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Reid Parsons Shares Tender New Single “Lightbulb” Ahead of Debut Album ‘Back to Back’

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With their highly anticipated debut album Back to Back arriving this Friday, April 25th, Vermont-based singer-songwriter Reid Parsons (they/she) shares one final preview: the glowing, intricately crafted single “Lightbulb.” Romantic, sinewy, and quietly radiant, “Lightbulb” is a celebration of enduring love and the subtle magic tucked inside life’s simplest moments.

“I wrote this song for a special person’s special day—one they pretend isn’t special at all,” Parsons shares. “It’s about someone who’s bursting with hope but wears a layer of playful cynicism to keep things in check. They’re the kind of person who lights up a room with their laugh, but also reminds you not to take things too seriously.”

Built around a crisp, hip-hop-inspired groove, “Lightbulb” floats on a delicate lattice of fingerpicked acoustic guitar, metronomic keys, and bass. Ethereal pedal steel and cello drift above it all, punctuated by sparkling guitar lines and descending classical runs reminiscent of chamber pop. The result is a lovingly crafted soundscape—described by Parsons as “a little, delicate but ornately decorated music box”—that balances clarity and complexity, groundedness and dreaminess.

The song’s central metaphor—“a little lightbulb on the ceiling”—offers a humble counterpoint to the grandiosity so often found in pop love songs. “There are no chandeliers or fancy LEDs in this picture,” Parsons explains. “Just a warm, steady glow—something simple but lasting. That’s how I think about love.”

“Lightbulb” is the third and final single from Back to Back, following the bossa nova-tinged title track and the bluesy anthem of resilience, “Get Out of Bed,” which was recently featured by The Big Takeover, who praised Parsons as “one of Vermont’s most compelling musical voices.” Engineered by Ben Collette (Trey Anastasio, Susan Tedeschi, Sharon Jones) and recorded live to tape at Burlington’s Tank Recording Studio, Back to Back is a stunning debut—an orchestral Americana record steeped in soul, folk, jazz, and classical influences.

Rooted in the slow, natural rhythms of their home state, Parsons’ songwriting is deeply informed by place, architecture, and human connection. “Music has always been where I can build a world to embrace all parts of myself,” they say. From tender reflections on intimacy to wry meditations on mental health, Back to Back invites listeners into that world—a thoughtfully constructed space where hope and realism coexist.

Raised in Moretown, VT, Parsons’ musical foundation includes childhood car rides scored by Lucinda Williams and Steely Dan, classical composition studies, and a long-running love affair with jazz and blues. They cut their teeth performing at the now-defunct Purple Moon Pub—once a launchpad for Grace Potter—and fronted a 13-piece soul and Motown band while studying music and anthropology. Back to Back was funded through a successful crowdfunding campaign and day jobs in farming and food systems, reflecting the same quiet integrity found in the music itself.

In support of the album, Parsons has announced a series of new live dates across Vermont this spring and summer, including a hometown release show on June 12th at Foam in Burlington. For more information and to purchase tickets, visit reidparsons.com.

Reid Parsons – Upcoming Tour Dates
Saturday, May 3 – Marigold Gallery – Burlington, VT
Friday, June 6 – Nectar’s – Burlington, VT
Thursday, June 12 – Foam (Album Release Show) – Burlington, VT
Saturday, July 5 – Shelburne Vineyard – Shelburne, VT

Back To Back by Reid Parsons:
1. Back to Back
2. Get Out of Bed
3. Lightbulb
4. Heavy Load
5. Show Me You Love Me
6. Holiday
7. I’m On Fire
8. Figure It Out
9. Same Old Shit
10. Where Are You Now

Mary Chapin Carpenter Unveils Deeply Personal New Album ‘Personal History’ and Heads Out on Tour with Brandy Clark

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5x Grammy Award-winning singer, songwriter and performer Mary Chapin Carpenter will release her anticipated new album Personal History on June 6 (pre-order). In advance of the release, the album song “Bitter Ender” is out today.

