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Jazz Guitar Virtuoso And Beloved ‘Mister Rogers’ Handyman Joe Negri Dies At 99

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Joe Negri, the masterful jazz guitarist, educator, and beloved Handyman Negri from Mister Rogers’ Neighborhood, has died at his home in Scott Township, Pennsylvania, at the age of 99. He passed away on May 30, 2026, just 11 days shy of his 100th birthday.

For generations of children, Negri was a familiar, gentle presence in the Neighborhood of Make-Believe, appearing as Handyman Negri and as himself, the owner of Negri’s Music Shop, whenever Fred Rogers welcomed musical guests. He joined the program in 1968 and stayed until Rogers stopped producing new episodes in 2000. But to the jazz world, Negri was something more: one of Pittsburgh’s finest guitarists and a towering figure in music education.

Born in Pittsburgh in 1926, Negri was a prodigy who began performing on radio at the age of three, playing ukulele and singing. He joined the local musicians’ union as a boy and toured nationally in the 1940s with Shep Fields and His Rippling Rhythm Orchestra before serving two years in the U.S. Army. Returning home, he became a fixture of Pittsburgh’s music scene, often working with pianist Johnny Costa on KDKA television and later serving more than 20 years as music director at WTAE, where he first met Fred Rogers.

His influence as a teacher was immense. Negri taught jazz guitar for 49 years at the University of Pittsburgh, where the instrument was first offered as a discipline in higher education, and for 46 years at Duquesne University, where he helped establish the jazz guitar program, as well as at Carnegie Mellon. Among his many students was Ralph Patt, the inventor of major-thirds tuning.

Negri kept recording and performing late into his life, releasing albums including ‘Uptown Elegance’ with Buddy DeFranco and 2010’s ‘Fly Me to the Moon’ with Michael Feinstein, with whom he performed at the Newport Jazz Festival. He donated his archives to the University of Pittsburgh in 1999, preserving a lifetime of scores, recordings, and memorabilia.

A triple threat as musician, educator, and actor, Joe Negri leaves behind a legacy felt in concert halls, classrooms, and the childhood memories of millions.

Bristol Duo The Actions Return Stronger And Sharper With New Single “Take More”

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The Actions are back, and they’re not holding anything back. Sharing their first release since their 2021 debut album ‘Flourish,’ the Bristol duo return stronger and more direct with the single and music video for “Take More.”

Where their earlier work leaned into shadowy textures and cinematic space, the years since have pushed the band toward something leaner and more confrontational. The haze has lifted, replaced by a tougher, attitude-led sound that blends their electronic foundations with a sharper, almost punk-like directness. “Take More” feels restless and wired, pairing brooding tension with driving momentum. “After our last, more transcendent record, we felt the urge to return with something stronger and more direct,” the band explain, “and though it took time to get there, we knew this was the right moment to come back.”

Silty and Mo, who share vocal, guitar, and bass duties alongside electronics, have always explored the space between rock and electronic music, but this time the edges feel sharper and the emotion lands harder. “Take More is a song about growing up in the suburbs,” they say. “It captures nights spent twisting your mind over the future, caught between staying with the people you love and the need to escape, struggling to find anything that breaks the loop.”

The single arrives as a three-track release featuring the original, a stripped-back Flatland Mix, and a remix from IKO Twins, each opening up a different side of the song’s tension. The accompanying video, edited by Mo through his MStar Design work, unfolds in a wide, dust-blown landscape, following young adults fighting, dancing, and drifting as they reflect the alienation and burnout of suburban youth. Having previously earned praise from Clash and airplay on BBC Radio 6 Music, The Actions feel like they’re stepping into a bold new chapter, with more music promised for 2026.

Dundee Alt-Rock Newcomers Red Vanilla Reveal QOTSA-Inspired Single “I Thought I Had It”

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Red Vanilla are channeling some serious desert-rock energy. The Dundee alt-rock newcomers have revealed their new single “I Thought I Had It,” out now, the final track shared ahead of their second EP ‘Where I Should Be,’ also out now and their first new material since the critically acclaimed 2024 debut ‘Days of Grey.’

The single was recorded with producer Kieran Smith in the spare room of lead guitarist George’s Dundee flat, which the band have turned into their own small home studio. The Queens of the Stone Age influence is no accident. “I was listening to a lot of QOTSA ‘Songs for the Deaf’ and that record inspired this song a lot, especially the ending heavy outro,” George explains. Vocalist Anna adds that lyrically, the song is about “the draining loop of chasing momentum as a band, thinking you’re finally getting somewhere, then hitting another dead end.”

