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SoundCloud CEO Responds to AI Backlash: “No Content Used Without Permission”

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SoundCloud found itself at the center of a backlash this weekend after renewed attention was drawn to a policy update that allows user-uploaded music to be used in the training of artificial intelligence systems. Although the clause was quietly introduced in February 2024, artists and music industry observers reacted strongly when it resurfaced online, fueling concerns about the future of copyright in the age of generative AI. The uproar comes amid a broader legal and political storm, with music rightsholders launching lawsuits against AI developers and global tech firms pushing to reshape copyright law in their favor.

SoundCloud CEO Eliah Seton has issued a letter clarifying the platform’s stance on AI training, emphasizing that user content will not be used without explicit permission. The full statement is included below.

To Our Artist Community, 

Over the past few days, there’s been a lot of conversation about our 2024 Terms of Use update which was intended to clarify how content may interact with AI technologies within SoundCloud’s own platform. 

I want to take a moment to speak directly to you—our artist community—about what’s true, what’s not, and what we’re doing next.

First, let’s be clear. 

SoundCloud has never used artist content to train AI models. Not for music creation. Not for large language models. Not for anything that tries to mimic or replace your work. Period. We don’t build generative AI tools, and we don’t allow third parties to scrape or use artist content from SoundCloud to train them either.   

In fact, we’ve already put protections in place like a “no AI” tag that explicitly signals content on SoundCloud can’t be used for AI training. At SoundCloud, protecting artist rights isn’t new for us and being artist-first isn’t a slogan. It’s core to who we are and always will be. It’s in our DNA.

So, what happened?  

Back in February 2024, we updated our Terms of Use to clarify how we may use AI internally to improve the platform for both artists and fans. This includes powering smarter recommendations, search, playlisting, content tagging, and tools that help prevent fraud.

Our use of AI is focused on discovery—helping fans find new music and helping artists grow, starting with their first fans. That’s core to our mission. Three years ago we expanded our AI and machine learning capabilities through the acquisition of Musiio which significantly improved how we connect creators with listeners, fuel music discovery and help rightsholders identify what’s next. Since then, through First Fans, our recommendation algorithm for Artist Pro subscribers, we’ve delivered over 7 million track recommendations to potential new listeners, helping artists get heard faster and get discovered.

More broadly, we use AI to identify emerging talent, personalize the platform experience, and support real-time customer service, all designed to support human artists and engage real fans.

AI has been, and will continue to be, a key part of how we improve SoundCloud for the people who power it.

But here’s the thing, the language in the Terms of Use was too broad and wasn’t clear enough. It created confusion, and that’s on us. That’s why we’re fixing it.

What we’re doing now:

  1. We’re revising the Terms of Use to make it absolutely clear: SoundCloud will not use your content to train generative AI models that aim to replicate or synthesize your voice, music, or likeness (see detailed terms below).
  2. With the landscape changing rapidly, if there is an opportunity to use generative AI for the benefit of our human artists, we may make this opportunity available to our human artists with their explicit consent, via an opt-in mechanism. We don’t know what we don’t know, and we have a responsibility to give our human artists the opportunities, choices and control to advance their creative journeys.
  3. We’re making a formal commitment that any use of AI on SoundCloud will be based on consent, transparency, and artist control.

Our position is simple: AI should support artists, not replace them. Any use of these tools on SoundCloud will continue to reflect that. You’ll see these changes reflected online within our Terms of Use in the coming weeks which can be found here.   

AI is going to be a part of the changing landscape of music. It brings new opportunities, but also very real challenges. That’s why our approach will always be guided by a single principle: artist-first.  

We’re going to keep showing up with transparency. We’re going to keep listening. And we’re going to make sure you’re informed and involved every step of the way. Thanks for being a part of the SoundCloud community and for holding us accountable to the values we all share.    

Eliah Seton

CEO, SoundCloud

SoundCloud Revised Terms of Use as of May 14, 2025:

By uploading your Content to the Platform, you also grant a limited, worldwide, non-exclusive, royalty-free, fully paid up, license to other users of the Platform, and to operators and users of any other websites, apps and/or platforms to which your Content has been shared or embedded using the Services (“Linked Services”), to use, copy, listen to offline, repost, transmit or otherwise distribute, publicly display, publicly perform, adapt, prepare derivative works of, compile, make available and otherwise communicate to the public, your Content utilizing the features of the Platform from time to time and within the parameters set by you using the Services. We will not use Your Content to train generative AI models that aim to replicate or synthesize your voice, music, or likeness without your explicit consent, which must be affirmatively provided through an opt-in mechanismIn the absence of a separate agreement that states otherwise, You explicitly agree that your Content may be used to inform, train, develop or serve as input to artificial intelligence or machine intelligence technologies or services as part of and for providing the services. For the avoidance of doubt, neither SoundCloud nor any third party is allowed to use, copy or reproduce any Content delivered to the Platform under separate agreements, which is owned or controlled by third party rights holders (including artwork, images, logos, audio and audiovisual recordings (and any part thereof), underlying musical works and lyrics, and metadata) for the purposes of informing, training developing (or as input to) artificial intelligence technologies without authorization from the applicable rightsholders. You can limit and restrict the availability of certain of your Content to other users of the Platform, and to users of Linked Services, at any time using the permissions tab in the track edit section for each sound you upload, subject to the provisions of the Disclaimer section below. Notwithstanding the foregoing, nothing in these Terms of Use grants any rights to any other user of the Platform with respect to any proprietary name, logo, trademark or service mark uploaded by you as part of your Content (for example, your profile picture) (“Marks”), other than the right to reproduce, publicly display, make available and otherwise communicate to the public those Marks.