Carpenter’s 17th album, Personal History was produced by Bonny Light Horseman’s Josh Kaufman (Bob Weir, The National) and recorded live at Peter Gabriel’s Real World Studios in Bath, England. Across the eleven tracks, Carpenter presents a set of songs more autobiographical than any collection that has come before.

Carpenter shares, “A novel that I’ve loved for years is My Name is Lucy Barton, written by Elizabeth Strout. There’s this moment where the main character is taking a creative writing course, and her teacher says to her, ‘You will only have one story. You will write your one story in many ways.’ I remember reading that line and taking an audible breath. In that moment, I said out loud to no one, ‘Oh, that’s what the songs are.’”

On the heels of the album’s release, Carpenter will join forces with fellow Grammy Award-winning artist and songwriter, Brandy Clark, for a special tour this summer and fall. The extensive run kicks off June 9 in Portland, OR and includes stops at New York’s Town Hall, Nashville’s historic Ryman Auditorium, Los Angeles’ Wilshire Ebell Theatre, Seattle’s Benaroya Hall, Denver’s Botanic Gardens, Minneapolis’ Orpheum Theatre, Ridgefield, CT’s Ridgefield Playhouse (two nights), Vienna’s Wolf Trap and Evanston’s Cahn Auditorium among many others. Additional summer performances include a return to the legendary Newport Folk Festival on July 27 and a stop at Louisville’s Bourbon & Beyond Festival on September 12. See below for complete tour itinerary.

One of music’s “most reliable and empathetic songwriters” (Pitchfork), Carpenter has sold over 17 million records over the course of her renowned career. With hits like “Down At The Twist And Shout” and “He Thinks He’ll Keep Her,” she has won five Grammy Awards (with 18 nominations), two CMA Awards, two ACM Awards, is one of only twenty-two female members of the Nashville Songwriters Hall of Fame and is a recipient of the 2023 ACM Honors Poet’s Award.

Carpenter’s last solo recording, 2021’s One Night Lonely (Live), was nominated for Best Folk Album at the 65th Annual Grammy Awards—exactly 30 years after her very first nomination. A rare solo performance, the album was recorded at Virginia’s legendary Wolf Trap and features songs from across her acclaimed career, including from her last solo studio album, The Dirt And The Stars.

Most recently, Carpenter released Looking For The Thread, a collaborative album with legendary Scottish folk stars and songwriters Karine Polwart and Julie Fowlis. Released to widespread praise, Folk Alley describes it as, “a set of warm, introspective, and stunningly gorgeous songs…It’s beauty and warmth touch our souls deeply, and each song is a many faceted gem of love and hope,” while Music Row calls the project “enchanting” and The Arts Desk declares, “It’s only January but this is an album of the year…a class act, heartfelt and beautifully crafted.”

In addition to her work as a musician, last fall Carpenter unveiled her new podcast, “Hope is a Muscle,” which finds her in conversation with people from all walks of life including Joan Baez, Adriene Mishler, John Darnielle and U.S. Congressman Jamie Raskin. During its run, the podcast was in the top five music podcasts on both Apple and Spotify Platforms. Previously, in 2020, Carpenter released the three-part audio liner notes podcast, “One Story,” with American poet, Sarah Kay.

PERSONAL HISTORY TRACK LISTING
1. What Did You Miss
2. Paint + Turpentine
3. New Religion
4. Girl And Her Dog
5. The Saving Things
6. Hello My Name Is
7. Bitter Ender
8. The Night We Never Met
9. Home Is A Song (feat. Anäis Mitchell)
10. Say It Anyway
11. Coda

