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Little Feat Release 17th Album ‘Strike Up The Band’ Featuring Molly Tuttle, Robert Hunter, and More

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Today, Little Feat – criminally underrated pioneering rock band – released their 17th studio album, Strike Up The Band, out now, via Hot Tomato. LISTEN HERE

Accompany release was a video for very much non-bluegrass song “Bluegrass Pines,” which features Molly Tuttle on guitar and Larry Campbell & Teresa Williams on backing vocals and was co-written with Grateful Dead’s lyricist, Robert Hunter and Relix Magazine stated “establishes a big band sound, with the quick trill of instruments and a mood of Romani folk that begs for a skirt-twirling embrace far from the title’s suggested bluegrass lean.”

This song, which was from a batch band co-founder and keyboardist, Bill Payne co-wrote with Hunter, like the best Little Feat songs, combines complicated music ideas and takes people on a sonic journey with many twists and turns.

“When Robert Hunter and I began writing, he usually sent me the lyrics first,” recalls Payne. “After several times of doing it this way, he suggested I send him the music first. I had a short instrumental entitled “Banjo Wanderings.” I was amazed at how this small clip inspired the expansive and wonderful lyrics he called “Bluegrass Pines.” The music I gave him essentially covered only the chorus. Everything else was the result of his imagination and my mining of the melody and chords from the scenery he painted. He asked at one point through e-mail—the only way we ever communicated—if I knew who Lash LaRue was, and I told him yes, he used a whip to go after the desperados rather than use a gun.”

Payne continues, “I love this song and its influence on those who performed it. I love the intelligence and spirit that Molly Tuttle, with grace and beauty, created, through her legato acoustic guitar lines with Scott’s soaring slide, a dance of kinetic magic. Larry Campbell and Teresa William’s vocals, powerful, and at times angelic, provided the perfect tapestry for me to sing against. I thank Robert Hunter for his gift.”

Little Feat tour the US with shows including Montclair, NJ this evening and culminating in a three-day festival in Woodstock, New York for August 30 through September 1 with plans to record performances for a new live album. Tickets go on sale via littlefeat.net.

At this point in its illustrious, nearly 60-year career, rock legends Little Feat could be excused if they wanted to take its proverbial foot off the gas. However, that wouldn’t be in Little Feat’s DNA. From the very first note of Strike Up The Band, you will hear Little Feat–who have been rocking and rolling since 1969– mean business.

Little Feat built a cult following in the late 60s and 70s for their pioneering gumbo of New Orleans rhythm-and-blues, country, hard-rock, funk, and jazz. Celebrated as a key influence by icons from Bonnie Raitt to The Rolling Stones (and more recently current stars like 1975’s Matt Healy), yet, commercial success remained at arms length. Songs like “Dixie Chicken,” “Spanish Moon,” “Fat Man in the Bathtub,” and “Rock and Roll Doctor” are legends in the rock and roll songbook. They have released a total of 16 studio albums and 10 live albums to date. Through the ups and downs, love and loss, the lineup shifts, and endless touring they have remained together and the closest of friends.

Their wilderness years, when the band was on periods of hiatus, individual members collaborated with a laundry list of legends including Bob Dylan, Boz Scaggs, J. J. Cale, Buddy Guy, Jimmy Buffett, Doobie Brothers, Emmylou Harris, Bryan Adams, Pink Floyd, Bob Seger, Toto, Linda Ronstadt, Jackson Browne, Carly Simon, James Taylor, Stevie Nicks, Robert Palmer, Bob Weir, Mick Fleetwood, Phil Lesh – you name a musician from the classic rock era, they have likely played with them!

Their elastic lineup has included the late great Lowell George, founding drummer, Richie Hayward,  and guitarist Paul Barrere, and to this day features founding member Bill Payne on keys, alongside the classic lineup of Fred Tackett on guitars/vocals, Kenny Gradney on bass, and Sam Clayton on percussion/vocals. They recently enlisted younger members Scott Sharrard on lead/vocal and Tony Leone on drums/vox which reinvigorated their creative spirits and live show.

The seeds for Strike Up the Band may have been initially planted in 2019, but the current iteration of the band coalesced it in 2021. Following a year of zapping files back and forth due to the pandemic, that November was when the band first started jamming with guitarist/vocalist Scott Sharrard, who joined in 2019, and drummer Tony Leone, who joined in 2020.

“Once again, we’re introducing something that we’re going to call Little Feat to people who would be accepting and some who would not,” Payne says. “The ramp to believing in ourselves was in the songs we wrote. And the minute we had this new band, we wanted to be realistic and that was to make a record.”

To solidify the writing, Payne left his home in the West and headed to New York. In just four days, he wrote three songs with Sharrard and Leone. That window spawned one of the album’s finest tracks, “4 Days of Heaven, 3 Days of Work.”