Lew Apollo Unveils Shimmering New Single “No Room In Hell” From Debut Album ‘Fool’s Gold’

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“’No Room In Hell’ is a rose-tinted daydream and an embodiment of the whole record,” says genre-defying soul artist Lew Apollo about his luminous new single. The first glimpse of his highly anticipated debut album Fool’s Gold, which is out August 8, 2025, the track is a masterclass in emotional duality, pairing honeyed production with themes of longing and illusion and setting the tone for a record that is equal parts cinematic and soul-baring. “‘No Room In Hell’ came to me in about 45 minutes,” he explains. “I was in a good mood, riding high on discovering the band Jungle, and everything just clicked—the beat, the melody, the lyrics. It captures the exact energy of the record: shiny on the outside, but full of deeper questions underneath.”

A Minnesota native now rooted in Austin, Texas, Lew Apollo has built a name as a bold new voice in modern soul—drawing comparisons to Hozier, Leon Bridges, and Labrinth, yet offering something entirely his own. Following the breakout success of his 2023 EP JUNGLE—which amassed over 150,000 streams in just two months—Lew’s next chapter unfolds in Fool’s Gold, a deeply personal exploration of mental health, grief, love, and the blurred lines between fantasy and reality.

The album begins with “No Room In Hell”, an up-tempo anthem brimming with groove and dreamlike warmth. From there, Fool’s Gold guides listeners through a raw and riveting emotional arc. Tracks like “Sweeter” and “Let The Light In” explore the highs and fragility of love—while “Lost In You,” “Addicted,” and “Diamonds & Gold” navigate the inner turmoil that often lurks behind beauty.

As the album progresses so does the tone, growing more introspective and haunting. The final song, “Feeling Ok,” offers a quiet catharsis—a fragile but hopeful end to a record that never shies away from emotional truth. “Fool’s Gold is about the journey through illusion—how we chase happiness and healing in all the wrong places until we finally strip everything back,” says Lew. “It’s a concept album in disguise. It starts in this lush, glittery dream and ends in the most honest, grounded place I’ve ever been in my music.”

Following a string of sold-out performances across Austin—including headline shows at venerable venues such as The Pershing and Antone’s—Lew Apollo has solidified his place as one of the city’s most exciting rising acts. With Fool’s Gold, he steps into a new chapter: not just as a producer-songwriter, but as a fearless storyteller confronting the shadows and searching for light.

Live shows:
* supporting Los Lonely Boys

June 5 – Austin, TX @ Imogene + Willie
June 20 – Bayfield, WI @ Big Top Chautauqua *
June 22 – Fort Wayne, IN @ Performance Pavilion Sweetwater *
July 6 – Corpus Christi, TX @ Corpus Christi *
August 2 – Midland, TX @ The Tailgate *
August 7 – Austin, TX @ Antone’s
August 16 – Galveston, TX @ Hotel Lucine

Lindsay Ell Redefines Heartbreak With Stirring New Single “unloving you”

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Award-winning artist and songwriter Lindsay Ell harnesses the strength in vulnerability with her moving new single “unloving you”, released today.

An emotionally gripping ballad, “unloving you” depicts the heartache of letting go. As the song builds from somber piano chords and reflections of regret, to empowering mantras set to pulsing drums, Ell redefines her narrative. Her emotive vocals deliver evocative lyrics that deeply resonate: “Unloving you takes unlearning you / Unraveling the narrative I tried to tie us to / And forgetting who I wanted to be before you broke my heart and made me start / unloving you”

“I think a huge part of unloving someone is finding ways to unlearn the things you loved most,” shares Lindsay Ell. “It’s one thing to hold onto happy memories, but it can be so complicated to slowly un-attach yourself to the things you were so closely woven to.”

Recorded and produced in Brooklyn and Nashville by Lindsay Ell and Doug Schadt, “unloving you” is Ell’s second single this year following “i shouldn’t call you”, her alt-pop collaboration with Nashville-based indie band Nightly. Ell’s highly anticipated 2024 EP love myself (her debut release with Universal Music Canada and the first project she co-produced) marked the beginning of Ell’s evolved sound. With authenticity shining through both her lyrics and her music, Lindsay Ell has entered the most liberated chapter of her decade-long career which boasts three #1 hit songs, a Platinum-certified single, and over 400 million streams.

