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Traditional Country Torchbearer Alex Miller Goes All In on New Album ‘More Country Than You’

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Alex Miller isn’t chasing trends. The rising traditional country singer-songwriter’s new album ‘More Country Than You’ is out now on Billy Jam Records, and it’s ten tracks of unfiltered, steel-and-fiddle country music that knows exactly what it is and wears it proudly.

The album opens with Miller’s take on “Too Much Fun,” the 1995 Top 5 hit by the late Daryle Singletary. It’s a statement of intent right from the jump, blowing the doors off a classic and making it feel immediate again. Produced by industry veteran Jerry Salley and recorded in Ashland City, TN, the record carries the kind of craftsmanship that traditional country demands.

The title track brings in rising star Emily Ann Roberts for a classic male/female back-and-forth, the two trading verses in a boot-scootin’ competition for the countriest crown. It’s playful, sharp, and genuinely fun. “The Byrd,” featuring Tracy Byrd, brings similar energy, channeling the spirit of the great “Moe & Joe” duets while staying firmly planted in today’s soundscape.

The album’s emotional range is real. “As Far As His Mem’ry Lets Her Go” is a never-before-recorded tearjerker about how past pain limits new love. “Why Does My Heart Ache” is a showstopper ballad. “Just A Mom” is a piano-forward tribute dedicated to Miller’s own mother. The depth here is earned, not manufactured.

“Secondhand Smoke,” his current radio single, keeps the twang burning. “Memories And Gin” leans into tasty guitar licks and prominent steel. The album closes with “The Ones That Take Me Home,” Miller’s own love letter to country music itself. It’s the right note to end on.

‘More Country Than You’ is out now on Billy Jam Records.

Cameron Whitcomb Covers Tyler Childers With an Amazon Original That Demands Your Attention

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Cameron Whitcomb is everywhere right now, and for good reason. The acclaimed singer-songwriter has dropped “All Your’n,” an Amazon Music Original cover of the Tyler Childers fan favourite, available exclusively on Amazon Music alongside an official live performance video. It’s a bold, confident choice of song, and Whitcomb delivers. Listen here.

The timing couldn’t be better. Whitcomb is currently out on the road as special guest on Hardy’s The Country! Country! Tour, working through a run of US and Canadian dates through July. He’s operating at a level where every move lands with real weight.

His own headline run, the Fragile Egos Tour, produced by Live Nation, kicks off May 17th at Madison, WI’s The Sylvee, with US dates continuing from there. It’s his most ambitious headlining push yet, and the demand is already proving the moment is his.

That demand is even more apparent Down Under. Whitcomb’s headlining tour of Australia and New Zealand has seen nearly every date sell out, with additional shows added in multiple markets to keep up. That’s not a slow burn, that’s a full ignition.

Festival season adds even more to the plate, with top-billed appearances at Two Step Inn, Stagecoach, and more already locked in. Whitcomb is moving fast, and “All Your’n” is a strong reminder of exactly why.

13 Albums That Are Better With Coffee

There’s something about the first cup of the morning that demands the right soundtrack. Not too loud, not too frantic — just something warm, unhurried, and alive. Here are 13 albums that are better with coffee.

Beach House – Depression Cherry

The French-press companion. Its airy synths and slow-burn pacing, particularly the opening track “Levitation,” are perfect for a quiet, slow-motion morning.

Norah Jones – Come Away With Me

A staple for a reason. Jones’s calming vocals and gentle jazz-folk production are the sonic equivalent of a warm latte.

Bon Iver – For Emma, Forever Ago

Indie-folk warmth. This album’s quiet, intimate, and introspective sound is best enjoyed while looking out a rainy window.

Nick Drake – Five Leaves Left

For the reflective coffee drinker. Its soothing acoustic sound provides a mellow start to the day.

Joni Mitchell – Blue

A masterpiece of intimacy and emotion. The stripped-down, confessional tone pairs beautifully with a hot black coffee.

Bonobo – Black Sands

Chill electronic beats. The ideal background music for working or waking up slowly, combining soothing vocals with coffeehouse-worthy ambiance.

The Album Leaf – Into the Blue Again

Slow-burning ambient instrumentals. Perfect for a cozy morning in, or on a rainy afternoon in a cafe.

Khruangbin – Texas Moon

A dreamy, instrumental-forward collaboration that brings a groovy, relaxed, and slightly psych-influenced vibe to a sunny morning.