“Bill brought this title to Tony and I, and I knew immediately that we were going to cook something up that would be special,” Sharrard says. “The lyrics and music embrace what I call ‘Gonzo Funk,’ Little Feat’s unique brand where you combine a slinky groove with some far-out lyrical imagery.”

Together with producer Vance Powell (Phish, Chris Stapleton, Jack White), and collaborators including Blackberry Smoke’s Charlie Starr and Grateful Dead lyricist Robert Hunter, they created their new album in Nashville, and Strike Up The Band is destined to be considered their later year magnum opus. Songs like funk-fueled “Too High To Cut My Hair,” which tastemaker PASTE MAGAZINE described as sounding, “as good as ever, cutting a funk track with the fire of a wicked blues tempo,” as well as “Shipwrecks,” are as dexterous, considered, and creative as any song Little Feat has created to date.

Their lyrics are inventive, transportive, abstract, and emotive in their pursuit of celebrating the good times and holding you close in the bad. Guitars scream and slide, pianos rock and boogie, and drums shuffle you down the road in a way that only Little Feat can. This is the album Little Feat fans have been waiting for and is an undeniable statement from a band who in many ways are just getting started in their 56th year.

With buzz off the back of their GRAMMY nomination for their recent album Sam’s Place, their own festival, a newly announced national tour, and much more in the works, Little Feat are not weathered statues in the hall of rock fame. They remain the collective and creative force they have always been. The beauty of Little Feat perhaps lies in the band’s ability to continuously evolve yet keep the spirit of what we all know and love about them, constant and alive. At this stage in a band’s career, few, if any would be willing to evolve at the level Little Feat does. That in itself, is quite the feat.

TRACKLIST:

4 Days of Heaven 3 Days of Work
Bayou Mama
Shipwrecks
Midnight Flight
Too High To Cut My HairWhen Hearts Fall  Strike Up The Band (feat. Larkin Poe)
Bluegrass Pines (feat. Molly Tuttle, Larry Campbell & Teresa Williams)
Disappearing Ink
Love and Life (Never Fear)
Dance a Little
Running Out of Time with the Blues
New Orleans Cries When She Sings

TOUR DATES:
May 9 Fri – Montclair, NJ – Wellmont Theater *
May 10 Sat – Ithaca, NY – State Theatre
May 12 Mon – Akron, OH – Goodyear Theater *
May 13 Tue – Shipshewana, IN – Blue Gate Performing Arts Center *
May 15 Thu – Nashville, IN – Brown County Music Center *
May 16 Fri – Davenport, IA – Capitol Theatre *
May 17 Sat – Des Plaines, IL – Rivers Casino Des Plaines *
May 19 Mon – Peoria, IL – Prairie Home Alliance Theater *
May 23 Fri – Chandler, AZ – Gila River Resorts & Casinos Wild Horse Pass *
Jun 13 Fri – Santa Cruz, CA – Rio Theatre *
Jun 14 Sat – Napa, CA – Blue Note Napa Summer Sessions at Meritage Resort*
Jun 15 Sun – Reno, NV – Grand Theatre at Grand Sierra Resort *
Jun 18 Wed – Eugene, OR – McDonald Theatre *
Jun 19 Thu – Boise, ID – The Egyptian Theatre *
Jun 21 Sat – Airway Heights, WA – Spokane Live at the Spokane Tribe Resort & Casino #
Jun 22 Sun – Redmond, VA – Marymoor Live #
Jun 24 Tue – Bonner, MT – Kettlehouse Amphitheater #
Jun 25 Wed – Pocatello, ID – Portneuf Health Trust Amphitheatre #
Jun 26 Thu – Salt Lake City, UT – Red Butte Garden #
Jun 28 Sat – Winter Park, CO – Blues From The Top
Aug 29 – Charlestown, RI – Rhythm & Roots 2025
Aug 30 – Sep 1 – Woodstock, NY – Feat Fest at Bearsville Theater
Sep 15-21 – Ketchikan, AK – Keeping the Blues Alive at Sea – Alaska 2025
Oct 14 Tue – Birmingham, AL – Alabama Theatre *
Oct 15 Wed – Franklin, TN – Firstbank Amphitheater <
Oct 17 Fri – Raleigh, NC – Red Hat Amphitheater <
Oct 18 Sat – Charlotte, NC – PNC Music Pavilion <
Oct 19 Sun – Atlanta, GA – Atlanta Symphony Hall *
Oct 21 Tue – Richmond, VA – Allianz Amphitheater at Riverfront <
Oct 22 Wed – Wilmington, NC – Live Oak Bank Pavilion at Riverfront Park <
Oct 24 Fri – Baltimore, MD – The Lyric Baltimore *
Oct 25 Sat – Huntington, NY – The Paramount *
Oct 26 Sun – Red Bank, NJ – Count Basie Center for the Arts *