Next month, Lindsay Ell will kick off her summer dates with a performance at GLAAD’s Concert for Love and Acceptance in Nashville followed by shows in the U.S. and Canada. Widely admired for her exceptional talent as a guitarist, Lindsay Ell will continue her role as lead guitarist for Shania Twain on her “Come On Over” Las Vegas residency and tour which began in 2024 and has continued throughout 2025. See tour dates listed below.

Lindsay Ell’s decade-long career as an artist and songwriter boasts three #1 hit songs, a Platinum-certified single, and over 400 million streams. Ell is a CCMA Award winner with nominations from the CMA Awards, ACM Awards, CMT Awards, JUNO Awards, and over 20 CCMA Award nominations.

A generational talent, Ell has always felt at home on stage. Beginning her touring career at age 10, Lindsay Ell has brought her electric live performance style to audiences across the US, Canada, Europe, and the UK with her headlining tours and alongside artists such as Keith Urban, OneRepublic, and Maren Morris. Since 2024, Lindsay Ell has proudly assumed the role of lead guitarist on her childhood hero Shania Twain’s “Come on Over” international tour and Las Vegas residency.

2025 sees Lindsay Ell return for her fourth consecutive season as the exuberantly warm-hearted host of Canada’s highest-rated reality program Canada’s Got Talent, which has earned her two consecutive Canadian Screen Award nominations.

In addition to her multi-faceted talent, Lindsay Ell’s philanthropy and advocacy have earned her prestigious recognition in both Canada and the US. In 2024, she received the CCMA’s Music Humanitarian Award in recognition of her work with her Make You Movement charitable fund, and was a guest speaker and panelist at the Clinton Global Initiative’s 2024 Annual Meeting in New York City where she shared her story of recovery from an eating disorder. The Calgary-born, Nashville-based super talent has bravely brought her resilient outlook to the forefront with one mission: to empower and advocate for others.

Lindsay Ell Tour Dates:
• 06/02-2025 – GLAAD Benefit Concert, CMA Fest, Nashville
• 07/02/2025 – Missoula, MT – Washington-Grizzly Stadium (opening for Shania Twain)
• 07/07/2025 – Moose Jaw, SK – Moose Jaw Events Centre (opening for Shania Twain)
• 08/03/2025 – Big Valley Jamboree – Camrose, AB
• 08/16/2025 – Country Thunder Alberta – Calgary, AB

Dates as Lead Guitarist with Shania Twain:
• 07/02/2025 – Missoula, MT – Washington-Grizzly Stadium
• 07/05/2025 – Calgary, AB – Calgary Stampede – Scotiabank Saddledome
• 07/07/2025 – Moose Jaw, SK – Moose Jaw Events Centre
• 07/10/2025 – Cavendish, PEI – Cavendish Beach Music Festival
• 07/12/2025 – Quebec City, QC – Festival D’Été de Québec
• 07/13/2025 – Ottawa, ON – Ottawa Bluesfest
• 07/15/2025 – Toronto, ON – Theater at The Great Canadian Casino Resort Toronto
• 07/16/2025 – Toronto, ON – Theater at The Great Canadian Casino Resort Toronto
• 07/19/2025 – Darien Lake, NY – Darien Lake Amphitheater
• 07/20/2025 – Saratoga Springs, NY – Broadview Stage at SPAC
• 07/22/2025 – Bangor, ME – Maine Savings Amphitheater
• 07/24/2025 – Gilford, NH – BankNH Pavilion
• 07/26/2025 – Hershey, PA – Hersheypark Stadium
• 07/29/2025 – Jacksonville, FL – Daily’s Place
• 07/30/2025 – Jacksonville, FL – Daily’s Place
• 08/01/2025 – Hollywood, FL – Seminole Hard Rock Hotel & Casino – Hollywood, FL
• 08/02/2025 – Hollywood, FL – Seminole Hard Rock Hotel & Casino – Hollywood, FL

Jonah Kagen and Sam Barber Unite on Fiery New Anthem “Burn Me”

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Today, Georgia singer-songwriter Jonah Kagen teams with 2X PLATINUM-certified singer/songwriter Sam Barber for the rebellious “Burn Me,” out now via Arista Records. The new song, which is accompanied by a tour video, came together while the pair were sharing the road on sold-out tours of North America and Australia. It also arrives the same week that Jonah’s dependence-haunted hit single “God Needs the Devil” hits #1 at Alternative radio, a year after its original release.

“Burn Me” combines Jonah’s rich, rugged quaver with Sam’s power-packed tenor — something listeners have been asking after for a good while — but it’s far more than fan service. The poignant song embodies the internal struggles of growing up around different faiths with contradicting values, in a society that has plenty of opinions about that. For Jonah, that meant going to a school that taught him his father would burn eternally for being Jewish. As the song grows from a single acoustic guitar to a whirlwind of strum, the boys come together to belt out the chorus: “I don’t know if I was made from God’s hands, but I know my father is a good man / I’m realizing now how the earth bleeds, so if you’re gonna burn him you can burn me.”