Miles Davis – Kind of Blue

The quintessential coffee-shop jazz album. Its slow, melodic, and sophisticated sound enhances the atmosphere of any morning.

Dave Brubeck Quartet – Time Out

Cool jazz, featuring the iconic “Take Five.” Its intelligent yet relaxed rhythm is great for focused work or a leisurely Sunday morning.

Kings of Convenience – Riot On an Empty Street

A gentle, intimate acoustic album from Norway that fits perfectly in a cafe.

The Head and the Heart – Let’s Be Still

Folk-pop with warm harmonies, perfect for a calm and positive start to the day.

Neil Young – After the Gold Rush

A relaxed, acoustic-driven album featuring simple, heartfelt songwriting that pairs perfectly with a slow morning.

Gwen Farrell, MAS*H Actress and Trailblazing Boxing Referee, Dies at 93

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Here is an obituary for Gwen Farrell:


Gwen Farrell, MAS*H Actress and Trailblazing Boxing Referee, Dies at 93

Gwen Farrell, the actress who brought warmth and quiet steadiness to her recurring role on the beloved television series MAS*H and who later broke barriers as one of the first women to referee professional boxing, died Thursday in Sherman Oaks, California. She was 93. Her son, Keith Farrell, confirmed the cause was natural causes.

Born Gwendolyn Yancey on November 29, 1932, in Austin, Texas, Farrell was the daughter of Lovie Yancey, who would go on to found the Fatburger restaurant chain. She carried that same entrepreneurial independence throughout her own remarkable life.

Farrell made her screen debut in 1972 and went on to appear in 26 episodes of MAS*H across its celebrated 11-season run, portraying a series of nurses — Nurse Butler, Nurse Wilson, Nurse Able, and Nurse Gwen among them — right through to the show’s iconic finale in 1983. Her additional screen credits included Soylent Green, Earthquake, The Towering Inferno, Starsky and Hutch, and Billy Jack Goes to Washington.

But it was her second career that may have defined her most boldly. In 1979, Farrell became one of the first women licensed as a boxing referee in California, stepping into a world where women were rarely seen, let alone respected. She earned that respect anyway. On June 5, 1988, she made history as the first woman to officiate a world title fight, a junior-middleweight bout in Tijuana, Mexico. In 2005, she was inducted into the World Boxing Hall of Fame.

“With confidence, fairness, and unwavering composure, she earned the respect of fighters, trainers, and fans alike,” her family wrote. “She didn’t just do the job — she broke barriers and proved that strength comes in many forms.”

To those closest to her, she was simply a grandmother, a guiding light, and a steady source of love.

She is survived by her husband, Frank Adair, and her son, Keith Farrell.

How to Get Verified on X

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A lot has changed on X — formerly Twitter — over the past few years, and one of the biggest shifts has been around verification. That little blue checkmark used to feel exclusive, almost mysterious. Today, the process is far more straightforward, and honestly, more accessible than ever.

Here’s a clear breakdown of how it works and whether it’s worth your time.

What Verification Actually Means No

The old system — where Twitter’s team reviewed your account and decided you were notable enough for a badge — is gone. Since April 2023, verification on X is tied to a paid subscription called X Premium. That’s the new reality, and it applies to everyone equally, from major celebrities to everyday creators.

The blue checkmark no longer signals fame. It signals that you’re a real, paying, active account holder who has passed X’s basic eligibility checks. Think of it less as a status symbol and more as a trust signal.

The Different Types of Badges

Not all checkmarks are the same. X currently offers three:

  • Blue checkmark — For individual X Premium subscribers
  • Gold checkmark — For verified organizations (starting at $200/month)
  • Gray checkmark — Reserved for government accounts and officials

For most people — creators, journalists, musicians, publicists, small business owners — the blue checkmark is what they’re after.

What It Costs

Pricing in 2026 breaks down like this:

  • Basic — $3/month (no checkmark included)
  • Premium — $8/month on web, $11/month on iOS or Android
  • Premium+ — $16/month on web, $22/month on mobile

One practical tip: always subscribe through the X website rather than the mobile app. The markup from Apple and Google’s app store fees adds up to over $36 extra per year for no reason.