2026
Jan 11-18 – Fort Lauderdale, FL – Sandy Beaches Cruise 2026
Jan 18-25 – Fort Lauderdale, FL – The Big Easy Cruise 2026

* Strike Up The Band Tour
# Little Feat & Nitty Gritty Band: Dirty Feat Tour
< With Tedeschi Trucks Band (Live in 25 Tour)

Top Thesis Writing Services To Boost Your Academic Performance

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By Mitch Rice

Writing a thesis as a PhD student is no easy task. The stress of doing deep research, meeting deadlines, and fulfilling academic responsibilities can overwhelm students, and even the most intelligent kids can feel stressed. That’s where professional thesis writing services come in handy, helping students meet tight deadlines and achieve high grades while allowing them to focus on other subjects and extracurricular activities. 

Whether you need assistance with a simple chapter or an entire thesis, there are some well-known thesis solution providers that are doing an exceptional job at assisting students of all study levels. In this blog, I have provided my top four picks for expert thesis writing services that combine quality, timeliness, and affordability, three factors that are important to look for while looking for academic assistance. 

  1. AssignmentHelpCenter 

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AssignmentHelpCenter is one of the most well-known platforms among PhD and doctoral students across the US for expert thesis writing services. With a team of excellent writers from top US universities like Harvard, Princeton, and Stanford, they help students submit top-notch thesis papers that are fully referenced and deeply researched. Moreover, when it comes to designing research tools, they ensure that the questions are relevant to the topic, and have strong content validity and meet the highest academic standards. 

Why choose AssignmentHelpCenter?  

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Are you looking for compelling and comprehensive thesis papers? Research Prospect UK is a highly reputable thesis solution provider that is known for satisfying students with well-researched and structured thesis papers. They are recognised as the best thesis writing services that deliver unmatched quality with accurate referencing and citations. All you have to do is mention your requirements, get matched with an expert and download the final document. 

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  1. EssaysUK 

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EssaysUK has grown to become a trusted name in academic writing, offering support to students with assignments, thesis papers, research papers, essays and coursework. They have a team of certified thesis writers who understand the UK educational system and offer their services to both master’s and PhD students for thesis writing help. Following the right formatting and citation styles, they conduct deep research for your proposal and literature reviews.  

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  1. BuyAssignmentOnline 

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With expert thesis writers, BuyAssignmentOnline is the most affordable and professional choice for thesis assignment solutions that follow proper APA referencing styles and present results in a structured manner. Each thesis paper is written in a formal and academic tone and meets the highest academic standards. No matter how complex the research topic seems, their writers are highly capable of delivering excellent results. 

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Final Thoughts 

Choosing the right thesis writing service can make a huge difference in your academic journey. We understand that it is common for students to feel low while completing complex assignments, essays, and papers. Hence, such affordable and trusted academic writing services can offer great support to students and help them gain high marks in their classes. No matter where you are in your PhD journey, the above-mentioned services will help you ace your thesis papers without any hassle. 

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Jack Van Cleaf Releases Sophomore Album ‘JVC’ Featuring Zach Bryan, Gatlin & a Raw Look at Growing Up

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Today, Jack Van Cleaf released his critically acclaimed sophomore album JVC via Dualtone Records. Planting its flag halfway between the worlds of indie rock and Gen Z folk, the album asks big questions about identity, home, and adulthood. The album is the culmination of a journey that began during his teenage years. “This album is all about the vertigo of growing up, It’s about re-defining and re-understanding yourself.” Stream it here.

Accompanying the album, Van Cleaf released a video, directed by Joey Brodnax, for the powerful album cut, “Hikikomori.” A Japanese term describing individuals who isolate themselves from society, often staying in their homes for extended periods, often months or even years. An issue Jack has grappled with personally, he stated, of the song, “‘Hikikomori’ is a Japanese term for a specific kind of severe social isolation, the details of which resonated with me in my depressive slump post-college-graduation. After writing the song, re-discovering it in my voice memos, and working it out with the band, “Hikikomori” revealed itself to be an accurate, succinct representation of the album as a whole. The desperation of the lyrics alongside the outlaw-inspired production evoked the inner desolation that I was seeking to illustrate with JVC, like the West Texas desert where we recorded it.”

“I’ve long been inspired by Joey Brodnax’s work,” Jack continues. “Sam Lindsey (the creative director for my videos) and I wanted to bring him on to help us create a world within a world: a hallucinatory dimension that envelops a character who never steps outside to see the light of day. We had a blast going on that journey with him.”

