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David J Releases New Single ‘More Than Yesterday’

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David J has released his brand new single “More Than Yesterday.” With a deeply embedded work ethic rooted in his upstate New York hometown, 21-year-old phenom David J began honing his hook-heavy songwriting skills while still in high school and started making trips to Nashville when he was just 15.

Captivated by the craft of songwriting, David taught himself to sing and play multiple instruments, strengthening his passion for the music and igniting a spark that saw the natural talent making trips to Nashville by the time he was 17, connecting with songwriters and other young musicians, helping craft his singular sound.

The self-taught multi-instrumentalist kicked off 2024 by releasing his major label debut project, Commitment Issues, which features streaming hits “After We Broke Up (feat. Frawley)” and “Found A Girl,” both highlighting the 21-year-old’s vast range of musicality. Including co-writes with Ryan Tedder, Grant Boutin, Danny Majic, and more, the eight-song collection explores budding relationships, braving heartbreak, and moving on.

Through it all, David’s piercing, mature voice that transcends well beyond his age invites listeners into his emotional journey navigating young love. Having shared the stage with the likes of Mitchell Tenpenny, Lauren Alaina, Blake Shelton, Chase Rice, and more, David J is currently on tour with Niko Moon.

The Ataris Release “Car Song” and Reimagined “In This Diary” Ahead Of First Album Since 2007

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The Ataris have just released “Car Song,” the lead single from their long-awaited upcoming album, marking the band’s first full-length release since 2007. Recorded using vintage tones and brought to life with the warmth of analog tape, this heartfelt track is dedicated to frontman Kristopher Roe’s late father, a lifelong supporter and integral part of the band’s journey.

In addition to “Car Song,” The Ataris are revisiting their beloved hit “In This Diary” with two fresh versions – a newly re-recorded 2025 studio version and a brand-new acoustic rendition. These reimagined takes offer fans a fresh, emotional perspective on the track that helped define a generation of fans.

“I’ve always been so lucky to have my dad’s unwavering support for The Ataris. He wasn’t just a fan-he was a fixture of our community. He would often interact with fans on the band’s message board, film live sets, and share them with everyone-everyone knew him. He was a huge part of the band’s journey,” Roe says.

“When I read about a service that would press a loved one’s ashes into vinyl, it instantly hit me. What better way to honor my dad than making him a permanent part of the music he always loved? It felt like the most meaningful tribute I could give him.”

Kristopher’s father, William Roe, passed away in 2014 due to complications related to alcoholism. In his honor, a portion of the proceeds from the “Car Song” 7-inch release will go to Shatterproof, a nonprofit organization dedicated to ending addiction. The funds raised through this release will benefit Shatterproof through 2025 and 2026, helping those affected by substance use disorders. “For anyone who knew my dad, they’d agree this would be the most fitting tribute for him,” Roe adds.

The 7-inch vinyl will come in a variety of exclusive editions, including a limited variant incorporating William Roe’s ashes, pressed at Hellbender Vinyl in Pittsburgh, PA. Other vinyl options include a turquoise and silver variant (matching the color of the ring Kristopher’s father wore throughout his life) and a striking rust-red splatter version. order here

“Car Song” is the first release from The Ataris’ upcoming, untitled album. The band’s return to the studio was sparked by an unlikely source: Roe’s purchase of Walter White’s iconic Volvo from Breaking Bad’s final season. A longtime fan of the show, Roe bought the car from a friend who worked on the show, even discovering a receipt signed by Bryan Cranston as Walter White in the glovebox. Roe later traded the car to his producer Bob Hoag in exchange for studio time-an exchange that led directly to the creation of “Car Song.”

“I like to say that Walter White’s Volvo was the catalyst for ‘Car Song’ and the new album,” says Roe with a smile. “It all just came together from there, and now, here we are.”

 

Robert Jon & The Wreck Release “Better Of Me” Ahead Of ‘Heartbreaks & Last Goodbyes’

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Southern California rockers Robert Jon & The Wreck continue to roll out their forthcoming studio album Heartbreaks & Last Goodbyes with the release of “Better Of Me,” an upbeat, swagger-filled anthem that blends country rock grit with sun-soaked hooks. Produced By Dave Cobb, the track is available now on all major streaming platforms via Joe Bonamassa’s Journeyman Records.