Since forming during the pandemic, Red Vanilla have made an impressive early name for themselves, pairing a dense, guitar-driven sound with ’90s-inspired pop-hook vocals. Their 2024 EP ‘Days of Grey’ earned a rush of tastemaker support from CLASH, VISIONS, The Skinny, and more, marking them out as a bold new Scottish voice. They’ve shared stages with Beach Riot and Redwood, opened for Dea Matrona and Kyle Falconer at Camden Underworld, and have recently been picked up by Placebo’s management team, even completing a short headline tour of Thailand during a writing session. It’s a polished, radio-ready taste of a band gathering real momentum.

Where I Should Be EP Tracklisting:

  1. Electric Blue
  2. Hazy
  3. Ask Her If She’s Happy
  4. Play Me Something New
  5. I Thought I Had It
  6. Sunkissed Pools
  7. Oh No, I Got Older

Pro-Migration Punks Brian & The Onions Emerge With Eye-Watering Debut Single “Small Boats”

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A new punk provocateur has arrived, and they’d rather you didn’t see their faces. Brian & The Onions, a shape-shifting collective of no fixed members currently operating as a duo, have released their reactive debut single “Small Boats,” out now.

The track takes aim at tired diversionary rhetoric on migration with supercharged punk spirit and curled-lip vocals, churning in the wake of kindred spirits like Sleaford Mods and Benefits to take on the absurd, the cruel, and the misled. The band remain largely incognito, identities concealed by a mix of artificial intelligence and intricately crafted onion headwear, with only double drummers Scott and Elliot, guitarist Denny, and frontmen Andy and Tom acknowledged. Working across a creative ley line linking Manchester and Leicestershire, they recorded the debut by human hand at Glasshouse Studio in Abingdon.

The collective don’t mince words about their intent. “‘Small Boats’ has enough vim to remove the scales from your eyes,” they say. “It’s a punk antidote to the mid-life meanness so often acquired by ageing icons, once loved for their support of marginalised groups like the lonely or the foreign.” They describe it as “an ironic take down of current dog whistle politics” and “a stark critique of the populist mainstream nonsense of the Farage driven immigration moral panic of mid 2020’s domestic politics.”

Declaring themselves whole sometime in 2025 after bonding over discussions spanning art, music, culture, and politics, Brian & The Onions arrive in complete service to their mission, calling themselves “part art-terrorist cell, part franchise opportunity.” It’s a sharp, funny, and fearless introduction.

Trans-Fronted London Hardcore Quintet Neversaid Make A Bold Political Statement With New Single “Apathy Of A Spokesman”

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Neversaid aren’t pulling any punches. The trans-fronted London hardcore quintet have released their hard-hitting new single “Apathy Of A Spokesman,” a track that doubles as a scathing commentary on today’s sociopolitical climate.

The lyrics take aim at centrist and liberal ideologies that claim to oppose far-right oppression yet condemn acts of resistance and stay passive in the face of state violence. Neversaid call for the liberation of all marginalised groups across a track full of uncompromising riffs, biting lyrics, and a chorus melody that’ll stick in your head for days. It comes paired with a music video shot and directed by Veronika Butkevitch.

Neversaid have been making waves in the UK scene since forming in 2020, touring relentlessly and sharing stages with the likes of Hawthorne Heights, Dream State, Graphic Nature, and BEX, while selling out headline shows at iconic London venues like The Hope & Anchor and The Camden Eye. Drawing influence from Counterparts, Stray From The Path, Stick To Your Guns, One Step Closer, and Terror, they’ve carved out a sound that’s truly their own, fusing emotion and melody with two-steps and breakdowns. It’s a fierce, unapologetic statement from a band with plenty to say.

Acclaimed Philadelphia Songwriter Greg Mendez Releases New Album ‘Beauty Land’ Via Dead Oceans

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Greg Mendez is back with one of his most affecting works yet. The Philadelphia singer-songwriter has released his long-awaited new album ‘Beauty Land,’ his debut LP for Dead Oceans, led by the single “I Wanna Feel Pretty.”

Across the record, we’re guided by a wry but forgiving narrator, an underdog who’s learned to balance cynicism and faith. These songs are self-effacing without self-pity, carefully built altars of imperfection channeled through pop melodies, shimmering but urgent guitars, and a voice reaching for choir-boy innocence.