Jack performed to a sold out crowd at Nashville’s Blue Room last night and his forthcoming tour dates will see him perform in cities including: Chicago, Austin, and more. With support by special guests Ethansroom and Emma Ogier. Tickets are on sale now. For more info, visit https://www.jackvancleaf.com/#tour. 

Jack will also host a GRAMMY museum Spotlight in LA moderated by Mikael Wood of the LA Times on Thursday, May 29, 2025.

Jack Van Cleaf – described by Consequence as “a Nashville-based artist [who] has retained the grit and authenticity that have made him a buzzy name in Music City and beyond” – was still an independent artist when “Rattlesnake” became a viral hit in 2023, earning praise from songwriters like Noah Kahan (who hand-picked Jack as the opening act on his sold-out Stick Season Tour) and Zach Bryan (who began covering the song online). For Jack, it felt like a pivotal moment in a career that had been building since his teenage years.

Years after penning his first song as a high school freshman in San Diego, Jack headed east to Nashville, where he studied songwriting at Belmont University and released his debut album, Fruit from the Trees, after graduation. Jack experienced unprecedented early industry debut album buzz, drawing the attention of the likes of Noah Kahan, opening for him on Jack’s first ever major US tour, as well as touring with artists from Briston Maroney to Madi Diaz. When his single “Rattlesnake” landed him a spot on Spotify’s 2024 Best New Artist List with tastemaker playlist “juniper,” it drew over 13 million streams, and one fan in particular, Zach Bryan, became a major champion of Jack, covering the track on his social media.

This unexpected success induced an intense period of self-doubt in Jack, “I was shell-shocked,” he remembers. “I’d spent my whole life being told what to do every single day, and I always dreamed about growing up to be my own boss. Then graduation came, and I got what I wanted… but I realized I had no idea how to function on a day-to-day basis.”

He regrouped and retreated to his songwriting, and found solace in creating music in far-flung locations like Joshua Tree and the Texas/Mexico border, where he and producer Alberto Sewald (Katy Kirby, Sierra Hull) created this remarkable body of work. Those geographic choices were deliberate, their landscapes evoking the spiritual barrenness of Jack’s lyrics. “I felt like I was staring into an emotional desert when I wrote these songs, experiencing this feeling of desolation around me and looking for little signs of life,” he explains.

Alongside all-star collaborations with established stars like Zach Bryan and Gatlin — who features on seize-the-day anthem “Teenage Vampire” — the album also features his closest friends, Austin Burns, Ethan Fortenberry, Hunt Pennington, Adam Carpenter, Nathan Cimino, and Aaron Krak – plus Annika Bennett and Heaven Schmitt (aka Grumpy) who contribute background vocals – whom he met during his time at Belmont University and remain part of his closest creative circle.

Previously, Jack’s confessional and cathartic folk songs have garnered comparison to sparse verses of Nathaniel Rateliff and Gregory Alan Isakov and the directness of Kris Kristofferson and Leonard Cohen. On JVC, Jack takes another approach, focusing on blurring the dividing lines between acoustic singer-songwriter and electrified indie music. The result is an expansive sound, sparse one minute and grungy the next, dreamt up by an artist who’s never been afraid to write songs that shine a light on his own challenges.

A sharply-written record that measures the long, winding road from past to present, deftly capturing the vertigo of early adulthood, drawing on his own struggles with his post-college success and disorientation that followed. Songs like “Green”, a climate-conscious song whose indie rock pop hooks heighten the song’s activist bite, and moody acoustic rocker “Shouldn’t Have Gone to L.A.” find Jack in transit, caught between locations without a clear anchor. His songs draw on deeply personal experiences including a constant evolving approach to religion and the emotional gravity of young adulthood to its full.

Jack recently released a new version of single “Rattlesnake,” a reimagination of his own viral hit featuring a new duet with friend and fan Zach Bryan. It also featured every musician who had appeared on the song’s first recording, a group composed of Jack’s best friends from college. Setting up shop at Electric Lady Studios, they recorded the heart of the new production live, leaning into instinct and inspiration as Zach and Jack traded off lines in the spur of the moment while co-producer Eddie Spear captured their camaraderie.

On the track, Jack stated, “Zach started sharing the song on social media, then eventually sent me a DM that said, ‘If you ever want to record a version of this with me, I’m in!'” Jack remembers, adding “Zach really inspired me in the studio. I was moved by his dedication to the moment and capturing something alive, rather than painstakingly pursuing perfection with endless takes.”

Zach Bryan stated on Instagram, “To become the best of friends with people through music in the city. Think that may be the point of all this. Jack & me re-recorded one of the best written songs of all time (jack is a genius) and hope u guys listen to it.”

With JVC, Jack Van Cleaf turns personal experience into something universal: a soundtrack to the years we all spend in existential free-fall, and while he finds gravity in the chaos, he has also made an album set to establish him as one of the biggest breakout singer-songwriters of his generation.

