bass line and paved the way for the digital era of music.

Billy Strayhorn

Often working in the shadow of Duke Ellington, this composer was the secret weapon behind “Take the ‘A’ Train” and countless other standards. His sophisticated harmonic language elevated jazz to a higher art form during his decades of collaboration.

Carol Kaye

As a member of The Wrecking Crew, she provided the melodic bass movement for hundreds of hits ranging from The Beach Boys to Ray Charles. Her picking technique and rhythmic precision created the heartbeat of the American pop charts.

Chris Frantz

The steady and danceable pulse of Talking Heads came from this drummer who understood the power of the groove. He successfully merged art-rock with world music rhythms to create a sound that felt both intellectual and physical.

Chuck Leavell

After shaping the southern rock sound of The Allman Brothers Band, he became the primary keyboardist for The Rolling Stones for over forty years. His piano work brings a necessary boogie-woogie grit to the world’s greatest rock and roll band.

Colin Greenwood

While the world focuses on the guitar histrionics of Radiohead, his melodic bass lines provide the emotional anchor for ‘OK Computer’. He navigates complex time signatures with a fluid grace that keeps the experimental music accessible.

George Harrison

Being the third songwriter in The Beatles meant his contributions were often overlooked until the release of ‘All Things Must Pass’. His slide guitar work and Eastern influences gave the band a spiritual depth that transformed popular culture.

James Jamerson

The Motown sound was built on the fingers of this bass legend who played on more number one hits than The Beatles and Elvis combined. His syncopated lines on “What’s Going On” changed the way the instrument was perceived forever.

John Deacon

The silent member of Queen wrote some of the biggest global hits including “Another One Bites The Dust” and “I Want To Break Free”. His rhythmic pocket and understated brilliance provided the steady heartbeat behind the flamboyant genius of Freddie Mercury.

John Entwistle

Nicknamed The Ox, he revolutionized the bass by playing it like a lead instrument for The Who. His thunderous tone and lightning-fast runs on “My Generation” proved the rhythm section could be just as loud as the singer.

John Paul Jones

The secret engine of Led Zeppelin was a world-class arranger and multi-instrumentalist who handled everything from bass to mandolin. His keyboard work on ‘Physical Graffiti’ provided the heavy blues-rock unit with a symphonic scale.

Krist Novoselic

The massive low end of Nirvana provided the heavy foundation that allowed the melodies to cut through the grunge distortion. His simple and driving bass parts are the essential pulse of the entire Generation X soundtrack.

Mick Ronson

David Bowie found his perfect foil in this guitarist and arranger who helped create the Ziggy Stardust persona. His glam rock riffs and sophisticated string arrangements on ‘Hunky Dory’ defined the sound of the early seventies.

Mike Campbell

He is the ultimate co-captain who co-wrote “Refugee” and provided the signature guitar hooks for The Heartbreakers. His economical playing style is a lesson in how to serve the song without ever overplaying.

Ray Manzarek

The Doors lacked a traditional bass player, so he filled the gap with his left hand on the organ while playing lead melodies with his right. His hypnotic Vox Continental swirls created the psychedelic atmosphere of the 1960s.

Richard Wright

The lush and panoramic textures of Pink Floyd were born from his Hammond organ and Farfisa layers. His vocal harmonies and jazz-inflected chords on ‘The Dark Side of the Moon’ provided the soul behind the spectacle.

Tina Weymouth

Her bouncy and infectious bass lines turned Talking Heads into a global dance phenomenon with tracks like “Psycho Killer”. She proved that a minimalist approach could produce some of the most memorable rhythms in rock history.