Jonah shares a little background on “Burn Me”: “I grew up in a religiously mixed family filled with nothing but love. Even still, there was always a weird thing none of us really talked about — that one of my parents’ religions technically condemns the other one to Hell, and the other doesn’t even believe that Hell is a thing. I wrestled with it for a long time, and ultimately came to this conclusion: I have no idea what’s wrong or right, but I do know that my parents are both angels sent from somewhere, and if they’re going down for their beliefs, I’m going down with them!”

Jonah is only just back from Australia — where he played his most recent stomp-along single The Reaper— and is gearing up for a summer full of shows, including his co-headlining Rideout Tour with the Crowe Boys, dates with Wyatt Flores, a lengthy leg of Vance Joy’s North American summer headliner, and festivals that include the Calgary Stampede, Montana’s Under the Big Sky Festival, and Louisville’s Bourbon & Beyond. See the full itinerary below.

Late last year, Jonah shared Black Dress, a stirring six-song set recorded and produced by the man himself while living, touring, and traveling in his Airstream trailer (read more here). With standouts like the darkly cinematic Matches and the slowly building Don’t You Give Up on Me Yet,” the EP takes listeners on a journey through shout-along peaks and lonesome valleys.

“God Needs the Devil” hails from that release and has so far been streamed over 75 million times worldwide on its way to dethroning The Black Keys from Alternative radio’s top spot, not to mention featured among Spotify’s Pop Rising playlist’s Best Songs of 2024.

Jonah’s studio-rigged Airstream ensures that the new music will keep coming even as he heads into his busiest summer on record. Stay tuned as he sets his sights on a proper debut album.

Jonah Kagen on Tour
Jul 3 – Calgary, AB – Calgary Stampede Festival
Jul 11 – Bentonville, AR – The Momentary – Rideout Tour with the Crowe Boys
Jul 12 – Omaha, NE – Barnato – Rideout Tour with the Crowe Boys
Jul 14 – Fort Collins, CO – Aggie Theatre – Rideout Tour with the Crowe Boys
Jul 16 – Missoula, MT – Top Hat Lounge – Rideout Tour with the Crowe Boys
Jul 20 – Whitefish, MT – Under The Big Sky Festival
Jul 22 – Emigrant, MT – The Old Saloon – w/ Wyatt Flores
Jul 24 – Grand Junction, CO – Warehouse25sixty-five w/ Wyatt Flores
Jul 25 – Sandy, UT – Sandy Amphitheatre – w/ Wyatt Flores
Jul 27 – Denver, CO – Bluebird Theater HEADLINE SHOW
Sep 3 – Portland, ME – Thompson’s Point w/ Vance Joy
Sep 4 – Shelburne, VT – The Green at Shelburne Museum w/ Vance Joy
Sep 9 – Detroit, MI – The Masonic Temple Theatre w/ Vance Joy
Sep 10 – Pittsburgh, PA – Stage AE w/ Vance Joy
Sep 14 – Louisville, KY – Bourbon & Beyond Festival 2025
Sep 16 – Asheville, NC – Asheville Yards Ampitheater w/ Vance Joy
Sep 17 – Wilmington, NC – Like Oak Bank Pavilion w/ Vance Joy
Sep 18 – North Charleston, SC – Firefly Distillery w/ Vance Joy
Sep 22 – Charlotte, NC – Skyla Credit Union Amphitheatre w/ Vance Joy
Sep 24 – Cary, NC – Koka Booth Ampitheatre w/ Vance Joy
Sep 25 – Cleveland, OH – Jacobs Pavilion at Nautica w/ Vance Joy
Sep 26 – Lewiston, NY – Artpark Mainstage Theater w/ Vance Joy

The Press Release If The Beatles Released Sgt. Pepper’s ‘Lonely Hearts Club Band’ Today

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FOR IMMEDIATE RELEASE
May 2025

🎺 THE BEATLES FLIP THE SCRIPT WITH ‘SGT. PEPPER’S LONELY HEARTS CLUB BAND’ — A MULTI-SENSORY DROP FOR THE AGES 🎺

Strap in, fam. The mop tops just went full metaverse.

After rewriting the rules of rock with last year’s boundary-pushing ‘Revolver’ and the sonically stacked ‘Rubber Soul’, The Beatles are back and they’re rewriting the rules of the music game-again. Meet ‘Sgt. Pepper’s Lonely Hearts Club Band’, a genre-defying, alter-ego-fueled fever dream that doesn’t just drop — it arrives, and it’s already breaking the internet and melting faces worldwide.

This isn’t just an album. It’s a whole era.