TRACKLIST:
Off to the Races
Piñata
Still
Rattlesnake (feat. Zach Bryan)
Using You
Go Home, Danny
Shouldn’t Have Gone to L.A.
Thinkin’ About It
Green
Teenage Vampire (feat. Gatlin)
Smoker
Hikikomori
Couch Potato
Life

TOUR DATES:
Thur. April 3 – New York, NY @ Club 101 – SOLD OUT *
Thur. May 8 – Nashville, TN @ The Blue Room – SOLD OUT ^
Sun. May 11 – Chicago, IL @ Schubas Tavern ^
Mon. May 12 – St. Louis, MO @ Blueberry Hill Duck Room ^
Tue. May 13 – Des Moines, IA @ xBK ^
Wed. May 14 – Kansas City, MO @ Knuckleheads ^
Fri. May 16 – Denver, CO @ Globe Hall – SOLD OUT ^
Sat. May 17 – Denver, CO @ Globe Hall ^
Mon. May 19 – Oklahoma City, OK @ Resonant Head ^
Tue. May 20 – Dallas, TX @ Club Dada ^
Wed. May 21 – Austin, TX @ 3TEN ACL Live ^
Sat. Oct 4 – Ocean City, MD @ Country Calling Festival
* with Ethansroom
^ with Emma Ogier

Garbage Unleash Fierce New Track “Get Out My Face AKA Bad Kitty” Ahead of New Album ‘Let All That We Imagine Be The Light’

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Influential alternative rock band Garbage today unveil a new song, “Get Out My Face AKA Bad Kitty,” the second taken from their highly anticipated new studio album Let All That We Imagine Be The Light—listen here.

“Get Out My Face AKA Bad Kitty” sees Shirley Manson questioning the patriarchal structures of the world, against a sonic backdrop of sharp guitars, driving bass, and a characteristically powerful vocal performance. The song’s title comes from the original instrumental the band sent to Manson, which was titled AKA Bad Kitty.

“When I was young, I didn’t really notice how things worked,” says Manson. “People like to shuffle older women off the lot, because you start to see the chessboard in a way you didn’t when you were younger. When you’re young, you’re wanting to get on with your life, have an adventure, do what you love, and you’re conditioned by the society that you grew up in, so a lot of the time you don’t see what’s going on. Then, as you get older, you start to see how things are stacked up against some of us – not all of us.

I am outraged by the way the world treats blacks and browns and gays and trans peoples and animals and women. Living in America over the last couple of years, the absolute war on women in America is astounding. All the rights that we felt had been secured are starting to get pushed back into the Middle Ages. It is something that I can no longer tolerate silently. It’s not just infuriating, it’s alarming. It’s frightening.”

The powerful new song follows, “There’s No Future In Optimism,” which is already drawing critical acclaim; Rolling Stone praises, “Far from enervating, the song is an energetic call for love and compassion during dark times.”
Let All That We Imagine Be The Light, set for release May 30, is the follow-up to 2021’s critically acclaimed No Gods No Masters, praised in The New York Times as a “thrumming mix of goth and orchestral pop.” According to Manson, the new album was forged out of the need to find an uplifting thread amidst the swell of chaos and extraordinary upheaval in the world.

In support of the record, the band will embark on a 31-city tour across North America this fall: “Happy Endings” will see stops at New York’s Brooklyn Paramount, Washington D.C.’s The Anthem, San Francisco’s The Warfield and more—tickets are on sale now here.

For over thirty years, Garbage’s powerful live show has captivated audiences and continues to inspire worldwide adoration. “Happy Endings” marks Garbage’s first extensive headline tour in the U.S. in almost ten years.

Garbage consists of all four original band members: Shirley Manson, Duke Erikson, Steve Marker and Butch Vig. Over the 30 years since their inception in 1995, they have sold over 20 million albums. Their unique sound, songwriting and electric live performances have cultivated global admiration, chart success and critical acclaim. They are considered one of the most influential bands of their generation.