Chris Stapleton’s “Tennessee Whiskey” Becomes First Country Song Certified RIAA Double Diamond

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Chris Stapleton’s “Tennessee Whiskey” has been certified RIAA double diamond with over 20 million units sold, becoming the first country song ever to reach this milestone. RIAA Chairman and CEO Mitch Glazier says, “Chris Stapleton’s undeniable vocal grit and storytelling have connected deeply – driving chart successes, earning major awards, and most importantly, resonating with fans. RIAA is proud to celebrate him alongside MCA as ‘Tennessee Whiskey’ today makes history, becoming the first Country single ever to earn a double diamond certification with two million units in the U.S. alone. It’s a remarkable achievement and another defining moment in Stapleton’s career.” The accomplishment arrives as Stapleton continues his All-American Road Show through fall 2026, including stops at Nashville’s Nissan Stadium, Detroit’s Ford Field, Atlanta’s Mercedes-Benz Stadium, Toronto’s Rogers Stadium, and Boston’s Fenway Park, with Allen Stone, Ashley McBryde, Carter Faith, Grace Potter, Maggie Rose, Mike Campbell & The Dirty Knobs, Molly Tuttle, Nikki Lane, and The Teskey Brothers on various dates.

Stapleton celebrated the tenth anniversary of his groundbreaking debut album ‘Traveller’ last year, recorded at Nashville’s historic RCA Studio A with producer Dave Cobb. ‘Traveller’ won Best Country Album at the 58th Grammy Awards, Album of the Year at both the CMAs and ACMs, and became one of the best-selling country albums of the 2010s. Following a historic turn on the 2015 CMA Awards where Stapleton became the first artist ever to win Album of the Year, Male Vocalist of the Year, and New Artist of the Year in the same year, ‘Traveller’ became the first album in history to re-enter the Billboard 200 all-genre album chart at No. 1, staying there for two straight weeks. With global sales over 11 million, the album is certified RIAA seven-times platinum in the U.S., has been streamed over 11 billion times globally, and has spent over 500 weeks on the Billboard 200 chart, the first country album to do so.

Dutch-British Artist Tessa Rose Jackson Releases “Built To Collide” Ahead Of Album ‘The Lighthouse’

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Dutch-British artist Tessa Rose Jackson releases new single “Built To Collide” following last year’s tracks “Fear Bangs The Drum” and “By Morning” as another glimpse of her upcoming studio album ‘The Lighthouse’. The dynamic indie-pop track progressively intensifies with dreamy guitar, playful strings, and culminates in a fast-paced drum finale, serving as a gentle reminder that while life deserves to be taken seriously, there’s joy in knowing when not to. Jackson says, “This is my rant song. A song about accepting that sometimes you live and you don’t learn. It’s human nature to mess up, to sometimes fall into the old mistakes you thought you’d grown out of. This song is my celebration of this and an invitation to slightly poke fun at yourself. Thought you’d know better by now? Well guess what, you don’t! Dust yourself off, have a little laugh and move on.” The 33-year-old artist, who achieved success with 2013’s ‘(Songs From) The Sandbox’ at age 19, spent the next decade retreating behind the moniker Someone, pushing the boundaries of art and music with experimental visuals, augmented reality, and immersive live shows influenced by Air, Charlotte Gainsbourg, Carole King, Feist, and Tame Impala through releases including 2019’s ‘Orbit’ EP, 2020’s ‘Orbit II’ EP, 2021’s ‘Shapeshifter’, and 2023’s ‘Owls’.

‘The Lighthouse’ arrives later this month as a haunting yet life-affirming reflection on ancestry and belonging, written during a secluded period in rural France. Jackson reflects, “The Lighthouse felt like a beacon. It’s an album that talks about death, but not in a purely dark sense. For me, it’s also about the celebration of life – embracing fears, identity, and the stories we inherit.” Raised in Amsterdam to two lesbian mothers, Jackson lost one of her parents at a young age, learning to think about death and loss as something inescapable and vast very early on. Rich with ghostly folklore, spectral folk, and cinematic alt-pop textures, the record explores themes of mortality, memory, and gratitude. Following the album release, Jackson embarks on European tour dates:

Thu 29 Jan 2026 Glasgow – The Glad Cafe

Wed 11 March 2026 Brighton – Folklore

Thu 12 March 2026 London – SJQ

Fri 13 March 2026 Bristol – The Louisiana

Sat 14 March 2026 Manchester – The Castle

Sun 15 March 2026 Tynemouth – ALTR

Wed 18 March 2026 Edinburgh – Leith Depot

Fri 20 March 2026 Paris – l’Archipel

Sat 21 March 2026 Amsterdam – Paradiso Tolhuistuin

Mon 23 March 2026 Berlin – LARK

Tue 24 March 2026 Hamburg – Nochtwache

Wed 25 March 2026 Cologne – Theater der Wohngemeinschaft

Pop Icon Robyn Announces Ninth Studio Album ‘Sexistential’ Out March 27th, 2026

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Robyn announces her ninth studio album ‘Sexistential’, releasing March 27th, 2026 globally via Young, alongside new singles “Talk To Me” and “Sexistential” to accompany previously released track “Dopamine.” The album marks her most ecstatic record to date, featuring nine deeply playful pop songs that tie back to her era-defining ‘Body Talk’ trilogy after the club music meditations of 2018’s ‘Honey’. Co-produced mainly with longtime collaborator Klas Åhlund, ‘Sexistential’ arrives emphatic and punchy, defiant about both emotional and biological pleasure, need, and softness. Robyn describes the album saying it should feel “like a spaceship coming through the atmosphere at a really high speed and crash landing. That’s how I felt, like I’d had all these experiences searching too far out into space, and now I’m crashing back into myself.” The album’s title started as an in-joke before she realized it captured everything she wanted to express, adding, “Exploring my sensual life is the same feeling as when I make a good song. It’s such a beautiful kind of sensitive vibration that takes so much work to keep afloat. I feel like the purpose of my life is to stay horny; it doesn’t even have to be about sex, but it’s feeling sensual and attracted to things that I enjoy, and not letting anything take over that.”

“Talk To Me,” produced by Klas Åhlund and Oscar Holter and featuring Max Martin as a co-writer (their first collaboration since 2010’s “Time Machine”), delivers pure, unadulterated fun like Robyn trying to write a Prince or Gap Band song underpinned with uber-contemporary production. Robyn says, “I wrote it during the pandemic when there was no way to be physical. I like talkers, that turns me on.” Meanwhile, “Sexistential,” co-written and co-produced with Åhlund, presents possibly the world’s first rap about having one-night stands while 10 weeks pregnant after IVF. Conceived as a riposte to Andre 3000 saying no one would want to hear him rap about his colonoscopy, Robyn decided to put it all on the line, stating, “It was my cue. I have to do this, I have to write a rap about IVF.” A lyric video for “Sexistential” and a music video for “Talk To Me” directed by Casper Sejersen arrive today.

Indie Rock Duo C.Y.M. Release “Live From Heavy Duty” Performance Series

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C.Y.M. ring in the new year with “Live from Heavy Duty,” a four-part live performance series now available on YouTube featuring original songs “Never Let Me Go,” “Roma,” and “Life of Mine” with Day Wave, plus a cover of Pink Floyd’s “Set the Controls for the Heart of the Sun.” The series showcases C.Y.M., comprised of Chris Baio and Michael Greene, joined by Garrett Ray on drums with a special appearance from Day Wave on “Life of Mine,” captured at Heavy Duty Studios in Burbank last summer with intimate, psychedelic ’70s vibes. Baio says, “Last summer, Mike made the long trip from St. Ives England to Los Angeles to perform a studio session of songs from our debut album. At Heavy Duty Studios in Burbank, we were joined by Garrett Ray on drums and played three songs from our album, including ‘Life of Mine’ with Day Wave. We also covered Pink Floyd’s ‘Set the Controls for the Heart of the Sun,’ a song that occupies a fascinating place in Pink Floyd’s discography. It is the only Pink Floyd recording that all five primary members played on, and was further immortalized by LCD Soundsystem’s ‘All My Friends.'” Director and editor Tom Mull spliced together skateboarding footage of his family for “Roma,” adding a personal visual element to the performance.

