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“The Song Is Over” Tour Marks The Who’s Final North American Farewell

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Today, one of the greatest bands in rock history, The Who, have announced their bittersweet final tour of the US and Canada as a truly grand finale of their illustrious six-decade career. Full tour routing and ticketing information is available below.

The legendary duo are revealing the news live during a press conference at the Iconic Images gallery in Piccadilly, London. Fans can tune in below to listen to Roger Daltrey & Pete Townshend discuss the 2025 series of dates, aptly titled The Song Is Over North America Farewell Tour (named after the Who’s 1971 classic song).

The secret press conference in London is showcasing a rare piece of Who memorabilia and US connection, an American football helmet featured on the sleeve of their classic 1974 album, ‘Odds & Sods’ recently returned from the Rock n Roll Hall Of Fame.

Roger Daltrey says: “Every musician’s dream in the early 60’s was to make it big in the US charts. For the Who, that dream came true in 1967 and our lives were changed forever. The warmth of the American audiences over the years have been inspirational to me, and reflect the feeling I remember getting after hearing the first rock records coming across the radio. Musical freedom!  Rock gave us a feeling of generational rebellion. To me, America has always been great. The cultural differences had a huge impact on me, this was the land of the possible. It’s not easy to end the big part of my life that touring with The Who has been. Thanks for being there for us and look forward to seeing you one last time.”

Pete Townshend says: “Well, all good things must come to an end. It is a poignant time. For me, playing to American audiences and those in Canada has always been incredible. The warmth and engagement of those audiences began back in 1967 with hippies smoking dope, sitting on their blankets and listening deeply and intensely. Music was everywhere. We all felt equal. Today, Roger and I still carry the banner for the late Keith Moon and John Entwistle and of course, all of our longtime Who fans. I must say that although the road has not always been enjoyable for me, it is usually easy: the best job I could ever have had. I keep coming back. Every time I do, I meet new fans and feel new energy. Roger and I are in a good place, despite our age, eager to throw our weight behind this fond farewell to all our faithful fans, and hopefully to new ones who might jump in to see what they have been missing for the last 57 years. This tour will be about fond memories, love and laughter. Make sure you join in.”

Tickets will be available starting with a Citi presale and through the Who Fan Club (details below) beginning on Tuesday, May 13. Additional presales will run throughout the week ahead of the general onsale beginning on Friday, May 16 at 10:00 AM local time at thewho.com/tour/.

Citi is the official card of The Who – The Song Is Over – North American Farewell Tour. Citi cardmembers will have access to presale tickets in the U.S. beginning Tuesday, May 13 at 10:00 AM local time until Thursday, May 15 at 10:00 PM local timethrough the Citi Entertainment program. For complete presale details, visit www.citientertainment.com.

Join the Whooligan Fan Club exclusively HERE at to receive early ticket access, exclusive Whooligan merchandise, and a copy of the previously unreleased album, Live At The Oval 1971, one of The Who’s most legendary shows, which habeen newly mixed and mastered from the original tapes.

The tour will also offer a variety of VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, access to pre-show soundcheck, invitation to the pre-show VIP Lounge, a limited edition autographed tour poster & more. VIP package contents vary based on the offer selected. For more information, visit vipnation.com.

One of popular music’s most influential and resilient pairings, Pete and Roger have rewritten the rulebook on what it means to be a world-changing live act throughout a sea of seismic shifts that would have put any other rock dyad on the mat. Townshend has commented on their high-performance standard, which has “risen out of the ashes of the halcyon years of rock ‘n’ roll.”  That’s why it’s no surprise they’ve stacked some of the best reviews of any performing artists in the past decade. Variety raved “rock ’n’ roll’s greatest achievement…” about their previous American tour; evidence of their incredible staying power and a testament to an unparalleled repertoire of songs written by Townshend and sung by Daltrey with an attention to detail unmatched in the rock era.

Fans and critics continue to hail Pete and Roger’s ability to play the long game in music with passion and integrity like few before them. The historic 2025 The Song Is Over tour will mark the final face-to-face celebration of this timeless connection with North American Who fans, forever appreciative of the band’s ability to dispense with nostalgia and deliver authentic rock moments time and time again.

Further proof that the duo is still at the top of their game could be gleaned in a 2024 review of their performance at the Teenage Cancer Trust’s historic annual concert at London’s Royal Albert Hall, honoring the work of its founder, Roger Daltrey, who stepped down from his curatorial role after 24 years.  One reviewer of the Who’s performance called it: “One of the most joyous bombastic concerts London’s magnificent Royal Albert Hall has ever seen…”

America’s love affair with The Who live began 58 years ago when the band were part of ‘Murray The K’s Music in the Fifth Dimension’, a series of showcase events at RKO’s 58th Street Theatre in New York over nine days in March and April 1967. The band played just three songs (‘Can’t Explain’, ‘Substitute’, ‘My Generation’), and other acts on the bill included Cream, Smokey Robinson & The Miracles, Simon & Garfunkel, and Wilson Pickett. Later that Summer, it was at the seminal Monterey International Pop Festival in California that they rose to prominence in a defining moment of the Summer Of Love. Two years later, The Who were once again front and center at the most famous festival of the ’60s, Woodstock, performing an incendiary set in the early hours of August 17th, 1969.