The Requirements

Paying alone doesn’t guarantee the badge. Your account also needs to meet these conditions:

  • A complete profile with a display name and profile photo
  • A confirmed phone number linked to the account
  • Active use within the last 30 days
  • An account that is at least 90 days old
  • No signs of deceptive behaviour, impersonation, or repeated branding changes
  • A public account — private accounts are not eligible

X reviews each account after subscription. Approval typically takes anywhere from a few hours to seven business days, though accounts with a strong posting history tend to move through faster.

Step-by-Step: How to Appl

  1. Go to x.com in a browser (not the app, for cost reasons)
  2. Click your profile picture and select “Premium” or “Verified”
  3. Choose between Premium and Premium+ — both include the blue checkmark
  4. Verify your phone number if you haven’t already
  5. Complete the payment process
  6. Wait for X to review and approve your account

Once approved, the blue checkmark will appear next to your name across posts, replies, and search results.

A Few Things Worth Knowing

If you change your display name, username, or profile photo after being verified, the checkmark is temporarily removed while X re-reviews your account. Avoid making those changes during the review period, as it resets the process entirely.

Verification can also be removed if your account violates X’s rules — so maintaining consistent, authentic posting matters even after you get the badge.

Is It Worth It?

For anyone building a presence on X — whether in music, media, business, or content creation — there are real practical benefits. Verified accounts get priority ranking in replies and search results. You unlock access to X’s ad revenue sharing program. Longer posts, editing capabilities, and advanced analytics are all part of the Premium package.

The credibility question is more nuanced. Some people still see a paid checkmark as less meaningful than the old system. But in a world increasingly full of bots and impersonators, having any clear signal of authenticity still carries weight.

For those who are serious about their presence on X, the relatively modest monthly cost is worth considering.

Shoegaze Dream-Pop Soul Hongza Pours His Heart Into Yearning New Single “Lovesick”

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Hongza’s “Lovesick” is the real thing. The London-born, Vietnamese-Chinese singer-songwriter’s latest single lands with reverb-drenched riffs, driving drums, and a lush, dreamy melody that captures long-distance longing better than most tracks twice its ambition. It’s out now on new label Killabop.

Rolling Stone UK called it “a raw examination of identity, self-worth and love.” That framing holds up. “Lovesick” is about yearning for someone hundreds of miles away, and the euphoria that floods in when you finally get to see their face again. Hongza writes from a deeply personal place, and it shows in every layer of the track.

The single was produced by Larry Hibbitt, whose credits include Nothing But Thieves, Sea Girls, and Sundara Karma. That pedigree is audible. The production is expansive without being overworked, giving Hongza’s emotionally charged songwriting room to breathe and hit hard at the same time.

Hongza’s signing to Killabop marks a new chapter, and the label is already making moves. A synth-heavy demo version of “Lovesick” is available as a free download for subscribers to Hongza and Killabop’s mailing lists or YouTube channel, offering an early glimpse of where the sound is heading next.

Merthyr Tydfil Post-Punk Wrecking Crew BAMBEES Unleash Ferocious New Single “NOEYES//NOLOVE”

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BAMBEES hit different. The Merthyr Tydfil five-piece have dropped “NOEYES//NOLOVE” on Flip Flop Records, and it’s two and a half minutes of pure, controlled chaos that doesn’t waste a single second.

Built around a loud, groovy riff and relentless physical momentum, the track tackles something visceral: the idea of a parasite living inside you, a negative force that drains everything and can’t be shaken loose. BAMBEES handle it with raw aggression rather than self-pity, which is exactly the right call.

Moshville Times put it well, drawing early Pixies comparisons for the opening guitar work before noting the rest is entirely BAMBEES’ own brand of chaotic post-punk. That’s the sweet spot the band occupies: influences worn openly, identity completely their own.

Formed in the post-industrial heart of South Wales, BAMBEES are Rhys Davies (vocals), Ainslee Rees (lead guitar), Jamie Thomas (rhythm guitar), Sofia Reffell (bass), and Owen Evans (drums). On stage, they’ve built a reputation for high-energy performances that feel like rebellion and celebration simultaneously. They’ve supported The Blackout at Chepstow Castle, shared bills with Panic Shack and Coach Party, and earned airplay on BBC Introducing Wales. The groundwork is solid and the trajectory is clear.

“NOEYES//NOLOVE” packs more urgency and grit into its runtime than most bands manage across an entire EP. It’s a sweaty-room anthem with real teeth, and it lands exactly as hard as it should.