LET ALL THAT WE IMAGINE BE THE LIGHT TRACKLIST:
1. There’s No Future In Optimism
2. Chinese Fire Horse
3. Hold
4. Have We Met (The Void)
5. Sisyphus
6. Radical
7. Love To Give
8. Get Out My Face AKA Bad Kitty
9. R U Happy Now
10. The Day That I Met God

HAPPY ENDINGS TOUR:
September 3—Orlando, FL—Hard Rock Café
September 5—Pompano Beach, FL—Pompano Beach Amphitheatre
September 6—St Petersburg, FL—Jannus Live
September 8—Atlanta, GA—The Eastern
September 10—Nashville, TN—The Pinnacle
September 12—Cleveland, OH—Agora Theatre and Ballroom
September 13—Detroit, MI—Masonic Temple – Cathedral Theatre
September 16—Philadelphia, PA—Franklin Music Hall
September 17—Washington, DC—The Anthem
September 18—Boston, MA—Roadrunner
September 20—Brooklyn, NY—Brooklyn Paramount
September 23—Pittsburgh, PA—Stage AE
September 24—Toronto, ON—History
September 27—Dana Point, CA—Ohana Festival
September 29—Chicago, IL—The Salt Shed (The Shed)
September 30—Newport, KY—MegaCorp Pavilion
October 1—Columbus, OH—Kemba Live!
October 3—Madison, WI—The Sylvee
October 4—Minneapolis, MN—First Avenue
October 6—Kansas City, MO—Midland Theatre
October 7—Dallas, TX—The Factory in Deep Ellum
October 12—Denver, CO—The Mission Ballroom
October 15—Seattle, WA—Paramount Theatre
October 18—Spokane, WA—Knitting Factory Spokane
October 20—Vancouver, BC—Orpheum
October 21—Portland, OR—McMenamins Crystal Ballroom
October 23—Saratoga, CA—The Mountain Winery
October 24—San Francisco, CA—The Warfield
October 26—Reno, NV—Silver Legacy Resort Casino – Grande Exposition Hall
October 29—Salt Lake City, UT—Rockwell at The Complex
October 31—Las Vegas, NV—The Cosmopolitan of Las Vegas – The Chelsea
November 2—Phoenix, AZ—The Van Buren
November 4—Los Angeles, CA—Hollywood Palladium

Jonathan Buchanan Wins 2025 ASCAP Screen Award for Hit History Channel Themes

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omposer and long-time West One Music Group collaborator Jonathan Buchanan has received a 2025 ASCAP Screen Award for his incredible work in television theme tune composition.

Buchanan, who first began working with West One Music in 2012, has received an ASCAP Screen Music Awards in the Best Themes to Top Rated Television Series category for his work on two History Channel shows: Bermuda Triangle: Into Cursed Waters and Lost U-Boats of WWII.

“Jonathan is an expert in crafting hybrid scores that combine orchestra with unique and signature sounds,” says Chris Brown, Vice President of Production, North America at West One Music. “He was a natural choice for scoring these great History Channel shows.”

UK-based Buchanan has composed for a huge amount of television on both sides of the pond and has forged a close relationship with A&E Television Networks. His work on Bermuda Triangle and Lost U-Boats highlights his ability to compose compelling music cues that captivate viewers and bring them along on an investigative journey.

“For Bermuda Triangle: Into Cursed Waters, we worked closely with the music team at the network and production company Lone Wolf to create a signature theme that captured the essence of the show,” says Brown. “A lot of the show is set underwater, with exciting discoveries of old shipwrecks and relics, and we wanted to add some extra grit and unique synth sounds to give the narrative a modern and edgy feel.”

Buchanan, who is equally at home writing orchestral scores as he is programming synths, leaned on his expertise in writing music to picture to help bring these stories of search and discovery to the screen.

“Writing the music for Bermuda Triangle: Into Cursed Waters was a joy, and working again with director Joseph SousaJennifer Insogna and the passionate team at A&E was truly special,” says Buchanan. “Chris and the entire custom team at West One Music are absolutely brilliant; they’re always so supportive and help facilitate a nurturing creative environment.”

Trent Reznor, Jeff Toyne, and Nainita Desai Among Top Honorees at 2025 ASCAP Screen Music Awards

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Celebrating the musical storytellers whose scores elevate today’s most popular films, TV series and video games, The American Society of Composers, Authors and Publishers (ASCAP) announces today the recipients of the 2025 ASCAP Screen Music Awards, including the highly anticipated winners of the ASCAP Composers’ Choice Awards.

Chosen by the ASCAP composer and songwriter community, the ASCAP Composers’ Choice Awards are a singular recognition among US performing rights organizations. The 2025 winners, selected from an outstanding collection of nominees, crafted the music for a passionate sports drama, a period comedy-drama television series, an inspiring documentary that delves into the visionary mind of Jim Henson and a captivating fantasy-adventure video game:

  • Film Score of the Year: Challengers – Trent Reznor
  • Television Score of the Year: Palm Royale – Jeff Toyne
  • Television Theme of the Year: Palm Royale – Jeff Toyne
  • Documentary Score of the Year: Jim Henson Idea Man – David Fleming
  • Video Game Score of the Year: Tales of Kenzera: Zau – Nainita Desai

In other categories, Andrea Datzman is honored with Top Box Office Film of the Year for the animated coming-of-age family film Inside Out 2. Composer Jeff Cardoni earned Top Network Television Series for his work in the heartwarming sitcom Young Sheldon, while John Sereda received Top Cable Television Series for his music in the historical drama When Calls the Heart.  David Vanacore was the top winner in the Most Performed Themes & Underscore category.