The Who continued to thrill US fans throughout the 1970s before undertaking their first ‘farewell’ tour in 1982, which featured two shows at the legendary Shea Stadium in New York. When the band returned to the road in the late 1990s and early 2000s perhaps one of their greatest performances was at The Concert For New York City at Madison Square Garden shortly after the terror attack of 9/11, their three-song set in front of emergency workers and first responders was met with a primal roar from an audience. When Pete Townshend and Roger Daltrey were given the Kennedy Center Honors in December 2008 for their contributions to American culture, a tribute performance of “Baba O’Riley” was delivered with a full choir of New York firefighters in gratitude for The Who’s performance at the show.

The Who are one of the top three greatest rock legacies in music history with 9 US & 10 UK top ten albums and 14 UK top ten singles.

They have played well over 2,000 gigs in a career spanning over 50 years including venues such as Woodstock, Monterey Pop, Glastonbury (twice), Hyde Park (four times), The Isle Of Wight (three times), the closing ceremony of the 2012 Olympics, Desert Trip, Shea Stadium, The Superbowl half time show and Live Aid to name but a very few.

Emerging in the mid-1960s as a new and incendiary force in rock n’ roll, their brash style and poignant storytelling garnered them one of music’s most passionate followings, with the legendary foursome blazing a searing new template for rock, punk, and everything after.

Inducted into the Rock n’ Roll Hall Of Fame in 1990, the band has placed 27 top-forty singles in the United States and United Kingdom and earning 17 Top Ten albums, including the 1969 groundbreaking rock opera Tommy, 1971’s pummeling Live At Leeds, 1973’s Quadrophenia and 1978’s Who Are You.  The Who debuted in 1964 with a trio of anthems “I Can’t Explain,” “The Kids Are Alright” and “My Generation”. Since then, they have delivered hits such as Baba O’Riley”, “Won’t Get Fooled Again”, “Pinball Wizard”, “Who Are You” and “You Better You Bet”.

In 2008, they became the first rock band ever to be awarded the prestigious Kennedy Center Honors. The Who has performed all over the world, including global music events for the Super Bowl XLIV Halftime Show in 2010 and closing the Summer Olympics in 2012. The Who continued their charity work by playing a concert in January 2011 to raise money for trials of a new cancer treatment called PDT. In December 2012 they performed at the Hurricane Sandy Benefit in New York.

Alongside his groundbreaking work with the Teenage Cancer Trust in the UK, in November 2012 Daltrey, with Townshend at his side, launched Teen Cancer America www.teencanceramerica.org

Both Roger and Pete delivered their memoirs (Pete’s Who I Am was released to much acclaim in 2012, and Roger’s Thanks A Lot Mr. Kibblewhite; My Story was embraced by critics in 2018) it’s fitting that the two remaining WHO members have shared their incredible legacy in literary fashion, for few bands have had a more lasting impact on the rock era and the reverberating pop culture than The Who.

The band released their first new album in thirteen years, the critically acclaimed WHO in 2019 and toured the world with their ‘Moving On’ and ‘The Who Hits Back!’ symphonic shows with a full orchestra which were commemorated in 2023 with the album ‘The Who With Orchestra Live At Wembley’, recorded at London’s legendary Wembley Stadium. 2025 sees The Who saying goodbye to their legions of loyal fans in the USA, but their music will live on forever.

THE WHO  – THE SONG IS OVER – 2025 NORTH AMERICA TOUR
Aug 16 – Sunrise, FL – Amerant Bank Arena
Aug 19 – Newark, NJ – Prudential Center
Aug 21 – Philadelphia, PA – Wells Fargo Center
Aug 23 – Atlantic City, NJ – Jim Whelan Boardwalk Hall
Aug 26 – Boston, MA – Fenway Park
Aug 28 – Wantagh, NY – Northwell at Jones Beach Theater
Aug 30 – New York, NY – Madison Square Garden
Sep 2 – Toronto, ON – Budweiser Stage
Sep 4 – Toronto, ON – Budweiser Stage
Sep 7 – Chicago, IL – United Center
Sep 17 – Los Angeles, CA – Hollywood Bowl
Sep 19 – Los Angeles, CA – Hollywood Bowl
Sep 21 – Mountain View, CA – Shoreline Amphitheatre
Sep 23 – Vancouver, BC – Rogers Arena
Sep 25 – Seattle, WA – Climate Pledge Arena
Sep 28 – Las Vegas, NV – MGM Grand Garden Arena

30 Songs That Say Sorry (So You Don’t Have To)

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We’ve all been there. You messed up, feelings were hurt, and suddenly you’re on the business end of a cold shoulder, a slammed door, or worse—a silent Instagram unfollow. But music, like love, is a powerful healer. Over the decades, countless artists have said “I’m sorry” for us in every style imaginable: pleading, poetic, sarcastic, sincere. Here are 30 songs that put the apology on record—literally.