The duo prepares for two exclusive live performances at Pop Up Du Label in Paris on February 9th, 2026 and Moth Club in London on February 10th, 2026, featuring Baio, Greene, Robby Sinclair on drums, and special guest appearances. C.Y.M. has released their self-titled debut album, performed on Jimmy Kimmel Live, experienced Baio’s debut appearance on Bravo’s Watch What Happens Live, and earned recognition among NPR’s “Best New Music.” The Arts St. Louis called the album “an exceptionally strong album” noting “a nice sonic consistency even as the pair explores disparate genres alongside widely varying collaborators,” while FLOOD praised the duo as “nearly boundless when it comes to genre influence, with their unique blend of sound.”

Connor Storrie Reveals He Fooled ‘Heated Rivalry’ Extra Into Thinking He Was Fluent In Russian

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Connor Storrie appeared on Late Night with Seth Meyers on January 13th, 2026, discussing meeting Amy Poehler at a Golden Globes party and the success of ‘Heated Rivalry’. He revealed he fooled an extra into thinking he was fluent in Russian despite not speaking the language or knowing how to ice skate before starring in the show.


Ariana Grande And Jonathan Bailey Reunite For West End Revival Of ‘Sunday In The Park With George’

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Ariana Grande and Jonathan Bailey confirmed they will reunite for a West End revival of Stephen Sondheim and James Lapine’s Pulitzer Prize-winning 1984 musical ‘Sunday in the Park with George’, sharing a photo on January 14th, 2026 of themselves seated at The Art Institute of Chicago in front of Georges Seurat’s iconic painting “A Sunday Afternoon on the Island of La Grande Jatte,” which inspired the musical. The production targets a summer 2027 run at the Barbican Theatre in London with direction expected from Tony and Olivier Award winner Marianne Elliott, who previously collaborated with Bailey on the acclaimed gender-swapped revival of ‘Company’. Bailey will play painter Georges Seurat while Grande takes on the role of Dot, his lover and muse, in a musical that explores the cost of artistic obsession across generations, with the second act jumping forward a century to examine the legacy of Seurat’s work. The roles were originated on Broadway by Mandy Patinkin and Bernadette Peters in 1984 and created in London by Philip Quast and Maria Friedman in a 1990 National Theatre staging, with subsequent revivals including a 2008 Broadway production starring Daniel Evans and Jenna Russell and a 2017 Broadway staging featuring Jake Gyllenhaal and Annaleigh Ashford. Bailey earned an Olivier Award in 2019 for his rapid-fire performance of “Getting Married Today” in Elliott’s ‘Company’ before appearing in Bridgerton, while Grande began her career on Broadway as a teenager in the musical ’13’ in 2008 before launching her pop career and recently starring as Glinda opposite Bailey’s Fiyero in the film adaptation of ‘Wicked’. The production marks Grande’s first stage role in nearly two decades and her West End debut, following her 2026 Eternal Sunshine tour, which she recently told Amy Poehler may be her last time on the road for a long while.

Pop Punk Festival New Rock City Brings UK Artists To New Jersey Debut

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Pop Punk Festival New Rock City Brings UK Artists To New Jersey Debut

New Rock City, Stephen Moss, Sonar Presents, Chasing The Fall, Hoping Forever, Crossroads, Gaslight Anthem, Thursday, Frank Turner, BBC Radio 1, BBC Introducing,

New Rock City celebrates its fifth anniversary with its first New Jersey event on Sunday, March 1st, 2026 at Crossroads, partnering with UK music discovery platform Sonar Presents to bring British and American artists together. The international festival of pop punk, punk, alt rock, and nu metal has spent four years in the UK and now returns to its home state with backing from Sonar Presents, collaborating across the Atlantic to showcase worldwide talent. UK pop punk band Chasing The Fall joins the lineup alongside Puerto Rican pop punks Hoping Forever, bringing the legacy of the UK punk and rock scene alongside the raw energy of the US pop punk movement. Chasing The Fall arrives with airtime on BBC Radio 1 and BBC Introducing, on a mission to prove the genre was never just a phase.