From the first crunchy guitar burst of the title track to the soul-splitting final chord of “A Day in the Life,” Sgt. Pepper is the Fab Four at their most feral, experimental, and totally unbothered by commercial convention. This 13-track carousel of sound is what happens when you give the biggest band on the planet carte blanche and a 96-track recorder.

Key Tracks You’ll Be Posting About:

“Lucy in the Sky with Diamonds” — Don’t get it twisted. This kaleidoscopic banger isn’t just about LSD (though, like, come on), it’s a pixelated dreamscape inspired by Julian Lennon’s preschool drawing. Think: Lewis Carroll meets TikTok-core, with more harpsichord.

“She’s Leaving Home” — A slow-burn heart-wrencher ripped from a real newspaper story. Set your relationship status to “complicated,” cue this track, and prepare to cry in 4K. This one hits different. It’s a TikTok-ready tearjerker about a girl breaking free from the parental matrix. If you’ve ever ghosted your hometown to chase your dreams, this song is your next fave.

“Being for the Benefit of Mr. Kite!” — If Tim Burton directed a Coachella set, it would sound like this. John Lennon literally lifted the lyrics from a Victorian circus poster. Sampling, but make it steam-punk vintage.

“With a Little Help from My Friends” — Forget about solo hustle culture-this anthem is all about squad goals. Ringo steps up to the mic and reminds us that, in 2025, your chosen fam is everything. #FriendshipGoals

“A Day in the Life” — The Beatles go full auteur here. Two songs, one sonic mind-meld, and an orchestra that sounds like the inside of your brain during a panic scroll. This is what it sounds like when art meets anxiety — and somehow heals it.

So What’s the Vibe?

Call it maximalist psych-pop. Call it baroque rock. Call it the first concept album that concepted so hard it spawned a thousand Spotify genres. Whatever you call it, Sgt. Pepper is The Beatles flexing creative control like never before. This isn’t your dad’s band (actually, it totally is — but they’re wearing velvet and questioning reality now).

From Boy Band to Brain Trust

Remember when they just wanted to hold your hand? Same band, different universe. The Beatles have gone from pop princes to sonic philosophers, trading mop-top harmonies for sitars, sound collages, and orchestral chaos that somehow slaps.

In a world of endless content, Sgt. Pepper’s Lonely Hearts Club Band is the main character. So, plug in, turn up, and let The Beatles take you on a journey that’s as fresh as your FYP and as deep as your DMs.

Drop Details:
Out now on all platforms — vinyl, stream, spatial audio, and a limited-edition AR filter that lets you step inside the album cover (Apple Vision Pro required).

#SgtPepperChallenge is trending — fans worldwide are posting technicolor tributes, cosplay covers, and rewriting their bios to include “fixing a hole where the rain gets in.”

Because in 2025, the band you thought you knew just reinvented the game. Again.

📍Sgt. Pepper is not just a vibe — it’s a whole Lonely Hearts Club, and everyone’s invited.

Blood Incantation Announce October Dates For ‘Absolute Elsewhere’ European Tour With Oranssi Pazuzu, Esoteric, Sijjin, And More

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Fresh off their incredible show at Incineration Fest this year, Blood Incantation have a second leg of their European tour in support of their acclaimed 2024 release, Absolute Elsewhere.

Scheduled for October, the band will once again play their acclaimed new album in its entirety plus some other highlights of their career. Joining them on select dates are Oranssi Pazuzu, Sijjin, Esoteric, and Author & Punisher.

Tickets will be available from Friday, May 09th, 09am BST at their official website.

Absolute Elsetour – Europe 2025
Oct 6 – Bristol, UK – SWX – w/ Oranssi Pazuzu and Sijjin
Oct 7 – Dublin, IE – The Academy – w/ Oranssi Pazuzu and Sijjin
Oct 8 – Greater Manchester, UK – Albert Hall – w/ Oranssi Pazuzu and Sijjin
Oct 9 – Glasgow, UK – Garage – w/ Oranssi Pazuzu and Sijjin
Oct 10 – London, UK – O2 Shepherd’s Bush Empire – w/ Oranssi Pazuzu and Sijjin
Oct 11 – Nijmegen, NL – Soulcrusher Festival: Doornroosje – w/ Oranssi Pazuzu and Sijjin
Oct 12 – Frankfurt am Main, DE – Batschkapp – w/ Oranssi Pazuzu and Sijjin
Oct 14 – Istanbul, TR – IF Performance Hall Beşiktaş – w/ Esoteric
Oct 16 – Athens, GR – Floyd – Live Music Venue – w/ Esoteric
Oct 18 – Lisboa, PT – Amplifest Sessions: Music Station – w/ Author & Punisher

Chevelle Drop Tense “Rabbit Hole (Cowards, Pt. 1)” Video, Tease New Album

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This past March, CHEVELLE unleashed its first new music in four years with the single “Rabbit Hole (Cowards, Pt. 1)”. It’s a gnarly, riffy rager with more hooks than a tackle box and alternately snarling and melodic vocals. Push and pull tension define the song, which leads to thrilling, dissonant breakdown at the end of the song. Put simply, it was worth the wait.