1. “Sorry Seems to Be the Hardest Word” – Elton John
Elton nailed it: sometimes one word feels like the hardest sentence in the world. Released in 1976, this ballad made it OK to be heartbroken and humble at the same time.

2. “Apologize” – OneRepublic feat. Timbaland
This 2007 smash had everyone saying sorry… too late. With strings, drama, and a beat you could cry to, it brought emotional pop to the top of the charts.

3. “Baby Come Back” – Player
Soft rock meets full-on regret. This 1977 gem is the sound of a guy who definitely knows he messed up—and brought a bassline to beg for forgiveness.

4. “Back to December” – Taylor Swift
Taylor flipped the script and said she was sorry this time. A rare apology track in her early catalog, and proof that even heartbreak royalty has regrets.

5. “Sorry” – Justin Bieber
Is it too late now to say sorry? Not if you’re dancing. Bieber’s tropical house-infused hit made apologies sound like summer romance.

6. “Hard to Say I’m Sorry” – Chicago
In the ’80s, Chicago turned power ballads into tearjerkers. This one practically invented the slow-dance apology.

7. “I’m Sorry” – Brenda Lee
In 1960, 15-year-old Brenda Lee whispered the most devastating “I’m sorry” in pop history. Pure, aching sincerity in under three minutes.

8. “Please Forgive Me” – Bryan Adams
With vocals as gravelly as the emotion is smooth, Bryan Adams made this one a staple of mixtapes and movie montages alike.

9. “Sorry” – Beyoncé
Queen Bey doesn’t just say sorry—she doesn’t say it at all. A defiant, powerful track that turned apology culture upside down.

10. “Sorry” – Madonna
With club-ready beats and multi-language “sorrys,” Madonna’s 2005 hit took global guilt to the dance floor.

11. “Forgive Me” – Evanescence
A deep cut from the early days, Amy Lee’s haunting vocals bring sorrow and strength to this emotional apology.

12. “All Apologies” – Nirvana
Kurt Cobain’s voice wrapped self-loathing in a soft blanket of acoustic melancholy. A grunge-era shrug of regret.

13. “So Sorry” – Feist
Whispered guilt never sounded so beautiful. Feist gives vulnerability the indie-folk treatment it deserves.

14. “I Apologize” – Anita Baker
The queen of quiet storms delivers a smooth, mature, heartfelt apology—equal parts jazz, soul, and sincerity.

15. “Sorry, Blame It on Me” – Akon
He took full responsibility in this 2007 hit—and put it to a beat so catchy, you almost forget why he’s apologizing.

16. “Sorry Not Sorry” – Demi Lovato
This one’s an apology in name only. A fierce anthem for when you’re thriving—and totally unrepentant about it.

17. “Jealous Guy” – John Lennon
Inspired by remorse and vulnerability, Lennon stripped it down to piano and pain. Still one of his most haunting solo tracks.

18. “Sorry” – Halsey
A modern apology with poetic flair, Halsey digs deep into emotional detachment and the damage it leaves behind.

19. “Never Really Over” – Katy Perry
Sometimes the apology isn’t just to someone else—it’s to yourself. Perry’s synth-pop confession is a loop of longing and letting go.

20. “Sorry” – Buckcherry
Yes, even sleazy rock bands have feelings. This one’s a gritty, surprisingly tender plea from the bad boys of 2000s rock.

21. “Sorry” – The Jonas Brothers
Before they broke hearts (and then got back together), the JoBros made their apology loud, clear, and teen-dream approved.

22. “I Am… I Said” – Neil Diamond
It’s not an apology in name, but every note is drenched in introspection and emotional accountability. A soft-spoken “my bad” to the world.

23. “I’m Sorry” – Joyner Lucas
A hard-hitting track about mental health, suicide, and grief—raw, unfiltered, and a brutal kind of apology that needs to be heard.

24. “Forgiven” – Alanis Morissette
From Jagged Little Pill, a track that explores guilt, forgiveness, and faith with Alanis’s trademark emotional fire.

25. “Baby Can I Hold You” – Tracy Chapman
Subtle and soul-stirring, Chapman’s quiet delivery makes the apology hit even harder. Few artists can say so much with so little.

26. “If I Could Turn Back Time” – Cher
She’d take back those words that hurt you. Enough said.

27. “It’s Sad to Belong” – England Dan & John Ford Coley
Apology disguised as soft rock heartbreak. It’s not just sad—it’s very sorry.

28. “Try” – Blue Rodeo
Canadian regret never sounded so sweet. A country-rock apology that still gets requests at barroom pianos.

29. “Sorry Suzanne” – The Hollies
Classic British Invasion remorse with harmonies as smooth as the guilt is strong.

30. “Guilt” – Marianne Faithfull
Faithfull lays it all bare in this sparse, poignant track. No theatrics, just raw regret from one of music’s greatest survivors.

So the next time words fail you, let the playlist do the talking.
Whether you’re crawling back, letting go, or standing tall, there’s a sorry song for every kind of heartbreak. And hey—if all else fails, try a mixtape. It worked in the ’80s. It still works now.