Mysterious Portland Disco-Pop Outfit ROMAANCE Brings Italo Heat to New Single “Touch”

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ROMAANCE aren’t here to answer your questions. They’re here to make you dance. The Portland-based disco-pop outfit’s new single “Touch” is out now, and it’s exactly the kind of Italo-soaked, synth-driven floor-filler that makes you forget what year it is.

Producer Jason Wann, known for his work with synth-pop duo SINES and his dance-focused alter ego Blood Oyster, is the architect behind ROMAANCE’s sound. Beyond that, the band’s identity stays deliberately murky. The four-piece includes two sisters named Val and Emma, reportedly met at an ABBA trivia night, alongside members credited only as “The Model” (MiniKorg 700S and bass) and “Sex Object” (drums and percussion). Make of that what you will.

“Touch” pulls hard from the Italo disco and synth-pop sounds of the ’80s, reinventing that vintage palette with glossy production and real dance-floor momentum. Warm, passionate vocals bring new wave energy to the surface, and the accompanying music video leans fully into the technicolor, retro-disco aesthetic the band has made its own.

The themes running through the track are timely. Connection, proximity, and the strange emotional distance of the digital age sit at the song’s core, giving its celebratory groove a surprisingly resonant undercurrent.

ROMAANCE’s 2025 debut album, ‘Dust Among The Stars’, laid the foundation: eight tracks of cinematic disco-pop built on thunderous drums, throbbing basslines, and velvet harmonies. “Touch” keeps that momentum going without missing a step. It’s a confident, hooky, and genuinely fun single from a project with serious creative range.

Film Composer and Folk Maverick Dash Hammerstein Gets Deeply Personal on Self-Titled Album

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Dash Hammerstein has scored films for Netflix, Hulu, HBO, and PBS, had his music licensed by Adidas and Toyota, and premiered work at Sundance, Tribeca, and DOC NYC. Now he’s made his most personal record yet, and he did nearly all of it himself.

The self-titled ‘Dash Hammerstein’ is an eleven-track chamber folk collection built from a period of creative sobriety and genuine experimentation. It’s his tenth full-length album and the first to carry his name on the cover. That’s not a small detail.

Aside from a handful of guest appearances on strings, horns, and woodwinds, every track was written, performed, and mixed by Hammerstein alone. The result is lean, deliberate, and deeply human. Influences like Bill Callahan, John Prine, and Frank Loesser are felt throughout, folk songwriting that values plainspoken honesty and dry wit over ornamentation.

Hammerstein describes the album’s design with real precision: “The music is simple, each song crafted to work on multiple levels, living comfortably in the background of a small dinner party, and revealing depth on repeated and focused listens.” That balance is genuinely hard to pull off, and ‘Dash Hammerstein’ pulls it off track after track.

His background in neo-classical composition and Kinks-inflected folk pop runs underneath everything here, shaping the arrangements without overwhelming them. This is chamber folk with real craft behind it, warm, unhurried, and worth your full attention.

Navisha Turns Up the Heat With Funk-Soaked Soul Single “You”

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Navisha knows exactly what she’s doing. The Boorloo-based soul/funk singer-songwriter’s new single “You” is warm, groove-heavy, and impossible to shake, a track built for late-night connection and the kind of feeling that takes over everything else.

At just 19, Navisha is already making serious moves. A WAAPA graduate, her previous independent releases include “See Through,” which climbed to number 12 on local charts and cemented her presence in the Western Australian music scene throughout a busy run of headline shows in 2025.

“You” is a confident step forward. Where earlier releases leaned into raw, heartbreaking ballads, this one plants itself firmly in funk-influenced grooves, letting rhythm carry the emotional weight. Full-bodied electric guitars, velvety keyboard textures, and a steady rhythmic foundation give the track an upbeat ease that never loses its edge. Overdriven guitar phrasing weaves between tight riffs and expressive solos, adding real swagger without overwhelming the laid-back momentum.

Navisha’s vocal delivery is the centrepiece throughout. Smoky, passionate, and flirtatious, it leans into the track’s themes of desire and intimacy with total conviction. It’s the kind of performance that makes the song stick.

She wrote “You” from a deeply personal place. “I wrote ‘You’ following the journey of finding myself when I realised I was in love as a teenager,” she explains. “Carefree with only one thing on my mind, the energy of the song plays on that exact sentiment, forgetting about everything else and just being immersed in the moment.”