Today, the band, fresh off an appearance at Coachella, shares the official video for “Rabbit Hole (Cowards, Pt. 1)”, which is rife with the same tension as the song. The black-and-white footage is stark yet startling, and is unlike anything the band has done in the past.

“The sea was angry that day, my friends, for sometimes you cast your net and win, sometimes you lose, and sometimes you just don’t get that happy ending. Either way enjoy the new ‘Rabbit Hole’ music video, friends!,” the band says.

In a recent interview with “Whiplash”, the KLOS radio show hosted by Full Metal Jackie, CHEVELLE drummer Sam Loeffler spoke about “Rabbit Hole (Cowards, Pt. 1)”. The track is taken from CHEVELLE’s as-yet-unannounced tenth studio album, which will arrive later in the year. The follow-up to 2021’s “Niratias” will mark CHEVELLE’s first release through Alchemy Recordings following a long run with the Epic label. Alchemy Recordings is a record label created in partnership between Dino Paredes, former American Recordings vice president of A&R, and Danny Wimmer, the founder of Danny Wimmer Presents, the premier production company for rock music festivals in the United States.

This summer CHEVELLE will embark on a massive tour with special guests ASKING ALEXANDRIA and DEAD POET SOCIETY. Produced by Live Nation, the 38-city trek kicks off on August 7 at Boeing Center at Tech Port in San Antonio, Texas, making stops across North America in Chicago, New York, Los Angeles and more before wrapping up in Airway Heights, Washington at BECU Live at Northern Quest on October 2.

As for what the 10-song album sounds like, Sam said: We’re always skewing towards heavy. [But] these [last] two songs that we’ve been working on right now are definitely different from everything we did, although ‘Niratias’, our last album, I think was a really important snapshot of what we’ve been learning about writing and about music and stuff. This one definitely sounds different than just rock music, definitely different.

Released in March 2021 via Epic Records, “Niratias” was recorded throughout 2019 and 2020 with Barresi. The album artwork was designed by Boris Vallejo — the famed and award-winning artist is responsible for the posters used for films like “Knightriders” and “National Lampoon’s Vacation”, as well as iconic ’70s and ’80s science fiction novel covers and magazines (such as Heavy Metal).

Over the course of its career, the Chicago rockers have generated nearly half a billion streams, notched seven No. 1 hits, and sold out shows worldwide. Their catalog spans the double-platinum “Wonder What’s Next”, which boasts the double-platinum smash “The Red” and the platinum hit “Send The Pain Below”. “This Type Of Thinking (Could Do Us In)” attained platinum status, while “Vena Sera” was certified gold. CHEVELLE has landed four Top 10 debuts on the Billboard 200, including “Sci-Fi Crimes” (2009),”Hats Off To The Bull” (2011),”La Gárgola” (2014) and “The North Corridor” (2016). The latter two each captured the No. 1 slot on the Top Rock Albums chart.

David Foster Sets Sail With Star-Studded ‘Hitman Cruise’ in 2026

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Just weeks after the debut of “Boop! The Musical,” David Foster and Signature Cruise Experiences have announced his newest production: David Foster: The Hitman Cruise, a luxurious musical vacation blending five-star travel with the iconic songs of a generation.

The 16-time GRAMMY Award producer, composer, arranger and musician has personally curated and will direct the cruise, bringing his sophisticated blend of showmanship and charm to the high seas.

Michael McDonald, Katharine McPhee, Peter Cincotti, Pia Toscano, Take 6 and special Nassau guest Babyface will join him for a program of unforgettable performances, elegant events and intimate moments against the stunning backdrop of the Caribbean. Set aboard the beautifully appointed Celebrity Summit, David Foster: The Hitman Cruise will sail January 15–20, 2026, departing Ft. Lauderdale with stops in Key West and Nassau. Pre-sail registration is now available HERE.

Whether at the piano or behind the scenes, David’s talent and direction will shape the cruise and fill it with lush orchestrations, powerful ballads and heart-stirring vocal performances, presented by some of his closest musical collaborators and friends in a luxurious setting. “This cruise is about connection through music, through stories and through unforgettable moments that we’ll share in a truly beautiful place,” says Foster. “There’s a story behind every lyric, every melody,” he adds, “and this is a way Katharine, Michael, Peter, Pia, Take 6, Babyface and I can share them with the people who’ve carried these songs in their hearts for years.”