“Hired Guns” by Amanda Kramer and Wayne Byrne Shines a Spotlight on Women Who Rocked On The Stage

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Hired Guns: Portraits of Women in Alternative Music by Amanda Kramer and Wayne Byrne explores the lives and careers of the female musicians who have played vital roles in shaping the sound of modern music—often without the spotlight. Through candid interviews and cultural commentary, the book shares firsthand stories of life on tour, in the studio, and within the shifting landscapes of scenes like California hardcore punk and the Minneapolis alt-rock explosion.

Among the musicians featured are Gail Ann Dorsey, who performed with David Bowie, Tears for Fears, and Indigo Girls, and Sue Hadjopoulos, known for her work with Joe Jackson, Simple Minds, and Cyndi Lauper. Clare Kenny has played with Sinéad O’Connor, Orange Juice, and Shakespears Sister, while Susan Miller was a founding member of Frightwig and Bad Posture. Tracy Wormworth’s basslines can be heard in The Waitresses, with Sting, and in The B-52’s.

Joy Askew toured with Joe Jackson, Laurie Anderson, and Peter Gabriel, and Sara Lee brought her signature style to Gang of Four, Robyn Hitchcock, and the Thompson Twins. Lori Barbero helped define the sound of Babes in Toyland, and Caroline Dale brought strings to the work of David Gilmour, U2, David Gray, and Page and Plant. Angie Pollock rounds out the list with her performances alongside The Lightning Seeds, Goldfrapp, and Peter Gabriel.

With a foreword by L7’s Jennifer Finch, Hired Guns is a powerful tribute to the women behind the music who’ve thrilled millions while remaining just out of frame—until now.

Eric Wolfson’s “Fifty Years of the Concept Album” Traces the Legacy From “Sgt. Pepper” to “Lemonade”

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Fifty Years of the Concept Album in Popular Music: From The Beatles to Beyoncé by Eric Wolfson explores how artists have used albums to create unified, themed listening experiences.

The concept album is one of popular music’s most celebrated-and misunderstood-achievements. This book examines the untold history of the rock concept album, from The Beatles to Beyoncé.The roots of the concept album are nearly as old as the long-playing record itself, as recording artists began using the format to transcend a mere collection of songs into a listening experience that takes the listener on a journey through its unifying mood, theme, narrative, or underlying idea. Along the way, artists as varied as the Moody Blues, Jimi Hendrix, Joni Mitchell, Pink Floyd, Parliament, Donna Summer, Iron Maiden, Radiohead, The Notorious B.I.G., Green Day, Janelle Monáe, and Kendrick Lamar created albums that form an extended conversation of art and music. Limits were pushed as the format grew over the subsequent eras. Seminal albums like the Beatles’Sgt. Pepper’s Lonely Hearts Club Band, the Who’sTommy, Marvin Gaye’sWhat’s Going On, stand alongside modern classics like Liz Phair’sExile in Guyville, Kendrick Lamar’sgood kid, “m.A.A.d city,” and Beyoncé’sLemonade. Mixing iconic albums with some newer and lesser-known works makes for a book that ventures into the many sides of a history that has yet to be told-until now.

“Wake Up!”: Bernard Rhodes Pulls the Fire Alarm on Punk History In New Book

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If you’ve ever thrashed your head to “London Calling,” shouted “White Riot” from your bedroom speakers, or found yourself explaining to someone that The Clash weren’t just a band, they were a movement—then you owe a massive debt to Bernard Rhodes. And now, finally, he’s telling his side of the story.

Published in late 2023, Wake Up! To the World of Bernard Rhodes is not your typical rock memoir. It’s a manifesto wrapped in a scrapbook, a philosophy lecture disguised as a punk zine, and a backstage pass into one of the most explosive eras in British music. This book isn’t just about what Rhodes did—it’s about how he thought, how he pushed, and how he made sure punk wasn’t just a sound, but a way of being.

Rhodes wasn’t just there when punk happened—he helped invent it. Inspired by the Situationists, Rhodes was designing provocative T-shirts before fashion became political protest. He introduced Johnny Rotten to the Sex Pistols. Then he built The Clash from the ground up, shaping not only their lineup and look, but their firebrand attitude and fearless politics.

Wake Up! captures it all—through essays, photos, artwork, fashion, flyers, and attitude. It’s a sensory experience, filled with rare ephemera and raw insight, not just into The Clash but into punk as a form of social disruption. And Rhodes doesn’t stop there—he was instrumental in guiding The Specials and Dexy’s Midnight Runners to commercial and cultural success. If you were wondering who helped turn punk from a dirty club gig into a global movement, look no further.

This isn’t nostalgia—it’s a call to arms. Rhodes reminds us why punk still matters. Why art, style, and noise can shake governments and galvanize generations. Why being awake—to injustice, to possibility, to yourself—is still the most punk thing you can do.

So if you’re a collector of culture, a student of music history, or just someone who believes in the power of a good scream over a great riff, pick up Wake Up! To the World of Bernard Rhodes.