Mendez has a clear vision for the shot-on-35mm video for “I Wanna Feel Pretty,” directed by Rhys Scarabosio. “I spent most of my childhood in the suburbs, surrounded by the American Dream. Grand and lonely, strip malls and housing developments,” he says. “The dream is close enough to smell but as soon as you reach out, your hand passes right through, a hologram of a promise. I hoped this video would feel like that.”

The bulk of ‘Beauty Land’ was recorded directly to tape, almost entirely alone in Mendez’s makeshift home studio in Philadelphia, a small room with no natural light. It’s his first full-length since his unexpected breakthrough self-titled album in 2023, a slow-burn success that followed 15 years of writing in relative obscurity. The new record picks up where he left off, plumbing the depths of grief, love, and addiction, but its intense, quiet clarity shows him at his songwriting best. As Pitchfork put it, “In less than two minutes, Greg Mendez can express a lifetime’s worth of pain, regret, and resilience.”

Mendez is taking his stark, affecting live show on the road this summer.

Greg Mendez Tour Dates:

June 13 – Nashville, TN @ The Blue Room

June 15 – Bloomington, IN @ The Bishop

June 16 – Madison, WI @ High Noon Saloon

June 17 – Minneapolis, MN @ 7th St Entry

June 19 – Iowa City, IA @ Gabe’s Oasis

June 20 – Chicago, IL @ Lincoln Hall

June 21 – Detroit, MI @ Lager House

June 23 – Toronto, ON @ Sound Garage

June 24 – Northampton, MA @ Iron Horse Music Hall

June 25 – Portland, ME @ SPACE Gallery

June 26 – Boston, MA @ Sinclair

June 27 – Hamden, CT @ Space Ballroom

June 30 – Brooklyn, NY @ Music Hall of Williamsburg

July 1 – Kingston, NY @ Tubby’s

July 10 – Philadelphia, PA @ First Unitarian Church

July 31 – Durham, NC @ Cat’s Cradle Back Room

Aug 1 – Atlanta, GA @ Aisle 5

Aug 2 – New Orleans, LA @ Siberia

Aug 4 – Austin, TX @ 29th Street Ballroom

Aug 5 – Dallas, TX @ Club Dada

Aug 7 – Santa Fe, NM @ Meow Wolf

Aug 8 – Phoenix, AZ @ Valley Bar

Aug 9 – San Diego, CA @ Soda Bar

Aug 10 – Los Angeles, CA @ Sid the Cat Auditorium

Aug 12 – San Francisco, CA @ The Independent

Aug 14 – Portland, OR @ Polaris

Aug 15 – Seattle, WA @ Barboza

Aug 16 – Vancouver, BC @ Biltmore Cabaret

Aug 18 – Boise, ID @ Shrine Social Club

Aug 19 – Salt Lake City, UT @ Kilby Court

Aug 21 – Denver, CO @ Lost Lake

Aug 22 – Kansas City, MO @ Record Bar

Aug 23 – St Louis, MO @ Off Broadway

Aug 24 – Newport, KY @ Southgate House Revival

Aug 25 – Pittsburgh, PA @ Bottlerocket

Aussie Indie Favorites The Jungle Giants Announce New Album ‘Experiencing Feelings of Joy’

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The Jungle Giants are entering a hopeful new chapter. Hot on the heels of their galvanising new single “Tell Me How It Feels,” the Australian indie favorites have announced their new album ‘Experiencing Feelings of Joy,’ out now.

The title fits both the listener and its creator. Careening from crushing personal loss to hopeful exuberance, it’s an album frontman Sam Hales could only write after thinking he’d never be able to write one again. “I’d overextended and kind of cooked it, but I really found myself,” he says. “That’s where the joy comes from, having this unwavering hope even after experiencing adversity. This record is what everything culminated in for me, because I’m so in love with it and I’m so addicted to music again.”

Lead single “Tell Me How It Feels” marks a sharp heel turn for the band and has already drawn strong praise. Rolling Stone called it “cathartic,” with a yearning chorus “destined for festival anthem status,” while The Note dubbed it “a new era for The Jungle Giants.” It’s a buzzing, self-aware introduction to a record built on resilience and renewed love for making music.

Greek Melodic Death Metal Act AMONGRUINS Unveil Cinematic New Video For “Into The Flame” Featuring Christianna Of Elysion

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AMONGRUINS are turning up the intensity. The Greek melodic death metal act have unveiled the official video for “Into The Flame,” a standout track from their newly released album ‘Advent of Chaos,’ out now via Theogonia Records.