Few have been a part of major moments across popular music than David Foster. He has created hit songs and award-winning gold and platinum albums for a diverse array of artists including Barbra Streisand, Celine Dion, Whitney Houston, Michael Jackson, Madonna, Andrea Bocelli, Michael Bublé, Josh Groban, Rod Stewart, Stevie Wonder, Earth, Wind & Fire, Diana Krall, Natalie Cole, Michael Bolton, Seal, Chaka Khan, Kenny Rogers, Dolly Parton, Chicago, Hall & Oates, Brandy, ’N Sync, Boz Scaggs and Gloria Estefan. Foster has won 16 GRAMMY Awards, including three for Producer of the Year, an Emmy Award, a Golden Globe and racked up three Oscar nominations for “Best Original Song.” His two star-studded concert events in Las Vegas that celebrate the music from Foster’s unparalleled catalog were filmed for Great Performance on PBS and Foster’s Hit Man and The Hit Man Returns became PBS’ highest-rated pledge drive shows of the decade.

This refined, all-senses experience will take place aboard the Celebrity Summit, offering luxury accommodations, excellent service, complete spa and wellness facilities, an array of both exquisite and casual dining options and world-class venues for music performances and shows. Guests on the cruise will enjoy concerts, artist hosted tastings, watch in-depth interviews, educational and inspirational sessions, and unique events created exclusively for them. Stateroom prices start at $1975 (double occupancy) per person.

Signature Cruise Experiences, the gold standard for music cruises at sea since 2001, is producing David Foster: The Hitman Cruise, undertaking the reservation process and providing programming and technical support. With more than 80 full-ship charters to its credit, Signature Cruise Experiences has produced themed programs of all types throughout the world, including The Jazz Cruise, McBride’s World at Sea, Chris Botti at Sea, The Smooth Jazz Cruise, the Michael McDonald & Patti LaBelle Cruise and Journey of Jazz. Since 2001, more than 170,000 guests have sailed on Signature Cruise Experiences programs.

STAYC Announce North American Leg of 2025 ‘STAY TUNED’ Global Tour

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High Up Entertainment’s six-piece girl group STAYC (Star to a Young Culture) has announced the North American leg of their 2025 “STAY TUNED” global tour. Produced by Live Nation, the fall run of dates kicks off on Thursday, October 2 in Seattle, WA at the Paramount Theatre, making additional stops in Los Angeles, Atlanta, New York and more before wrapping up on Thursday, October 23 in Toronto, ON.

The North America leg follows STAYC’s global run across Asia and Australia with stops in Tokyo, Jakarta, Sydney, Melbourne, Auckland, Bangkok, Hong Kong, Singapore, and more this year. The ‘STAY TUNED’ tour is STAYC’s second worldwide tour with first-ever performances in several markets.

Since their 2020 debut with Star to a Young Culture, STAYC has earned numerous accolades, solidifying their place in the global music scene. Their 2023 hit single “Teddy Bear” soared to #5 on the Billboard Korea chart and dominated charts worldwide. In July 2024, they released their first full-length album, Metamorphic, which showcased their versatility and debuted on Spotify’s “Top Albums Debut” charts in both the U.S. and globally.

Tickets will be available starting Friday, May 9 at 3pm local time at Livenation.com. The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium tickets, Meet & Greet and individual selfie op with STAYC, access to the pre-show soundcheck, specially designed VIP gift item & more. VIP package contents vary based on the offer selected. For more information, visit vipnation.com.

STAYC (Star to a Young Culture) is a six-member K-pop girl group under High Up Entertainment, debuting in November 2020 with Star to a Young Culture and the hit “SO BAD.” Known for their “TEENFRESH” concept, they quickly gained attention with viral songs like “ASAP” and “STEREOTYPE” in 2021. Their strong vocals, catchy melodies, and energetic performances set them apart in the fourth-generation K-pop scene.

Their rise continued with “RUN2U” (2022) and Teddy Bear (2023), along with their Japanese debut and first world tour, “TEENFRESH” (2023–2024). In April 2024, they released their first full-length album, Metamorphic, marking a significant milestone in their career. With a growing international fanbase, STAYC has established itself as a leading girl group with a unique, youthful sound.

In 2025, STAYC is set to release a new album and embark on their second world tour, “STAY TUNED.” Led by Sumin, Sieun, ISA, Seeun, Yoon, and J, the group continues to evolve while staying true to their signature style. With consistent success and global recognition, STAYC remains at the forefront of K-pop’s next generation.

STAYC ‘STAY TUNED’ 2025 GLOBAL DATES – PREVIOUSLY ANNOUNCED:
Thu Jun 05 – Osaka – Cool Japan Park Osaka WW Hall*
Sat Jun 07 – Tokyo – Tachikawa Stage Garden*
Sat Jun 28 – Jakarta – Istora Senayan
Thu Jul 03 – Sydney – Hordern Pavilion
Sat Jul 05 – Melbourne – Festival Hall
Tue Jul 08 – Brisbane – Fortitude Music Hall
Fri Jul 11 – Auckland – Spark Arena
Sat Jul 19 – Bangkok – ICONSIAM
Sat Aug 09 – Hong Kong – AsiaWorld-Expo – Hall 8 & 10
Sat Aug 16 – Singapore – The Star Theatre
Sat Aug 23 – Taipei – TICC
*Non Live Nation date