Because behind every revolution, there’s someone pulling the fire alarm.

20 Musicians Who Took the Spotlight on Broadway

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When the stage lights rise and the curtains part, some of the world’s biggest music stars have proven they’re just as electric under the proscenium arch as they are on the mic. From pop icons to rock legends and R&B royalty, these artists lended their voices to radio hits, and took heir talents to Broadway, bringing depth, drama, and jaw-dropping vocal runs to some of theatre’s most iconic roles. Here are 20 musicians who went from stadiums to stages and made Broadway their own.

1. David Bowie – The Elephant Man
In 1980, the Thin White Duke stunned audiences in The Elephant Man, playing the title role without prosthetics. His haunting physicality and magnetic presence proved his talent extended far beyond the recording studio. Bowie received rave reviews and solidified his theatrical prowess.

2. Brandy – Chicago
Brandy brought serious heat to the role of Roxie Hart in Chicago. Her run was so well received that she returned multiple times. A blend of charisma, killer vocals, and pure showbiz sparkle made her a Broadway favorite.

3. Cyndi Lauper – Kinky Boots (Composer)
While Lauper didn’t star on stage, she composed the Tony-winning score for Kinky Boots. She became the first solo woman to win Best Score at the Tonys. Her pop instincts translated flawlessly to feel-good musical theatre.

4. Josh Groban – The Great Comet and Sweeney Todd
Groban wowed critics in Natasha, Pierre & The Great Comet of 1812 with his emotional depth and signature baritone. He returned in 2023 as a chilling and tragic Sweeney Todd, earning a Tony nomination for the role.

5. Jordin Sparks – Waitress
The American Idol winner brought charm and powerhouse vocals to Waitress as Jenna. Her performance captured vulnerability and strength in equal measure. Sparks’ turn proved she’s a triple threat.

6. Sara Bareilles – Waitress
Not only did she compose the entire Waitress score, but she also stepped into the role of Jenna on Broadway. Her performance was heartfelt and disarming, bringing her songs full circle from the piano to the stage.

7. Nick Jonas – How to Succeed in Business Without Really Trying
After starting in the Jonas Brothers, Nick Jonas stepped into a leading man role on Broadway. As J. Pierrepont Finch, he brought youthful swagger and vocal chops to the corporate-climbing musical.

8. Fantasia Barrino – The Color Purple and After Midnight
Fantasia’s raw power was tailor-made for Broadway. Her turn as Celie in The Color Purple was lauded for its emotional weight, while After Midnight showcased her jazz chops in a Cotton Club-era revue.

9. Usher – Chicago
Usher took on the role of Billy Flynn in Chicago, bringing smooth vocals and commanding stage presence. It was a seamless crossover that felt both theatrical and effortlessly cool.

10. Meat Loaf – Hair
Before Bat Out of Hell fame, Meat Loaf was part of the original Broadway cast of Hair. His powerful vocals and theatrical delivery made him a natural fit for the rock musical movement of the ’60s and ’70s.

11. Jennifer Holliday – Dreamgirls
Holliday originated the role of Effie White in Dreamgirls, delivering one of Broadway’s most legendary performances. Her rendition of “And I Am Telling You I’m Not Going” is etched in musical history forever.

12. Ricky Martin – Evita
Martin played Che in a revival of Evita, winning over critics with his passionate, engaging performance. His turn on Broadway was a career milestone and introduced him to a new generation of theatre lovers.

13. Deborah Cox – Aida and The Bodyguard
Cox has appeared in multiple stage productions, including a lauded run in Aida. Her voice is perfectly suited for the soaring ballads of musical theatre, and she also led the U.S. tour of The Bodyguard.

14. Tony Bennett – Tony Bennett at the Latin Quarter
While not a traditional musical, Bennett’s early career included extended live performances at Broadway-adjacent cabaret venues. His stagecraft and storytelling laid the foundation for many theatrical crossovers to come.

15. Billie Joe Armstrong – American Idiot
The Green Day frontman surprised fans when he joined the Broadway cast of American Idiot, the musical adaptation of his band’s album. His gritty, lived-in performance as St. Jimmy added punk authenticity to the production.

16. Reba McEntire – Annie Get Your Gun
Reba brought Southern charm and star power to the role of Annie Oakley. Her turn in Annie Get Your Gun was widely praised, even earning praise from hardened Broadway critics.

17. Sting – The Last Ship
Sting not only wrote the score for The Last Ship, a musical inspired by his hometown, but also stepped into the lead role. His lyrical storytelling translated beautifully to stage, blending folk, rock, and tradition.

18. Michelle Williams – Chicago and Once on This Island
The Destiny’s Child alum has graced the stage multiple times, earning rave reviews as Roxie Hart. Her theatre resume proves she’s more than just a pop star—she’s a stage standout.

19. Elton John – The Lion King and Billy Elliot (Composer)
Sir Elton didn’t act on stage, but his compositions for The Lion King and Billy Elliot revolutionized modern musical theatre. His ability to fuse pop with dramatic arcs changed the game for jukebox and original scores alike.