Driven by a stomping piano intro and crunchy guitars, “Better Of Me” captures the band’s signature blend of defiance and melody. Co-written with long-time collaborator Nick Foster, the track originated during a writing session while the band was on tour and found its final form under the guidance of producer Dave Cobb (Chris Stapleton, Jason Isbell, Rival Sons).

“‘Better Of Me’ is a track co-written with our good friend and long-time collaborator Nick Foster,” shares guitarist Henry James. “Initially conceived from a Zoom writing session conducted while on tour, the song took on new life with Dave Cobb’s production genius. Led by some inspired piano riffing, it’s a jamming, rollicking tune that wears its heart on its sleeve and transports us back to some of our favourite albums like The Basement Tapes and Second Helping. The track is an empowering affirmation that talks about not letting anyone get the best of you and not caring what others think. It encourages the listener to move forward on their own path in life, unburdened by whatever obstacles may present themselves.”

Recorded in Savannah, GA, Heartbreaks & Last Goodbyes is due out August 22nd and marks a defining chapter for Robert Jon & The Wreck. The band lived together during the recording process, giving the sessions a relaxed, communal energy that allowed each track to evolve organically under Cobb’s guidance.

“This record really represents who we are right now, both musically and personally,” says frontman Robert Jon. “We stepped away from our day-to-day and just focused on the songs, and you can feel that in every track.”

High On Fire Announces European Tour In Support Of ‘Cometh The Storm’

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High on Fire, has announced a European headlining tour in support of its celebrated LP, ‘Cometh the Storm’. The GRAMMY Award-winning group will kick off the sixteen-city, nine country tour on October 25 in Maastricht, Netherlands.

The tour is scheduled to run through November 16 in Istanbul, Turkey and will include high profile appearances as part of the Samhain Festival (NL), Bruges is Doomed (BE), and the Damnation Festival (UK). Support to High on Fire on non-festival dates will come from Necrot.

“Europe, take shelter; a storm is coming!,” said the band in statement. “Prepare thy ears! High on Fire draws near.”

The GRAMMY Award-winning group, celebrating their 25th anniversary, recorded Cometh the Storm at GodCity Studio in Salem, Massachusetts with producer Kurt Ballou. The 11-song effort – the band’s ninth studio album – marked the release of the first new High on Fire music since 2018’s Electric Messiah and the first to feature drummer Coady Willis (Big Business, Murder City Devils), alongside bassist Jeff Matz, and guitarist/vocalist Matt Pike.

It has been more than five years since the band’s revered Electric Messiah earned High on Fire ‘Best Metal Performance’ at the 2019 GRAMMY Awards, placing the unit among the ranks of groups such as Black Sabbath, Motörhead, and Metallica as winners of the prestigious award. “Being nominated for a Grammy was pretty mind blowing, but winning one was truly surreal,” says bassist Jeff Matz. “A Grammy win was certainly not something we were aiming for, but it’s quite an honor to be recognized in that way, and we are grateful. In terms of how it’s affected us, it has definitely opened some new doors—we’ve gained some new fans and wider recognition, but it hasn’t changed how we approach our craft. We’ve always tried to create uncompromising music that feels good to us, and is in line with what we would want to listen to.

In the half decade since the band’s Grammy nod, the world has seismically shifted and is a different place. The same can be said for High on Fire. The band’s musical archetype has been modded, morphed, and evolved; its blast radius widened. Bassist Jeff Matz joined Mutoid Man and traveled abroad to study and learn the techniques of Middle Eastern folk music and the plucked string instrument, the bağlama (or saz), Matt Pike formed a solo band, released an LP, and toured the U.S., and world-renowned percussionist, Coady Willis, he of Melvins, Big Business, and Murder City Devils united with Pike and Matz to breathe new life into the group a quarter century into their captivating career.

Universally recognised as one of the most potent acts in music today, High on Fire creates dynamic metal that merges primal fury and aggression, hesher bombast and hall of fame heaviness. Described as “a supersonic exercise in conquest by volume,” High on Fire has rewritten the hard rock rule book since their formation in 1998, forging a style and sound that is both critically celebrated and unique. The group features vocalist and cult guitar hero Matt Pike (also a founding member of the famed underground band SLEEP) singular bassist Jeff Matz, and powerhouse drummer Coady Willis.