MARY CHAPIN CARPENTER 2025 TOUR DATES
June 9—Portland, OR—Revolution Hall*
June 10—Seattle, WA—Benaroya Hall*
June 11—Eugene, OR—Hult Center*
June 13—Napa, CA—Uptown Theatre*
June 14—Saratoga, CA—Mountain Winery*
June 16—Santa Barbara, CA—Lobero Theatre*
June 19—San Diego, CA—Humphreys*
June 20—Los Angeles, CA—Wilshire Ebell Theatre*
June 21—Tucson, AZ—Fox Theatre*
June 22—Scottsdale, AZ—Scottsdale Performing Arts Center*
June 24—Aspen, CO—Wheeler Opera House*
June 25—Denver, CO—Botanic Gardens*
June 26—Colorado Springs, CO—Pikes Peak Performing Arts Center*
June 27—Steamboat Springs, CO—Strings Music Pavilion*
June 28—Fort Collins, CO—The Gardens on Spring Creek*
July 27—Newport, RI—Newport Folk Festival
July 29—Brownfield, ME—Stone Mountain Arts Center
July 30—Brownfield, ME—Stone Mountain Arts Center
August 1—Portland, ME—State Theatre*
August 2—Laconia, NH—Colonial Theatre*
August 3—Nashua, NH—Nashua Center for the Arts*
August 6—Toronto, ON—Massey Hall*
August 7—Grand Rapids, MI—Frederik Meijer Gardens*
August 8— Chautauqua, NY— Chautauqua Amphitheater*
August 9—Poughkeepsie, NY—Bardavon*
August 10—Northampton, MA—Academy of Music*
August 12—Ridgefield, CT—Ridgefield Playhouse*
August 13—Ridgefield, CT—Ridgefield Playhouse*
August 14—Kennett Square, PA—Longwood Gardens Open Air Theatre*
August 15—Richmond, VA—The National*
August 16—Vienna, VA—Wolf Trap*
September 12—Louisville, KY—Bourbon & Beyond Festival
September 25—Medford, MA—Chevalier Theatre*
September 26—Rutland, VT—Paramount Theatre*
September 27—New York, NY—Town Hall*
September 28—Princeton, NJ—McCarter Theatre*
September 30—Charleston, SC—Charleston Music Hall*
October 1—Durham, NC—Durham Performing Arts Center*
October 2—Nashville, TN—Ryman Auditorium*
October 3—Chattanooga, TN—Walker Theatre*
October 4—Charlotte, NC—Knight Theater*
October 5—Knoxville, TN—Bijou Theatre*
October 7—Akron, OH—Goodyear Theater*
October 8—Ann Arbor, MI—Michigan Theater*
October 9—Evanston, IL—Cahn Auditorium*
October 10—Madison, WI—The Orpheum*
October 11—Minneapolis, MN—Orpheum Theatre*
*with Brandy Clark

5 Surprising Facts About Thomas and Pere Ubu

David Thomas didn’t just front Pere Ubu. He was Pere Ubu — a guiding voice, a warped compass, and an uncompromising force of creativity who stayed true to the band’s vision for nearly five decades. As fans mourn the passing of this avant-garage pioneer, it’s worth pausing to remember not just the albums and the legend, but the lesser-known corners of his wild, weird, and wonderful world.

Here are 5 things you might not know about David Thomas and Pere Ubu:

1. The Band Was Born in a Shared House Full of Noise and Ideas
Before they became the sonic disruptors of the underground, founding members of Pere Ubu—including Allen Ravenstine, Tom Herman, and Scott Krauss—lived in a chaotic Cleveland house owned by Ravenstine. It wasn’t just a place to sleep. It was a laboratory of sound, ideas, and shared meals — where the band’s earliest experiments were blasted into the air and onto four-track tapes.

2. David Thomas Didn’t Play an Instrument — and That Was the Point
While most bandleaders strummed something, Thomas refused. His voice was his instrument, and he bent it into shapes few could follow. He howled, whispered, barked, and crooned with a theatricality that made you question whether he was channeling dada poetry, carnival barking, or a ghost from an AM radio broadcast. His performance was performance art, plain and simple.