20. Boy George – Taboo (Composer and Star)
The Culture Club icon created and starred in Taboo, a musical based on London’s ’80s club scene. While it had a short Broadway run, it has since achieved cult status and showcased Boy George’s theatrical flair.

From iconic vocalists to chart-topping pop stars, these musicians didn’t just try Broadway—they embraced it. Their transitions proved that music and storytelling know no genre boundaries, and the magic of live theatre has a way of drawing out new creative dimensions. Whether they were belting ballads, playing leads, or writing the very notes that danced through the theatre, these artists left their mark on the Great White Way—proving that every stage, in the end, is just another kind of concert.

15 Famous Musicians Who Performed with Their Kids (And Melted Our Hearts)

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There’s something extra powerful about hearing a family make music together—not just at home, but in the studio or on the road. These aren’t just one-time performances. These are artists who’ve toured with their children or brought them into the recording booth as collaborators. From rock royalty to country icons, here are 15 parent-child duos (or trios!) who made their bond official—on tour posters and track listings alike.

1. Willie Nelson and Lukas Nelson
Lukas has toured with his dad for years, playing guitar and singing in Willie’s band. Their chemistry is unmatched, and Lukas even helped record on albums like Heroes (2012), proving that the Nelson family harmonies are built to last.

2. Billy Ray Cyrus and Miley Cyrus
Before “Wrecking Ball,” there was “Ready, Set, Don’t Go”—the heartfelt duet that brought father and daughter together on stage and in the studio. Miley also toured with Billy Ray in her early Hannah Montana days, often closing the show side by side.

3. Bruce Springsteen and Jake Clemons
After the passing of Clarence Clemons, Bruce turned to Clarence’s nephew Jake to carry on the saxophone legacy with the E Street Band. Jake’s now a full-time touring member, making this a story of extended musical family in the truest sense.

4. Steve Earle and Justin Townes Earle
Steve and his late son Justin both had solo careers, but they also toured and recorded together early on. In 2021, after Justin’s passing, Steve released J.T., a stunning tribute album of his son’s songs—equal parts grief and reverence.

5. Eddie and Wolfgang Van Halen
Wolfgang joined Van Halen as bassist in 2006 when he was just 15. He toured with his dad until Eddie’s passing in 2020, later launching his own solo project Mammoth WVH. Their time together on stage was both historic and deeply personal.

6. Natalie Cole and Nat King Cole
Though Nat King Cole passed away when Natalie was young, technology brought them together. Her 1991 Grammy-winning version of “Unforgettable” was a virtual duet between father and daughter that became one of the most iconic family recordings of all time.

7. James Taylor and Ben Taylor
Ben has opened for his dad on tour and often shares the stage for acoustic duets. Their voices blend beautifully—warm, familiar, and unmistakably from the same musical DNA.

8. Loudon Wainwright III with Rufus and Martha Wainwright
Folk troubadour Loudon Wainwright III has performed and recorded with both of his children. Whether on stage or on records like Songs for the New Depression, their collaborations are often humorous, sometimes heartbreaking, and always honest.

9. Ozzy Osbourne and Kelly Osbourne
Their duet “Changes” (2003) was a reworking of Black Sabbath’s ballad, released as a father-daughter single that hit #1 in the UK. The Osbournes also famously shared the stage—and the spotlight—on multiple occasions during the peak of their reality TV fame.

10. Julio Iglesias and Enrique Iglesias
Enrique opened shows for his father early in his career, and though they pursued different musical paths, they’ve appeared together on major tours and family-centric releases. Their bond crosses genres—and generations.

11. Rosanne Cash and Johnny Cash
Rosanne not only toured with her father Johnny Cash but also appeared on albums like The Unbroken Circle: The Musical Heritage of the Carter Family. Her voice was part of the extended family tradition that Johnny kept alive well into the 1990s.

12. Frank Sinatra and Nancy Sinatra
While most famous for their duet “Somethin’ Stupid,” Nancy and Frank toured and appeared on multiple recordings together. Their chemistry—equal parts swing and showbiz charm—made them a dazzling family duo of the 1960s.

13. T.I. and Domani Harris
T.I. brought his son Domani on tour and into the studio long before Domani launched his solo career. As part of Family Hustle, Domani got an early education in music—and the industry—by literally walking in his dad’s footsteps.

14. Johnny and June Carter Cash with John Carter Cash
John Carter Cash didn’t just tour with his parents—he played in their band and has gone on to produce posthumous albums and recordings for both Johnny and June. The music never stopped in the Carter-Cash home.

15. Bob Marley and Ziggy Marley
Before Ziggy went solo, he performed with The Melody Makers—alongside his siblings, carrying on the Marley legacy. He also performed posthumously with his father via recordings and has headlined tribute tours in Bob’s honor around the world.

Whether on tour buses or in recording booths, these musicians didn’t just share DNA—they shared dreams, harmonies, and history. Music might be the family business, but these moments prove it’s also the family bond.