Crossroads has served as a cultural music hotspot for nearly three decades, hosting Gaslight Anthem, Thursday, Frank Turner, and more. New Rock City founder Stephen Moss says, “I founded this International Festival in 2022 and it is entirely independent and self-funded, a true grassroots movement. The goal was to create a worldwide platform for bands to access new audiences regardless of their streaming numbers. We will be back in the UK in July but it feels wonderful to be able to bring the festival home to Jersey for the very first time, bringing UK music industry support with us thanks to Sonar Presents.” Tickets are $15 plus standard booking fees, available now and suitable for all ages, supporting independent musicians, grassroots music movements, and the legendary venue.

Yarn Unveil “Good Things” From Upcoming Album ‘Saturday Night Sermon’ Due April 24

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Yarn release “Good Things” as the first single from their upcoming album ‘Saturday Night Sermon’, arriving April 24 through 333 Entertainment. The track carries frontman Blake Christiana’s message of gratitude, inspired by Ray Wylie Hubbard’s philosophy that when gratitude exceeds expectations, you’re having a good day. Christiana says, “‘Good Things’ is all about gratitude. Ray Wylie Hubbard always says, ‘When your gratitude exceeds your expectations, that is a good day.’ With that in mind, I threw away all my negative thoughts and self-pity and wrote this song because the truth is, our life is only as good as our reaction to it. And Yarn is pretty damn blessed with a whole lot of ‘Good Things.'” The band expands their sound on the new album with horn sections, organ, and a gospel choir, adding layered textures and depth while maintaining their blend of bluesy rock and roll swagger with outlaw country and Memphis soul. Much of the accompanying video was filmed in a barroom, fitting the music’s character. Since forming in 2007, Christiana has steered the band from New York City bar residencies to stages with Dwight Yoakam, Marty Stuart, Alison Krauss, and Leftover Salmon, with drummer Robert Bonhomme and bassist Rick Bugel forming the core alongside him through more than 10 albums and 17 years on the road.

‘Saturday Night Sermon’ opens with its soaring title track filled with guitar and gospel choir, setting an uplifting tone for the 13-song journey. The album navigates gratitude, love, and the human condition through narrative lyricism, from the singalong encouragement of “Let The Universe” to the heartfelt ballad “Where We Land”, culminating in the reflective “A Welcome New Home”. Rock-leaning tracks like “Longshot”, “Might As Well Be King”, and “Never Enough” add contrast and grit throughout. Christiana adds, “The band has officially found something really special over the past couple of years. It feels like we are finally the live band and album-producing band we always set out to be, and the message we’re aiming to deliver has also found its foothold.” Blake Christiana solo shows are scheduled throughout early 2026, including:

Fri, Jan 9 – Savannah Guitar Lutherie & Mercantile, Savannah, GA (Blake Christiana & Brock Butler Duo)

Thu, Jan 29 – The Room at Cedar Grove, Lewes, DE

Fri, Jan 30 – Unity Hall, Barneveld, NY

Sat, Jan 31 – The Brickhouse, Scarborough, ME

Sun, Feb 1 – Krogh’s Restaurant & Brew Pub, Township of Sparta, NJ

Fri, Feb 6 – Mohawk Taproom & Grill, Schenectady, NY

Fri, Feb 27 – The Hamilton Live, Washington, DC

Sat, Feb 28 – Avalon Theatre, Easton, MD

Thu, Mar 19 – Cafe Eleven, St. Augustine, FL

Fri, Mar 20 – Fogartyville Community Media Arts Center, Sarasota, FL

Tue, Mar 24 – The Funky Biscuit, Boca Raton, FL

Wed, Mar 25 – Green Parrot, Key West, FL

Thu, Mar 26 – Green Parrot, Key West, FL

Fri, Mar 27 – Terra Fermata, Stuart, FL

Fri, May 1 – Purple Fiddle, Thomas, WV

Sat, May 2 – Purple Fiddle, Thomas, WV

Sat, May 23 – Pop’s Farm, Axton, VA

Sun, May 24 – Pop’s Farm, Axton, VA