3. He Invented a Genre Just to Mess With Journalists
Tired of being pigeonholed into punk, post-punk, or art-rock, Thomas coined the term “avant-garage” to describe Pere Ubu’s sound — a head-on collision of musique concrète, garage rock, and industrial noise. The term was never meant to stick. It was a joke, a jab, and a challenge all at once. And yet, it’s now part of their legacy.

4. They Scored Sci-Fi Films — Live and in Real Time
Pere Ubu didn’t just play gigs; they performed films. The band composed live scores for B-movie sci-fi classics like It Came From Outer Space and X: The Man with X-Ray Eyes, projecting the movie while soundtracking it in real time. It was like stepping into a 1950s drive-in through a haunted avant-garde portal. David Thomas called it “a geography of sound in two acts.”

5. He Once Turned a French Absurdist Play into a Full Rock Opera
In 2008, Thomas adapted Ubu Roi — the same play that inspired the band’s name — into a full-blown multimedia stage production titled Bring Me The Head of Ubu Roi. It featured animations by the Brothers Quay, a rock opera soundtrack by Pere Ubu, and David himself playing the grotesque title role. For him, absurdism wasn’t just a genre — it was a worldview.

David Thomas was never chasing fame, and Pere Ubu was never chasing hits. But together, they created a body of work that shaped the DNA of post-punk, art rock, and everything that came after. As Thomas once said, “We are not the future of rock and roll. We are its present.”

And with that, we say goodbye — not to a man who passed, but to a voice that echoes.

AIR Celebrates Moon Safari with Record Store Day Rarities and Vegyn Remix Album Ahead of 2025 World Tour

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You might want to sit down for this one – and maybe throw on “La Femme d’Argent” while you’re at it.

Just days after selling out four shows in a row at the legendary Salle Pleyel in Paris, the French downtempo icons AIR have announced a pair of gorgeous, groove-laden releases that will drop just in time for Record Store Day on April 12. This is not a drill. This is Moon Safari season.

First up: Blue Moon Safari, a full reimagining of their beloved debut by none other than genre-blurring British producer Vegyn – aka Joe Thornalley, known for his boundary-pushing work with Frank Ocean and Travis Scott. It’s an inspired choice, really. Moon Safari was the ultimate chill-out record for the turn of the millennium. Vegyn, the next-gen sonic architect, takes it apart and rebuilds it into something that’s still seductively familiar… but a little dreamier, a little weirder, a little now.

Songs like “Sexy Boy,” “All I Need,” and “Kelly Watch the Stars” helped define an era — the kind of tracks that turned couches into rocket ships and bedrooms into outer space. And now, on Blue Moon Safari, they’ve been reshaped with love and flair, ready to inspire a new generation of headphone introverts and late-night lounge-dwellers.

But wait — there’s more.

AIR are also releasing Moon Safari Live & Demos, a white vinyl-only Record Store Day gem that collects ten previously unreleased rarities, demos, and BBC live sessions from their debut era. This is the kind of stuff crate-diggers dream about: studio moments frozen in time, fragile ideas that blossomed into genre-defining grooves, and the stripped-down beginnings of what would become one of the most influential electronic albums of the 1990s.

With these two releases, AIR is doing something rare — they’re opening up their musical scrapbook and letting us peek behind the velvet curtain of Moon Safari. It’s a nostalgic celebration, yes, but it’s also a bold look forward. Because if Vegyn’s remixes tell us anything, it’s that AIR’s sound isn’t stuck in the past — it’s part of the future, too.

So here’s your checklist: circle April 12 on your calendar. Head to your local record store. Get your hands on Blue Moon Safari and Moon Safari Live & Demos. And don’t be surprised if you float all the way home.

Because twenty-six years later, Moon Safari is still showing us how to land softly in a loud world.