October 25 – Maastrichtm NL @ Samhain Festival (w/ Author & Punisher, Conan, more)
October 26 – Bruges, BE @ Bruges is Doomed (w/ Conan, more)
October 28 – Berlin, DE @ Neue Zukunft *
October 29 – Brno CZ @ Kabinet MUZ *
October 30 – Vienna, AT @ Arena Wien *
October 31 – Munich, DE @ Hansa 39 *
November 1 – Milan, IT @ Legend Club *
November 2 – Martigny, CH @ Les Caves du Manoir *
November 4 – Wiesbaden, DE @ Kesselhaus *
November 5 – Essen, DE @ Turock *
November 6 – London, UK @ Electric Ballroom *
November 8 – Manchester, UK @ Damnation Festival (w/ Deafheaven, The Haunted, more)
November 11 – Athens, GR @ Kyttaro Club
November 12 – Thessaloniki, GR @ Mylos
November 15 – Cankaya/Ankara, TR @ 6:45 KK
November 16 – Istanbul, TR @ Blind

* = Necrot supporting

Colt Ford Releases Country-Rap Anthem “Farmboy” Featuring Caden McGuire

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Country-rap trailblazer Colt Ford returns today with “Farmboy,” featuring TikTok star and rising country artist Caden McGuire, out now via Average Joes Entertainment. Co-written by Ford alongside Brian Kelley, Steven Lee Olsen, Hunter Phelps, and Jordan Schmidt, the track pairs Ford’s down-to-earth, rapid-fire verses with McGuire’s hook-heavy chorus – delivering a laid-back, infectious anthem tailor-made for cold beers, backroads, and long, sun-drenched days. Fueled by a summertime groove, “Farmboy” is a proud salute to the grit, pride, and rhythm of rural living.

“I’ve been a fan of Caden’s for a while – we’re cut from the same cloth,” Ford shares. “When I heard this track, I knew it was meant for him. It’s everything we are: faith, family, hunting, fishing, country living. I’m excited about working with Caden, I think he’s going to be a big star in country music.” Caden explains, “When Colt hit me up, I was blown away. I grew up listening to him. I may not be a farmer, but I respect everything they do. This song is about the life I live – hunting, fishing, thanking God on the porch. I’m pumped to be a part of it.”

“Farmboy” follows Ford’s recent singles “Shades” (with Bryan Martin feat. Yelawolf) and “Hell Out Of It” (feat. Michael Ray), both marking his powerful return after a near-fatal heart attack in 2024. Ford, recently profiled in PEOPLE Magazine and Fox News credits faith, family, and fans for his recovery and renewed creative fire.

With a second lease on life, the Georgia-born singer, songwriter, rapper, and Average Joes Entertainment co-founder is looking forward to delivering fresh shows and an arsenal of new music. He has built a genre-blurring career marked by millions of sales, billions of streams, and a who’s-who of collaborators.

“I’ve been so lucky and blessed to work with the people I have,” he says. “I just let the song lead me to who I want to work with – and hope they want to work with me.” Now, mindful that life can change in the blink of an eye, Ford says he’s learned to “walk a little slower,” savoring every moment and every mile.

Ford will join Brantley Gilbert on select dates of the “Tattoos” Tour. While stepping back on stage after his traumatic health scare comes with its share of nerves, Ford says there’s no one better to help him ease back in. “BG, who’s like a little brother to me, is as good as it gets,” he shares.

Emily Ann Roberts Releases Heartfelt Track “The Fence” Following Breakout Year

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Country music’s rising powerhouse Emily Ann Roberts delivers her most emotionally compelling release to date with the brand-new single, “The Fence,” out everywhere today.

Produced by Brandon Hood and co-written with hitmakers Jessi Alexander and Paul Sikes, “The Fence” pairs Emily Ann’s unmistakable vocals with striking honesty and emotional depth. Her gift for storytelling shines brighter than ever, making this one of her most powerful releases to date-a track that promises to give listeners chills with every play. The song has already struck a chord with fans, earning over 1 million views on social media ahead of its official release.