Yungblud Unleashes “IDOLS” and Announces World Tour

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The fourth studio album by the 27-year-old international creative force Yungblud was announced today, alongside news of his world tour which includes North American dates for this fall.

Yungblud, whose last two albums went to number one in the UK and broke into the Billboard top 100, and whose back catalogue has accumulated an astonishing 6 billion streams globally, has announced that his forthcoming body of work, ‘IDOLS,’ part 1 will be released on June 20 via Locomotion/Capitol Records.

The 13-track offering is Yungblud’s most ambitious yet. Making sure of no distractions, he headed to a location just outside of where he grew up in the north of England with producer Matt Schwartz at the helm, Bob Bradley on additional production, and guitarist Adam Warrington.

On ‘Idols’, Yungblud explores the theme of hero-worship; how we look to others for validation, often putting others’ lives on a pedestal at the expense of the richness of our own experiences. Yungblud says, “We turn to others for an identity before turning to ourselves. Self-belief, self-reclamation, self-evolution and change. As we grow up, we lose our belief in magic and mystery. We begin to rationalize everything; our cage walls build up.” He added, “We compare ourselves to 15 different people before we’ve even had our breakfast”.

IDOLS will be available on June 20 in digital, CD and 4 vinyl variants; standard black vinyl, limited edition signed “Distant Smoke” marble vinyl, indie exclusive signed “Supermoon” silver vinyl, Amazon exclusive “Wishing Well” magenta vinyl and Spotify exclusive “Hell and Back” two color vinyl. Each vinyl includes a 4-page lyric booklet and 1 of 6 collectible double-sided photo lithos – unique to each vinyl variant – designed to form a cross-shaped image when the set is completed.

IDOLS WORLD TOUR:
AUGUST
23 – Los Angeles, CA, Hollywood Palladium
24 – San Diego, CA, The Observatory North Park
26 – Salt Lake City, UT, The Union
28 – Denver, CO, The Mission Ballroom
30 – Austin, TX, ACL Live at the Moody Theatre
31 – Dallas, TX, House of Blues
SEPTEMBER
2 – Atlanta, GA, Tabernacle
6 – Washington, DC, 9.30 Club
9 – Milwaukee, WI, The Rave, Eagles Ballroom
10 – Detroit, MI, The Fillmore
12 – Chicago, IL, Riviera Theatre
14 – Cleveland, OH, Agora Theatre and Ballroom
16 – Brooklyn, NY, Brooklyn Paramount
18 – Philadelphia, PA, The Fillmore
19 – Boston, MA, Roadrunner
21 – Toronto, ON, Danforth Music Hall
OCTOBER
4 – Amsterdam, NL, AFAS Live
5 – Brussels, BE, Forest National
7 – Dusseldorf, DE, Mitsubishi Electric Halle
8 – Paris, FR, Adidas Arena
9 – Nantes, FR, Zenith Nantes Metropole
11 – Madrid, ES, Palacio Vistalegre
14 – Munich, DE, Zenith
15 – Zurich, CH, Halle 622
17 – Prague – CZ, Sportovni Hala Fortuna
18 – Warsaw – PL, Torwar Hall
20 – Berlin – DE, Uber Eats Music Hall
22 – Esch-sur-Alzette, LU, Rockhal Main Hall
24 – Copenhagen, DK, KB Hallen
25 – Stockholm, SE, Annexet
27 – Hamburg, DE, Sporthalle
29 – Vienna, AT, Wiener Stadthalle
31 – Bergamo, IT, ChorusLife Arena

5 Surprising Facts About Daft Punk’s ‘Random Access Memories’

Daft Punk’s Random Access Memories was the final studio word from the French robots, and a love letter to music itself. Released in 2013, it was a boundary-pushing, disco-soaked masterclass in analog recording, featuring legends like Nile Rodgers, Pharrell Williams, Giorgio Moroder, and Paul Williams. The duo ditched their sampling roots for live instrumentation, but that didn’t mean the album was short on surprises. You might think you know every vocoded flourish and neon-drenched groove on this Grammy-winning LP—but here are five facts even superfans might’ve missed.

1. “Lose Yourself to Dance” Has Billy Squier’s Fingerprints All Over It
While the album avoids traditional sampling, it channels classic breakbeats in spirit. The thunderous claps and stomps on “Lose Yourself to Dance”? That groove owes a debt to Billy Squier’s iconic 1980 track “The Big Beat”—a song famously sampled by everyone from Jay-Z to Alicia Keys. Daft Punk recreated that percussive energy using live drums, multi-tracked claps, and layers of cymbals, giving it a raw, rock-meets-funk intensity that powered one of the album’s deepest cuts.

2. Only One True Sample Was Used, and It’s From Outer Space
While Daft Punk mostly avoided samples, the album’s explosive closer “Contact” makes a rare exception. The opening features a crackling NASA recording from the Apollo 17 mission, with astronaut Eugene Cernan describing a mysterious “bright object.” That cosmic tension builds into the track’s cataclysmic finale—Daft Punk’s subtle nod to how sampling can still elevate a story when used sparingly.