Air 2025 Tour Dates

5/6 – Crans, SWI @ Caribana Festival
5/24 Sao Paulo, BRA @ C6 Festival
5/28 Lima, PERU @ Arena 1
5/30 Bogota, COL @ Coliseo Midplus
6/6 – London, UK @ Lido Festival
6/7 – Paris, FRA @ We Love Green Festival
6/17 – Dublin, IR @ Fairview Park
6/21 – Lido De Camaiore, ITA @ La Primera Estate Festival
6/23 – Zagreb, CRO @ InMusic Festival
6/24 – Sofia, BUL @ Arena Sofia Kolodruma
6/26 – Madrid, SPA @ Noches Del Botanico
6/28 – Istanbul, TUR @ Gezgin Salon Festival
6/29 – Athens, GRE @ Herodes Atticus Theater
7/3 – Herouville, FRA @ Beauregard Festival
7/5 – Eindhoven, NL @ Klokgebouw
7/6 – Luxembourg, LUX @ Rockhal
7/9 – Aix Les Bains, FRA @ Musilac
7/10 – Juan Les Pins, FRA @ Jazz A Juan
7/11 – La Rochelle, FRA @ Francos
7/16 – Munich, GER @ Tollwood Tent Festival
7/18 – Hamburg, GER @ Stadtpark Open Air Festival
7/24 – Arles, FRA @ Les Escales @ Theatre Antique
7/25 – Toulouse, FRA @ Poney Club
7/26 – St Nazaire, FRA @ Escales De St Nazaire
7/27 – Suffolk, UK @ Latitude Festival
8/1 – Oxfordshire, UK @ Wilderness Festival
8/2 – North Berwick, Scotland (UK) @ The Lighthouse Festival
8/6 – Bonn, GER @ Kunstrasen Open Air Festival
8/7 – Lokeren, BEL @ Lokerse Feesten
8/8 – Helsinki, FI @ Flow Festival
8/16 – Paredes De Coura, POR @ Paredes De Coura Festival
9/21 – Los Angeles, CA, USA @ Hollywood Bowl w/ The LA Philharmonic Orchestra

E Street Band Legend Nils Lofgren Launches Reverb Shop Featuring Signed Guitars, Amps, and Tour-Used Gear

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More than a decade after his induction into the Rock & Roll Hall of Fame, legendary multi-instrumentalist Nils Lofgren of the E Street Band is selling a collection of signed guitars, amps, cases and more in The Official Nils Lofgren Reverb Shop.

Starting now, fans and fellow musicians alike can grab studio-and tour-used gear, all of which is signed, including a Fuchs Overdrive Supreme Amp Head, a Takemine Acoustic-Electric Guitar, and dozens of other instruments.

Since the late ’60s, Lofgren has performed as a solo act and as a member of both Crazy Horse, alongside Neil Young, and the E Street Band, alongside Bruce Springsteen. His work as a pianist and guitar player have earned him credits on storied albums like Young’s After the Gold Rush, Tonight’s the Night, Carry On, and Trans, Springsteen’s Tunnel of Love and The Rising, and Ringo Starr’s Ringo Starr & His All-Starr Band.

You can check out all of the signed gear available in The Official Nils Lofgren of the E Street Band Reverb Shop here:

Richard Pryor’s Comic Genius Revisited in 7LP Box Set ‘I HOPE I’M FUNNY: THE WARNER ALBUMS (1974–1983)’

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Shocking. Hilarious. Boundary-defying. Fearless. Brilliant. In the world of comedy, few names resonate as powerfully as Richard Pryor. Regarded as one of the greatest and most influential comedians of all time, Pryor’s ability to weave incisive social and political observations into his storytelling has left an indelible mark on the genre. His comedic legacy goes beyond awards and accolades; he used humor to explore complex themes like race, addiction, and personal trauma, challenging societal norms while making audiences laugh.

In a celebration of his comedic genius, the enduring legacy of Richard Pryor is encapsulated in a newly released 7LP boxed set, I HOPE I’M FUNNY:THE WARNER ALBUMS (1974-1983). Each album showcases Pryor’s unparalleled humor and thought-provoking social commentary, solidifying his reputation as one of the greatest comedians of all time.