“Sometimes in love everything makes sense on paper, but no matter how hard you try to convince yourself, you know deep down it’s just not the right fit. When I wrote this song with Jessi Alexander and Paul Sikes we put ourselves in the moment of trying to tell yourself it’s perfect and then fighting with the fears and doubts that it may not be,” said Emily Ann.

This release follows a breakthrough year for Roberts, whose singles “Scratching Out a Living” and “Easy Does It” earned praise from US Weekly, SiriusXM’s The Highway, and CMT Hot 20 Countdown’s Heatseeker, among others. She recently shared the stage with country heavyweights including Blake Shelton, Cody Johnson, Megan Moroney, and Clint Black.

Emily Ann Roberts Tour Dates:
May 3 – Dallas, Ga. – City Fest
May 5 – Dunlap, Tenn. – Valley Fest
May 27 – Nashville, Tenn. – Bluebird Cafe
June 6 – Madison, Wis. – Breese Stevens Field^+
June 7 – Nashville, Tenn. – CMA Fest – Dr. Pepper AMP Stage
June 8 – New Haven, Ky. – The Amp at Log Still+
June 13 – Rocky Mount, Va. – Harvester Performance Center
June 20 – Fort Watne, Ind. – Allen County Fair
June 21 – San Antonio, Texas – Frost Bank Center=
June 27 – Newberry, S.C. – Newberry Opera House
July 17 – Sacramento, Calif. – Golden 1 Center=
August 23 – Cedarburg, Wis. – Country In The Burg
September 14 – Loma, Colo. – Pickin’ in the Rockies
September 18 – West Valley City, Utah – Maverick Center^
September 19 – Idaho Falls, Idaho – Mountain America Center^
September 20 – Stateline, Nev. – Lake Tahoe Outdoor Arena at Harvey’s^
November 7 – Knoxville, Tenn. – Bijou Theatre
November 8 – Knoxville, Tenn. – Bijou Theatre
November 21 – 23 – St. Petersburg, Fla. – St. Pete Country Fest
+supporting Clint Black
^supporting Megan Moroney
=supporting Cody Johnson

Mimi Webb And Meghan Trainor Join Forces On Disco Anthem “Mind Reader”

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British powerhouse Mimi Webb kicks off 2025 in style with her first release of the year, “Mind Reader,” an irresistible and undeniable dance-floor filler featuring chart-topping GRAMMY Award winning Epic Records label mate Meghan Trainor. Written by Webb and Trainor, and produced by Grant Boutin & Federico Vindver, “Mind Reader” brings their unmistakable chemistry to the forefront-making a bold bid for song of the summer. “Mind Reader” is a playful, confident disco anthem for the ages about demanding respect and refusing for anything less.

Speaking about the collaboration, Mimi reveals, “Meghan is an artist I’ve admired for such a long time, and having her be my first-ever collaboration on a single feels like a dream come true. The song came together in such a fun, natural way. She’s an amazing songwriter, and we actually wrote ‘Mind Reader’ during the first session we ever did together. When I got home and listened back, I immediately felt like the track needed her voice on it, so I called her straight away and asked if she’d jump on it as a feature. She said yes immediately!”

Meghan Trainor adds, “Working with Mimi was an absolute dream!! My husband and I have been big fans of her for years so we were star struck when she came to the house to write this song. We had the best time writing ‘Mind Reader,’ so I was beyond excited when she asked me to feature on it. I can’t wait to dance to this song all summer long!”

LISA and Maroon 5 Team Up for Bold New Single and Video “PRICELESS”

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dancer, actor, and style icon LISA to debut an infectious new single “PRICELESS,” out today via 222/Interscope Records.

The song also notably marks the first time Maroon 5 has collaborated with a K-pop artist. In addition to the debut of their new single, the music video for “PRICELESS” has premiered today. Directed by Aerin Moreno (Tate McRae, Tyla), the playful and stylish clip was shot in downtown Los Angeles on 35mm film and visually gives a nod to the film Mr. & Mrs. Smith.

“PRICELESS” is a prelude into Maroon 5’s upcoming eighth studio album, of which details will be formally announced soon. On the album, the band are returning to their roots with their new music while subtly expanding their sound.