3. “Giorgio by Moroder” Was a Studio Puzzle With No Instructions
Giorgio Moroder’s spoken-word track wasn’t simply placed over a beat. Daft Punk recorded his monologue using three separate microphones—each representing a different era of recording tech—to reflect his journey through music history. Then they stitched together nearly nine minutes of genre-bending sound around it. The track became a production playground: disco, funk, ambient, acid, all orbiting Giorgio’s voice like moons around a retro-futurist planet.

4. The Hidden Chord Progression That Links “Get Lucky” and “Around the World”
Leave it to Daft Punk to sneak in an Easter egg you can feel but not immediately hear. Chilly Gonzales revealed that “Get Lucky” uses a modified version of the same chord progression from their 1997 track “Around the World.” This creates a subconscious thread from their robotic roots to their analog rebirth. A reminder that even as they reinvented themselves, they never fully unplugged from their digital DNA.

5. Most of the Album Was Cut Live in Legendary Studios… But Edited Like a Sample
Despite using tape machines, vintage gear, and some of the world’s best session players, Daft Punk still leaned on their electronic instincts. Every track was also simultaneously recorded into Pro Tools. After each take, they’d compare analog vs. digital and later sliced together sections with surgical precision. Think of it as sampling with human fingers instead of a mouse—chopping, looping, and rearranging live performances like they were vinyl.

Random Access Memories was a manifesto. Daft Punk reminded the world that futuristic music can have a beating human heart. And in true Daft Punk fashion, they proved that sometimes the best way forward is by looking back—preferably through a vocoder.

5 Surprising Facts About Weezer’s Blue Album

It’s the album that gave us “Buddy Holly,” “Undone – The Sweater Song,” and “Say It Ain’t So.” It’s the one with the blue background, the awkward stares, and the guitar crunch that made nerd rock feel downright heroic. But behind the clean-cut cover and Ric Ocasek’s pop sheen lies a messy, brilliant story of rebellion, revision, and reinvention. These are five things you might not know about Weezer’s ‘Blue Album’—and if you do, well, you’re one sweater unravel away from becoming the fifth member of the band.

1. They Practiced Barbershop Quartets To Tighten Their Harmonies
Before laying down those massive choruses, Weezer’s Rivers Cuomo and Matt Sharp turned to an unlikely source of inspiration: barbershop quartets. That’s right—tight harmonies didn’t just appear out of nowhere. The band rehearsed a cappella to sharpen their vocal interplay and learn how to blend. Sharp, who’d never sung before joining the band, developed his now-signature falsetto this way. The result? The pristine backing vocals that gave their crunchy power pop its silky finish.

2. Jason Cropper Was Fired Mid-Recording—And His Guitar Was Replaced in One Take
Original guitarist Jason Cropper helped write parts of “My Name Is Jonas,” but personal drama—including news of an unexpected pregnancy—led to his erratic behavior during recording. Cuomo made the tough call to fire him before the album dropped, worried he’d jeopardize the band’s chemistry. Ric Ocasek didn’t want to swap out all of Cropper’s guitar tracks—but Rivers did it anyway. In one take. That precision? A peek at the perfectionism driving Weezer’s deceptively simple sound.

3. They Treated Their Guitars and Bass as a Single 10-String Monster
Recording engineer Chris Shaw spilled one of the album’s best production secrets: the band made the guitars and bass play the exact same parts, unison-style, to mimic a single, massive 10-string instrument. That’s why the Blue Album feels like it punches straight through your speakers—it’s not just big distortion; it’s complete sonic alignment. They even banned reverb and demanded all downstrokes. Nothing loose. Nothing accidental. Just precision nerd-rage, executed with mathematical fury.

4. “Undone – The Sweater Song” Was Supposed to Be Sad
Despite its quirky spoken intro and meme-level cultural status, Cuomo originally wrote “Undone” as a genuinely somber track inspired by the Velvet Underground. But with bassist Matt Sharp and Karl Koch riffing through that bizarre, improvised intro, and Cuomo’s deadpan delivery, people found it hilarious instead. Even Cuomo admits it: “It was supposed to be a sad song, but everyone thinks it’s hilarious.” That tension—between sincerity and satire—is part of what makes the Blue Album iconic.

5. The “Buddy Holly” Video Helped Launch Windows 95—Without The Band Even Knowing
Sure, Spike Jonze’s Happy Days-meets-alt-rock mashup won MTV awards and became a defining moment of ’90s music videos. But did you know it was also secretly bundled with Microsoft Windows 95? Geffen struck a deal with Microsoft without telling the band, embedding the “Buddy Holly” video in the OS. None of the band members even owned a computer at the time. “I was furious,” said drummer Pat Wilson—until he realized millions of new PC users had just discovered their music.

Thirty years on, ‘Weezer’ (The Blue Album) hasn’t aged—it’s just gotten more legendary. Whether it’s the guitar tone, the nerd-chic aesthetic, or the bittersweet beauty of “Say It Ain’t So,” it’s the sound of a band finding their identity—and accidentally creating a new genre along the way.