The set includes six albums: THAT N*****’S CRAZY, …IS IT SOMETHING I SAID?, BICENTENNIAL N*****, WANTED/RICHARD PRYOR LIVE IN CONCERT (double-LP), LIVE ON THE SUNSET STRIP, and HERE AND NOW.

Scott Saul, a Professor of English at the University of California, Berkeley, and the author of Becoming Richard Pryor (Harper Perennial), details Pryor’s essential recorded output between 1974 and 1983 in the set’s enlightening liner notes. Saul takes a deep dive into Pryor’s vast and immeasurable influence on the world of comedy, quoting comedian Paul Rodriguez, who once said that “there are two periods in comedy in America: before Richard Pryor and after Richard Pryor.”

“The Age of Pryor has never ended,” Saul writes. “Across the six albums collected here, Pryor blew open what a comedian could do onstage, and it’s the rare comedian who is not somehow in his debt.”

The set opens with Pryor’s third album, THAT N*****’S CRAZY(1974). Recorded at Don Cornelius’ Soul Train nightclub in San Francisco, the LP includes some of the comedian’s funniest–and most poignant–routines from the era, including the thought-provoking “Wino & Junkie.” The record was a huge hit in the Black community, soaring to #1 on its R&B/Soul Albums chart for four weeks. It also won the Grammy Award for Best Comedy Album for 1974.

Next up: …IS IT SOMETHING I SAID?(1975). Another Grammy winner for Best Comedy Album and chart-topper on the Billboard R&B/Soul Albums chart, this release is famous for introducing one of Pryor’s most beloved and enduring characters, the extravagant storyteller Mudbone. According to Saul, “Mudbone is both a fabulist and a moralist, deploying his outrageous imagination in the service of a sidewinding truth.”

Pryor originally released his sixth album,  BICENTENNIAL N*****, appropriately enough, in 1976. Despite being assembled in less than two weeks, it’s considered among his most impactful releases. Featuring the 10+ minute routine, “Mudbone Goes to Hollywood,” the LP found Pryor taking the Best Comedy Album Grammy award for the third year in a row.

The next LP in the set is the double-album WANTED/RICHARD PRYOR LIVE IN CONCERT. Released in 1978, the Grammy-nominated set revealed the comedian digging deep and mining painfully intimate details of his own life for material: “The magic of Pryor’s comedy on WANTED lies in how he can make you see his life from so many perspectives at once,” Saul writes in the liner notes. “Flipping effortlessly between characters, he makes us see the righteous anger of his grandmother, schooling her errant grandson with force; the wide-eyed terror of the young Richard, dodging her blows; and the bemused perplexity of the adult Richard, wondering from the distance of three decades, how this ‘hell of a psychology’ has turned him into the man he has become.”

Pryor’s LIVE ON THE SUNSET STRIP (1982) came at a moment of personal and creative rebirth. The release found him being brutally honest about his addictions, which led the comedian to a devastating freebasing incident that left him with second and third-degree burns over half of his body. The excruciating rehabilitation from that moment drives much of the material here. Pryor’s frank recollections from the Sherman Oaks Burn Recovery Center, and an eye-opening trip to Kenya, created moments both heartbreaking and hilarious, often at the same time. The record brought him another Grammy nomination and win for Best Comedy Album in 1982.

The last album in the set is HERE AND NOW (1983). Recorded when Pryor was clean and sober for the first time since he was 14 years old, the Grammy-nominated release saw the comic riffing on the trials of fame, meeting President Reagan, and the trials and tribulations of being a married man. He even revived the beloved Mudbone, with a wild tale of dealing with pubic lice during a stint in the L.A. County Jail. Proof that despite his sobriety, the most dangerous comedian of the past decade and beyond hadn’t lost his shocking edge.