In addition, ASCAP recognizes some of the top composers of the past year’s hit streaming series and films. The Top Streaming Series winners include Bear McCreary for his music in the epic fantasy series The Lord of the Rings: The Rings of PowerMichael Abels for his tone-setting score in the sci-fi mystery-thriller The Acolyte, Jamie Jackson and WAZ for their work on comedy crime drama Bad Monkey and Rupert Gregson-Williams for his score and Josh Kear & Meghan Trainor for their theme to the suspenseful whodunit crime drama The Perfect Couple.

Among the Top Streaming Films winners, Hans Zimmer is honored for his inventive score to the historical World War II drama Blitz, Lorne Balfe receives recognition for his music in action thriller Carry-OnAmelia Warner is recognized for her work on biographical sports film Young Woman and the Sea and Siddhartha Khosla is celebrated for his musical storytelling in the romantic book-to-film adaptation of The Idea of You.

Xavi Makes ASCAP Latin Awards History as Youngest-Ever Songwriter of the Year at El Premio ASCAP 2025

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The American Society of Composers, Authors and Publishers (ASCAP) celebrates El Premio ASCAP 2025, its top ASCAP Latin songwriters for the most performed Latin music songs of the past year.

20-year-old Xavi, whose pioneering blend of corridos tumbados and romantic lyrical themes has topped the Billboard Hot Latin Songs charts with songs like “La Diabla” and “La Víctima,” earns his first ASCAP Latin Songwriter of the Year Award. With this honor, Xavi becomes the youngest recipient of the Latin Songwriter of the Year Award in ASCAP’s Latin Awards history.

Urban music star Feid scores the ASCAP Songwriter/Artist of the Year Award accolade for a second consecutive year. His top songs include “Perro Negro,” “Bubalu” and “Luna.”

“QLONA,” co-written by ASCAP songwriter Dani Raw and published by Kobalt Music Publishing, wins ASCAP Latin Song of the Year. The song, performed by Karol G and Peso Pluma, topped the Billboard Hot Latin Songs chart for five weeks.

Universal Music Publishing Music Group receives Publisher of the Year for the third consecutive year. Their hit songs include: “(Entre Paréntesis),” “Adivino,” “Alch Si,” “Baccarat,” “Brickell,” “Corazón de Piedra,” “El Jefe,” “Gata Only,” “Igual Que Un Ángel,” “La Falda,” “La Nena,” “Puntería,” “Si No Es Contigo,” “Si Sabe Ferxxo” and “Sorry 4 That Much.”

Other notable wins include Daddy Yankee, who breaks his own record by capturing his 52nd ASCAP Latin Music Award for “Bonita.” Cris MJ (“Gata Only,” “Si No Es Contigo”), Emilia (“Perdonarte ¿Para Qué?”), Maisak (“De Lunes a Lunes”) Gangsta (“Ohnana”) and Orlando “Jova” Cepeda (“La Falda,” “Adivino,” more) are among the list of first-time ASCAP Latin Music Award winners. Other winners include Carin León, Eladio Carrión, Jhay Cortez, Joss Favela, Keityn, Lenier, Maria Becerra, Marc Anthony, Cris MJ, Myke Towers, Lyanno, Spread Lof, Rios, GALE, YannC, Chalko and Andy Clay.

Blake Shelton Returns With ‘For Recreational Use Only,’ His First Album in Four Years

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Hot off his 30th career No. 1 with the twangy, swagger-packed “Texas,” Blake Shelton drops his new album For Recreational Use Only – a 12-track dose of country grit, charm, and heart available now via BBR Music Group/Wheelhouse Records.

“I can’t believe it’s been four years since we released an album, and I’m excited to get the whole record out there,” said Shelton. “I’ve always been someone who wants to collect great songs but sometimes the hardest thing to do is to find something that hasn’t been said or written before or a melody that we haven’t heard. I’m always on the search for that. I look back over the years, and I’m just proud because some of those songs don’t sound like anything else. And I think we did it again with this album.”

To celebrate the release, Shelton performed “Texas” on the 60th Academy of Country Music Awards and he will take over national television next week. On Tuesday, May 13, he’ll perform live from the Today Show Summer Concert Series stage at Rockefeller Plaza before stopping by The Tonight Show Starring Jimmy Fallon later that night. He’ll close out the week on Friday, May 16, with a reunion on The Kelly Clarkson Show, joining his former Voice rival and longtime friend.