Of their upcoming album release and new single, Adam Levine said, “It’s just a guitar-based song which we haven’t really done in so long. It happened first for us while we were recording the album. I think it’s just the purest and we are so happy to have LISA on it. The guitar intro is literally me playing into an audio message on my iPhone with an unplugged guitar. I actually got a little emotional recording ’cause it was sort of reconnecting to our roots, which a lot of our fans have been saying ‘hey we want to hear that sound again.’ It’s been like over 20 years so I think it’s time for that to return.”

Added James Valentine, “I got super emotional when Adam sent me the original demo of ‘PRICELESS’ because for me the sound represents Maroon 5’s earlier days. I joined the band in 2001 so when I was seeing them play in 2000, ‘PRICELESS’ gave me the same sort of excitement from the chords to overall vibe. I was super stoked on it and it established the writing and sound for our upcoming album.”

In addition to their new music, Maroon 5 are also preparing to announce an upcoming world tour. The US dates follow an extended residency at Las Vegas’ Dolby Live at Park MGM, which has now reached 40 total performances.

Summer Walker Debuts “Spend It” and Teases Final Album in Trilogy

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Grammy-nominated R&B powerhouse Summer Walker (LVRN/Interscope Records) unveils her latest single and music video for “Spend It,” a sultry, unapologetic anthem that ushers in a brand-new era for the chart-topping artist. Arriving with two additional versions-“Spend It (Diamonds & Pearls Version)” and “Spend It (Rent is Due Version)”-the track is now available on all streaming platforms.

Opening with the bold line “Give me the last 4 of your credit card, buy back my love, you can keep your heart,” Summer makes it clear: love comes second to luxury this time around. With “Spend It,” Summer flips the narrative on romance, trading emotional depth for material clarity. It’s a song about power, pain, and pleasure-wrapped in silk, laced with satire, and set to a hypnotic R&B groove. She’s venting, but she’s over it. Rather than heartbreak, she’s leaning into what she can gain: control, luxury, and a little bit of revenge. In a world where love has let her down, she’s not asking for it-she’s charging for it.

The “Spend It” music video adds a cinematic layer to the single, starring P-Valley’s Gail Bean, Miracle Watts, and Brandee Evans, along with Angela White as a slick accomplice, and a special appearance by actor Eric Roberts. Set inside an exclusive private game at a lavish mansion, Summer plays a seductive ringleader on a mission to crack a high-security safe filled with money and expensive antiques. Between flashes of fine dining, high-stakes gameplay, and surreal shots of Summer in a pearl-filled bathtub and a turquoise trap room, the heist unfolds with a dramatic twist-Robertson opens the safe to find a Joker card and realizes he’s been played. The video ends with a cryptic message: “WhereIsTheAlbum.com,” followed by a surprise cameo from Joanne the Scammer, who offers Summer one final clue.

“Spend It” introduces fans to a new era of Summer-an era inspired by over-the-top glamour and hyper-femininity. The single will appear on Finally Over It, the final chapter in a trilogy that began with Over It (2019) and continued with Still Over It (2021). In this album, Summer walks away from past cycles and into a fantasy version of the life she’s creating for herself-where heartbreak becomes art, and the past is finally paid in full.

This summer, Walker will be an opener for Chris Brown’s Breezy Bowl XX Stadium Tour with Bryson Tiller, and will also perform at Daisies Festival in South Africa, further expanding her global presence and fanbase.

Onoleigh Honors Her Mother with Poignant New Ballad “Legacy”

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Rising country artist Onoleigh premieres the music video for her most personal release yet, “Legacy”, with Holler. A poignant tribute and love letter to her mother wrapped in soaring vocals and an elegant piano melody, “Legacy” is a testament to the quiet sacrifices and unwavering strength of mothers everywhere.

“This song carries the heartbeat of my mother and the love that’s been passed down through generations. I hope it reminds people that the love we leave behind is the greatest mark we can make on the world,” said Onoleigh.

Produced by four-time ACM nominee David Dorn and co-written by an all-star team -Sam SZND (4x Platinum songwriter), Emile Ghantous (Pitbull, Boyz II Men, Fifth Harmony), Josh Goode (2x Emmy-winning songwriter), and Armen Paul Arakelian (multi-Platinum songwriter) – “Legacy” seamlessly blends country storytelling with a cinematic country ballad feel. The light touch to the song’s arrangement keeps the spotlight on Onoleigh’s emotional delivery, allowing every lyric to resonate deeply.