Sum 41 Release Final Music Video “Radio Silence” As Emotional Farewell To Fans

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Grammy-nominated and Canadian Music Hall of Fame Rock Icons Sum 41 have released their final music video for “Radio Silence” via Rise Records. This final music video is a heartfelt tribute to Sum 41’s 29-year legendary career, capturing the essence of a band that defined a generation.

Filled with beautiful memories, it takes fans on an emotional journey through the moments that shaped their legacy-from electrifying live performances and behind-the-scenes camaraderie to career-defining milestones and fan-favorite moments. This video is more than just a farewell; it’s a celebration of the passion, energy, and impact that Sum 41 has brought to the world for nearly three decades.

The band is riding off the momentum of their induction into the Canadian Music Hall of Fame and final performance together at the 54th Annual JUNO Awards in Vancouver where they closed out the award show with a medley of songs that helped catapult them to global stardom. The performance this weekend marks the conclusion of Sum 41’s farewell tour that took place over the last year in sold out arenas around the world, saying thank you and goodbye to fans that helped make them one of the defining rock bands of their generation.

The Madden brothers from Good Charlotte introduced the band to the stage to accept the induction honor where Deryck Whibley expressed the bands deepest gratitude for their friends, family and fans and took a look back on their storied career together. This year the band was nominated for Group of the Year and Rock Album of the Year for their final and most ambitious record to date, Heaven :x: Hell. The double album’s chart-topping single “Landmines” has racked up over 50 million streams globally, and has been streamed on over 100,000 playlists on Spotify in the last month alone.

Looking back at the band’s career together, Sum 41 has firmly cemented their place in history with over 15 million records sold worldwide and multiple Billboard Charting releases and No. 1 hits. They have received countless accolades including a GRAMMY nomination, 2 JUNO Awards (9 nominations), a Kerrang! Award in 2002, multiple Alternative Press Music Awards, sold-out tours, tv appearances and have left life long impressions on fans across the world. Sum 41’s career has been nothing short of legendary.

 

BABYMETAL Signs with Capitol Records, Unveils Star-Studded Album ‘METAL FORTH’ Featuring Tom Morello, Poppy, Spiritbox, and More​

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Acclaimed metal band Babymetal has signed to Capitol Records, the first Japanese artist to sign a frontline deal with the label. The group will release new album METAL FORTH, globally via Capitol Records on June 13.

Meaning “beyond metal,” METAL FORTH features collaborations with Poppy, Electric Callboy, Spiritbox, Tom Morello, Bloodywood, Polyphia and Slaughter to Prevail-artists that BABYMETAL has connected with over the years while touring the globe.

“BABYMETAL’s groundbreaking sound and compelling artistic vision have not only cultivated a worldwide following, but have also demonstrably shifted global music culture. We at Capitol Records are privileged to join them in this next chapter as we continue to amplify their international reach and influence with the upcoming release of Metal Forth.” – Tom March, Chairman & CEO, Capitol Records

“This year, BABYMETAL celebrates its 15th anniversary and embarks on an exciting new chapter. With Capitol Records as our global partner, the sound of BABYMETAL will resonate across the world as we take on bolder, more dynamic endeavors than ever before. Stay tuned for what’s to come.” – Key “KOBAMETAL” Kobayashi, Producer & Manager of BABYMETAL CEO, BABYMETAL WORLD, LLC

As BABYMETAL celebrates its 15th anniversary this year, the band has mapped out a world tour that will include numerous firsts. In May, they’ll embark on their first-ever headline arena tour in the UK and Europe, playing 12 shows across eight countries and concluding at The O2 Arena in London. BABYMETAL is the first Japanese group to headline a show at this iconic venue. The band will kick off its biggest North American tour yet on June 13. The 24-date run will include a June 24 show at The Theatre at Madison Square Garden in New York City.

idobi Radio Summer School Tour Returns for Sophomore Year with Taylor Acorn, Charlotte Sands, Huddy & More

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Returning after a successful freshman year, the idobi Radio Summer School Tour has announced its sophomore class. Leading the second year, the tour will feature headline sets from Charlotte Sands, Taylor Acorn, and Rain City Drive. Additionally, the tour will also feature performances from Beauty School Dropout, If Not For Me, Arrows In Action, and special guest HUDDY.