Featuring guest vocals from Christianna of Elysion, “Into The Flame” merges the band’s crushing melodic death metal foundation with haunting atmospheres and powerful vocal interplay. The track shows off their knack for balancing aggression with emotional depth, making it one of the album’s most memorable moments. With searing guitars, thunderous rhythms, and a dark, immersive atmosphere, it perfectly captures the sonic landscape of a record that digs into destruction, transformation, and rebirth.

The accompanying video was directed and created by Haris Kountouris of HK Visual Creations, capturing the song’s dark emotional intensity through striking imagery, with filming by Dimitris Papadimitroulas and Dimitris Anastasopoulos for a cinematic visual approach that complements the song’s dramatic depth.

The video arrives as the band celebrates ‘Advent of Chaos,’ their most ambitious and emotionally charged album to date. Building on the momentum of their 2023 release ‘Land of the Black Sun,’ AMONGRUINS continue to carve their place in the modern melodic death metal scene with a sound that blends brutality, melody, and cinematic intensity. The album was mixed and mastered by Saku Moilanen at Deep Noise Studios in Finland, with artwork by Nikos Stavridakis. Fans of Insomnium, Omnium Gatherum, Wolfheart, and Dark Tranquillity will find plenty to sink their teeth into.

Donegal Folk-Pop Newcomer Kevin Laughlin Introduces Himself With Debut Single “Play It Cool”

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Kevin Laughlin is making his entrance. The Donegal singer-songwriter has introduced himself with his debut single “Play It Cool,” a warm, melodic track that pairs sincere songwriting with reflective lyricism.

Drawing inspiration from the timeless craft of artists like James Taylor and Paul Brady, the song offers an authentic first glimpse into Laughlin’s voice, thoughtful, relatable, and grounded in real-life experience. It explores the universal feeling of believing you’ve got life all figured out, only to realise that certainty is often an illusion, landing on a simple but powerful message: steady yourself, trust the journey, and keep moving forward.

Laughlin wrote it from a place he knows well. “This song came at a time where I really thought I had my life all planned out but quickly came to realise I had not,” he says. “So I wrote Play It Cool about just accepting that not everything will always go as planned in life or love. Sometimes you’ve got to just roll with the punches and play it cool.”

Produced by Ryan Sheridan, the single pairs polished production with emotional honesty, letting Laughlin’s vocal delivery and storytelling take center stage. A 22-year-old folk-pop musician influenced by Paul Brady, John Mayer, and Billy Joel, Laughlin has played music since the age of 14, sharpening his sound through years of live performance before turning to original material. It’s an assured, intimate first step in what’s shaping up to be a breakout year.

Isle Of Wight Indie Upstarts ugly ozo Share Unflinching New Single “overkill” Off Their ‘dive’ EP

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ugly ozo are digging into uncomfortable truths. The Isle of Wight indie upstarts have shared their new track “overkill,” out now via REX RECS following a BBC 6 Music premiere from Huw Stephens, off their ‘dive’ EP, out now.

The ever-evolving vision of Jessica Baker, the band’s second EP marks a bold new chapter in their sonic diary, exploring the messy, unfiltered corners of the female experience. Joined by sister Boo Baker on bass and Tristan Northard on drums, ugly ozo blend raw vulnerability with electrifying hooks that demand attention, and have rapidly become one of the most talked-about acts on the emerging indie landscape.

Baker is unsparing about what drives “overkill.” “‘overkill’ tells the story of loving someone who you know, deep down, doesn’t meet your standards and doesn’t treat you right, but staying anyway,” she explains. “Not for romance or hope, but out of loneliness, laziness, fear, and the comfort of routine. It’s the truth no one wants to admit: sometimes we cling to the wrong person because being alone feels scarier than being unhappy.”

The EP follows the band’s acclaimed late-2025 debut ‘stargirl,’ lauded across DIY, Dork, The Line Of Best Fit, and Clash, with radio support spanning BBC 6 Music’s Huw Stephens, Steve Lamacq, and Iggy Pop, plus John Kennedy at Radio X and Cheryl Waters at KEXP. Signed to REX RECS, the new label founded by producer Macks Faulkron, the EP was written and recorded at REX Studio, a creative hub that’s hosted Caroline Polachek, Confidence Man, and Daniel Avery. It’s a frank, electrifying step forward from a band becoming impossible to ignore.

ugly ozo ‘dive’ EP Tracklisting:

  1. hi, how are you?
  2. overkill
  3. jackpot
  4. godspeed
  5. MISERY