One of the most personal cuts on the record is “The Keys,” a melodic slow-burn co-written by HARDY that Shelton says hit him straight in the gut. “You know, I’m not the kind of guy who hangs on to a lot of stuff, but I’ve got this weird habit-I don’t throw away old keys,” Shelton explains. “Apartment keys, truck keys, padlock keys-I keep them all. So this song really got to me. The story, the melody, the way it wraps up at the end… I couldn’t shake it.”

HARDY, who also co-wrote the already released fan-favorite “Let Him In Anyway,” sent Shelton the demo with him specifically in mind. “This one’s more in my lane than his,” Shelton says. “It’s got the feel of those mellow, romantic tracks I’ve done through the years-like ‘Drink On It.’ Songs like this are why I still love making records.”

For Recreational Use Only marks Shelton’s first studio album in four years and his debut on BBR Music Group/BMG Nashville. With guests including Gwen Stefani, John Anderson, and Craig Morgan, the project is a rowdy, reflective ride through heartbreak, backroads, and the kind of Southern wisdom you only learn the hard way. It’s Shelton at his most grounded-and most freewheeling.

Thomas Rhett Adds Three New Summer Tracks to ‘About a Woman,’ Featuring Tucker Wetmore

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Multi-Platinum country star Thomas Rhett is kicking off a summer of music by adding three fresh tracks to his acclaimed seventh album and “best work yet” (Country Living) ABOUT A WOMAN. Steeped in the same awestruck magic-but with even more fleet-footed feel-good energy-the master entertainer matches charisma and craftsmanship in equal measure.

On the slow-grooving summertime strut “Small Town Girls” featuring tourmate Tucker Wetmore, the plucky roots-R&B sway of “I’m That Guy,” and the thumping beats of the steel-and-synth disco daydream, “Dance With You,” Thomas Rhett continues to practice mood-boosting sonic abandon, giving passion a new soundtrack. Fans can listen to all three songs as a part of ABOUT A WOMAN (FROM A SMALL TOWN) and can expect more new music to be released in the coming months.

“It’s always been a dream of mine to continuously put music out,” explained Thomas Rhett. “When we were deciding what to include on ABOUT A WOMAN last year, I had about 30 songs we were picking between. We landed on the 14 that came out in August knowing we could keep releasing more of the others. These three are feel good summer songs that the band and I have already started rehearsing for tour, and to sing ‘Small Town Girls’ with Tucker every night is going to be a blast. I’m looking forward to putting out more throughout the summer!”

Morgan Wallen Previews New Album ‘I’m The Problem’ With Emotional Track “Superman” for His Son

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With one week remaining until the release of his full-length, fourth studio album, I’m The Problem, Morgan Wallen is offering fans one final taste of the upcoming project with the release of the highly-anticipated song dedicated to his son, “Superman,” available now.

Wallen originally teased the up-tempo ballad, which he co-wrote alongside Ryan Vojtesak, John Byron, Blake Pendergrass and James Maddocks, on Instagram in February. The clip instantly drew excitement from fans, with Billboard praising its “self-aware lyrics.”

Wallen opened up about the song on Theo Von’s This Past Weekend stating, “I’ve tried so many times to write a song like that for him, and it always fell flat. I also didn’t want to write a song to him that was all sappy and slow, and just what you would expect a dad’s son song to be. That song has been written plenty enough and I wanted it to keep a little bit of my sound and my swag and just to be honest. And I feel like we accomplished that when we wrote it.”

I’m The Problem combines Wallen’s country, cross and dirt-rock influences, and features collaborations with pop superstars Post Malone and Tate McRae, plus close friends Eric Church, ERNEST and HARDY.

The album opens with the title track, “I’m The Problem,” a cutting double-edged confession that reveals the complexities of a relationship at its lowest point. It concludes with “I’m A Little Crazy,” a quiet, self-reflective song that looks inward while examining the world outside. Between all of that, Wallen displays his ability to reach listeners on a granular level.

While Wallen co-wrote 22 of the tracks on the album, he tapped into 49 songwriters, curating a tracklist that’s both deeply personal and resonant, while viewing life events through a different lens than he’s used in the past.

I’m The Problem on vinyl & CD will be available for purchase on MorganWallen.com. Additionally, a special collector’s edition vinyl featuring a collectable hunting ID and CD with a collectable fishing ID will be available only at Target. Pre-order now.

The upcoming project sparked Wallen’s 2025 I’m The Problem Tour. Kicking off June 20 at NRG Stadium in Houston, Texas, Wallen’s 20-show run will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. With a second stop recently added in Madison, Wisconsin, Wallen’s appearances will mark the first time an artist has played two consecutive nights at Camp Randall Stadium.

A rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates. Coupled with Wallen’s Sand In My Boots Festival and a special one-night-only album release celebration show May 28 at Roundhouse in London, these 22 shows are the only place to see the superstar in 2025.