Founded by Eric Tobin (Hopeless Records), Michael Kaminsky (KMGMT), and Kevin Lyman (Vans Warped Tour), and sponsored by idobi Radio and Hot Topic, the Summer School Tour aims to bring the next generation of rising stars to the masses across the country, a sentiment that all partners agree on. idobi Radio CEO, Eddie Barella, shares, “At idobi, our mission has always been to find and magnify the future of alternative music. The opportunity to align with the legendary founders of Summer School Tour once again is an incredible honor.”

The tour is slated to kick off on July 11 in Detroit, MI, make a stop at Vans Warped Tour in Long Beach, CA, and conclude on August 10 in Philadelphia, PA. Presale tickets are available for $35 here, and general on-sale will begin this Friday, April 4, at 12 PM ET/9 AM PT. Check out the full tour lineup below.

Tour Dates:
July 11—Detroit, MI @ The Fillmore Detroit
July 12—Chicago, IL @ Riviera Theatre
July 13—Cleveland, OH @ The Agora
July 15—Newport, KY @ MegaCorp Pavilion
July 16—Chesterfield, MO @ The Factory at The District
July 18—Kansas City, MO @ Uptown Theater
July 19—Denver, CO @ Fillmore Auditorium
July 20—Salt Lake City, UT @ The Union
July 22—Seattle, WA @ Showbox SoDo
July 23—Portland, OR @ Roseland Theater
July 25—Sacramento, CA @ Channel 24
July 26—Long Beach, CA @ Vans Warped Tour*
July 27—Tempe, AZ @ Marquee Theatre
July 29—Dallas, TX @ House of Blues
July 30—Houston, TX @ House of Blues
August 1—Nashville, TN @ Marathon Music Works
August 2—Atlanta, GA @ The Masquerade Heaven
August 3—St. Petersburg, FL @ Jannus Live
August 5—Silver Spring, MD @ The Fillmore Silver Spring
August 6—Pittsburgh, PA @ Stage AE
August 8—Sayreville, NJ @ Starland Ballroom
August 9—Worcester, MA @ The Palladium
August 10—Philadelphia, PA @ Franklin Music Hall

Aittala Unleashes New Single “Machines (Prologue)” Ahead of Nostalgic Yet Crushing 2025 Album

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Eclectic doom metal powerhouse AITTALA has unleashed its second single and video, “Machines (Prologue),” giving fans a taste of their highly anticipated album “Machines,” due out on April 17, 2025, via Exitus Strategem Records.

The songs on “Machines” were originally written and demoed between 1990 and 1997 on an analog 4-track cassette recorder. Now, Aittala has revived these tracks, preserving their raw essence while enhancing them with modern production techniques. The album offers a nostalgic yet powerful experience, blending early progressive metal influences with storytelling-driven lyrics. While showcasing a distinct style from their recent works, “Machines” stays true to Aittala’s signature heavy, immersive sound.

Formed in 1991 in Holland, Aittala quickly gained recognition in the Dutch metal scene, opening for bands like THE GATHERING and SADIST. After a hiatus, frontman Eric Aittala resurrected the band in 2008, leading to six full-length albums: Bed of Thorns (2009), Haunt Your Flesh (2011), Effigy (2014), American Nightmare (2016), False Pretenses (2019), and Live to Regret (2022).

Now, with “Machines,” AITTALA boldly steps into the past, bringing long-lost tracks to life with a modern, crushing edge.

This dynamic duo of Eric Aittala (Guitars/Vocals) and Gary ‘Zeus’ Smith (Drums) (THE FIFTH, ex-MR BLACKWELL) continues to write, record, and tour, bringing their distinct brand of heavy, immersive metal to fans worldwide.