STAYC ‘STAY TUNED’ NORTH AMERICA 2025 DATES – JUST ADDED:
Thu Oct 02 – Seattle, WA – Paramount Theatre
Sun Oct 05 – San Jose, CA – San Jose Civic
Tue Oct 07 – Los Angeles, CA – YouTube Theater
Fri Oct 10 – Irving, TX – The Pavilion at Toyota Music Factory
Sun Oct 12 – Atlanta, GA – Coca-Cola Roxy
Tue Oct 14 – Rosemont, IL – Rosemont Theatre
Thu Oct 16 – National Harbor, MD – The Theater at MGM National Harbor
Sat Oct 18 – Boston, MA – MGM Music Hall at Fenway
Tue Oct 21 – New York, NY – Theater @ Madison Square Garden
Thu Oct 23 – Toronto, ON – Great Canadian Toronto

Chloe Flower Releases Empowering New Album ‘I Love Me More’ Featuring Nicole Scherzinger, JoJo, Babyface And More

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To kick off AAPI Heritage Month and Mental Health Awareness Month, Korean-American piano virtuoso and “popsical” (pop-classical) composer Chloe Flower has released her third studio album, I Love Me More. The album’s focus track is a new take on the iconic “El Tango de Roxanne” from Moulin Rouge! featuring Broadway’s Nicole Scherzinger and Ramin Karimloo. Ahead of the album’s release, BroadwayWorld spoke to the musician about her unique style and working with the Broadway powerhouses on the new recording. Watch the music video for the song and check out the full album below.

I Love Me More marks a new chapter in Chloe’s musical journey. Building on her mission to bring classical music into the mainstream, the project includes a variety of new takes on old classics including the project’s lead singles: a new rendition of The Beatles masterpiece “Yesterday” with accompanying vocals from her mentor Babyface (performing the track earlier this year on TODAY) along with a fresh take on Miley Cyrus’s “Flowers” and “Under the Stars,” a beautiful original song and soothing soundscape of a starlit night, arranged entirely by Chloe for piano and orchestra with the backing of the Royal Philharmonic Orchestra.

Her latest single, “The Very Thought of You” is a gorgeous new rendition of the pop standard track of the same name featuring high-powered vocals from chart-topping, award-winning singer, songwriter, and actress JoJo (Joanna Levesque). Originally intended as an album about love, the project eventually morphed into an expression of healing, taking on new meaning as she explores musical artistry as a form of self-love and as a way to maintain and boost inner confidence.

“This album is my ode to the transformative power of music,” Chloe shares on the album. “Every song has made me feel stronger in my weakest moments, serving as proof that music isn’t just something we listen to, but something that can empower us in ways nothing else can. I hope this album not only brings listeners joy, but also serves as a sonic reminder that self-love is the most essential kind of love.”

Backed in its entirety by the Royal Philharmonic, I Love Me More is Chloe’s debut under Popsical Music Group, her new label and first major foray into the world of business and entrepreneurship. Her goal with launching Popsical Music Group is to provide a place to elevate female and minority voices within classical music and to especially champion these composers, writers, and performers in a male-dominated industry. The label has an exclusive distribution partnership with The Orchard.

Visionary artist Chloe Flower became the most talked-about pianist in the world after a show-stopping performance with rap queen Cardi B at the 2019 Grammy Awards, launching her into viral fame nearly overnight and prompting her major label debut with Sony Music. The Pennsylvania native began playing the piano at the age of two, studying at Manhattan School of Music and London’s Royal Academy of Music before meeting her mentor, the 12-time GRAMMY Award-winning R&B singer-songwriter and producer, Kenny “Babyface” Edmonds.

In the years since, Chloe has collaborated with some of the biggest names in music, including artists like Celine Dion, Lil Baby (onSaturday Night Live in 2023), Meek Mill, 2Chainz and Nas as well as producers like Mike WiLL Made-It (Miley Cyrus / Beyonce) and Tommy Brown (Ariana Grande / Justin Bieber). Releasing her self-titled debut in 2021, Chloehas coined the term “popsical” to describe her imitable style, which infuses a contemporary pop sensibility with the refined elegance of classical tradition. She continued to refine her sound on both a 2023 holiday album, ChloeHearts Christmas, and official third project, I Love Me More.

Chloe is not only a gifted musician and fashion icon but also an outspoken activist as well. She serves on the advisory board of the UNODC’s Blue Heart campaign. She has been honored by the Coalition to Abolish Slavery and Activism (CAST) and received The Last Girl Award from Gloria Steinem and Apne Aap for her efforts in the fight against human trafficking. As a champion of music education, she is the youngest board member of the Liberace Foundation and The Manhattan School of Music. An official Steinway Artist, Chloe proudly celebrates her Asian heritage and culture and is a fierce advocate for women’s representation — particularly women of color — in the music industry. She most recently performed and spoke for the Forbes Power Women’s Summit as well as the HeForShe Summit for UNWomen.